the extraordinary moment

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Chiang Mai/Bangkok flight: Look out the window and there’s the wing of the aircraft I was looking at when we were on the ground and taxiing for take-off – reassuring to see this part of our plane structure out there, seemingly holding us stable in this strange void, moving at 600 mph, in a great whoosh above the surface of the planet. The wing seems to extend into the clouds, like the perspective of a highway leading off into the sky. A curious illusion, although no more curious than the illusion that’s all around; world as a projection of the senses, everything tailored to fit and unbelievably believable… I can see it, hear it, smell it, touch it, and taste it. It looks real but it’s not there; it’s only ‘my’ perception of it, a mirror reflection of the world – I need to remind myself it’s like this, the illusion is so compelling. I am the ‘self’ that inhabits this body, appearing in the being-ness appearing in ‘me’ and part of the whole thing, as it was in the beginning, is now, and ever shall be, world without end….

The seat next to me is empty – sad to think my Thai niece, M, aged 10, who has accompanied me on so many other journeys is not able to come along this time. M’s school holidays are over… parting of the ways, she goes back to school, I go back to Delhi, stopover in Bangkok – another long journey in the air. Stewardess comes by, looks at me (who you are at any moment is determined by whom you’re talking with). I ask her about the empty seat, she says nobody will sit there now, so I can spread out my notes and papers over two seats. It’s strange not having M beside me anymore. This empty space where she used to be, this solitude, aloneness or loneliness. No chattering conversations and statements presented with the alertness of a small bird; intelligence like a receptor opens, data enters and triggers the creativity of constantly making one thing into another thing. The energy of her artwork; scissors-clipped paper-craft objects held together with Scotch Tape and ‘Fluorescent Color Glitter Glue’. And the performance; playing with words, gestures and the dreamlike ‘self’ function; playing a part in a story in her head so well she believes she’s the character being acted out – being a somebody, then being a somebody-else.

Flitting from one self to the next, her presence is a self-reflexive act. No difference between the self-construct and acting the part, it’s just there; an all-inclusive, ‘all of the above’ experience of awareness receiving itself. A total act, ‘theatre’, illusion, samsara… just immersed in the story of it all. The ‘world’ is a constructed/collapsible experience – unfolding, enfolding, no holding – automatic pilot, nobody driving the plane. First posted November 2, 2014

‘… the question was raised: “Why can’t we know this secret of the universe?” And the answer given was very significant: “Because we talk in vain, and because we are satisfied with the things of the senses, and because we are running after desires; therefore, we, as it were, cover the Reality with a mist.”’ [Swami Vivekanada Maya and Illusion]

seemingly continuous

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Chiang Mai: 05.00 hours. Darkness of early morning. I can hear a slow-moving motorbike some way off, coming nearer, and voices talking loudly. They’re shouting to be heard over the sound of the engine. The motorbike passes below my balcony on the third floor, sound fills the room, and I realize it’s the driver with a friend on the back having a conversation as they are going along. Curious acoustics here in this narrow street; concrete and glass buildings face each other. The sound of the two voices disappears quickly past my windows and moves on further down the street, contained in the little capsule of their moving world. I hear it again, faintly now, and fading into the distance.

Strange dream-like event; receiving pieces of an animated conversation moving past me at 30 mph. Then it’s gone from my auditory awareness and (I assume) is being heard by other people further along the street. There’s something here about consciousness creating a sense of continuity; like how you string beads on a necklace and it appears to be one whole piece. A continuous stream of individual events taking place and, in the context of the body, it appears to be one, on-going connected reality – an illusion. When I wake up in the morning, it takes a moment, and everything is a development of the night before.

It must have been the motorbike that woke me up; windows wide open all night in the hot air, with just the mosquito mesh separating me from the world outside. Only 20 miles to go, straight up in the sky, before you reach outer space; no gravity, the universe (where did I read that?). Wow! outer space is so near, half an hour’s drive to get there, if there’s no traffic problem. So, what does that feel like? I suppose it feels pretty… precarious, balanced on the end of a flagpole fixed on top of a monument – the absolute verticality of it… quite scary. The only thing that gives me any sense of stability is the ‘self’ I’m inclined to depend on sometimes? No wonder there’s this tremendous attachment to it; can’t let it go, irretrievably lost in thought; I am contained in this body, stumbling around in this small area I inhabit, on the surface of the planet. I am a bit uncomfortable with the reality of what exists only 20 miles above my head. And go through life assuming that all there ever is, or all there ever can be, is ‘me’; the experience of a created self.

I hear a sound, and think: if that sound is out ‘there’ then I must be hearing it in ‘here’: the subject/object duality: ‘I’ am my body, I am my feelings, I am my consciousness and everything else (that’s not ‘me’) is out ‘there.’ In here, I’m me, I have a personality, it’s myself. And Bert0001 refers to it as: the ‘my’ in ‘myself.’ A distinct feeling of focus that disincludes other evidence – it’s all about me. Fortunately, I can understand and know that the idea of a self just seems to be there, seemingly continuous – a kind of mirage. Delete the ‘my’ from ‘myself’ and I’m free of all the tugs and pulls of likes and dislikes, emotions are not ‘my’ emotions, they’re just emotions; things that happen – liberated from the papañca, proliferating concepts, and concocted thought trying to make something real that’s just not real at all.

I’m glad to be awake early, leaving this place tomorrow and I’ll have to pack bags and get ready. Why can’t I just walk on to the plane not check in any bags at all, only passport, ticket and the contents of my pockets? Why bother with luggage? Ah… if only life were so simple.

Sometime after this I hear the Tuk-kae lizard chuckling in a corner somewhere: tuk-kae-tuk-kae tuk-kae. And the Coucal, (whoop-whoop bird) (centropus sinensis) clambering around in the branches; whoop-whoop-whoop-whoop-whoop… First published March 25, 2013

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‘Just as a monkey moving through the forest or the woods holds on to a branch, lets it go and holds on to another; in the same way what we call viññāṇa (consciousness) arises as one thing and ceases as another, by day and by night.’ [SN.II.95]

References in this post: sue hamilton: ‘identity and experience’
Photo: buddhist shrine in bhutan, collection khun pornchai

improvisation

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New Delhi: Mall architecture in Asia, concrete and steel shrines to maya (illusion) –they even named a shopping mall ‘MAYA’ in Chiang Mai. The population is presented with the idea; step into the illusion… a lightweight upbeat city culture, air-conditioned, bright and colourful. Something hopelessly inevitable about it all careering towards the Western consumer culture – except that in the East, people are more likely to be careful about the money in their purse. Cultural tradition, awareness and inherited spirituality; besides, everybody here knows that if somebody is in the market trying to sell you something, it means you have the option to negotiate a fair price… not so in the mall, and that’s why the population are unwilling to engage with it.

Here in India, the Mall culture affects only a small percentage of the population (sounds like a virus) and, I have to say I’m sometimes part of that minority; the need for essential things for devices, bookshops and a good baker. To get to our shopping mall we have to drive out of town and the three-building complex is situated in an undeveloped area – there’s a fourth building going up at the time of writing. Construction site workers’ community nearby, chickens and goats in a hot dry, dusty landscape. Come off the highway, through a great winding turn of rough unsurfaced road, potholes and puddles of water and into the short entry, manned by security – car examined, mirrors held underneath, look in the trunk, the engine. More security at the entrance, metal detector and security guards carry out a full body search before you get in the door.

It’s as if the whole concept of consumerism is subject to scrutiny; not as easy as it is in the West to simply be pulled into the mall and disinclined to escape from the illusion. The fact is, for many people there’s no way out, situated at the end of the consumerist food chain, as they are, and trapped in that predicament. No alternative, we have to purchase the product because we can’t create it ourselves – so far away from doing things ourselves. People believe they can’t improvise… forgetting that the whole thing is improvised… language is improvised, life itself is improvised. All the systems that are in place were improvised to start with, and even though we may be subject to skilful marketing strategies, there’s still the innate ability to be creative, to improvise, to invent, to innovate, to find a way out of the illusion. The carnivorous marketing creatures have to be gently pushed into the background in order to bring what’s really meaningful in life into focus.  First published September 5, 2015

‘The real is not something, it’s not anything. It’s not a phenomenon. You can’t think about it, you can’t create an image of it. So we say unconditioned, unborn, uncreated, unformed. Anatta (not-self), nirodha (cessation), nibbana (liberation). If you try to think about these words, you don’t get anywhere. Your mind stops; it’s like nothing. … if we’re expecting something from the meditation practice, some kind of Enlightenment, bright lights and world-trembling experiences, then we’re disappointed because expecting is another kind of desire, isn’t it?’ [The End of the World is Here, Ajahn Sumedho]

stowaway

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New Delhi: For a few days now, my bag has been lying on the bed while I search around for the clothes I’m taking with me on the trip to Thailand. The lid is hinged back, wide open like the beak of a baby bird in the nest. When the bag is filled to capacity (cases are always filled to capacity) it’ll close its mouth turn over on to its upright position and be wheeled away to the car, off to the airport, the check-in desk and into the cargo of the plane… a capacity inside a capacity.

At this time though, the case is still unpacked and maybe I should not leave the cover of it open like this in case there are small creatures in the air that decide to fly into the bag and come with me to Thailand – like the time we were living in Switzerland and Jiab came back from a long trip to South America and the last stop was Peru. From Jorge Chávez Airport in Lima, she had three connecting flights, many delays and more than 24 hours travelling before she was back in Switzerland in the evening. Totally exhausted, she opened her in-flight bag to take a few things out and went to sleep immediately. I didn’t move the bag, left there lying open and went to sleep too – if I had closed the bag, then the stowaway wouldn’t have escaped into the room, or when it did, there’s a chance we’d have seen it….

In the morning, I woke up to this blat-blat-blat sound coming from the mezzanine upstairs, so I went up to have a look. Step by step and cautiously, there was a table light that had been on all night. Something was inside the shade – a very strange winged insect banging itself against the light bulb. When it stopped and lay resting on the inside of the shade I could see it was a hard-shelled beetle-like creature that folded its wings up inside its shell… hmmm this thing didn’t come from Europe, I’d seen something like it in India. I went down to the kitchen and found an empty glass jar with a screw lid and came back upstairs; it was flying at the light bulb again, blat-blat-blat. When it stopped for a rest, I manouvered it into the jar, got the lid on and took it downstairs. A kind of greenish square-shaped thing with a pointy end, about three quarters of an inch in size and sort of flat, like a spade.

I tried to get Jiab to wake up to look at it, but she was not interested in that, totally asleep and it wasn’t easy. A very bleary-eyed, jetlagged look at what I held up in the jar for her to see brought only puzzled silence. After some consideration she said: Insects should not be in the house, and collapsed back on the pillow. So that was it, much later we discussed how it could have got here and decided it must have come in through an open window on her last day in the hotel in Lima and landed on the contents of the open bag. She closed the lid on it unknowingly, went to the airport and thus it stowed away on the flight to Europe.

I studied the insect in the jar for a while then took it to the balcony, unscrewed the lid and gave it its freedom in the warm spring air. Watched it fly off down to the bushes and grass below. Who knows? Maybe it found distant members of a species once related, twice removed, reproduced and now there’s a hybrid genus developing in that part of Europe waiting to be discovered. First published September 30, 2015

“The present changes the past. Looking back you do not find what you left behind.” [Kiran Desai, The Inheritance of Loss]

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Photo by M, showing her bag (upper left, light blue with pattern) being loaded on a domestic flight from Chiang Mai to Bangkok

before already

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New Delhi: Getting things organized for the flight to Thailand, I go through my files and find this photo taken at Delhi Airport Departures last time I was there. Unfamiliar with this kind of airport signage: STOP/ LOOK/ GO, I’m lost for a moment in the what-came-first directionality, then I see it’s meant to be for vehicles approaching from the left. The driver is supposed to stop at the word STOP, then drive to the word LOOK, then he is ready to GO. Curious incongruities for me, an observer at the window on the third floor of the passenger terminal, I feel like a tiny speck in a huge transparent glass and steel building. A time/space anomaly, I’m reminded of something somebody said; part of a conversation with a married couple I know, in Chiang Mai. German husband and Thai wife – she doesn’t speak German, he doesn’t speak Thai. They use English to communicate, husband speaks it with traces of Thai pronunciation, and wife has a slightly German accent. We’re having tea together and I’m the only native speaker in the room so I naturally start to facilitate their searching for words, then realise I don’t have to do that, of course – English is their link language and over the years they’ve worked out their own system.

Their dialogue is a hybrid of grammar forms improvised as they go along. We’re getting ready to go out and husband says to wife, Where my blue socks. Wife tells husband: in the ironing basket… (mumbling quietly to herself in Thai: he can’t find anything because he doesn’t look properly). As he’s walking off to the laundry basket husband says, why you can move things without telling to me, and she follows it up with, I tell you before already.  I lose track of the conversation then, thinking… before already, huh? Is it a point in time somewhere before ‘already’ happened? Or is it that she already told him about the socks, and that was before something happened that’s not referred to here.

You can say it in Thai (bok gon laew*) but in English it suggests there’s an instant in time we are searching for but haven’t discovered yet. Miniscule shavings of time, events that last for 100 attoseconds, or 100 quintillionths of a second (note: 100 attoseconds is to one second as a second is to 300 million years). The illusion of duration, I’m experiencing a before/already disorientation, the present moment constantly updating itself in an attempt to find out where we are now. Cause and effect are parts of the same event; ‘before already’ is a screenshot capture of karma particles (cittas) in the time construct we inhabit. Lost in translation, so vast it doesn’t matter anymore. First published: September 27, 2015

One moon shows in every pool;
in every pool, the one moon.
[Zen Forest Saying]

*Bok gon laew: บอกก่อนแล้ว I told you before, already.

the way things are

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New Delhi: In the office they’re saying, he’s been here all morning but he’s gone now – you just missed him, as if that helps, and there’s this gesture that seems to indicate the empty space where he was; the empty room, desk, chair. I’m held by that space, I want him to be here, but he’s not. Somebody is making a call in the background but can’t get through right now so he must be at that somewhere-else place but he’s on a motorbike so maybe he’s on his way back here. Nothing extraordinary, it’s just that this motorbike guy is the one who signs the rental documents and we can’t go any further until he comes.

There’s this curious Indian head movement; an affirmative nod of the head, saying yes-I’m-sure, combined with a a shake of the head saying no-I’m-not-sure. I’m captivated by the charming head gesture and want him to do it again. So, I repeat the question that requires his answer and there it is; a headshake that is a vertical nod and a horizontal shake from side to side. It seems it could go either way… Yes, so have a seat, relax, see how things go.

I can’t sit down, too many possibilities, step outside and stand in the doorway. Look out across the busy road and up and down the street, all these faces turn around, eyes looking directly at me. It’s a kind of flicker of awareness all along my field of vision. More faces turning towards me like windows opening. People, mostly men, standing in doorways like me, maybe also waiting for the outcome of a possible event, and not doing anything right now, leaning on walls, interested in the white guy just entered their surroundings…

For a while I get the look, investigated, then the faces begin to turn away and we all fall into this state of just being where we are. If there’s a loud noise, heads all swivel around at the same time looking at whatever it is that gets our attention. The ‘self’ always receiving data, selecting, taking it all in, responding, rejecting, avoiding things unpleasant. Looking for something pleasing, heads swivel back to where we were before, front facing, the default position; has anything changed since the last time I was looking here? Nope it’s pretty much the same as it was.

Watching the inbreath, the outbreath, there’s an alertness about the sensory function, the simple curiosity about sounds and things happening – an awake receptivity that stretches to include the next moment: the response to that seems to arrive before it happens and there’s a glimpse of the construct. Attention blows like the wind this way, and that way, filled with the activity of being.

I hear a text message on a phone somewhere near and somebody comes along to say he’s coming back from that somewhere-else place. But I’m concerned because sometimes the somewhere-else place slips away and becomes the  the point of origin that we come back to and go away from and the going-away becomes the coming-back and he has gone becomes he has been. But not wanting to get into that, things are stretched enough as they are; he’ll be here soon, In the meantime, staying with the way things are. First published November10, 2015

‘No writing on the solitary, meditative dimensions of life can say anything that has not already been said better by the wind in the pine trees.’ [Thomas Merton]

somewhere to be

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New Delhi: We’re looking for a place to rent in South Delhi, and right now I’m being driven around at high speed by the agent. We’ve been looking at houses, buildings, one after another which all seem to be part of the same interconnected vast network of habitations with interconnecting rooms that bring you back to where you’ve just been. Arrive at another street, in front of another door, get out of the car, go inside, there’s a staircase, corridors and empty rooms, nothing here. Stare at the wall… a painted flat surface. Can I see us here? Not impossible, try to estimate ceiling heights… birdsong enters the empty house in an irregular chord of strangely related notes… walk over to the window. Look at what’s out there; the agent talking about this and that, and all I can think of is what Hipmonkey said: there is no ‘out-there’ out there that’s separate from what’s in ‘here’.

Outside invades inside, I’m back in the agent’s car and we’re off to the next place, slooshing and splooshing through the crowded streets at breakneck speed, talking as we’re going (she does this driving thing for a living), her livelihood is set in this river of noisy, crazy traffic that’s consistently doing unexpected things. The urgency of it all going past too fast… I can’t look, it’s too much, avert my gaze to the side window instead, and see out there, the reflection of myself in the glass shop windows as we’re going by; focus on the shadowy face looking back at me from one window to the next, somehow staying in the same position – it’s the world that’s rushing by, not me.

I’ll consider the Buddhist term: sati-sampajañña, clear comprehension, the absolute clarity of understanding in this context… stumbling over all indistinct, half-seen, misunderstood truths, and eventually I realize it means the clear comprehension of everything, including the confusion; the mistake, the mix-up, the puzzleheadedness. Okay so, don’t ‘do’ anything with it… the experience of total confusion – random things just seem to fit, the recognition that all related parts and everything come together, anyway, according to their circumstances; related patterns link parts of the story together with a kind of inevitability.

It’s an all-inclusive world, the ‘self’ is optional, comes with the software. I’m playing a role integrated with one whole consciousness – dimensions within dimensions – acting the part; being this person living in these rooms, being that person in those rooms, finding my way through this curious illusion, looking for words to describe that it’s a construct through and through. No way out, I know because I stopped looking for the way out a long time ago. In the 30 years of learning how to get along here in Asian society, I think I’ve let go of that remembered fiction about where I come from – migrants from Europe have experienced this in North America since the 17th Century. Long ago I learned, involuntarily at first, to be at home with other people’s preferences and relinquish my own choices, in time forgetting how I figured out how to be comfortable with it. So, when there’s an opportunity to have a place of my own, I return to the old default, surprised to see it’s still there, and how shall I do this? Let’s see, the bed goes here, the table there, and my chair… First published November 7, 2015

‘… we have no way of knowing from within the waking state, whether or not it is a dream, just as we have no way of knowing from within the dream itself, whether or not the dream is real. However, we are not in the waking state any more than we are in a dream. We are Awareness and the waking state appears in us as does the dream state.’ [Rupert Spira]]

terrestrial ocean

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New Delhi: It’s colder here at this time of year. No fans, no ACs, people have their windows open and you can hear the neighbours’ TVs, the clatter of dishes, cooking pots go: ‘ding,’ and bits of other people’s conversations. A child crying, a dog barks, somebody calling a person’s name in a language I can’t understand. It dwindles down as everyone settles in for the night, silent breathing in all the labyrinths of rooms and apartments that surround us here; people asleep on the floor, in beds, in cots, in hammocks. That’s how it was last night, then just after midnight, there was an earthquake.

Jiab wakes up, gives me a shake, ‘earthquake’ she says (Jiab is a linguistic minimalist). It takes me a moment to realize the house is trembling, bed is shaking, floor is like a sheet of tin stretching out from here to everywhere, connected with all other houses in the community… and the uneasy sensation of it undulating slightly; a flexibility, like the surface of the sea – a terrestrial ocean. Voices of neighbours outside, shouts and kerfuffle.

After a moment it settles down and the urgency passes. Trying to be mindful but I feel like I could go back to sleep maybe, just lying there, waiting to see what’ll happen. Then there’s another tremor, and we’re back into the unstable feeling again; outside there are louder shouts of voices, and more commotion. But I’m falling asleep, it’s because of living in Japan where there are multiple small earthquakes constantly… hmmm, the idea of death just going to arrive one day, any day, could be a Tuesday, for example, or a Thursday, yes, nice if it were a Thursday.

Falling into a half sleep; there’s that Donovan song ‘Jersey Thursday’… did he mean the pullover or the island? Another tremor rocks the bed slightly and the gentleness of it helps me to drift off a little bit more. The day I die will be an ordinary day, nothing different about it. The moment after I’m gone the next moment will come along; that’ll take place, and there’ll be the next day, the next week, the next month, the next year.

No more holding on to ‘me’, the identity; who’s who or which is ‘what’ and ‘where’, ‘how’ and ‘when’ and ‘why’… particularly WHY? How to answer that? It’s M’s favourite question; she’s only 9 years old and has this curiosity about everything. Well, it’s just the way it is, you know? It’s all happening for its own sake, the inevitability of circumstances – things moving along of their own volition and whether they continue or discontinue doesn’t seem to be a question. (M looks at me: ‘… yes, but WHY?’) It’s like a story that I may think will, one day, come to an end… the final curtain: THE END, but it starts again and the period of ‘ending’ becomes a defining characteristic of it all: it ends sometimes and then it begins again. More like an epic anthology of short stories: ‘as old as we are able to imagine’ and going on forever, the panchatantra, the great cycle of it is always there. All the way out of this tiny space and knowing I’m an integral part of the whole universe.

It’s 4am, can’t sleep, get up and go through to the front room. Start up the laptop and google ‘earthquake’… the news is there already. First published November 12, 2013

 ‘Four earthquakes (in Delhi) within a period of 4 hours, measuring 3.1 (12.41am), 3.3 (1.41 am), 2.5 (1.55am) and 2.8 (3.40am) on the Richter scale respectively. No reports of any casualty or destruction of property received so far.’ [reports: NDTV]

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Upper image by Manish Jain: spiritualartwork.wordpress.com

the familiarity of place

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New Delhi: The rental agent calls to say she’ll pick me up at 11am to look at a few houses. I’m glad to be going out because packing for the move is difficult; the attachment to possessions is so strong it’s like they’re being pulled from my grasp by the sheer force of having to move from here – I hold on tight, fingertips clutching the surfaces but they are all slipping away; familiarity of place, doorbell rings, put much-loved object into the box marked ‘Give Away’ and get up from the cluttered room. That’s the letting-go, the final goodbye… walking away, the rental agent is here, get keys, step outside, close door behind me. Into the car, chatting with the agent, and we’re off.

I visit a house in a popular area… crowded. Walk up the path, open the door, go in and there’s a feeling of the previous tenant everywhere. In my state of recent relinquishment, it’s like this is still their surroundings and it’s me that’s the potential new owner of their life … walk into the living room – the ‘living’ room? Suddenly I’m in someone else’s life – feel like I stepped out of my own life and into someone else’s by mistake – who am I? The world is how I/you perceive it, he/she, perceives it. We/you/they look into each other’s lives. A window opens into another realm inhabited by someone else in the network of interconnected lives. It’s just a slightly different angle on a world that’s seen, felt and understood, but through the same sensory awareness mechanism we all have.. a kaleidoscope of different coloured lights. The only difference is the ME that feels it, thinks it’s different from all the other ‘MEs’ walking around thinking they’re different too

Now there’s this feeling I’m looking for a place to ‘be’, the sense of a presence interlacing with the transparency of the presence of others. Observing the motion of the body in a sort of surprised way seeing that it can do it by itself. Gently stumbling around these empty rooms – looking for a place to sit down but can’t find anywhere because there’s no furniture. Well, isn’t this nice, says the agent, and I’m thinking, I’m tired, maybe this’ll do, maybe here I can invent another life I’ll be happy with. First published November 25 2015

‘Pretending you’re not “it” is exactly the same as “it”‘ [Alan Watts]

transfiguration

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New Delhi: November in North India is the best time for me. The heat has gone and our orange tree is heavy with fruit. When the first basketful is picked, we have to keep it for a few days in a place that’s separate from the tree. This is to allow the tree to forget about its lost fruit. Our curious seasonal change is like a brief springtime that occurs as we’re heading towards winter. It’s suddenly pleasantly warm like an early English summer, plants flower, and the bougainvillea on the roof terrace (Jiab calls them ‘bookend-villas’) transforming with more and more new blossoms.

I go up to the roof terrace and the yoghurt bowl is sitting on the table in the shade because the kitchen is too cold for it now – yoghurt is made without any artificial warmth, just room temperature itself. The milk is boiled, allowed to cool to about 45°C (113°F). The bacterial culture is added, and the warm temperature has to be maintained for 4 to 7 hours. I sit at the table next to the small bowl, feeling I ought to be quiet as this liquid is changing its form, bacteria active, fermentation. It needs some respect and privacy… I shall not look at it. Maybe it’ll work, maybe not, because after November it’s too cold for yoghurt – except that a Japanese friend said she’d managed to make it by placing the bowl on the Wi-Fi router (horizontal type), covered with a plastic box all night, and ready in the morning. Interesting idea, yoghurt made with Internet signal.

As it happens, seasonal change for us coincides with a change in accommodation. We’re moving to a different part of Delhi. It happens once every three or four years, living in rented houses for intervals of time, watching the paint slowly peeling off in the heat and letting it all be as it is. No agitation about anything that needs fixing because, just at the edge of vision, household items are ready for the next move, poised… the choreography of the dance step/transfiguration, the great leap, percussive scatter of objects landing. Wake up in somebody else’s house with all your own things looking out of context… everything that’s old has been forgotten in the confrontation with the new, that’s not yet been gotten used to. Perception takes it all in, files it away in a new folder, a new reference point: ‘this’ is what we shall call reality for now… before that happens there’s the transition, looking for things:
‘Where’s the coffee filter cone?’
‘In the box.’
‘Which box?’
‘The one in the room.’
‘Which room?’
(no answer)
sound of footsteps walking off in search of it…

First posted November 02, 2015

The separate self is not an entity; it is an activity: the activity of thinking and feeling that our essential nature of pure Awareness shares the limits and the destiny of the body and mind. [Rupert Spira]