Tag Archives: anatta

words

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Delhi/Bangkok/ChiangMai flight: It’s four hours flying time overnight, travelling West/East, same direction as the rotation of the planet. Catching the tail-wind, arriving in a different time zone; it’ll be morning when we get there but still night at the point of origin – flying away from something that’s not happened yet, a directionless experience, darkness, an invisible route that leads to its destination without any sense of getting there. Falling into occasional sleep with the sound of the engines, the hiss of the air… it feels like we could be flying sideways or in a slow rotating movement. Wake up with no time for anything, gather up my things and leave the plane.

Transit time at Bangkok for Chiang Mai is precise, speeding along moving walkways. Standing people coming towards me or going along with me, behind and in front. We’re all in transit to or from the domestic terminal; entering-into, and getting-lost-in the perspective of long halls of steel and glass mirrors, holding on to signs, indicators in the mind. Noticeably more Chinese than Indians, the demographical switchover…

Instead of the Hindi I’m used to all around me, there’s Standard Chinese (Hànyǔ), spoken by Southern Chinese tourists on their way to or coming back from Chiang Mai and the north of Thailand, the borders of Southern China. A language of soft syllables and unexpected melodic intervals, a kind of tumbling down of words scattered on the floor. And blending through it all is the unobtrusive birdsong that is Thai, a language that sometimes enters a different frequency of intonation; sounds are simply known to be there and barely pronounced.

Through the gate and boarding the Chiang Mai plane, passengers already here in transit from Singapore. Find my seat and Chinese Singaporeans mostly Mandarin speakers (Singdarin) all around. They can get along reasonably well with the Chinese tourists from Southern China visiting Chiang Mai – listening and watching, interested in their shared roots, aware of the ancestors and historical meanings contained in language. Words cling to things, insist on their identity.

Indian Sanskrit is found all the way through Thai. Spiritual meanings found in Chinese are mostly assimilated and they’ve called it their own. In English we lost most of our conscious history beyond Greek but words are like acrobats, they name, describe, improvise; a metaphor just falls into place quite often, or like glass beads of different colours on a tablecloth gathered up, strung together with a little rethreading of the sequence and it’s a beautiful necklace.

All we have are words; there are no actual people here in our WordPress blogging world. No ‘you’, no ‘me’, just words and a dialogue. Friendships that go on for years. There are times when I hear something in the words, a familiarity in a voice I recognize. I can’t see you or hear you. I can’t touch you and will never meet you in the normal sense of the word. I just know you’re there (or ‘here’), or somewhere nearby and coming back later. Whatever language is yours, words are the same, arise from and return to a shared, received consciousness. Wherever you are it’s ‘here’ for you, and I’m ‘here’ too. Greetings, it’s the season of good will. Fare well, go with a clear, easy composure and abide peacefully. First posted December 19, 2015

‘When desire does not shape the mind and limit it to thought, consciousness becomes translucent. Entering into the spaciousness of the original mind, we become the vastness itself. Inseparable from all else, at one with all that is.’ [Stephen and Ondrea Levine, ‘Who Dies’, chapter 4: ‘The Thirsty Mind’]

the forever window

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Chiang Mai: Early evening, M asks what kind of walls I’d like to have in the house she’s building for me. It’s the Minecraft game, everything created from virtual terrain, mountains, sea, sky and a square sun. She looks up from the iPad window and turns to me with enquiring lift of the eyebrow (a nine-year-old veteran). I say well, how about stone – walls are made of stone, aren’t they? It’s an unimaginative answer lacking in conviction – not paying attention properly. I ask what the choices are. She taps the screen to show me: gold, lapis, and you could have diamonds. Generosity. But I’ll just have the stone, please – keep it simple (thinking to myself is she going to come out soon from this digital dream she’s fallen into? Come out, it’s late and you have to do your homework. Be mindful and attend to things in the real world?) But there’s no ‘real’ world here. M says, what kind of roof you want in your house, Toong-Ting? (It’s her name for me) and I’m drawn into the discussion again. You like floor tiles Toong-Ting? I say what I’d like, and that looks nice (trying to reach her by telepathy, please, please emerge from the iPad window soon and think about the homework always in arrears!) For a moment it seems like she’s going to close the iPad but no, it goes on: why do you want that one? This other one looks nicer, does it look nice to you Toong-Ting?

I find answers that fit each question, but there’s no end to it; I know now the point of the exercise is to indulge expansively in this great wealth of choices. We have to try them all. No such thing as a final choice. The iPad is a forever window, a deep lake of astoundingly rich colours that’s difficult to surface from after you’ve fallen in – everything else in ‘real’ life is sadly dull. M dives into the forever window simply because it’s there. The containment of it is the context. The question answers itself, no need even to ask, cause becomes effect, timelessness without end.

Then for a moment she emerges from the dream, a flicker of alertness in her eye. Quickly, grab the opportunity! Act out a continuation of playfulness and joy, extend the interest to our surroundings and she decides to follow. Good, yes! It’s like guiding someone dismayed by sensory overload. Now let’s close the forever window for a while, shall we? Life is the same as it was but it’s quite nice out here. Fetch the school bag, heavy with stuff, reach inside and pull out a scrumfled homework book from the tangle of scraps of food wrappers in there, bits of tissue, and an overall blueness from a pen that flooded its ink inside the bag, a long time ago. My fingers are always slightly blue after visiting M’s bag; I go wash my hands while she considers her homework.

They have to make a simplified pop-up book page; the double page you open and a whole scene pops up. Wow, we never had fun homework like this when I was a kid! The teacher has given her a model of the folded-out paper mechanism she has to copy. A small spark of interest. Can do by myself now, Toong-Ting, she says, goes over to the sofa and pulls a large cushion over her head: but I have to think it first… stays under the cushion for quite a long time and I’m beginning to think I should ask if she’s okay under there. But next time I look M has cut and formed the folded-out bit with a scissors, glued on the picture that’s supposed to ‘pop up’ and it works – yaay! Well, not brilliant, but homework is not supposed to be a fun thing, it just gets ‘finished’. It’s done, put it away, now where were we? A voice says: may I borrow your iPhone, Toong-Ting? First posted March 25, 2014

‘We have a duty to befriend those aspects of obedience that stand outside of our house and shout to our reason, “O please, O please, come out and play.” For we have not come here to take prisoners or to confine our wondrous spirits. But to explore ever and ever more deeply our divine courage, freedom, and light.’ [Hafiz: We Have Not Come to Take Prisoners]

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‘return to go’

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Chiang Mai: I have an appointment with the doc about my general state of health, being a ‘senior person’. It goes all right, a small mark on my inner arm where the needle went in, get blood pills and come back in 6 months. Downstairs and out; we have a slightly complex schedule today and I have to say there’s a small anxiety in me that’s saying maybe we can’t get it all done; M’s mommy is coming to pick me up in the car outside the clinic, then we’re going to the airport to meet Jiab coming from India. I get a call from M: How are you feeling Toong Ting? And I say yes, I’m fine, where are you now? There’s a silence then M says: I’m in the car. I keep forgetting she doesn’t know about explaining what her location is at this moment… I ask, are you near me? There’s a dialogue with mommy in Thai then: about 10 minutes from where you are. Okay I’m waiting outside the clinic bye-bye! Anxiety again about waiting there for an unknown period

Car arrives and I get into the back seat with M, mommy in the front, driving. I always have to get in the back with M – she insists. Jumps past the large arm rest in the ‘down’ position that divides the back seat to make space for my large body mass. A small smile as if to say welcome to my space, then the shuffling of play objects out of the way and debris of food wrappers on the floor and lately, careful about ‘the book’ she’s reading placed on the armrest. It’s her world, it’s where she spends a number of hours of every day going to and from school, and then stopping at restaurants to get fast food because Mommy has to work every day – there’s nobody at home to cook. I get in the back seat and there’s a sense that this is where M lives.

We get to the airport and have to drive around and around because there’s just nowhere to park. Anxiety returns. When it’s near the time I get out and meet Jiab, help her with her bags, car comes by and we’re in. Jiab has to sit in the front with mommy because M doesn’t allow her in the back – in fact there’s an immediate small resentment when Jiab speaks to me. Same thing when we stop at a Japanese restaurant Oishi Shabushi, I have to sit next to M. This is the kind of restaurant where there’s a moving belt of small plates of food and you have about an hour to eat as much as you want for a set price. The haste and urgency of it encourages M to eat a lot. The rest of us are required to show enthusiasm. So, once again I eat too much and we stagger out to the car park and drive back to the condo.

It’s obvious to me, being now a senior person with expanding waistline I have to be mindful of how things are and try to get back to normality, the middle way, the Path; ‘return to go’ as they say in the monopoly game. Get back there, to start again. First posted April 25, 2015

To be able to be unhurried when hurried;
To be able not to slack off when relaxed;
To be able not to be frightened
And at a loss for what to do,
When frightened and at a loss;
This is the learning that returns us
To our natural state and transforms our lives.
[Liu Wemin, 16th Century]

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mindfulness and the sound of rain

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First posted August 2, 2015: New Delhi: 6.30am, wake up, turn over and watch the ceiling fan spinning… waves of air movement and coolness on the surface of wet eyes blinking. There’s this rhythmical creak. The fan needs to have oil. A familiarity with the small sound; it’s been going on all night as I was sleeping – half-awake, I’ve been singing a song in my head around the rhythm of it. A curious rising tone, it’s as if it were a question: creak? And, occasionally but not always, there’s a lesser sound, in offbeat syncopation, a small ‘quack’ sound, like a duck, a flat tone, not complying with the question; quack, a response that’s sort of dismissive: quack… creak? quack… creak? creak? … quack. Sometimes the rhythm alters and the ‘quack’ comes before the ‘creak?’ – as if the creak? is asking the quack to confirm what it just said, quack… creak? (What did you say?) creak?

There’s a limit to this kind of entertainment, even in a house where there’s no TV. Time to get up, the air seems different, humid, what is it? Upright position, legs swing over the bed; mindfulness of bare feet on cold floor… switch off the fan and the creak-quack-creak? slows down, stops. I hear rain on the roof window. Go through to the front room and look out; yes, it’s raining. An unusual darkness, heavy grey clouds up there form a kind of low-ceilinged sky. Pixel-filtered light has the quality of mother-of-pearl. Jiab’s slippers are outside, small puddles of rainwater beginning to form in the hollows where her feet have shaped the rubber – we live in a house where you leave your shoes by the door, step inside and walk around barefoot… I should have taken them in.

I bring my chair to sit by the open door and look out at the rain, open the glass doors, take in the slippers, warm air enters. It’s always hot… when I first experienced monsoon weather, I thought the rain would make it cool, but it just makes the ‘hot’ wet.

So, I sit there and listen for a while. The rain is a vast sea of tiny finger-snapping sounds. Individual collisions with the concrete seem to jump out of context with a sharpness – noticeable against a background of random pitter-patter sounds that are always just on the edge of hearing – as if the listening process itself chooses the sound. Mindful of the mechanisms of focusing, receiving the ‘world’ in this unknowing pre-selected form.

Somehow it answers a question I’ve been pondering over for a while, but can’t quite remember what it was… what was it? Maybe I haven’t gotten round to seeing it as a question yet… answer arrives before the question? Mindful about the fact that I can’t get to where I want to get to, but seem to be trying anyway – mindfulness of mindlessness. Mindfulness of the times when I forget to be mindful – the tendency to fall into the dream, into the fiction I’ve created; the unaware habituality. Mindfulness as a lightness, an alertness surrounding thoughts. Intermittent rain continues for the rest of the morning.

“Everything is created twice, first in the mind and then in reality.” [Robin S. Sharma]
note: the phrase ‘low-ceilinged sky’ comes from the title of an album by Stefan Andersson: Under a Low-Ceilinged Sky: https://www.youtube.com/watch?v=MS7J7APu6lQ

alert 2

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First posted September 8, 2012: GVA Switzerland: First dawn light and a black crow, last phantom of the night, flies in from the lakeside with louder and louder calls until it passes below our 7th floor balcony and the sound gets fainter as it disappears behind the building, then into the distance … CRAW … CRAW. I’m sitting here, alert, and listening to that sound until nothing can be heard at all. No object to activate ear consciousness. It’s the Sunday morning GVA sleep-late feeling; only the zzz zzz zzz ZZZs coming from all the apartment buildings around. Look out the window, nobody about, streets are empty. I listen for the slightest sound but there isn’t anything… only the act of listening. It’s a novelty for me because I’m used to the hub-bub of Asian cities. Awareness poised, waiting for some object to come into range of the receptors. Without an object, awareness goes on forever. I can hear some sounds that are very far away, therefore I have an idea of ‘faraway-ness’. Beyond the range of receptors there is the great empty dome of sky, the void, suññatā1, spreading out around all things and present in all things

Attention drifts away and a series of incidental thought episodes appear; an anthology of short stories, then it’s all gone again in a moment. The empty space returns, the interval; why this pause? What is this still point where there’s no thought?

‘… (the) still point is not in the mind, it’s not in the body; this is where it’s incapable of being expressed in words, ineffable. The still point isn’t a point within the brain. Yet you’re realising that universal silence, stillness, oneness where all the rest is a reflection and seen in perspective…. personality, kamma, the differences, the varieties … are no longer deluding us because we’re no longer grasping at them.’ [‘The Way It Is’, Ajahn Sumedho, page 123]

The period of pause lasts as long as it takes for the next thought to arise and the tendency to create an identity for it, but before that happens there is this state of nothing. A non-event is taking place; everything gradually stops shifting around, settles down; time begins to stretch out and it all moves incredibly slowly. I forget and attention wanders again.

A pigeon flutters in, comes to rest on the balcony rail, folds away its wings, and there’s this small sigh. Quite a deep bird-sized sigh, filling its lungs with air, releasing it and a little ‘bob’ of the fat round body: ah, that’s nice….it looks at me with extended neck curiously then gets involved in preening feathers in strangely revealing postures.

I hear Jiab in the back room, doing things. She arrived from Phnom Penh yesterday. Not jet-lagged, she says, but we do have to do the laundry at this unusually early time in the morning. The laundry room is in the mezzanine of the building, so off we go, very quietly, one step at a time, downstairs, 6:00AM, past all the sleeping doorways of other people’s apartments, carrying the laundry in bags and trying to be really silent because the whole thing is a bit like being in a graveyard.

Then Jiab wants to sneeze… Oh no! It’s held for a moment then escapes. A surprisingly loud short sound like the bark of a small dog. The noise of it echoes around the tiled corridor and staircase, the window glass panels vibrate for a moment; metal rails hum in resonance and there’s the echo of it all through the stairwell. Dynamic. The silence is shocked by it! We spend some time after that trying to control the intense laughter as we go quietly down with our heavy bags.

1suññatā: (Śūnyatā) the absence of inherent existence in all phenomena.

‘Alert to the needs of the journey,
 those on the path of awareness, like swans, glide on, leaving behind their former resting places.’ [Dhammapada verse 91]

the quiet space

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First posted August 28, 2020: Bangkok: Switch off the TV and switch off the media in my head, their weapons of mass distraction that blind and deafen the population. Leave it alone, disengage from all things hateful before it starts burning down the house. Enter the quiet space and the silence is deafening, random notes of birdsong far away and beneath that, a deep quietude. It’s so remarkably neutral, I feel I’m sometimes not here at all. Seated on the sofa, watching my own breathing, I need to clear the mind of self, starting with the word ‘self’ itself.

Focus on nothing, despite the tendency to think of nothing as something. Nothing becomes both subject and object… what’s happening? I am not here, incognito perhaps, concealed in a makeshift identity. I don’t really know, it all seems to vanish as each new day dawns and deletes the memory of the previous day, an hour passes, replaces the hour before it and I can’t remember anything that recently happened.

A shipwreck of unrelated remembered things is cleared away and forgotten. Does anything still linger? An immediate awareness of self, held in the act of endless seeking, comes to an end. There is no seeker but there is seeking. There is seeking but no object. Seeking non-objects means seeking the motionless space in which the answer is, before the question is asked. The place where everything is and is not.

No-self, nothing exists anywhere, any time, ever. Deathlessness is the death of death… this too shall pass, the fragility of newly born beings, finely tuned creaturely beings which appear briefly, limited lifespan, and all that remains is the breathtaking tracery of what all this was, on an immense scale, a moment before it passed.

Lifetimes of sensory input, arising and passing away, karma of circumstances. A story is created in the mind, a few pieces get stitched together, switched around, and let’s say this is how it began: ‘Once upon a time.’ A story inside a story (inside a story) leading back through all the generations of previous segments of the story like this and linked to a lineage of ancient stories interconnected through a great number of former lives in the distant past.

An alertness is all there is, receiving the world and, since we are also the world, so to speak, it’s an all-inclusive enfolding, unfolding, and remaining in the present continuous form, ‘listening’ and ‘seeing’ and here comes the in-breath hurriedly at first, followed by the long, long out-breath. The in-breath comes again and so on like that until the mind forgets and most of it, then all of it, drifts into the past tense and gets forgotten.

“There is no thing there. There is no real substance, no solidity, and no self-existent reality. All there is, is the quality of experience itself. No more, no less. There is just seeing, hearing, feeling, sensing, cognizing. And the mind naming it all is also just another experience.” [Ajahn Amaro]

non-objects

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First published 12 December, 2015: Delhi Everything is new in this house, familiar things from the old house still wrapped up in boxes bearing the company’s logo. Now browsing around the rooms and the cupboards here and there, looking for something I need. Moving around the guys who work for the shipping company without getting in their way, looking on shelves, looking and looking for this thing and not finding it. Finding other things, but the thing I’m looking for remains unfound. I go into the bedroom, open a cupboard door. Door latch goes click, look inside; things I recognize everywhere but not what I’m looking for… wait a minute, what am I looking for? Pause for a moment and realize I’ve forgotten what it was.

Close the door: click, and go away. The act of closing that door, the click sound, seems to bring closure to the search – there’s a sense I discovered it’s not in that cupboard so I can take that off the list and check out other places. But… wait a minute, that’s not it. No, what I discovered was that I’d forgotten what it was I was looking for… when that cupboard door is opened, a strange vacuum sucks away the identity of things in the mind. It comes as a shock. I’m focused on the empty space where it used to be… insisting on something that’s not there, non-objects. Seeing the awareness of seeking, as if there were two minds: the seeing mind sees the mind that seeks; a restless, searching for things-that-got-lost mind. Then this seeking mind notices that it’s been seen, and there’s a shift, the awareness of non-objects… awareness of ‘awareness’ itself. The motionless space surrounding everything.

No idea what I’m looking for, trying this and that to figure out how I will ever recognize it if I don’t know what it is. All memorable characteristics and every single thing about it gone. Reluctant to give up the search, I’m there in the midst of the most remote possibility sometime after that, noticing some familiarity shouting out at me… why is that object seeming to seek my attention? Pick it up and remember the thing; seeking seen in a created world of being lost.

I know that nothing has ever been real
Without my beholding it.
All becoming has needed me.
My looking ripens things
And they come toward me, to meet and be met.
[Rilke, ‘Love Poems to God’]

buddhists and christians

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First published November 9, 2012: Chiang Mai: A very nice short flight here to Chiang Mai from Bangkok yesterday, 1 hour 10 minutes. They serve a small meal; it was like going upstairs to have lunch in the clouds, then it’s time to come down again. During the flight I was able to have a discussion with somebody I met there about Christianity and Buddhism – is there ‘something’ there (God) or is there not anything? And ‘not anything’ implies something that cannot be verbalised.

It is a bit like tight-rope walking for me as a Western Buddhist and now 30 years in Asia but still subject to the conditioning of the Church and childhood memories of it in the West. With my Christian companion here, there is agreement on many things. The main thing we agree about is that human beings may experience a certain kind of realization that there is no ‘self’, no identity, nothing there; nothing in the mind/body organism, it’s a construct. There’s a feeling of ‘lack’, and the shock that comes with this discovery causes dismay, distress, etc. Christians say the realization of emptiness is the absence of God, and this knowledge facilitates the entry of God, the creator of everything. This is what fills the emptiness; a significant turning point for all Christians.

Buddhists encounter this feeling of ‘lack’ in the same way but will not ‘fill’ it with anything, rather, they contemplate the emptiness of it in depth; examine the associated emotional reactions with mindfulness and come to see that, this  is how it is. Śūnyatā, the emptiness, the lack of ‘self’ is everywhere and in all things. The understanding that everything is without ‘self’ helps Buddhists to contemplate the constructed nature of the mind. It’s possible to see the whole picture; how everything works and where we go from here. It’s an open-ended, investigative approach that may lead to an understanding of the non-duality of the observed world and the observer of it, together as a oneness. What the Christians call God must be inside this, because it is all-inclusive. There cannot be anything outside of it.

Christians will depend on the attachment to a belief in God for guidance and that’s how they see the world; they might say that ‘emptiness’ for the Buddhist is the Buddhist sense of God? And Buddhists could consider it this way, but the Buddha didn’t see any point in going further with that because the important thing is to make sure you are seeing reality correctly; not caught in wishful thinking. Necessary because working only with belief and faith and no pragmatic teachings means there are all kinds of things that can go wrong with it. Christians are focused on this, what it is believed to be; Buddhists say conceptualizing a God leads to attachment, tanha; the desire for, and attachment to, ideas and ideals, views, opinions, theories, conceptions and beliefs. [Dhamma-taṇhā, Walpole Rahula].

If I say the word ‘God’ to myself, something comes into my mind, the word ‘God’ has an immediate emotive effect. Certain assumptions arise and the mind is already closed around it; it’s a ‘special’ thing [Ajahn Jagaro]. When Christians talk about God, what they’re referring to (I think) is the God they are creating in their own minds – their loving devotion to a personal god: a deity who can be related to as a person, but God is beyond everything that is conceived or thought about. There is no adequate analogy, words cannot describe it. It cannot even be imagined because it is beyond space and time. Buddhists stay separate from the God concept because to become involved with it means making assumptions about a kind of consciousness that is totally different from ordinary mind states. This is not to say there is no God, for me, at this time, it is impossible to express in words what God could be. Then there’s a stewardess announcement: The plane is starting its descent, please put your fold-away table up, arm rest down, and chair forward. A small clutter of prepositions, and I get lost in the directions for a moment. Then we’re on firm ground again.

the forever turning

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First published May 3, 2017: New Delhi: House agent came to the door, saying they are going to demolish the building, and when would be a good time for the architect to come to see the house – it was said like how we decide to delete a message on the phone. We knew about the plan and are prepared, but the emphatic bluntness of it… what’s gone is gone, the forever turning wheel. “Don’t let the sun go down on me.” My world is tipping over, mind driven by some kind of energy, a curiosity and desire to get involved with it. Words come out grouped in chunks, searching for a connection as if they had a volition of their own.

The characteristic mind reaction when confronted with an immutable truth; when I understood that my PHN headache is a permanent condition. As Jude says, the mind is creative no matter what the stimuli. Imagination let loose like a racehorse, goes careering off then is yanked back unwillingly and all kinds of fearful things arise, created by the struggle. How to have mindfulness so I can catch that creative awareness before I get hijacked by how bad it seems.

World-wide monitoring of events, immediate media coverage, on the spot reporting in a here-and-now performance starring ‘he’ who is about to be demolished: boom, crash, bang! It’s finished before it began, the whole scene gets folded into itself and packed away, gone – like it never happened, no evidence remains. Grab the bags and let’s get out of here. ‘I’ become ‘him’ over there, third person singular, object pronoun, making an escape out the window into the garden before the walls cave in. Away in the car through a swirling cloud of masonry brick dust, and onto the long straight road to the airport.

Check-in for the overnight flight to Bangkok, thinking of tomorrow and the day after tomorrow … I’d like it if the whole thing could be put on fast-forward so I can get it over and done with, but it hasn’t even started yet. I’m here on the plane and in my mind, are pictures of a house falling down around my ears.

The flight is a directionless experience. Look out the window, total darkness, no sense of moving forward, we could be flying sideways. When I try to think of it, there’s the image of a journey that leads from here to there, the route we take is an elevated highway in the sky, we’re in a long silver night coach with the moon and stars and stewardesses with the drinks trolley. Occasional air turbulence suggests small bumps on an otherwise very smooth road surface – sufficient to tip me over and fall asleep, with not even the sense that we’re going anywhere… just the noise of the engines and hiss of the air.

The present moment is not an absolute. It’s something that we’re [unconsciously] fabricating, and the goal of the practice is to learn how to fabricate it in a new [nirvanic] direction…. The present is here to be used, and the teachings are here to teach us how to use it wisely” [Thanissaro Bhikkhu, “The Use of the Present,” 2016-11-28]

the bird is the messenger

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First published August 19, 2017: Delhi: It’s as if a note was tied around its tiny leg bringing us the news; we’re moving from here at the end of September. After that, three months in temporary accommodation, then we’re leaving India for good.

There it is again, the tiny bird in the bush outside, and I’m inside the room, trying to get a clear photo of it through the window glass. There were three of them there, the other two out of sight right now. They move so fast, quicker than thinking. It’s the Purple Sunbird, olive green as youngsters and these are so small, almost not there at all. I blink my eyes and they disappear… the quickening. See one for an instant then it’s gone – takes my breath away.

Even now, it all seems to be coming an end – a cancellation of everything that remains, no time to settle, before we’re gone. The disappearance of the past, a new direction, and return to Bangkok – return to “GO”… time is just slippin’ away.

It doesn’t seem so long ago that we came to this house, characteristics of the shift from house A to house B. At the edge of my vision, household items look at me as I pass… poised in a choreography of dance steps, ready for their next move. The great leap… percussive landing, clatter, scrape, bump and hastily take up their positions in new rooms and the packaging is tidied away

In the morning, we wake up in somebody else’s house… a familiarity of objects out of context in these new surroundings. I’m in someone else’s life – stepped out of my own life, into theirs. Same world, just a different angle on how it’s seen, felt and understood– same sensory awareness mechanism creates the kaleidoscope of different coloured lights.

Where am I? Maybe I’ll find myself in the Lost and Found Department. Searching among the ghosts there, for a Self gone missing – but if it can’t be found, any one will do. I can bear with the tendency for “self” to think it’s different from all the other “selves” going around thinking they’re different too.

Who am I? The world is how I/you perceive it, he/she, perceives it. We/you and they see and look into each other’s eyes. A window opens into another realm inhabited by him, her and them. The sense of their presence inter-lacing with the presence of others before them and as yet nothing of our own. Generations and generations of karma in an arrangement of cause and conditions and interconnected lives

I remember coming here with the house agent. Walking up the path, open the door… ghosts of previous tenants rush away to their hiding places in a whisper of movement. For me there’s only the dust of empty houses I’ve viewed everywhere in the city – looking for somewhere to sit in a room with no furniture. Leaning thus, in a doorframe, and maybe this will do. Maybe here we can invent a life we’ll be happy with. Awareness takes it all in, puts it away in a new folder. A new reference point: ‘this’ is where the heart is, home is where I hang my hat.

Death is drawn to sound
like a slipper without a foot, a suit without its wearer,
comes to knock with a ring, stoneless and fingerless,
comes to shout without a mouth, a tongue, without a throat.
Nevertheless its footsteps sound
and its clothes echo, hushed like a tree.
[Excerpt from Pablo Neruda, “Death Alone”]