responsibility & mindfulness

Posted on May 22, 2014 by tiramit

POSTCARD#67: Phuket: Hotel room on the third floor, level with the treetops, slide open the patio window and step out on the balcony. Birdsong in the early-dawn light. I sit in one of the outdoor chairs, settle down, and focus on the in-breath/out-breath. Check that there’s a balance in the body, symmetrical position of limbs, feet flat, back straight… and a curious peace in the air; an atmosphere that’s suddenly different from the North – the kind of thing you notice when you come by air, are dropped on the ground and have to figure out a whole set of new feelings, like where am I now and the quality of the air; all kinds of new things. Five minutes of watching the breath with mindfulness, the sun rises and a great flood of things to think about swells up. I’m washed away by it for a while; thought sequences and memories become apparent when they reach the point of “being”. Before that they’re in the uncreated state – arbitrary, disassociated. Things that don’t exist at all, until I observe them. For the first time I’m thinking of the Observer Effect in quantum physics, the experiment showing that when one is observing the movement of electrons it changes their behavior. In Buddhist thought, the ‘observer’ is the self-construct that forms as a result of responses to sensory input via the Five Khandas. Received data is formed according to the mechanisms of the human sensory process – including cognition, a sense like all the others. I see the need, the responsibility of mindfulness…

Sit for a bit more, to see what’s happening and on-going indications that’ll eventually lead to my assessment of what could be the ‘reality’ for the day. There’s a clear recognition that I’ll be able to see ‘it’ in this way, so then there must be all kinds of very powerful entities present who choose to ‘be’ in this World in order to manipulate our perceived reality to fit with their own advantage – to have control. (Then after I’d written this part of the post, the news came that there’s a military coup in Thailand as from 16.30 May 22, 2014.

What now… ah well, there’ll be enforced peace and that’ll allow everyone to investigate the feeling – the unknowing energy of Thaksin followers who might think differently about the consequences of their action in other circumstances. And maybe those who have the influence will have the space they need to see what needs to be done to get it all to work – whatever. The heart of the Thai people is with the King who is at the end of his life… when it happens they will wear black and mourn for a year, un-fillable vacuum… that’s what this is about.)

Light becomes an irreversible fact, sky is unquestionably blue and there on the hill is the Big Buddha of Phuket, พระพุทธมิ่งมงคลเอกเนาคคีรี sitting up there at the highest place on the island. From where I am, it’s seen from the back, looking in the same direction I’m looking – I have to search in Google images to find a good one seen from the front (see below). Limited by what the human sensory mechanisms can do, this is the means at our disposal, you could say, and all the stumbling pitfalls that are part of it… sensory receptors are on the face, the front of the head, no rear-view mirror. All incoming data is received that way, from the front and the ears on the sides – mouth and nose on the front too. Strange how it’s like that, we miss everything that going on behind, unseen. There’s a tendency to turn around, always, to see what’s going on… anybody there? The limitations of being human, see it and switch off the ‘search’ function. Allow things to happen in the way they’re supposed to. It’s what the software does… a prayer would help.

“…not a single particle out “there” exists with real properties until it’s observed… reality is a process that involves consciousness [Robert Lanza]

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Top photo, Bodhi tree at the viewing area in the south of the island. Bottom photo, the Big Buddha of Phuket. Link to source

Note: The Robert Lanza quote is from hipmonkey

round-and-round

Posted on May 17, 2014 by tiramit

POSTCARD#66: Phuket: It was nearly the end of M’s school holiday and she hadn’t had much experience of the ‘beash’ (beach: her mispronunciation of the ch/sh sound). So the three of us decided to take her to the seaside, got on a flight to Phuket, 1 hour 50 minutes from Chiang Mai and some of that time spent speaking in English and making jokes about the ch/sh sound: washing TV (watching TV). I asked her when she’s ‘washing’ TV does she uses BREEZE detergent, is that a good one? Hahaha, etc. No, Toong-Ting, I wash TV with MAGICLEAN because it’s anti-bacterial… (there’s a kind of one-upmanship developing, now she’s past her 10th birthday). Arrived in the early afternoon, lumpy chunks of land rising from the sea, seen from the plane window. Busy airport, flights from all parts of the world arrive and depart, waves roll in from the ocean and drift back out. There’s an Aeroflot jumbo jet arriving at the gate next to ours, direct flight from Moscow, and signs in Russian everywhere in the airport. In the town too, also Russian travel agents, Russian car rentals, Russian laundries, Russian restaurants, and guided tours for Russian tourists with Russian guides – they’re more noticeable than other Caucasians; large human beings who don’t smile at all.

Coming in by bus from the airport to the Centara Hotel at Karon beach (a hotel catering for families with children), M sitting with me in the front seat behind the driver, and she seems unusually quiet – busy with the iPad. I ask her if she’s okay… mm-hmm, (like I’m doing something quite complex, don’t bother me right now). We’re going round and round on these circular roads; signs for the airport keep coming up. The bus driver chatting with Jiab and M’s mum, saying it’s because it’s an island, the GPS brings you around in a circle and all the roads lead back to the point of origin. Nowhere else to go, limited land space, commercial potential of everything examined, evaluated, exploited to within an inch of its life. All to create another crescent shaped beach, same palm trees, same everything.

It was then I noticed there was this slightly dizzy feeling; a lot of up-and-down and around on cliff roads to get nowhere in particular because everywhere in Phuket looks exactly like the place you’ve just arrived from and the same as the place you’re going. And M turns to her mum, says something that mum can’t hear, has to repeat it; I hear it as cha-ooap (cha is a future indicator, ooap means to be sick). The recognition of it comes slowly; I see the driver’s eyes in the rear-view mirror looking at us with alarm… M shouts out cha-ooap! She’s going to be sick – there’s a rush and fumbling among the passengers on the bus to find a plastic bag… shouted instructions on how to hold the bag and how to lean forward. But she wasn’t sick, soon we were in the hotel and everything got back to something resembling familiarity.

Now it all looks pretty exotic here. A lot of Russians and if I look away from the grim expressions, I can really get to appreciate the lovely deep resonant tones of the language. The tsunami of December 26, 2004 was a visiting catastrophe, came and went and the memory of it now is like biblical karma. We don’t like to think of it… gone is gone. Could be we are the only Thai group in the hotel – I’m not Thai but identify more with them than Westerners here, and really amazed at the long story of what has led to this, dependent arising, and the karma that’s brought me into this situation ~ [to be continued]

For the early Buddhists, karma was non-linear and complex… karma acts in multiple feedback loops, with the present moment being shaped both by past and by present actions; present actions shape not only the future but also the present. Furthermore, present actions need not be determined by past actions. In other words, there is free will, although its range is somewhat dictated by the past. The nature of this freedom is symbolized in an image used by the early Buddhists: flowing water. Sometimes the flow from the past is so strong that little can be done except to stand fast, but there are also times when the flow is gentle enough to be diverted in almost any direction. [Thanissaro Bhikkhu]

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Upper photo image, view from the van that took us from the airport

Lower photo image source

‘it’

Posted on May 10, 2014 by tiramit

POSTCARD#65: Chiang Mai: The photo is from the garden of Wat Phra Singh, one of a dozen Buddhist temples in the old city – 700 years of accumulated virtue, focus, and wisdom, means the sense of well-being almost becomes a tangible thing. An improved English translation might be: ‘When there is no beginning there is no end.’ Words, in any language, don’t stretch that far. In Thai it’s expressed better: meua (when) mai mi (don’t have) kanreumton (beginning) kho mai tong (not necessary) kangbon (worry) tung kwam sin sut (the end). No end, no beginning, leave everything in the continuous form of the present moment – ‘it’ never started so it cannot stop – it cannot leave because it never came [Mooji]. No past, no future – only for the simplicity of linear time and getting things in the right order. ‘It’ is simply understood… things are as they are, the on-going investigation of what else is happening in the mind/body organism and the world containing it; all this continues, and finding my way through a lifetime of sensory input is enough – observing the smallest details of conscious awareness.

Saying there is a point of origin, creates a story in the mind: once upon a time… but I can’t be certain what happened before that – the chicken/egg puzzle. A story inside a story (inside a story), the deep memory of many lifetimes spent searching for ‘it’… and the reason for ‘it’. Now I discover if I ask what ‘it’ is, the question leads to the semantically empty ‘it’… as in: ‘it is raining.’ What’s raining? The sky, the clouds? ‘It’ is a ‘dummy’ word broadly signifying a general state of affairs, a name for something that’s not there. It’s what the software does. I can ask the question: what was it like before the story began? In the vast abundance of no ‘self’ anatta, looking at a thing without the identity of it being a thing and getting to be okay with not having to know what’s going on. Language creates identity, issues a photo ID, sign here please and over that it’s stamped with the seal of authority to verify the bearer of this document is who he/she says they are in the identity details created for it.

Then there are other days when the insight into How It Began just suddenly arrives… the entry point is in the context of the here-and-now. A fleeting moment of understanding in present circumstances; a light that illuminates everything. ‘It’ goes without saying… No beginning, no end in the absence of ‘it’.

In the Beginning, there is no beginning,
Only the Solitude of the One.
The One Being, Emptiness, the Void,
Space filled with Ether.
An eternal Hunger resides in the Silence of Space.
Hunger moves, growing, longing to be filled,
Tension becoming agitation, vibration.

Water forms in Ether,
Fire emerges within Water.
All is vibration — pulsating waveforms
born from Hunger in the Solitude, the One.

We are the One enjoying the appearance of Separation.

[V. Susan Ferguson, ‘Voices from the Four Cycles of Time’: Beginnings: Satya (source: hipmonkey)]

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Lower photo: Jiab in the grounds of Wat Phra Singh

the fool

Posted on May 3, 2014 by tiramit

POSTCARD#64: Chiang Mai: I hear a sound outside, a voice, a single-syllable, shouted utterance… somebody’s name maybe. I pay no attention, all kinds of noises of building construction out there; clatter-crash-bang; screaming drills and power tools. Then I hear it again, go to the window and take a look over at the new building rising above the treetops. There’s a man up there on the highest level of the structure calling on somebody. I watch him for a while and take a photo. Enlarge the image as far as it’ll go; he looks like a desperado, an urban guerrilla fighter, but I think it’s the same guy who was wearing the red shirt in another post I wrote [light-headedness]. Something about the posture, he’s just standing there, face covered because of the fierce heat of the sun – incognito, a masked identity, a mystical storyteller, the Fool card in the tarot pack, all his worldly possessions in a bag on his shoulder and so busy with what he’s thinking about, doesn’t know he’s about to fall over. A small dog is barking at his heel – trying to get him to see the danger. Will he tumble to his death from this high place or will he prevail? The presence of the Fool is part of the fiction he creates, it insists on the performance. Please tell us a story – it has to be started before it begins… a story about a story, a song about a song?

Childlike and forever taking things as far as they’ll go, I am a make-believe being acting a part I believe to be ‘me’. Subject to astonishing karma because I’m holding on and mortgaged to the point beyond which mortgages really cannot reach, living on air, out on a limb… what I do is often done under duress: WORK, a sense of urgency, stress and getting kids to/from school with traffic congestion, food buying and one problem after another means I seek gratification in purchasing things: clutter and stuff/stutter and cluff, and the-urge-to-get-rid-of-it-all. A new problem always seems to arrive to take the place of the problem that was there before it, and the endless lack of a solution is tacked on to that… and to the one that comes after that… and after that, until I realise it’s the searching for a solution that causes the problem to arise…

When was it not ever thus?… and all of a sudden I’m free of it, thinking of emptiness, nothingness (as opposed to somethingness) and we’re all of a oneness … everybody’s brother and son, I’m no different than anyone. It ain’t no use a-talking to me, it’s just the same as talking to you [I Shall Be Free – No. 10]. Play the guitar riff from Purple Haze, do the best MoonWalk ever, acting the part so well, the ‘truth’ is revealed completely. There is no difference between the ‘self’ construct and my part in the story – even so, the spectator wants to believe I am the character, not the actor just being myself and simultaneously not myself. The ‘act’ of being alive. It’s just there, a total act, ‘theatre’, illusion, maya and we’re immersed in the story of it all…

‘Our lives suffer from a lack of meaning that disguises itself as consumerism and a host of other addictions. Having lost our spiritual grounding […] we experience our groundlessness as an unbearable lightness of being. The tragic dialectic between security and freedom reasserts itself: having attained some measure of self-determination and confronted the lack at its core, we now crave the grounding that would connect our own aspirations with something greater than ourselves.’ [David Loy, A Buddhist History of the West – source: mindfulbalance.org]

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Post includes parts of an earlier post: Acting the Part

now here & nowhere

Posted on April 25, 2014 by tiramit

POSTCARD#63: Chiang Mai: Going home in a tuk-tuk with M sitting beside me, small body-mass pressed against my side. The urgency of speed, kinda scary, canvas roof, no walls and immense sound of 2-stroke engine fills our space. Impossible to hear what she’s saying, M indicates that she wants to borrow my phone. I pull it out of my pocket, hesitate. Is it okay to play with a slippery glass-like instrument like this in a speeding tuk-tuk? It might fly away into the great-rushing-past-outside world, anicca, necessity of mindfulness – she should hold it tight. Small face looks at me silently… don’t make a thing out of this Toong-Ting. I press it into her small hands. Hot, prehensile fingers grab, grasp and clasp the phone. Go to settings, clear away unwanted windows with the swipe of a tiny finger and launch multiplayer Minecraft.

So fast! I’m kinda surprised she’s managing to get Internet, 3G signal reaching us here in a tuk-tuk racing through the streets of Chiang Mai – or maybe we’re in it, like a fish is in an ocean of water. Everything out-there passing by in a blur, feels like a totally crazy speed, why all this rush? I can see over the driver’s shoulder, through his windscreen and it’s like travelling through a wormhole in space-time; the actual here-and-now – everything outside of this is in a different reality. Everything on the ‘in’ side of it locked down tight, my arm around the slight presence of M, taking up such a small amount of the space on the seat, legs sticking out, and Minecraft’s digitally created landscapes of mountains and seascapes appear in the little window of the phone in her hands. She’s now in player-hosted servers with visiting players from all countries in the world. How do you say this Toong-Ting? She spells out: G-A-V-I-N. I tell her it’s a boy’s name, ‘Gavin’, probably English (who’s this Gavin guy, I wonder). I see name labels moving around the landscapes, Japanese and Italian names; Spanish, German, Norwegian – players I assume are about the same age as M. I see boy’s names and girl’s names, all here at this very moment – and, where is ‘here’? Good question: now here and nowhere, depends on the context… spatial and temporal qualities. Space and time are not separate, I read in a post recently [See note 2, below]. This is (always) where we are at.

Looking down at the top of her head, hair combed from a parting in the middle, pulled out in two separate directions, woven into tight plaits on either side, and it’s as if she knows I’m looking at her: Remember this number Toong-Ting: 19122, she says. I consciously remember the number, repeating it to myself… In a moment she asks me what the number was. I tell her, 19122 and ask what it was for, by the way, but she doesn’t answer… having to have things explained to me by a 9 year-old girl who speaks English as a second language – must be a password or login name. Sad really, these days there’s not the dialogue there used to be, ‘I’ am not here, anatta, a suspended state, waiting for the next question. What’s this mean, Toong-Ting? M spells out: B-R-O-S and I tell her it’s a boy’s server, he’s American probably, he’s black and I think she knew the word ’bro’ already. Obviously interested in this and next thing she’s in with the BROS, their mountains and volcanic lava, burning fires.

Then there’s a little wail – she gets disconnected. It feels to me like a catastrophe, but for M it’s no big deal, she changes to a different player-hosted server with new players – or maybe some of them are they same ones who just got here from the same sites we were all in earlier. And while that’s loading, a quick glance at the blur of what’s out there rushing by us, then she starts to sing a song from the movie: Frozen: ‘Let it go, let it go….’ I join her in the song. We sing together, Tuk-tuk driver laughing with his eyes in the rear-view mirror….

‘Time is in the mind, space is in the mind. The law of cause and effect is also a way of thinking. In reality all is here and now and all is one. Multiplicity and diversity are in the mind only’. [Nisargadatta]

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Notes: 1) The Nisargadatta quote above comes from a post I read recently but cannot find now. If you happen to know which one it is, please let me know – thank you! 2) Gratitude to: KM Huber for her post: No separation of Space and Time Here and the space-time observation. 3) Mr. Tawat the tuk-tuk driver usually waits at the same place at the end of my road every day. He has taken me on other journeys, you can see other pics of his tuk-tuk here and here and also below

‘face’

Posted on April 19, 2014 by tiramit

POSTCARD#62: Chiang Mai: Why am I awake? Lying here in the half darkness – can it be morning already? But it’s still night. There’s an illuminated hotel sign across the way that shines in my window all the time and it feels like dawn entering between the half-drawn curtains. I hear voices speaking English from the street below. The sound comes in through windows wide open. It must have been this that woke me. What’s the time? Wow, 2.30 am… is this some kind of emergency? Get up and walk over to the window, look out. I’m on the 3rd floor and see there’s a group of white guys down there, brightly lit from hotel signage. I hear bits of what they’re saying… sounds intense. There’s a feeling of urgency, everybody talking at the same time. Where did they come from so suddenly? Must have arrived in a tourist bus coming from somewhere, hotel staff carrying luggage inside. It takes a moment to see they’re mostly drunk, smoking their cigarettes because it’s not allowed inside. Talking over each other in a great haste of words, incomprehensible babble and too noisy for 2.30am.

I feel someone should be objecting to this noise, lean out the window: Hey, guys! You know what time it is… eh? But the hotel security man watching from the doorway doesn’t intervene. The night staff at the reception desk act like this is not happening – mindful of the discomfort but it’ll be over soon, cigarette-time doesn’t last long. The drunk guys meanwhile go on venting their spleen, or whatever, and don’t have any idea that it’s not cool to be losing your cool like this in Thailand, drunk and causing a scene in a public place. Not because it’s “bad” or against the rules – do it in private, no problem. In public it creates a kind of Thai embarrassment called ‘losing face’. The predicament of not knowing what to do…

It’s how the history of things developed in this part of the world, and the Buddha’s teachings. The art of the ordinary smile, leaving unnecessary stuff unsaid is a skill we Westerners never learned. We have the ego, the ‘self’ and the concept of ‘my’ rights… a different world. I’ve seen Thai people hold composure until the face goes white, pouring with sweat, emotions locked in ice-like conditions, and still nothing inappropriate is expressed. This is ‘saving face’, an extraordinary capacity to function without a show of anger. The political demonstrations in Bangkok are an example of ‘face’ with underlying sense of dread that the powers-that-be may be waiting to see how far the situation can be pushed before reaching the tipping-point, beyond which it becomes truly scary for everyone, a kind of insanity; ordinary people running straight into a hail of bullets [Link to: 1992 Black May] and the catastrophic events since 1973.

Maybe it’s the fear of it happening that holds things in a benign pleasantness with mutual-respect and the clear intention always to do the right thing in any kind of situation – or maybe they’re just nice people? And this is how it ends; the drunks finish their cigarette-smoking and stagger off indoors. I watch them from my place up here on the 3rd floor, level with the treetops. Scattered cigarette butts on the road down below that’ll be swept up by the morning. And after a while, it’s like they were never there. There’s quietness and a fragrance of small jasmine flowers that blossom in the night. I open the windows a bit wider, go back to bed and wait for morning.

‘The third Noble Truth is the truth of cessation. Not only do we let go of suffering and desire, we know when those things are not there. And this is a most important part of meditation practice, to really know when there is no suffering. Suffering ceases, and you are still alive, still aware, still breathing. It doesn’t mean that the world has ended, that everything has become blank; it means that the suffering has ceased. The suffering ends, and there is knowledge of the end of suffering.’ [Ajahn Sumedho, Suffering Ends]

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Photo (Dreamstime): Anti-government demonstrator paints mask in the likeness of ex-PM Taksin

mourning the loss of spring

Posted on April 10, 2014 by tiramit

POSTCARD#61: Chiang Mai: Looking at all these posts written by my blogger friends about springtime in the Northern hemisphere and something stirs in me… that urge for seasonal change, I want to be there. No seasons in Thailand, every day is pretty much like the day before. Time disappears, days become weeks, weeks become months, months become years. The whole thing is one very, very long day – night interrupts the flow, hardly noticed, and goes unremembered like the blink of an eye.

New leaves bud, grow, turn brown, fall and get swept away all through the year. There’s no autumn, no winter, no snow, no hibernation, no spring returning. The same bright light day after day, everything is awake all the time, and there’s an exhaustion about it. Necessary to take a rest in the afternoons, find my place bookmarked in the dream… I remember the silence of no ceiling fans. Natural AC, always a chill in the air and the sky a curious indistinct grey, sometimes, neither one thing nor another. It suits the transitory way of things, anicca.

I am a hoarder of old notes and among these there are references to spring in Switzerland, enthusiastic words written by a younger ‘me’ about buds beginning to appear on that yellow shrub that’s always the first to have colour around lac de Genève. Birdsong and smells of growth or greenness, leafy fragrances, moss and pebbles and the presence of the lake, lying there on its side like some vast mysterious being.

Date: 26 March 2001. Spring has sprung and just yesterday morning around 6am I suddenly noticed there wasn’t any birdsong and how could that be, what happened and why so dark? But it was because it’s all one hour earlier than the clock says (daylight saving time) and birds don’t change their watches.’

And another note about going to teach an English class in zone industrielle, Date: 10 April 2001. Yesterday was a bright sunny day and about 11 am, in the garden outside the building, I noticed the cherry trees with buds and tiny bits of bright pink. At 12.30pm, class was over and when I came past the same cherry trees, the buds were totally open and blossoms everywhere. It’s like Spring suddenly happened in just over an hour…

In the same way, it can disappear in an hour and I’m mourning the loss of spring… then that changes too. Everything is impermanent, including the idea that everything is impermanent – steel embedded in concrete, seemingly permanent, demolished by a man with a jackhammer in a single afternoon. But we don’t want to believe it, reluctant to accept that the world is so fragile, touch it and it falls to pieces – almost as if it’s not there.

Seen from the apartment here on the third floor, level with the tree tops, these exotic yellow and black squirrels jump around as if they had wings. Tremendous long leaps and landing: crish-crash! Branches spring back, rise up with the weight like uncontrollable laughter, high in the tops of slender trees, boughs bending to take the mass of one small body chased by another. Always having to catch up, never getting there, I follow them dashing through the foliage, my eye leaps in the field of vision – where are they now? The “now” moment slips from my grasp, I focus on it and it escapes. A new moment arrives, or is it the same one continuing from before? World without end….

‘…linear time melts in the now, self-dissolving, fading into space;  days and dates fade away; months, years and eons dissolve;  the one and the many vanished, sacred and profane both clarified;  the delusive ground of samsara and nirvana clarified in its innate spaciousness. Even “spaciousness”, as an intellectually contrived entity, dissolves.  Whatever we have practiced, however we strive, is useless now,  and intellectual gall exhausted, what a great marvel is the sky.’ [Longchenpa] source

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Photo: View from 3rd floor window and the trees where the squirrels play, yellow blossom appearing now it’s the hot season

strange familiarity

Posted on April 5, 2014 by tiramit

POSTCARD#60: Chiang Mai: 05.00 hours and there’s a problem with the internet. I have the about:blank page, a blinding white screen illuminating everything in this dark room. Things unexpectedly quit, don’t reload and I’m stuck because I can’t connect, the flip-side of that happily engaged state. The created ‘self’ has it’s own momentum… help!-help! – how to undo this bewilderment? Step back, get the bigger picture, zoom in, zoom out. How’s it working? Not good. But there’s a small obstruction-free space in this scenario, thank goodness, I remember a sense of pleasant abiding that supports it all. A long time ago I was keeping house for a Buddhist monk who had health problems. It was a cottage in a field in the middle of the English countryside. Theravadin monks are not allowed to touch food unless it is offered, so I’d go into town, do the shopping, prepare and offer the food before noon. The monk would chant the Anumodana blessing, birds singing in the trees outside, and we’d eat. It was a nice time, we’d talk about the Dhamma, go for walks sometimes and a lot of time was spent reading… yes, reading happened often – partly because his computer was really old and the internet connection extremely slow.

Once a day he’d start up this big, heavy, old Dell laptop and check his emails. It could take an hour… slow is not the word – death-like in its slowness. He told me with some eagerness that it was possible to read a page and a half of his book in the time it took the computer to load an image. For me it was about letting go of ‘self’ and what’s left after that? Only the strange familiarity of objects, sequences of events, karma of reoccurrences, and expecting things to happen when they’re nowhere near ready. Maybe it was easier to go along with that in those days. We had no idea about speed, bandwidth or anything.

In the really early days of the World Wide Web, I remember staring into the blank screen, waiting for the page to load and this wasn’t a frustrating thing at all. It was understood that things took a long time, the duration was really part of the experience – it was miraculous when the page finally opened. It was like, wow! I am now in a library in Wisconsin or New Zealand or South Africa or wherever, I see I’m in some room on the top floor maybe with the sun coming in the window and a view of a landscape outside. I’d feel like I was actually there… and isn’t that amazing! So it seemed to me at that time, then in Bangkok, Thailand nearly 30 years ago.

And the familiarity of the old dial-up connection; that strange piercing sound like the noise of an old iron gate swinging open and closed. Somewhere in mid-swing the tone would change, there’d be this alternating two-tone sound – and this is how it was for us, in the cottage in the field, when the monk’s computer would stir into life, he’d place the book he was reading gently aside, look into the screen, like the whole thing unfolding in slow motion. Select an icon, click that and wait for another 2 minutes for the next page to load. No problem, he’d reach for his book, find the place… continue reading.

‘When we come to practice we don’t know what we don’t know. After a while, the ego mask starts to crack and we begin to know what we don’t know. With some diligent practice, we might have a break through and for a moment or so know what we know. And if we continue with this wondrous work, we might stumble back to not knowing what we don’t know.’ [Wild Fox Zen]

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unsung song

Posted on April 2, 2014 by tiramit

POSTCARD#59: Chiang Mai: I’m awake before it’s light, start the computer and there’s a link to a music file of Gregorian Chant [Zen Flash/Gregorian Chant]. Click on that? Do I really need to have this kind of thing at 5 o’clock in the morning? Is it too early for the mystical voices and rustle of ecclesiastical robes of 10th Century Churchianity? Naw… go for it. The darkness of the rooms here and glow of the screen suit the dramatic nature of the performance – a world ‘created’ by God (the power of the church), manipulated, some would say, and thinking about it gives me the willies… but the breathlessness of the chant, itself, wow! The phenomenon of exhaled air pushing through partly closed vocal cords, opening for the next breath then closing, and it does it again and again. The absolute physiological miracle of it. Forget the applied ‘meaning’ of Christianity or Islam or Hindu – it’s just the ‘voice’ that’s in it. Tone quality created in volume of throat, in void of mouth, intricate cranial cavities generate high frequencies, and the whole head is resonating like a fantastical musical horn, or a trumpet-like whistling wind-instrument, or acoustic device fixed at the top of the vocalist’s body. The performing ‘harmonic’ of human voice (and gasp of inbreath that follows it), echoing in stone walls of old Europe and holy places a thousand years old – listening to it blows me away…

After a while, there’s some light in the sky and the birds have started their dawn chorus all around me here in tropical South East Asia, third floor, level with the treetops – open all the windows and let the sound in. Allow the intermingling Gregorian Chant to overlay on the flow of random exotic birdsong. An extraordinary mix. Birdsong is unstructured, uncreated, unmade – a song ‘unsung’ like the sound that water makes rushing over and through the pebbles in a stream, a myriad of small collisions, the incidental harmony of it. I have to go and hear this birdsong performance in natural surroundings. Get dressed, out the door, along to the elevator and down three floors to street level. There’s an old tree with large root formation not far away. Streets are quiet, I get there quickly, take a photo as the sun peeps through the buildings [see image above]. Then stand under the tree and listen.

Birdsong is on-going. It is as it is, and stops when we forget about it. Same every day, a story told in a multitude of voices about something that’s always there; an event presented for its own sake. The sky is full of it, an abundance floods everything, devastates the scarcity of small mindedness. There is one bird nearby, it pauses to take a bird-size breath of air… a small interval of silence, then it continues. The regular pace of all these incidental pauses sprinkled through the pattern of groupings of sound, forms an almost discernible construct but not really a melody. There’s no beginning or middle, and no end. It’s more like a huge chord played on an instrument with a great number of strings. An event that’s there all the time, as the planet spins towards the sun, daylight invading national boundaries, mountains and lakes, the narrow line between night and day moves out of darkness into light, the constant herald of birdsong always and forever on the edge of global night.

Chuang Tzu and Hui Tzu were crossing the Hao river by the dam. Chuang said: “See how free the fishes leap and dart: that is their happiness.” Hui replied: “Since you are not a fish, how do you know what makes fishes happy?” Chuang said: “Since you are not I, how can you possibly know that I do not know what makes fishes happy?” Hui argued: “If I, not being you, cannot know what you know, it follows that you, not being a fish, cannot know what they know.” Chuang said: “Wait a minute! Let us get back to the original question. What you asked me was ‘How do you know what makes fishes happy?’ from the terms of your question you evidently know I know what makes fishes happy. “I know the joy of fishes in the river through my own joy as I go walking along the same river.” [xvii. 13] [The Way of Chuang Tzu, page 97, ‘The Joy of Fishes’, Thomas Merton]

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Many thanks to zenflash.wordpress.com for providing these wonderful posts I read every day

Includes excerpts from an older post: Listening 1

assumed identity

Posted on March 29, 2014 by tiramit

POSTCARD#58: Chiang Mai: Arrived in the early evening and out through the exit tunnel into the airport corridors. Turn the first corner and we’re looking back through a large window at our plane with passenger bridge attached. M says, in her 9-year old voice: take a photo of it… put in your blog Toong-Ting (she calls me that). There’ll be a time when M takes a direct editorial role in this blog… so I take the photo and here it is now. A large reptilian mouth sucking out the contents of a passenger aircraft that has a painted face, intensely happy smile, and it seems okay about what’s happening. M is silent for a moment as she considers the elasticity of this strange stretched metaphor. Then we continue along the corridors to get our bags from the luggage belt. I put everything on the trolley with M sitting on top, push the wheels through the glass doors, opening as we approach and we’re in Arrivals. Her mum is waiting for us, pleased to have M back.

Bags in the car and we’re off. Heavy traffic on the way into town and M, still silent, looking out at it all considering, maybe, how one thing can become another, tells me that cars have gender: boy-car and girl-car. It’s the look of the ‘face’ of the car – that kind of ‘grin’ created by the front bumper and radiator grille. She sees it as the face of a boy or a girl or, if she can’t decide which it is, it must be a katoey, effeminate gay male, third gender, or whatever – she giggles a bit, it’s okay in Thailand. I ask her to identify a boy-car for me, just to see if I can recognise its ‘maleness’ – although I’ve always thought of cars being male. She points at one: that’s a boy-car Toong-Ting (see left pic). I want to say… how d’you know that? But this kind of challenge to her reasoning might be too much, so I’m just going along with it. She asks if I can identify the gender: you tell me, Toong-Ting, it’s a boy-car or girl-car, okay? I have a feeling I’m going to get this wrong… let’s see, there’s one that’s got really male characteristics, I point to it and say that one is a boy-car. No, Toong-Ting it’s a girl-car… looking at me like, how come you can’t see something as obvious as that, hmm?

M spends a lot of time on the road, going to and from her school, a long way from her house. I think she probably knows the brands of all kinds of cars now, maybe not the names, just a familiarity with their appearance and long ago decided some were boy-cars, some were girl-cars, and those in-between were katoeys. As we’re going along I take a photo of the back of a car and show it to her so she can study it in detail: boy or girl? (see pic below) She says she can’t really tell looking at the back of it, can’t see its face, but thinks maybe it’s a girl-car, because she remembers that she decided at some earlier time, that particular make of car was a girl. It’s a case of remembering which is what (or what is which?) or what she had already decided it was when she first saw that make of car.

There’s intelligence in her playfulness, a reality in her personifications that challenges my usual insisting there is no ‘self’, the Buddha’s Teaching on anatta: ‘self’ is an illusion arising from the 5 Khandas. I feel I’m holding on to something I should let go of, with M going around happily applying the attributes of ‘self’ and gender to all kinds of things. She can create an identity and let it go, because it’s one among many. She can escape the entanglements of ‘self’ because she plays with a multitude of ‘selves’, like waves in the ocean and an ocean in all the oceans of the world. Everything in the universe is Self. The ‘self’ I believe to be ‘me’ is an assumed identity – there is no ‘self’, everything I see is ‘me’.

‘Brahman is full of all perfections. And to say that Brahman has some purpose in creating the world will mean that it wants to attain through the process of creation something which it has not. And that is impossible. Hence, there can be no purpose of Brahman in creating the world. The world is a mere spontaneous creation of Brahman. It is a Lila, or sport, of Brahman. It is created out of Bliss, by Bliss and for Bliss. Lila indicates a spontaneous sportive activity of Brahman as distinguished from a self-conscious volitional effort. The concept of Lila signifies freedom as distinguished from necessity.’ [Ram Shanker Misra, The Integral Advaitism of Sri Aurobindo]

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