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The Second and Third Jhānas

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The Second Jhāna

Subsiding of the Wobble

POSTCARD#470: As the first jhāna deepens, the wobble lessens and the bliss consolidates. One comes to a state where vicāra is still holding on to the bliss with the most subtle of grasping, but this is not enough to cause any instability in the bliss. The bliss doesn’t decrease as a result of vicāra nor does mindfulness seem to move away from the source. The bliss is so strong that vicāra cannot disturb it. Although vicāra is still active there is no longer any vitakka,  no movement of mind back to the source of the bliss. The wobble has gone. this is a jhāna state described in the suttas as without vitakka but with a small measure of vicāra. (MN 128,31; AN VIII,63). It is so close to the second  jhāna that it is usually included in that jhāna.

As the bliss strengthens into immutable stability, there is no purpose for vicāra to hold on anymore. At this point the mind becomes fully confident, enough to let go absolutely. With this final letting go, born of inner confidence in the stability of the bliss, vicāra disappears and one enters the second jhāna proper.

The first feature, then, of the second jhāna described in the suttas is avitakka and avicāra meaning “without vitakka and without vicāra.” In experience, this means that there is no more wobble in the mind. The second feature is ajjhattam sampasādanam meaning “internal confidence.” In experience, this describes the full confidence in the stability of the bliss which is the cause for vicāra to cease.

Perfect One-pointedness of Mind

The third and most recognizable feature of the second jhāna is cetaso ekodibhāvanam or perfect one-pointedness of mind. When there is no longer any wobble, then the mind is like an unwavering rock, more immovable than a mountain and harder than a diamond. Such perfection in unyielding stillness is incredible. The mind stays in the bliss without vibration. This is later recognized as the perfection of the quality called samādhi.

Samādhi is the faculty of attentive silence, and in the second jhāna this attention is sustained on the object without any movement  at all. There is not even the finest oscillation at all. One is fixed, frozen solid fixed with “super glue,” unable even to tremble. All stirrings of mind are gone. There is no greater stillness of mind than this. It is called perfect samādhi , and it remains as a feature not only of this second jhāna but of the higher jhānas as well.

The Bliss Born of Samādhi and the End of All Doing

It is this perfection of samādhi the gives the bliss of the second jhāna its unique taste. The burden that affected the first jhāna, the affliction of movement, has been abandoned, everything stands perfectly still, even the knower. Such absolute stillness transcends the mental pain born of the mind moving, and it reveals the great bliss fuelled by pure samādhi. In the suttas, the bliss of the second jhāna is called the pīti-sukkha born of samādhi (samadhija pīti-sukkha) (DN 9.11). Such bliss is even more pleasurable, hugely so, than the bliss resulting from transcending the world of the five senses. One could not have anticipated such bliss. It is of a totally separate order. After experiencing the second jhāna, having realized two rare “species” of bliss that are extreme, one ponders what other levels of bliss may lie ahead.

Another salient feature of the second jhāna is that all doing, has totally ceased, even the involuntary activity that caused the wobbling has completely vanished, the doer has died. Only when one has experience of the second jhāha can one fully appreciate what is meant by the term “doer” – just as a tadpole can fully appreciate what is meant by the tern “water” only when water disappears during the frog’s first experience on dry land. Not only is the doer gone, it seems as if this apparently essential part of one’s eternal identity has been deleted from experience, What was seemingly obvious turns out to be a mirage, a delusion. One penetrates the illusion of free will using the data from raw experience. The philosopher (Sarte) who proposed “to be is to do” could not have known the second jhāna, where “being” is without any “doing.” These jhānas are weird, and they defy normal experience. But they are real, more real than the world.

Summary of the Second Jhāna

Thus the second jhāna is distinguished by another four collections of factors:

1 + 2. Avitakka-avicāra, ajjhattam sampasadanam:  experienced as the subsiding of the “wobble” from the first jhāna due to internal confidence in the stability of the bliss;

3. Cetaso ekodibhāvam: perfect one-pointedness of mind due to full confidence in the bliss. This is usually experienced as rocklike stillness or the perfection of samādhi;

4. Samādija-pītisukha: being the focus of this jhāna, the supramundane bliss generated by the end of all movement of the mind;

5. The end of all doing: seen as the first time the “doer” has completely gone.

The Third Jhāna

As the stillness of the knower continues, the stillness of the known grows ever more profound. Remember that in jhāna what is known is the image of the mind, and the mind is the knower. First the knower becomes still, then the image, the known, gradually becomes still.

In the first two jhānas this image of the mind is recognizes as a bliss that up until now has been called pīti-sukkha. In the third jhāna, the image of the mind has gone to the next level of stillness, to a very different kind of bliss.

Pīti Has Vanished

Prior to the third jhāna, all bliss had something in common, although it differed in its taste due to the distinguishing causes. That something in common was the combination of pīti plus sukha. Because they were always together, as inseparable as Siamese twins, it was not only pointless, but even impossible to tell them apart. 

It is only after the experience of the third jhāna that one can know what sukha is, and by inference what pīti was. The pīti of the second jhāna seemed more euphoric than anything else. Yet it is now seen as the lesser part of the bliss. Sukha is the more refined part.

Great Mindfulness, Clear Knowing, and Equanimity

With all jhānas, the experiences are next to impossible to describe. The higher the jhāna, however, the more profound the experience and the more difficult it becomes to describe, These states and their language are remote from the world. At a stretch, one may say that the bliss of the third jhāna, the sukha, has a greater sense of ease, is quieter, and is more serene. In the suttas it is accompanied by the features of mindfulness (sati), clear knowing (sampajañña), and equanimity (upekkhā), although these are said in the Anupada Sutta (MN III) to be present in all jhānas. Perhaps these features are emphasized  as qualities of the third jhāna in order to point out that in this very deep jhāna, one is exceptionally mindful, very clear in the knowing, and so still that one looks on without moving which is the root meaning of equanimity (upekkhā).

The Same Rocklike Stillness and Absence of a Doer

The third jhāna retains the perfect samādhi, the rocklike stillness, the absence of a doer, and the inaccessibility from the world of the five sensesaIt is distinguished from the second jhāna by the nature of the bliss, which has soared up to another level and appears as another species of bliss altogether. So much so that the suttas quote the enlightened one’s description of the third jhāna as “abiding in bliss, mindful, just looking on” (DN 9,12).

Summary of the Third Jhāna

Thus the third jhāna has the following features:    

1. The bliss has separated, losing the coarse part that was pīti;

2. The bliss that remains, sukha, exhibits the qualities of great mindfulness, clear knowing, and the sense of just looking on;

3. The same absolute rocklike stillness, and absence of a doer, as in the second jhāna.

Continued next week: 13th May 2022

The First Jhāna

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The Wobble (Vitakka and Vicāra)

POSTCARD#469: All jhānas are states of unmoving bliss, almost. However in the first jhāna, there is some discernable movement. I call this movement the “wobble” of first jhāna. One is aware of great bliss, so powerful it has subdued completely the part of the ego that wills and does. In jhāna one is on automatic pilot, as it were, with no sense of being in control. However, the bliss is so delicious  that it can generate a small residue of attachment. The mind instinctively grasps at the bliss. Because the bliss of the first jhāna is fuelled by letting-go, such involuntary grasping weakens the bliss. Seeing the bliss weaken, the mind automatically lets go of its grasping, and the bliss increases its power again. The mind then grasps again, then lets go again, Such subtle involuntary movement gives rise to the wobble of the first jhāna.

This process can be perceived in another way. As the bliss weakens because of the involuntary grasping, it seems as if mindfulness moves a small distance away from the bliss. Then the mindfulness gets pulled back into the bliss as the mind automatically lets go. This back-and-forth movement is a second way of describing the wobble.

The wobble is, in fact, the pair of first jhāna factors called vitakka and vicāra. Vitakka is the automatic movement back into the bliss; vicārra is the involuntary grasping of the bliss. Some commentators explain vitakka and vicāra as “initial thought” and ”sustained thought” While in other contexts this pair can refer to thought, in jhāna they certainly mean something else. It is impossible that such a gross activity as thinking can exist in such a refined state as jhāna. In fact thinking ceases a long time prior to jhāna. In jhāna vitakka and vicāra are both subverbal and so do not qualify as thought. Vitakka is the subverbal movement of mind back into bliss. Vicāra is the subverbal movement of mind that holds on to the bliss. Outside of jhāna such movements of mind will often generate thought and sometimes speech. But in jhāna vitakka and vicāra are too subtle to create any thought. All they are capable of doing is moving mindfulness back into bliss and holding mindfulness there.

One-Pointedness (Ekaggatā)

The third factor of the first jhāna is one-pointedness, ekaggatā. One-pointedness is mindfulness that is sharply focused on a minute area of existence. It is one-pointed in space because it sees only the point-source of bliss, together with a small area surrounding the bliss caused by the first jhāna wobble. It is one-pointed in time because it perceives only the present moment, so exclusively and precisely that all notion of time completely disappears. And it is one-pointed in phenomena because it knows only one object – the mental object of pīti-sukha – and is totally oblivious to the world of the five senses and one’s physical body.

Such one-pointedness in space produces the peculiar experience, only found in jhāna, of non-dual consciousness, where one is fully aware but only of one thing, and from one angle, for timeless periods. Consciousness is so focused on the one thing that the faculty of comprehension is suspended a while. Only after the one-pointedness is dissipated, and one has emerged from the jhāna, will one be able to recognize these features of the first jhāna and comprehend them all.

The one-pointedness in time produces the extraordinary stability of the first jhāna, allowing it to last effortlessly for such a long period of time. The concept of time relies on measuring intervals from past to present or present to future of from past to future. When all that is perceived within the first jhāna is the precise moment of now, then there is no room for measuring time. All intervals have closed. It is replaced with timelessness unmoving.

One-pointedness of phenomena produces the exceptional occurrence of bliss upon bliss, unchanging throughout the duration of the jhāna. This makes the first jhāna such restful abode.

In academic terms, ekaggatā is a Pali compound meaning “one-peakness.” The middle term agga (Sanskrit agra ) refers to the peak of a mountain, the summit of an experience, or even the capital of a country (as in Agra the old Moghul capital of India). Thus ekaggatā is not just any old one-pointedness, it is a singleness of something soaring and sublime. The single exalted summit  that is the focus of ekaggatā in the first jhāna is the supreme bliss of pīti-sukha.

Joy Happiness (Pīti-sukha)

Indeed the last two factors of the first jhāna are pīti and sukkah, which I will discuss together since they are such a close-knit pair. In fact they only separate out in the third jhāna, where pīti cease and leaves sukha “widowed.” Therefore only after the third jhāna, can one know from experience what sukha is and what pīti was, Here it is sufficient to explain the pair as one thing.

These two factors of the first jhāna refer to the bliss that is the focus of mindfulness, and which forms the central experience of the first jhāna. Bliss is the dominant feature of the first jhāna, so much so that it is the first thing that one recognizes when reviewing after emerging from the jhāna. Indeed, mystic traditions more recent than Buddhism have been so overwhelmed by the sheer immensity, egolessness, stillness, ecstasy, ultimateness, and pure otherworldliness of the first jhāna thsy they have understood the experience as ‘union with God.’ However, the Buddha explained that this is but one form of supramundane bliss. The first jhāna is the first  level. Even though after emerging from the first jhāna, one cannot conceive of an experience more blissful. There is much more!  

Each level of bliss has a different “taste,” a quality that sets it apart. These different qualities can be explained by the diverse causes of the bliss. Just as heat generated by sunlight has a different quality than heat caused by a wood fire, which in turn is different from heat generated by a furnace, so bliss fueled by different causes exhibits distinguishing features.

The distinguishing feature of the bliss of first jhāna is that it is fueled by the complete absence of all five senses activities. When the five senses have shut down, including all echoes of the five senses manifesting as thoughts, then one has left the world of the body and material things (kāmaloka) and has entered the world of pure mind (rūpaloka). It is as if a huge burden has dropped away. Or, as Ajahn Chah used to describe it, it is as if you have had a rope tied tightly around your neck for as long as you can remember. So long, in fact, that you have become used to it and no longer recognize the pain. Then somehow the tension is suddenly released and the rope is removed. The bliss you then feel is the result of that noose disappearing. In much the same way, the bliss of the first jhāna is caused by the complete fading away of a heavy burden, of all that you took to be the world. Such  insight into the cause of the bliss of the first jhāna is fundamental to understanding the Buddha’s four noble truths about suffering.

Summary of the First Jhāna

In summary then, the first jhāna is distinguished by the five factors, here compressed into three.

1 + 2. vitakka-vicāra: experienced the “wobble,” being the fine subtle movement in and out of the bliss.

3. ekaggatā: experienced as nonduality, timelessness, and stillness.

4 + 5. pīti-sukha: experienced as a bliss surpassing anything in the material world, and fuelled by the complete transcendence of the world of the five senses.

Continued next week: 6th May 2022

The Jhānas III: Bliss upon Bliss upon Bliss

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The Landmark of all Jhānas

POSTCARD#468: From the moment of entering a jhāna, one will have no control. One will be unable to give orders as one normally does. When the will that is controlling vanishes, then the “I will” that fashions one’s concept of future also disappears. Since the concept of time ceases in jhāna, the very question “What should I do next?” cannot arise. One cannot even decide when to come out. It is this absolute absence of will, and of its offspring, time, that gives the jhānas their timeless stability and allows them to last sometimes for many blissful hours.

Because of the perfect one-pointedness and fixed attention, one loses the faculty of perspective within jhāna. Comprehension relies on comparison –relating this to that, here to there, now with then. In jhāna, all that is perceived is an unmoving, enveloping, nondual bliss that allows no space for the arising of perspective. It is like that puzzle where one is shown a photograph of a well-known object from an unusual angle, and one has to guess what it is. It is very difficult to identify some objects  without  looking  at  them  from  different  angles.  When  perspective  is  removed,  so  is comprehension. Thus in jhāna not only is there no sense of time but also there is no comprehension of what is going on. At the time, one will not even know which jhāna one is in. All one knows is great bliss, unmoving, unchanging, for unknown lengths of time.

Afterward,  when one has emerged from the jhāna, such consummate one-pointedness of consciousness  falls  apart.  With  the  weakening  of  one-pointedness,  perspective  reemerges,  and  the mind  has  the  ability  to  move  again.  The  mind  has  regained  the  space  needed  to  compare  and comprehend. Ordinary consciousness has returned. Having just emerged from a jhāna, it is the usual practice to look back at what has happened and review the jhāna experience. The jhānas are such powerful events that they leave an indelible record in one’s memory store. In fact, one will never forget them as long as one lives. They are easy to recall with perfect retention. One comprehends the details of what happened in the jhāna, and one knows which of the jhānas it was. Moreover, data obtained from reviewing a jhāna form the basis of the insight that leads to enlightenment.

Another strange quality that distinguishes jhāna from all other experience is that within jhāna, all the five senses are totally shut down. One cannot see, hear, smell, taste or feel touch. One cannot hear a crow cawing or a person coughing. Even if there were a thunderclap nearby, it wouldn’t be heard in a jhāna. If someone tapped you on the shoulder or picked you up and let you down, in jhāna you cannot know this. The mind in jhāna is so completely shut off from these five senses that they cannot break in.

A lay disciple once told me how, completely by chance, he had fallen into a deep jhāna while meditating at home. His wife thought he had died and sent for an ambulance. He was rushed to hospital in a loud wail of sirens. In the emergency room, no heartbeat registered on the ECG and no brain activity was seen by the ECG . So the doctor on duty put defibrillators on his chest to reactivate his heart. Even though he was being bounced up an down on the hospital bed throughout the force of the electrical shocks, he didn’t feel a thing. When he emerged from the jhāna in the emergency room, perfectly all right, he had no knowledge of how he had got there, nothing of ambulances, and sirens, nothing of body-jerking defibrillators. All that long time he was in jhāna, he was filly aware, but only of bliss. This is an example of what is meant by the five senses shutting down within the experience of jhāna.

Summary of the Landmarks of All Jhānas

It is helpful to know, then, that within a jhāna:

1. There is no possibility of thought;

2. No decision- making process is available;

3. There is no perception of time;

4. Consciousness is nondual, making comprehension inaccessible;

5. Yet one is very, very aware but only of bliss that doesn’t move;

6. The five senses are fully shut off, and only the sixth sense, mind, is in operation.

These are the features of jhāna. So during a deep meditation, if one wonders if it is jhāna or not, one can be certain it is not. No such thinking can exist within the stillness of jhāna. These features will only be recognized upon emergence from a jhāna, using reviewing mindfulness once the mind can move again.

Continued next week 29 April 2022

Stabilizing the Nimitta

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POSTCARD#466: When the nimitta is very bright, it is also very beautiful. It usually appears unearthly in the depth of its beauty and more wonderful than anything one has ever experienced before. Whatever the color of the nimitta, it is a thousand times richer than anything that can be seen with one’s own eyes. Such awesome beauty will captivate one’s attention, making the nimitta remain. The more beautiful the nimitta, the more likely it is that the nimitta will become stable and not jump about. Thus one of the best methods to stabilize the nimitta, so that it persists a long time, is to shine the nimitta into brilliance, as explained above.

However, some brilliant nimittas still don’t last long. They burst into the mental field of awareness with strong pīti-sukha, but they persist not much longer than a glorious shooting star in a clear night sky. These nimittas have power but lack sufficient stability. In order to stabilize such a nimitta, it is important to know that the two enemies that disperse the nimitta are fear and excitement.

Of the two enemies, fear is more common. These nimittas appear so immense in their sheer power and beauty that one often becomes very afraid. Fear is a natural response to the recognition of something much more powerful than oneself. Moreover, the experience is so unfamiliar that one’s personal security looks seriously threatened. It seems as if one might lose all control. And one will—blissfully so—if one could only let go of the “self” and trust in the nimitta! Then one would experience desire and control overwhelmed by supramundane bliss, and, in consequence, much of what one took to be one’s self would vanish, leaving a real sense of freedom. It is the fear of losing part of one’s ego that is the root cause of alarm when a powerful nimitta appears.

Those who have understood something of the Buddha’s teaching of anattā, that there is no self, will have an easier time transcending this fear and accepting the nimitta. They realize that they have nothing to protect and so can let go of control, trust in the emptiness, and selflessly enjoy the beauty and power. Thus the nimitta settles. Even an intellectual understanding that there is no one in here will help overcome the terror of letting go of the innermost controller. However, those who have no appreciation of the truth of no-self may overcome this fear by substituting the more powerful perception of bliss.

The simile of a child in a swimming pool illustrates this last point. When children who have just learned to walk see a swimming pool for the first time, they are likely to be scared. The unfamiliar environment threatens their security, and they are deeply concerned whether their little bodies can manage in such an un-solid material. They are afraid of losing control. So they put one toe into the water and quickly pull it out. That felt all right. So they place three toes into the water for just a little bit longer. That was okay too. Next they dip a whole foot in, then a whole leg. As the confidence increases and the swimming pool promises to be fun, the anticipation of joy overpowers the fear. The child jumps into the water and immerses itself fully. Then they have such a great time that their parents can hardly get them to leave!

Similarly, when fear arises with the powerful nimitta, it is all one can do to stay there just for an instant. One then reflects how that felt. To say it felt wonderful is an understatement. So the next time one stays longer, and it feels even better. By this gradual method, confidence soon becomes strong and the expectation of joy so dominant that when the awesome nimitta arises, one jumps right in and immerses oneself fully. Moreover, one has such a great time that it is only with great difficulty that anyone can make you come out.

>>>>>> part 2

Another skillful means for overcoming fear at this stage, especially when fear is not too strong, is to perform a little mental ceremony of handing over trust. It is as if one has been the driver of one’s meditation until now, but this is the moment to hand over control to the nimitta. As I suggested in chapter 7, one may imagine handing over a set of keys to the powerful nimitta, the way one allows a trusted friend to take over driving one’s car. With an imaginary gesture of handing over the keys, one transfers control and places full trust in the nimitta. Such a transfer of faith usually leads to a greater stability of the nimitta and its subsequent deepening.

Here again one is placing faith in the knower and withdrawing it from the doer. This is the theme underlying the whole of the meditation path. One trains from the very beginning in passive awareness, that is, the ability to be clearly aware without interfering at all with the object of awareness.

Energy, coupled with faith, flows into the mindfulness and away from activity. When one learns to watch an ordinary object like the breath without meddling, then one’s passive awareness will be challenged by a more seductive object like the beautiful breath. If one passes this test, then the most challenging object of all, the nimitta, will be presented to you as the ultimate test of passive awareness. For if one gets involved with the nimitta and tries to control it however slightly, then one fails the final examination and gets sent back to the beautiful breath for remedial training. The more one meditates, the more one learns to be powerfully mindful while letting go of all doing. When this skill is fully perfected, it is easy to pass the final test and stabilize the nimitta with flawless passive awareness. Again, the simile of the mirror is applicable here. When you look at your reflection in a mirror and the image is moving around, it is because you are not still. It is futile to try to stabilize the image by holding the mirror still. In fact, if you try this, the reflection is apt to move even more. The image in the mirror is moving because the watcher is moving, not the mirror. Only when the watcher is still will the image be still.

The nimitta is in reality a reflection of the mind, an image of that which knows. When this reflection, this nimitta, moves back and forth, it is futile trying to stabilize the nimitta by holding the nimitta still. The nimitta is moving because that which is watching the nimitta is moving. When this is understood, one focuses on that which knows, letting it come to stillness. When that which knows doesn’t move, then neither does the nimitta.

The other enemy of the nimitta’s stability is excitement or exhilaration, what I have called the “wow!” response. When there is success in the meditation and amazing things happen, then the meditator can get very excited, especially when a wonderful nimitta first appears, more radiant than the sun and more beautiful than exquisite flowers! On such occasions

it is common for the mind to say “wow!” Unfortunately, the nimitta immediately withdraws and may be reluctant to return for a very long time, even months. In order to avoid such a calamity, one should bear in mind Ajahn Chah’s famous simile of the still forest pool, which I described in detail in chapter 7.

In this simile the forest pool represents the mind, and the forest monk sitting near its edge stands for mindfulness. When mindfulness is still, then animals like the beautiful breath and pīti-sukha come out from their jungle to play by the mind’s edge. Mindfulness must remain still. If it does, then, after the beautiful breath and pīti-sukha have finished their business in the mind, the beautiful, shy nimitta will cautiously emerge to play in the mind. If the nimitta senses the knower thinking “wow!” it will bashfully run back into the jungle, not to re-emerge for a very long time.

So when the powerful and beautiful nimittas appear, watch with the stillness of an Ajahn Chah, sitting absolutely motionless by the remote forest lake. Then one will watch this strange and wonderful nimitta make merry in the mind for a very long time, until it is ready to take one into jhāna.

Continues next week on 15th April 2022

The Jhānas II: Bliss upon Bliss

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The Nimitta: The Home Stretch into Jhāna

POSTCARD#462: When the breath disappears and delight fills the mind, the nimitta usually appears. I briefly discussed nimittas and their characteristics in chapter 2; here I discuss them in greater depth. Nimitta, in this context, refers to beautiful “lights” that appear in the mind. I would point out, though, that the nimittas are not visual objects, in that they are not seen through the sense of sight. At this stage of the meditation, the sense of sight is not operating. The nimittas are pure mental objects, known by the mind sense. However, they are commonly perceived as lights.

What is happening here is that perception struggles to interpret such a pure mental phenomenon. Perception is that function of mind that interprets experience in terms we can understand. Perception relies  crucially  on  comparison,  interpreting  new  experience  as  similar  to  previous  experience. However, pure mental phenomena are so rarely visited that perception has great difficulty finding anything  at  all  comparable  to  these  new  experiences.  This  is  why  nimittas  appear  strange,  like nothing  one  has  ever  experienced  before.  But  the  phenomena  in  the  catalogue  of  one’s  past experiences that come closest to these nimittas are simple visual lights, such as a car headlight, a flashlight in the dark, or a full moon in the night sky. Perception adopts this close but imperfect comparison and interprets the nimittas as lights.

It was for me a fascinating discovery to realize that everyone who experiences these nimittas experiences exactly the same thing! It is only that meditators interpret the experience in many different ways. Some see the nimitta as a pure white light, others see it as golden, some as deep blue. Some see it as a circle others as an oblong, some see it as sharp edged, others as fuzzy edged. There is indeed no end to the features of nimittas that meditators describe. The important thing to know is that colour, shape, and so on are irrelevant. Perception colours the nimitta and gives it shape just so one can make sense of it.

When the Nimitta Comes Too Early

Sometimes a “light” can appear in the mind at a very early stage of the meditation. For all except accomplished meditators, however, such intruders are highly unstable. If one focuses one’s attention on them, one will not get anywhere. It is not the right time for nimitta. It is best to regard them as distractions and go back to the main task of the early stage out of which they came.

There is more uncertainty what to do when a nimitta appears at the stage of the beautiful breath when the breath has yet to be calmed close to disappearance. Again, the nimitta appears intrusive. It interferes with the main task of sustaining one’s awareness on the beautiful breath. If one deliberately turns  from  the  breath  to  the  nimitta,  it  usually  doesn’t  remain  long.  The  mind  is  not  sufficiently refined to hold a subtle nimitta. One needs additional practice on the breath. So the best thing to do is to  ignore  the  nimitta  and  train  all  one’s  attention  on  the  beautiful  breath.  Often,  after  one  has followed this advice, the nimitta comes back, stronger and brighter. Ignore it again. When it returns a third time, even more powerful and radiant, go back to the breath. Practicing this way, eventually a very  powerful  and  brilliant  nimitta  will  break  into  your  awareness.  You  can  go  with  that  one. Actually, it is almost impossible to ignore. That one usually takes you into jhāna.

The above can be compared to a visitor knocking on your door. It could be just a salesman so you ignore his knocking and go on with your own business. Often that is the end of the matter. Sometimes, though, the visitor knocks again, louder and longer. You ignore him a second time. Then, after a few moments’ silence, he bangs even louder and more vigorously. This persistence suggests that the visitor must be a good friend of yours, so you open the door, let him in, and have a great time together.

Another method of dealing with an early nimitta that arises at the stage of the beautiful breath is to incorporate the nimitta into the middle of the breath. One trains to visualize the situation as similar to a jewel being held in the centre of lotus petals. The shimmering jewel is the nimitta, the lotus petals represent the beautiful breath. If the mind isn’t quite ready to stay with the nimitta, it still has the breath to anchor it. Sometimes the mind is so unprepared that the breath appears to close in on the nimitta, and as a result the nimitta disappears leaving only the beautiful breath. This step backwards does not disturb the meditation. At other times, the mind is well prepared for the nimitta and the nimitta is strengthened and expands, pushing out the breath, which disappears beyond the edges of one’s awareness, leaving only the nimitta. This method is skillful because it doesn’t involve moving the mind from one thing to another – a coarse movement that disturbs the meditation significantly. Instead, one just passively observes the transition from the beautiful breath to the nimitta, and maybe back again, allowing the process to develop or recede according to nature, not according to one’s desire.

Although the following advice is for accomplished meditators only, by which I mean those with plentiful experience of jhāna, it is included here for the sake of completeness. When one is skilful in entering into jhāna and one has experienced a jhāna recently, the mind is so still and powerful, even before one begins to meditate, that one may skip many stages. So much so that one may arouse the nimitta almost immediately after starting. The mind being so used to nimittas and so favorably disposed towards them, literally leaps onto the nimitta and the nimitta stays. Soon jhāna is reached. For such accomplished meditators, the earlier the nimitta arises, the better.

Continued next week 18th March 2022

The Twelfth and Thirteenth Steps

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The Twelfth Step: Freeing the Mind

POSTCARD#453: The twelfth step in ānāpānasati is called vimocayaṁ cittaṁ, “freeing the mind.” Here, you have an experience that you might describe afterward in two different ways, depending upon your perspective. Either you find yourself sinking or diving into the nimitta, or the nimitta with its brilliant light and ecstatic feeling completely envelops you. You don’t do this. It just happens as the natural result of letting go of all doing.

You enter the jhāna through liberating the mind. The jhānas, the Buddha said, are stages of freedom (vimokkha) (DN 15,35). Vimokkha is the same word used to describe someone who is released from jail and walks free. You may know it from the Sanskrit moksha which has the same meaning. The mind is now free. That is, free from the body and the five senses. I’m not saying the mind is floating somewhere in an out-of-body experience. You are not located in space anymore, because all experiences of space are dependent on the five senses. Here the mind is free from all of that. You’re not at all sensitive to what’s happening with the body. You’re unable to hear anything, unable to say anything. You’re blissed out yet fully mindful, still, stable as a rock. These are signs of the mind being freed. This experience becomes one of the most powerful, if not the most powerful experience, of your life.

If you get a few of these jhānas, you usually want to become a monk or a nun. The world will have less attraction for you. Relationships, the arts, music and movies, sex, fame, wealth, and so on all seem so unimportant and unattractive when compared to jhānas and the bliss of the freed mind. But there is much more than just the bliss. There is also the philosophical profundity of the experience. When you’ve spent hours in a jhāna, you can call yourself a mystic, if you like. You’ve had an experience that in all religious traditions is called a mystical experience—something far from the ordinary. The Buddha called it uttari-manussa-dhamma (MN 31,10), something that surpasses ordinary human experience. He called it the mind “gone to greatness” (mahā-ggata). He also considered the happiness of jhāna so similar to enlightenment happiness that he named it sambodhi sukha (MN 66,21). It’s a place where defilements cannot reach. So this is where Māra—the Buddhist devil—cannot reach you. You’re awakened and free during this time.

So if you develop these stages, the first twelve steps of ānāpānasati, they will lead you into jhāna.

Emerging from a Jhāna

The last four steps in the Ānāpānasati Sutta relate to the meditator who has just emerged from a jhāna. After you emerge from your first experience of jhāna you can’t help but think, “Wow, what was that?” So the first thing you should do is review the jhāna. Investigate that experience, though you will struggle to give it words. Ask yourself, How did it arise? What special thing did I do? What did it feel like in jhāna? Why did it feel like that? How do I feel now? Why is it so blissful? All these reflections will give rise to deep insight.

You’ll find that the best two words to describe why jhāna happened are “letting go.” You’ve really let go for the first time. Not letting go of what you’re attached to, but letting go of the thing doing the attaching. You’ve let go of the doer. You’ve let go of the self. It’s a difficult thing for the self to let go of the self, but through these methodical stages you’ve actually done it. And it’s bliss.

So, having reflected on the experience, you either take up satipaṭṭhāna (the focuses of mindfulness) or just go directly to the last four stages of ānāpānasati.

The Thirteenth Step: Reflecting on Impermanence

The first reflection is on anicca, usually translated as impermanence but meaning much more than this. Its opposite, nicca, is the Pāli word used to describe a thing that is regular or constant. For instance, in the Vinaya a regular supply of alms food, say from a disciple who brings food to a monastery every Tuesday, is called nicca food (Vin II,4,4,6). When that which was once constant stops, that’s anicca. What’s important to reflect upon after the deep experiences of meditation is that there was something that was so constant that you never noticed it—this thing we call a “self.” In jhāna, it disappeared! Notice that. Noticing it will convince you of the truth of no-self (anattā) so deeply that it’s very likely to give rise to the experience of stream winning.

Continued next week: 14 January 2022

The Fifth Sixth & Seventh Step

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Experiencing Joy and Happiness with the Breath

POSTCARD#450: Bangkok: Continuing with our text: Mindfulness, Bliss, and Beyond: A Meditator’s Handbook, by Ajahn Brahm.

In the fifth step of ānāpānasati, you experience joy (pīti) along with the breath, and in the sixth step you experience happiness (sukha) along with the breath. Because joy and happiness are difficult to separate, and since they usually arrive together anyway, I will treat them as one.

As your unbroken mindfulness watches the breath calming down, joy and happiness naturally arise like the golden light of dawn on an eastern horizon. It will arise gradually but automatically because all your mental energy is now flowing into the knower and not the doer. In fact, you are doing nothing, only watching. The sure sign that you are doing nothing is the tranquillity of your breath. In the early hours of the morning it is only a matter of time until the horizon glows with the first light of day, just as when you remain still with the calm breath it is only a matter of time until joy and happiness appear in your mind. Mental energy flowing into the knower makes mindfulness full of power, and energized mindfulness is experienced as happiness and joy, (pīti-sukha).

If you reach step four and are continuously mindful of a very calm breath but see no happiness or joy, then my advice is: “Don’t panic!” Don’t spoil the natural process with your impatience. When you do anything at this stage you just delay, or even prevent, the arrival of happiness and joy. Instead just deepen the experience of the continuous calm breath. Are you fully aware of the peaceful breath, or have interruptions crept in? Perhaps the lack of progress is because you are not continually mindful of only the breath. Has your breath stopped growing calmer? Perhaps the breath isn’t peaceful enough yet. If so, give it more time. This is a natural process completely independent of you. When mindfulness rests comfortably on the breath without any interruptions, and the sensation of breath becomes calmer and calmer, then happiness and joy will always arise.

It helps if you are able to spot pīti-sukha early. To do this you have to be familiar with what you are looking for. The happiness and joy that are associated with tranquillity can start off as extremely subtle. It is like someone who prefers hard rock attending a performance of classical music by Mahler, and who can’t comprehend why the audience pays good money to listen to such stuff. They just don’t get it. Or like the person who usually eats at cheap diners going for the first time to a five-star French restaurant and not appreciating the cuisine because their palate is too coarse.

As you meditate more and more, you become a connoisseur of tranquil mind states and will naturally apprehend the arrival of joy and happiness at an increasingly early stage.

The fulfilment of these fifth and sixth steps of ānāpānasati is precisely the same as reaching the stage of full sustained awareness of the beautiful breath in my basic method of meditation. The beauty of the breath at this stage is my way of describing the experience of joy and happiness. The breath at this stage appears so still and tranquil and beautiful, more attractive than a garden in springtime, or a sunset in summer, and you wonder if you will ever want to look at anything else.

The Seventh Step

Experiencing the Breath as a mind object

As the breath becomes ever more beautiful, as the joy and happiness grow in quiet strength, your breath may appear to completely disappear. In Chapter two I described this as the breath dropping away from the beautiful breath leaving only the beautiful. I also gave the example of the Grinning Cheshire Cat (Alice in Wonderland), who gradually disappeared leaving only the grin’ to depict this event. This precisely describes the passage from stage five and sixth, experiencing joy and happiness with the breath to stage seven where the breath is known only as a mind object.

To clarify this transition, I invoke  the Buddha’s analysis of consciousness into the six sense bases (SN 35) – seeing, hearing, smelling, tasting, touching, and the mind base of knowing. In the early stages of meditation you abandon seeing, hearing, smelling and tasting to the point where  these four sense bases completely shut down for a while. Then you let go of most of the activity of the fifth sense base, touching, by focusing on the touch (physical sensation) of the breath to the exclusion of everything else. The sixth sense base, the mind, is operating throughout. As you pass into this seventh step. Touching, now shuts down to leave only the sixth sense base, the mind, to know the breath. You are now experiencing the breath through a new sense base. 

Imagine an old friend, fuzzy-haired and bearded, who usually goes around in ordinary old clothes. Then he is ordained as a Buddhist monk. When you first see him in the monastery, you probably won’t  recognize  him  with  his  bald  head  and  robes.  But  it  is  the  same  old  friend  regardless. He appears different in the new setting, that’s all. In the same way, your old friend the breath usually goes  around  dressed in the sensations of touch  and  is  recognized  mainly through the fifth sense base. In the seventh step of ānāpānasati, your breath has transcended the world of the five sense bases, in particular the fifth sense base, and is now to be known only through the sixth  sense,  as  a  mind  object.  This  is  why  the  Buddha  called  this  step  experiencing  the  citta- sankhāra, the mind object.

So if your breath seems to disappear at this stage, be reassured that this is meant to happen, and don’t go disturbing the process by searching here and there for the previous perception of the breath. Instead, when the breath seems to disappear, ask yourself what is left? If you have followed the instructions carefully, the breath will only seem to disappear after happiness and joy have been established, and so what is left is happiness and joy. Your mindfulness has to be subtle and still to recognise this fine object at first, but with the familiarity born of long experience, the insight will come to you that this subtle happiness and joy is your old friend the breath, only now experienced as a mind object.

If you are unable to remain with this mind object, it is because there was insufficient joy and happiness before you let the fifth sense base shut down. You should train in cultivating a very beautiful breath with heaps of joy and happiness before you let the fifth sense base shut down. Then you will have a stronger mind object to watch. However, with much practice, you will know what you are looking for at step seven, the mindfulness will be more deft at holding subtle levels of happiness and joy, and you will be able to let go of the fifth sense base earlier and still be able to hold the weaker mental object.

Continued next week: 24 December 2021