First published October 4, 2012: UK: I’m in a rush-hour train coming into London, standing in an integrated mass of human bodies all supporting each other. I’ve got a belt to hold on to above my head which is fortunate because the train is shaking about on uneven tracks, noisy and exhilarating. This really is the whole experience of train travel…. Then it settles down to a smoother pace and I’m focused on the closeness with other people; smell of wet raincoats and a forest of arms reaching up to hold on to roof belts, blocking the view. Somewhere nearby, a voice suddenly shouts out: ‘I’M ON THE TRAIN’ – a man speaking on his phone…

‘I think, therefore I am’ [cogito ergo sum] More than two thousand years before that, the Buddha noted the inherent problems in this kind of thinking: “I am the thinker’ lies at the root of all the categories and labels of conceptual proliferation, the type of thinking that can turn and attack the person employing it… “Do I exist?” – It depends on what you mean by “exist.” “Do I have a self?” – It depends on what you mean by “self.” Thinking driven by definitions like these often falls prey to the hidden motives or agendas behind the definitions, which means that it’s unreliable.’[Thanissaro Bhikkhu]

The man on the phone continues with his loud conversation, surrounded by people with grim faces who don’t speak. He disregards us completely, asserting himself in this space that everybody is squeezed together in, caught in the dis-ease of ‘deadly tedium’. We are struggling over this intrusion of the man and his phone but holding our composure with patient endurance. Folded newspaper in front of the face to avoid eye contact (this was before mobile phones), we are managing to ignore each other completely. Turn the page of the newspaper, fold it back skilfully without untoward touching and have a casual glance all around, as I’m doing it, just in case there’s anything that needs to be noticed, looked at or ‘seen’. No, everything is as it should be; newspaper held like demure fan that masks the face, and doing the crossword: 7 across: Four letters, ‘It may follow something _ _S_. Meanwhile the man talking on his phone is saying the line is breaking up because we are going through a tunnel.

I am committed to a world of consumption of goods and services. I want to have more of what I like and less of what I don’t like. I’m not interested in things that are neutral, they are meaningless (it’s a pity really, because the neutrality of feeling is the Way To Go). I am therefore in a chronic state of dissatisfaction because I never get what I really want. Okay, but as long as we’re mindful, it can be manageable? Well, it’s allright for some, you might say, for those of us who have recently returned from somewhere colourful and bright, light and cheerful, sun shines all the time; smiling Thai faces and their polite behaviour. But isn’t it just that they have a more cheerful kind of dukkha over there?

There’s a passenger announcement: ‘…delays at Croydon and Blackfriars due to congestion’. Then entering Liverpool Street: ‘… this train will not stop at Liverpool Street because of “flooding” at the Eastbound station (flooding?) and will continue on to Aldgate where passengers can take the train back and enter from the Westbound station which is unaffected and we apologize for any inconvenience.’ I have to ask other passengers what the announcement was about and surprised to discover everyone is friendly; the shared burden of these times of hardship and emergency – something conditioned by World War II?

I get there finally, near the end of a long list of Anglo-Saxon place names, and walking along with the South coast tourists in the pleasant harbour area of a town near the sea at Eastbourne. I’m looking for the office of an agent I have to visit and the phone in my pocket is ringing, who can this be… Hello? Jiab, she’s in Peru; hard to believe. She wants to know, can I get some of these wipes that are good for doing polished wood, and get a few packs, please? I have to take them with me when I come to Thailand. I hold up the phone high in the air so she can hear the Eastbourne seagulls all the way over there in Peru; a great swirl and echo of Northern seabirds singing in the wind, like cats mewing in the air.

 ‘It’s because of not understanding and not penetrating this Dhamma that this generation is like a tangled skein, a knotted ball of string, like matted rushes and reeds, and does not go beyond transmigration, beyond the planes of deprivation, woe, and bad destination.’ [DN 15 PTS: D ii 55 Maha-nidana Sutta: The Great Causes Discourse]

Note: This blog is now posting twice a week

First published December 5, 2012: New Delhi: It’s the middle of the night, it’s cold, I’m in bed and covered with a mountain of bed covers. Can’t sleep, just lying here thinking about things in the darkness. All the stories of my life come and go, click the channel-changer and there’s another one. I remember this, yes… so, he said that… and I said this… and then what happened? Click the channel-changer again and I’m somewhere else. It’s the thinking thing, continually pondering over suppositions, this and that and when I ask myself how to stop thinking the mind starts to look for a solution, drawing conclusions from known facts ad infinitum and I’m thinking again. It’s my Western cultural inheritance – separate from God, we are created by Him – studying the ‘object’ and logical, applied, deductive reasoning. Here in the Eastern context, it’s more like a gradually accumulating lake of inductive reasoning; the ‘whole’ is a pre-existing pattern composed of its parts. I can ‘feel’ my way into it and see where that takes me.

So, I stop thinking. There’s an awareness of the cold air on my face, sensory response vedanā; the mind engaged with the other senses tuned to reception from the outer world like satellite dishes search for a signal. When there’s no thinking, there’s an empty space where the thoughts used to be. I’m aware of the desire to be actively thinking, I see the invitation to be engaged with thinking – same as other forms of ‘wanting’ and mindfulness kicks in. But it occurs to me this is the Buddha’s teaching about the origination of the world: ‘Dependent on the eye & forms there arises eye-consciousness. The meeting of the three is contact….’(phassa) and I’m back into thinking again.

There’s something obvious about this, the mind is one of the six senses and functions like a receptor in the same way as the others do, except that it also has the purpose of ‘guarding’ the entry point; sense object activates the chain of events and mind has an intuitive, cognitive function; it is capable of discerning the object, like a security system. The exact nature of the cognitive mind holds my attention. I experience the absolutely empty space of no-thinking and either there’s not any sensory input the mind needs to be engaged with, or the apparent emptiness is caused by the mind’s awareness of being aware. There’s more of this empty space. Thoughts come in and go out again and the mind is watching the whole process. Sometimes I’m here as an observer, watching from behind the curtain. Other times the observer disappears, and it seems like only the mind itself is left there. That disappears too and, in its place, a sequence of momentary mental events, each one linking with the next as if it were electronic activity. It’s like a small fireworks display, arising and falling away. Some time later sleep comes and the world disappears.
[Note: This blog will be posting twice a week for as long as the review of older posts continues]

November 3, 2012: Bangkok: [Note: Continuing the series of early posts on the beginning of a sense of what Buddhism is. There is no direct reference here, this is one of the very early posts, the blog was barely one year old]
I’m in a downtown area, standing under an umbrella, trying to hail a taxi; heavy rain here and the traffic is going slow. A taxi pulls up, bright yellow and green, open the door and get in. There’s that strong smell of krating daeng (red bull), and jasmine flower garlands. I see a Buddha rupa and various auspicious objects everywhere. The taxi is old-style, well maintained but at the end of its days. The same could be said of the driver; ‘Loong’, meaning ‘uncle’, a respectful term used with any old man. In fact, he’s more like great-grandfather, smiling, childlike and ancient.

The most noticeable thing about him is he’s got no teeth and insists on grinning all the time. He’s likeable, asks me all the usual questions and it turns out his daughter lives near to where I live in Bangkok and that’s a talking point. He brings his attention to driving the car and I’m wondering how this is going to turn out, but it seems to be good enough. So, I settle back and look round the interior of the cab because it is crowded in here. Blessings and charms are painted on the ceiling, a great profusion of strings of beads, amulets and decorative hanging things tinkling and clanking from the rear-view mirror, and it takes me a little while to notice that the dashboard is covered with all kinds of toy objects stuck on with adhesive. The dog with the nodding head, and they all have moving, swinging heads, like this; coiled spring necks and crazy grinning faces that wobble slightly with the vibration of the engine but roll around madly every time his taxi makes a sudden movement, a touch on the brakes, an abrupt acceleration. It’s quite mesmerizing.

I’m just taking it in here, all these wobbly heads and various swinging objects in the middle of the windscreen; a part of the journey I didn’t expect. I get in his taxi simply to travel from point A to point B thinking that he just takes me there – and he does that but feels it necessary to surround his passengers with… something, what is it? I know some Thais who would feel uneasy in here, seeing a connection with phi (superstition). I don’t engage with that stuff and thinking it’s like this because, for him, it’s just boring and pointless; there’s no reason for this journey or any journey, and this is a kind of anchor. Somebody else will get in, after I get out, and that person will tell him to go somewhere else and off he goes. When he gets there it’s the same as the place he just left, and all other places. Traffic in the city is like water in the river; it gets everywhere, into all the corners where there’s space for it.

Every passenger who gets in has a directional goal-orientated intention; this old driver is not part of that, even though he is very much present. For him it may seem incidental in a profound sort of way; just wandering all over the town in randomness and along the way he’s arrived at the concept of all these wobbly heads, I suppose. It’s suitable because it’s meaningless, like everything else. His taxicab is like this because he’s in a place where it’s always ‘now’. Most of the cause/effect, time-bound, goal-directed thinking is just not there. Apart from control of the vehicle, which he must know completely, he is free; he’s not going anywhere because he doesn’t need to go anywhere; there’s nothing he needs. He just takes other people where they want to go and there’s just the emptiness of it.

In the Hermann Hesse novel: ‘Siddhartha’ (chapter 9), Siddhartha speaks to Vasudeva, the ferryman, about a lesson the river teaches, that time does not exist. “The river is everywhere at the same time, at the source and at the mouth…in the ocean and in the mountains, everywhere, and the present only exists for it, not the shadow of the past, nor the shadow of the future… Nothing was, nothing will be, everything has reality and presence.” He talks about listening to the ‘voice of the river’ and I’m wondering if it’s something like this that Loong is experiencing after a lifetime in the timelessness of this huge city.

Loong drops me where I want to go and it’s still raining. I get all the stuff done I was going to do and a few other things too and after a couple of hours I’m in some other part of town in another taxi. We’re stuck at traffic lights and I see this taxi go by with the same wobbly heads on the dashboard; amazing coincidence, considering there are 10 million people in this city – it’s Loong! And he doesn’t have a passenger. Quick decision, I pay off the taxi I’m in, the lights are still at red, jump out and run through the rain to Loong’s taxi. Open the passenger door and jump in – surprise, surprise! There’s wild laughter, and Loong’s great toothless mouth and all of it suddenly feels like a continuation, I was here all the time; I never got out of his cab the first time; the interval that happened in between was a daydream.

So, we set off back to my place and he’s happy about that because he gets to visit his daughter who lives nearby. I hear him explaining things to her on the phone. He’s too old to be driving, really, and as he’s doing that, I have a chance to revisit the strange and interesting timelessness that Loong’s taxi seems to contain.

DELHI AIRPORT [First published in February 9, 2016]: Early morning in a coffee shop space while Jiab is checking-in for her flight to Mumbai. Me looking around and up above this steel glass and tiled environment to the old vaulted ceiling structure. Sometimes all I can do is find a quiet place and just sit. Looking at things from an oblique angle… it’s an unreal world. There’s this pain in my head, but I have a magic medicine pill that sends the pain away… then it’s gone… and a part of my mental functioning gone with it. Where’d it go? I think it went into another room where there’s a dance party going on all the time day and night. I can hear the music beat through the wall throbbing constantly… don’t recognize the music being played, no worries, the main thing is I can’t feel the pain; besides, it’s more like stress than pain. Sometimes I have no stress at all; sitting alert and mindful, vipassana. Other times I feel the energy of that stress so strongly it brings attention to the thin membrane separating me from the pain – it could rupture any moment now. Wait and see if it’s gonna happen?

Allow all things to pass, continue to sit, mindful, quiet and alert to everything that’s going on. A few tables next to me there’s a teen-aged girl with head and body hunched over her phone device, all I see is the reflected color glow from the screen on her face. The colour of her eyes sparkles with light that’s continually changing; flashes of blue, pink, and then, everything goes orange. She is having a conversation with her friend on speaker-phone, so she has her hands free to work on the keyboard and smoke her cigarette secretly, and here’s the thing, she’s writing messages on her phone and speaking with her friend and smoking a cigarette, all at the same time. Multi-tasking with a keyboard, speakerphone and the sound of very noisy texting: poo, paw, poo, paw, pee, pay, pay, poo; auditory stabs pierce my being, on the frequency that all phone-ring-tones and unfriendly digital sounds seem to inhabit.

The voice of her friend at the other end is really LOUD. Must be she’s calling from another party environment similar to the one going on in my head, all kinds of party noises – in fact I can’t tell the difference… what’s happening to me? Is she calling from inside my head? Disregard that thought. She has to shout to be heard: “Yeh, I know her, an I got natheen to say to her, that back-stabbin sawn offa beech!”

The girl here says something I can’t make out really loud in agreement. Maybe I can seek some peace from this noise, up in the ceiling structure, the bigger picture, the larger space within which all this is contained, and already the sound of the girl’s phone is like small harmless sparks from a loose electric wire.

But again, the intrusive lunge of the girlfriend’s voice into my space, razor-sharp blade of steel brings me back to the way things are. Language syllables, smack-your-head-around in shrill sound waves that slice my head and upper body into pieces fall to the ground, scattered around. The sense of bien-être quivers and gasps in a kind of death… such are the battles fought in the mind.

Jiab comes with her cabin luggage running on wheels behind; she is a small oriental with a large heart, we say goodbye at the security line and I make my way back. Out through the crowds and into the car, squeezing through traffic cacophony of car-horn noise and wondering why then realizing we are doing a U- turn, back to the way we came in.

The whole landscape is familiar but unfamiliar, pieces and parts of what is remembered, digital sound-and-vision recognizable from faraway events in history when huge towers in slow motion tumbled to the ground, as if all the concrete and steel had turned to dust. The population just can’t figure it out… please no, it’s too huge, time to move on from there. Only clouds of pollution now, the effect it has on everyone is the metaphor; devastation is all that remains.

You hide me in your cloak of Nothingness
Reflect my ghost in your glass of Being
I am nothing, yet appear: transparent dream
Where your eternity briefly trembles [Rumi]

Delhi: Packing household objects for the move is simple enough, there are two categories: a) things to Give Away, b) things to Keep. There is, also, c) things I have to give away, but want to keep. Still some reluctance there, gazing fondly at these possessions, do I really need this? In the end it all gets caught up in the momentum of leaving. I begin to see how it belongs in the ‘Give Away’ group, except there’s this tenacity of attachment; fingertips adhere to surfaces of the object – it would have to be pulled from my grasp.

The urgency of having to pack up and leave, sweeps the attachment into another place where it becomes generosity. Much-loved objects become gifts, rather than possessions. Generosity is letting-go, and the Buddha’s teaching on self/no self reveals the suffering inherent in the human condition caused by holding on, when we should be letting go. Compassion for those of us caught in the suffering of possession and ownership; the system creates the predicament – across the board consumerism stimulates a hunger that doesn’t lead to satisfaction but to a sharper edge to appetite.

A change in acoustics, the rooms are emptying fast, the sound of a single handclap creates an echo: “clap!” Household objects are disappearing at the same rate as large sealed boxes are appearing – rooms starting to vanish, space enters through the windows, floor gives way, and for a moment, everything turns inside out. Then seeing it the way it was before this, is impossible… memory gives way and it’s gone.

Parts of the interior are deleted; a blank space appears where something large used to be – the place where a thought used to be but it got forgotten; what was I thinking about there? Can’t remember. More of these blank spaces, objects wrapped in bubble wrap lose their identity. Everything packed away in boxes, cubed, diced up on the chopping board. I can’t remember what it was before this… there’s a world of things, and then there’s not.

This is a difficult time, earthquakes, hurricanes, and natural disasters of the Trump kind. The world is watching, not sure, uncertain. The urgency of thought seeks the safest place to be, the midway point and holding the balance; a place of equanimity in the midst of uncertainty, find a calm abiding there and cultivate the disposition to be free of bonds of ownership – attachment becomes generosity, relinquishment, letting go metta, loving kindness

In Asian languages, the word for ‘mind’ and the word for ‘heart’ are the same. So, if you’re not hearing mindfulness in some deep way as heartfulness, you’re not really understanding it. Compassion and kindness towards oneself are intrinsically woven into it. You could think of mindfulness as wise and affectionate attention. [Jon Kabat-Zinn]

First published September 22, 2017

April 2, 2014: Chiang Mai: I’m awake before it’s light, start the computer and there’s a link to a music file of Gregorian Chant. Click on that…mystical voices and rustle of ecclesiastical robes of 10th Century Christianity. The darkness of the room here and glow of the screen suit the dramatic nature of the performance. It’s the breathlessness of the chant, itself, Wow! Exhaled air pushing through partly closed vocal cords, then an opening for the next breath then closing, and it does it again and again. The absolute physiological miracle of it. Forget the applied ‘meaning’ of Christianity or Islam or Hindu – it’s just the phenomenon of ‘voice. ’ Tone quality created in volume of throat, in void of mouth, intricate cranial cavities generate high frequencies, and the whole bone of skull is resonating like a fantastical musical horn, or a trumpet-like whistling wind-instrument, or acoustic device fixed at the top of the vocalist’s body. The performing ‘harmonic’ of human voice (and gasp of inbreath that follows it), echoing in stone walls of old Europe and holy places a thousand years old – listening to it blows me away…

After a while, there’s some light in the sky and the birds have started their dawn chorus all around me here in tropical South East Asia, third floor, level with the treetops – open all the windows and let the sound in. Switch the digital file to speaker, allow the intermingling Gregorian Chant to overlay on the flow of random exotic birdsong. An extraordinary mix. Birdsong is unstructured, uncreated, unmade – a song ‘unsung’ as is the sound that water makes rushing over the pebbles in a stream, a myriad of small collisions, the incidental harmony of it. I have to go and hear this birdsong performance in natural surroundings. Out of the door, down three floors to street level and there’s an old tree with large root formation noearby. Streets are quiet as dawn light illuminates the sky above the buildings… I stand under the tree and listen. [see image above].

Birdsong is on-going – a story told in a multitude of voices about something that’s always there. It is an event presented for its own sake. The sky is full of it, an abundance floods everything, devastates the scarcity of small mindedness. There is one bird nearby, it pauses to take a bird-size breath of air… a small interval of silence, then it continues. The regular pace of all these incidental pauses sprinkled through the pattern of groupings of sound, forms an almost discernible construct but not really a melody. There’s no beginning or middle, and no end. It’s more like a huge chord played on an instrument with a great number of strings. A phenomenon that’s there all the time, as the planet spins towards the sun, daylight invading national boundaries, mountains and lakes, the narrow line between night and day moves out of darkness into light, the constant herald of birdsong always and forever on the edge of global night.

Chuang Tzu and Hui Tzu were crossing the Hao River by the dam. Chuang said: “See how free the fishes leap and dart: that is their happiness.” Hui replied: “Since you are not a fish, how do you know what makes fishes happy?” Chuang said: “Since you are not I, how can you possibly know that I do not know what makes fishes happy?” Hui argued: “If I, not being you, cannot know what you know, it follows that you, not being a fish, cannot know what they know.” Chuang said: “Wait a minute! Let us get back to the original question. What you asked me was ‘How do you know what makes fishes happy?’ from the terms of your question you evidently know I know what makes fishes happy. “I know the joy of fishes in the river through my own joy as I go walking along the same river.” [xvii. 13] [The Way of Chuang Tzu, page 97, ‘The Joy of Fishes’, Thomas Merton]

Note: I’m interested in these old posts and planning to continue republishing edited forms of some of them for the time being.

POSTCARD #104: Delhi: 05.00 hrs: The sound of the generator – a power cut, no lights. Holding my phone so it shines like an electric torch I come out from the bedroom and through to the front of the house. Startled by the flashing light reflection in the large glass patio window; light beams swinging over the walls, forwards and back with the movement of walking. My own reflection catches me unawares at this early hour of the day confused by large sound of generator. It triggers a memory from long ago; some time before dawn, me and grandfather on the tractor going over the hill to see the sheep.

When I tell people my grandfather was a shepherd, there’s a moment of… let’s see, no words for it really – kinda Biblical, mediaeval? It helps to think of him like a veterinarian. We’d get down from the tractor and set off on the track across the hill. Grandfather with his huge steps and I must have been only nine or ten years old, holding the big old torch with both hands, aiming the beam along the path to ancient things, ancestors I never knew.

Grandfather had a shepherd’s crook; a long pole he used like a walking stick, but with an iron hook on the end to catch the sheep. On this night we mingled amongst the flock until he saw the one he was looking for, quickly caught its leg with the hook and it fell over on its side. I was then told to quickly hold its head. He was a big man, wore two totally ragged old jackets, one on top of the other. No polyester in those days, no machine-washable hooded shell coats with velcro fastenings and good-looking yellow nylon zipper. No, my grandfather looked like a homeless person.

He’d roll up the sleeve of his right arm, hands like the hoof and horn of the sheep itself; not beautiful hands, birthing hands. Push his fingers into the back end of the sheep, then his whole hand up past the wrist and part the way up the forearm. Quite a long time spent feeling with fingers in the darkness before birth, find the lamb’s feet and nose, and pull the whole thing out with a steaming slither and plop on the grass. I’d be at the other end, holding down the beast’s curled horns, struggling head, a fog of breath in the air, spittle froth, tongue, nostrils, and these wild, wide staring eyes. Then from behind me, there’d be this small bleat: mae….

On Grandfather’s signal I let go of the head, jump back and the sheep is up, turns around and long nose nuzzling the small bundle shivering on the grass. Mae…says the lamb. Baah…says the sheep, licking away the afterbirth around the face of the lamb… mae-ae-ae… baah-baah… mae-ae-ae… baah… mae-ae-ae… (sheep language). The whole thing quite astonishing. An event there on the side of a hill, illuminated in the beam of a torchlight in the long shadows of remembered past.

Fifty years later and I’m here in Delhi, about the same age as grandfather was then. Light the candle by the Buddha on the bookshelf – familiarity of candlewax, oil lamps and no electricity; it’s another day no different from that day then or any other day. Outside, a faint smell of dung; cows and sheep sleeping in some corner of the street, at rest in these urban surroundings as if they were in a landscape of fields and meadows.

“I am not yet born; provide me 
with water to dandle me, grass to grow for me, trees to talk 
to me, sky to sing to me, birds and a white light 
in the back of my mind to guide me.” [Prayer Before Birth, Louis Macniece]

————————-

Note: First posted November 24, 2014; this is another reblog during the time I’m away from my desk – as it happens I’m in Scotland, shadows of the ancestors appear in conscious awareness