assumed identity

IMG_0788POSTCARD#58: Chiang Mai: Arrived in the early evening and out through the exit tunnel into the airport corridors. Turn the first corner and we’re looking back through a large window at our plane with passenger bridge attached. M says, in her 9-year old voice: take a photo of it… put in your blog Toong-Ting (she calls me that). There’ll be a time when M takes a direct editorial role in this blog… so I take the photo and here it is now. A large reptilian mouth sucking out the contents of a passenger aircraft that has a painted face, intensely happy smile, and it seems okay about what’s happening. M is silent for a moment as she considers the elasticity of this strange stretched metaphor. Then we continue along the corridors to get our bags from the luggage belt. I put everything on the trolley with M sitting on top, push the wheels through the glass doors, opening as we approach and we’re in Arrivals. Her mum is waiting for us, pleased to have M back.

Bags in the car and we’re off. Heavy traffic on the way into town and M, still silent, looking out at it all considering, maybe, how one thing can become another, tells me that cars have gender: boy-car and girl-car. It’s the look of the ‘face’ of the car – that kind of ‘grin’ created by the front bumper and radiator grille. She sees it as the face of a boy or a girl or, if she can’t decide which it is, it must be a katoey, effeminate gay male, third gender, or whatever – she giggles a bit, it’s okay in Thailand. I ask her to identify a boy-car for me, just to see if I can recognise its ‘maleness’ – although I’ve boy caralways thought of cars being male. She points at one: that’s a boy-car Toong-Ting (see left pic). I want to say… how d’you know that? But this kind of challenge to her  reasoning might be too much, so I’m just going along with it. She asks if I can identify the gender: you tell me, Toong-Ting, it’s a boy-car or girl-car, okay? I have a feeling I’m going to get this wrong… let’s see, there’s one that’s got really male characteristics, I point to it and say that one is a boy-car. No, Toong-Ting it’s a girl-car… looking at me like, how come you can’t see something as obvious as that, hmm?

M spends a lot of time on the road, going to and from her school, a long way from her house. I think she probably knows the brands of all kinds of cars now, maybe not the names, just a familiarity with their appearance and long ago decided some were boy-cars, some were girl-cars, and those in-between were katoeys. As we’re going along I take a photo of the back of a car and show it to her so she can study it in detail: boy or girl? (see pic below) She says she can’t really tell looking at the back of it, can’t see its face, but thinks maybe it’s a girl-car, because she remembers that she decided at some earlier time, that particular make of car was a girl. It’s a case of remembering which is what (or what is which?) or what she had already decided it was when she first saw that make of car.

girl carThere’s intelligence in her playfulness, a reality in her personifications that challenges my usual insisting there is no ‘self’, the Buddha’s Teaching on anatta: ‘self’ is an illusion arising from the 5 Khandas. I feel I’m holding on to something I should let go of, with M going around happily applying the attributes of ‘self’ and gender to all kinds of things. She can create an identity and let it go, because it’s one among many. She can escape the entanglements of ‘self’ because she plays with a multitude of ‘selves’, like waves in the ocean and an ocean in all the oceans of the world. Everything in the universe is Self. The ‘self’ I believe to be ‘me’ is an assumed identity – there is no ‘self’, everything I see is ‘me’.

‘Brahman is full of all perfections. And to say that Brahman has some purpose in creating the world will mean that it wants to attain through the process of creation something which it has not. And that is impossible. Hence, there can be no purpose of Brahman in creating the world. The world is a mere spontaneous creation of Brahman. It is a Lila, or sport, of Brahman. It is created out of Bliss, by Bliss and for Bliss. Lila indicates a spontaneous sportive activity of Brahman as distinguished from a self-conscious volitional effort. The concept of Lila signifies freedom as distinguished from necessity.’ [Ram Shanker Misra, The Integral Advaitism of Sri Aurobindo]

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kateuay car

 

 

 

 

 

Above pic shows M’s katoey-car
Note: “Everything I See Is Me” was inspired by a post in the Hip Monkey site

the forever window

http://www.dreamstime.com/-image12334007POSTCARD#57: Bangkok: Early evening, M asks what kind of walls I’d like to have in the house she’s building for me. It’s the Minecraft game, everything created from virtual terrain, mountains, sea, sky and a square sun. She looks up from the iPad window and turns to me with enquiring lift of the eyebrow (a nine-year-old veteran). I say well, how about stone – walls are made of stone, aren’t they? It’s an unimaginative answer lacking in conviction – not paying attention properly. I ask what the choices are. She taps the screen to show me: gold, lapis, and you could have diamonds. Generosity. But I’ll just have the stone, please – keep it simple (thinking to myself is she going to come out soon from this digital dream she’s fallen into? Come out, it’s late and you have to do your homework. Be mindful and attend to things in the real world?) But there’s no ‘real’ world here. M says, what kind of roof you want in your house, Toong-Ting? (It’s her name for me) and I’m drawn into the discussion again. You like floor tiles Toong-Ting? I say what I’d like, and that looks nice (trying to reach her by telepathy, please, please emerge from the iPad window soon and think about the homework always in arrears!) For a moment it seems like she’s going to close the iPad but no, it goes on: why do you want that one? This other one looks nicer, does it look nice to you Toong-Ting?

I find answers that fit each question, but there’s no end to it; I know now the point of the exercise is to indulge expansively in this great wealth of choices. We have to try them all. No such thing as a final choice. The iPad is a forever window, a deep lake of astoundingly rich colours that’s difficult to surface from after you’ve fallen in – everything else in ‘real’ life is sadly dull. M dives into the forever window simply because it’s there. The containment of it is the context. The question answers itself, no need even to ask, cause becomes effect, timelessness without end.

Then for a moment she emerges from the dream, a flicker of alertness in her eye. Quickly, grab the opportunity! Act out a continuation of playfulness and joy, extend the interest to our surroundings and she decides to follow. Good, yes! It’s like guiding someone dismayed by sensory overload. Now let’s close the forever window for a while, shall we? Life is the same as it was but it’s quite nice out here. Fetch the school bag, heavy with stuff, reach inside and pull out a scrumfled homework book from the tangle of scraps of food wrappers in there, bits of tissue, and an overall blueness from a pen that flooded its ink inside the bag, a long time ago. My fingers are always slightly blue after visiting M’s bag; I go wash my hands while she considers her homework.

They have to make a simplified pop-up book page; the double page you open and a whole scene pops up. Wow, we never had homework like this when I was a kid! The teacher has given her a model of the folded-out paper mechanism she has to copy. A small spark of interest. Can do by myself now, Toong-Ting, she says, goes over to the sofa and pulls a large cushion over her head: but I have to think it first… stays under the cushion for quite a long time and I’m beginning to think I should ask if she’s okay under there. But next time I look M has cut and formed the folded-out bit with a scissors, glued on the picture that’s supposed to ‘pop up’ and it works – yaay! Well, not brilliant, but homework is not supposed to be a fun thing, it just gets ‘finished’. It’s done, put it away, now where were we? A voice says: may I borrow your iPhone, Toong-Ting?

‘We have a duty to befriend those aspects of obedience that stand outside of our house and shout to our reason, “O please, O please, come out and play.” For we have not come here to take prisoners or to confine our wondrous spirits. But to explore ever and ever more deeply our divine courage, freedom, and light.’ [Hafiz: ‘We Have Not Come To Take Prisoners’]

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a kind of subjectivity

IMG_0671POSTCARD#56: Bangkok: I’m the one that got away, the escapee, the spiritual refugee. I followed the road that led away from the place I was born and never went back. The link with ‘home’ is broken and even if I could get it reset there’s no connection now. Somehow it fits with the history of where I came from; of war and battles lost and won, victory, defeat, the pibroch, the dirge lament, death like a flood sweeps away a sleeping village; the kamma of immense grieving, Celtic calamity, the catastrophe, the ruins, the mourning, s’affliger, generations of the dispossessed, and all the elders are gone.

Is integration the opposite of disintegration? If so, I came from a world in disintegration, I stowed away on a ship, sailed over many horizons and by happenstance got shipwrecked on a strip of land in the South China Sea. I am the Western urban migrant, assimilated, integrated here, got the password, userID and blessed to find the Buddhists in Thailand. A sense of connectedness, although it hasn’t been easy these 30 years, carrying the weight of Western thinking, causes and conditions from early times, likes and dislikes. And, being the only foreigner in the family, I’ve learned to go along with the preferences of others when it comes to food. As it was this morning, for example, faced with Korean kimchi at 10.30 AM because somebody thought it was a good idea to go to the Korean food buffet downtown, and if it were up to me I’d have chosen something less exotic so early in the day, but Jiab thinks our niece, we call M, needs to eat something substantial so maybe she’ll like this. Okay go for it.

M tries the kimchi and tells me: not spicy, Toong-Ting, her name for me (see the M posts). She’s waiting for a response… I taste it, blood red and trailing strands of human skin and tissue –  a vampire thing? But there’s nothing wrong with kimchi really, I’ve had things far more out-of-this-world than that. I nod with approval and give her a smile I think is convincing. But M can see kimchi doesn’t quite hit the spot. She comes over and tells me quietly they have ice-cream here too. Yeh… well, ice-cream at 10.30 AM? If I said I didn’t like that either I’d lose all credibility. So I say, Nice! Do they have caramel/toffee? Thirty years further on in the journey and I’m eating ice-cream with a nine-year-old. I’m amazed that she likes me… maybe she responds to this quality of improvised simplicity I’ve developed, anyway it’s a privilige and quite wonderful how things have gotten very much easier since M came into the world. She corrects my Thai pronunciation (the tones), has a continuous chattering bird-like dialogue with me and discovers useful-to-know things about my phone I never knew were there. M is an empath – no words for it, it’s a kind subjectivity. Maybe because she’s a child in a bilingual situation and has to find the easiest route to understanding others, or maybe all children are like this and because I never had any children of my own, it seems special to me.

Being part of her world means there’s less of the holding on to ‘self’. Anyway, there’s less of an emphasis on individuality here in Thailand, things are shared, a largely Buddhist population. And my ‘self’ is so totally different from everyone else’s self, it’s not appropriate to be imposing my ‘standards’ here, creating supporting statements to prove what I’ve already decided is the correct way of going about things, and convinced about this simply because my continuing engagement with it somehow seems to confirm it has objective reality. In the East, the ‘object’ is not the goal. The starting point and the answer are revealed in the interaction with the context of the question – inductive reasoning, it takes longer, it’s more revelatory, exploratory, open-ended.

M runs off to look at what kind of drinks they have. Comes back and tells me about one she thinks I like but can’t pronounce the name, I ask her how do you spell it? Never mind she says, can she borrow my phone? I give her the phone, she’s always ‘borrowing’ my phone. M runs off to the drinks section again and comes back immediately; she’s taken a photo of the drink, shows me: Chrysanthemum tea, wow! A difficult one to pronounce. Nice, I’ll have that. M is gone for a moment then returns with a glass of iced tea held in both hands, places it on my table without spilling a drop; loving-kindness, she steals my heart away…

‘There is ultimately no individual self or soul (jiva), only the atman (universal soul), in which individuals may be temporarily delineated just as the space in a jar delineates a part of main space: when the jar is broken, the individual space becomes once more part of the main space.’ [Gaudapada] source: Non-Duality America (Link to original)

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Lower photo: M‘s Pic of the Chrysanthemum Tea dispenser

windows

BKKtaxi2POSTCARD#55: Bangkok: Coming in from the airport in a taxi with my Thai niece. I call her M, nine years old (soon be 10) and playing Minecraft on my iPhone all day. Glass window opens into another reality, digital trees, cubed terrain, oceans and snowscapes in a gravity reduced space. ‘Look, Look, Toong-Ting’, she says. Since she was an infant, M has called me Toong-Ting; holding on to her baby talk of the past and now it’s somehow cool to call me that. I lean over to see what’s going on in her window: building an ice palace with Lapis and Gold entranceway while playing the ‘Let it Go’ soundtrack from the movie, ‘Frozen’. I listen, ask questions, sing along and we exchange views – limited because English is a second language. When there’s nothing left to talk about, she returns to the Minecraft world and I hover in space waiting for the next question to arrive.

I am the support system, resource person, back-up plan. We came by plane from Chiang Mai this morning and the day has passed us by like this; M absorbed in her Minecraft software and the outside world seen from a sequence of moving vehicles we’re in, time and space transforms around the moment. Clouds in high altitude sky of 30,000 feet, mountains of buildings in the urban landscape and M emerges from the dream from time to time to pull me into the depths of the inner world she’s in – let’s see what she’s doing there… we dialogue about it, laugh, and she disappears further into subterranean caves, while I swim up to the surface again. There’s only a short time for me to look at the page I’m reading… sometimes only a few seconds before the next request arrives: “Look Toong-Ting, look, look…” I take a deep breath and dive into the water again. In the intervals between these visits to M’s world, I’m having to be mindful and speed-read my text like pieces clipped from a larger flow of words; one piece jumps out more than anything else:

A man is searching for God but gets frustrated in his effort, throws a stone into the water and a fish sticks its head out, says: ‘You think you’ve got problems? I’ve been swimming in this river my whole life looking for water, dying of thirst and cannot find any water to drink.’ The man says, ‘But the river is filled with water, there’s not a spot in the river where there is no water. Just open your eyes and you’ll see.’ And the fish says, ‘same with you; you’re surrounded by God. God is all around you and within you. Yet you say you can’t find God…’ [Sant Rajinder Singh: “The Love of God Is All Around Us”] (Click here for the original source: Holy Notion/ God and the Self)

Our taxi arrives at the house, get inside and M runs around discovering the familiarity of the last time we were here. Later in the day we’re in a corner of the room where she has her playthings scattered around. Everything lying in disarray after a particularly large creative frenzy of cutting out and the sticking of things with glue, scotch tape, adhesive coloured paper and bits of old Christmas decorations, recycled. And when every additional use these items might be put to is thoroughly exhausted, M moves to Minecraft videos on my laptop: “Look Toong-Ting, look…” she says.

I position myself so I can see the screen, participate when I’m needed, and otherwise pleasantly distracted by the surroundings; the world suddenly thrust into a clear, enhanced three-dimensional presence. Objects become somehow… known? All our bags and things just lying where they got dropped, extensions and extrapolations of the environment of rooms, the furniture, the plants and trees outside. A momentary happiness, bien-être, no words for it…

‘… the Truth and the way leading to it are often indicated by what they are not rather than what they are… in the Upanishads, ‘neti… neti’, meaning ‘not this… not this’, the reality of appearances is rejected. In Christian theological language, referring to what things are not is called the ‘apophatic method’, also known as the via negativa.’[Ajahn Pasanno & Ajahn Amaro: The Island – An Anthology of the Buddha’s Teaching on Nibbana]

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passing through 1

tuktukChmai4POSTCARD#54: Chiang Mai: Situated at the top of a column of words (at the time of writing), light and easy, a feeling of no-thingness, the world is here but no serious attachment to anything. Emptiness of space in the place where “I” have not yet arrived and the sensory mechanisms that give the world meaning for me are still offline. Look at the altitude app, it says 1043 ft. above sea level, add 180 feet for the height of a 7 floor building and my location is identified. I am standing with my bag here on the top floor of said building, waiting for the elevator down… everything goes down from here. Doors open, step in with my bag on its little wheels, doors close, and down we go. It’s a small elevator space with large mirror. Is this good or bad; the witchcraft of mirrors. Study my reflection, hmmm… look into my eyes and see my eyes looking back out at me – slightly scary, stop doing that. Elevator stops at the 3rd floor, doors open, nobody there… a volume of 3rd floor air enters, doors close. We go down again, floor numbers on the indicator decrease as we descend further. Look at my reflection like a friend standing next to me. Examine the teeth in a large wide grin; watch myself holding this grimace, weird guy. Try to be normal; this is how I’m seen in public. Elevator reaches the ground level.

The people in the lobby are engaged in a conversational event that started before I got here and there’s a pause in the dialogue as I step into their space. Eyes look… do we know you? Smile, show teeth, no cause for alarm folks, just passing through. Walk out the main door and lift my bag down the steps. Street restaurants, the smell of exotic cooking, noise and clatter, a child cries, bicycles creak, rubber wheels on hot tarmac, a motorbike fills the place with sound. I have the feeling that I’m now situated at the top of a column of bones, ligaments, tissue, fluidity, and looking out of two holes in the skull that bond together into a single screen monitor – just the edges seen and the side of the nose. If I focus on something in the environment, through sight, sound, smell, taste, touch, there’s a curious ‘entering’ takes place… the outside world invades totally, no boundaries, and my whole head disappears* (funny how it does that) and there’s only the world, with me in it, headless. Everything switches back to normal view, when I want it to, and back to watching my feet appear and disappear on the ground below, one at a time: left, right, left, right. My bag following behind, rumbling along on its little wheels, slippers flip-flop on soles of feet…

Looking for a passing tuk-tuk or some means of public transportation that’ll take me to the airport. Reality check: am I at peace with myself? Is there an easefulness or am I busy thinking about things? How am I feeling? Allow the software to do its job; the facility of reflecting on how all this is going so far. Outer noise and heat find a way through the senses and have an effect on the mind/body organism in its ambling walk down the road – that stumbling gait, typical of lanky Western folk. Pleased to know how it feels and I can be aware of the sensation without making it into something I love or hate. Letting the events of the mind go unheld; give it all away, the great generosity of relinquishment. Be kind to myself, the ongoing practice of learning how to live my life. Tuk-tuk arrives, get in, wind in my face….

‘Human beings have a reflective quality that steps back from experience and says: “I don’t like this. It shouldn’t be this way. Stop it!” The aim of the spiritual path is to fully understand that the main problem of life is not that the government is unfair, that one isn’t getting enough money, that there is hunger, violence, pain or sickness, not even that one isn’t loved – but the feeling in the reflective mind of being bound down by these circumstances. Once we have clearly understood the mind, we can experience patience, equanimity, and release – even in predicaments that can be difficult or unpleasant.’ [Ajahn Sucitto, ‘Making Peace With Despair’, from the volume: ‘Peace and Kindness’]

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*Reference to: ‘On Having No Head’ by Douglas Harding
–  G  R  A  T  I  T  U  D  E  –

corridors

IMG_0533POSTCARD#53: Delhi – Chiang Mai journey: A day of travelling, 9½ hours door to door – say two miles of walking through corridors in three airports and a total distance of about 2000 miles. It’s like a long tunnel of facing mirrors, continuously extending out in front of me as I’m moving through; the illusion that I’m entering something but never really getting there because another environment contained inside it opens up, and within that environment there’s another. No end to it and dizzy with the glitz of endless duty-free, life-size enhanced photos of celebrities wearing impossibly expensive watches, diamonds, gold; perfect dental work and a great wealth of cosmetics and perfumery. Pause for a moment to consider the mental state of marketeers who create this outrageous fiction. All the suffering, sadness and disappointment in life is caused by attempting to gratify the desire to make things different from what they are.

It doesn’t have to be like that – there is the Noble Eightfold Path. Keep walking, the corridor extends on through areas of wall-to-wall alcohol and tobacco products – follow the signs, stay on the route. Look at my watch frequently, look at boarding pass, look at time of boarding… calculate the amount of time remaining as I’m walking along. Bag on shoulder, laptop inside and a book: ‘Unborn’ by 17th century Zen Master Bankei. “The farther you enter the truth, the deeper it is.” Speed up the pace slightly, legs appear below; left foot, right foot… and a slight arm-swing – eyes looking out, reality is a projection of sensory functioning and the experience of containment in a body with four limbs, a head. The skull is worn like a crash helmet; brain occupies all the space inside… feeling like it’s cramped in there? Strange how this metaphor is everywhere, things inside other things, corridors inside other corridors.

Down the last corridor and into the aircraft. Stewardess with palms held together as if in prayer, bows head and says, “sawadi ka.” It’s the Thai flight and today I’m sitting in seat number 48G. Have I been in this seat before? Did I sit here last time, here in exactly the same seat, in exactly the same aircraft? I feel like I should carve my initials somewhere, or do something to say I was here, like the handprint found in the prehistoric Lascaux caves in France. Waves of human beings pass through these corridors, no individuality, only data, anonymous builders of the pyramids, information about itineraries, arrivals point A – departures point B. Clearance from control tower, taxiing to runway, a huge acceleration, velocity and takeoff…

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“The mind that’s not conditioned is originally unborn; what is conditioned doesn’t exist—that is why there’s no delusion. Though the years may creep ahead, mind itself can never age… always just the same. Wonderful! Marvelous! When you’ve searched and found at last the one who will never grow old—‘I alone!’ The Pure Land where one communes at peace is here and now, it’s not remote, millions and millions of leagues away.” [Zen Master Bankei, 1622-1693.]

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