transfiguration

New Delhi: November in North India is the best time for me. The heat has gone and our orange tree is heavy with fruit. When the first basketful is picked, we have to keep it for a few days in a place that’s separate from the tree. This is to allow the tree to forget about its lost fruit. Our curious seasonal change is like a brief springtime that occurs as we’re heading towards winter. It’s suddenly pleasantly warm like an early English summer, plants flower, and the bougainvillea on the roof terrace (Jiab calls them ‘bookend-villas’) transforming with more and more new blossoms.

I go up to the roof terrace and the yoghurt bowl is sitting on the table in the shade because the kitchen is too cold for it now – yoghurt is made without any artificial warmth, just room temperature itself. The milk is boiled, allowed to cool to about 45°C (113°F). The bacterial culture is added, and the warm temperature has to be maintained for 4 to 7 hours. I sit at the table next to the small bowl, feeling I ought to be quiet as this liquid is changing its form, bacteria active, fermentation. It needs some respect and privacy… I shall not look at it. Maybe it’ll work, maybe not, because after November it’s too cold for yoghurt – except that a Japanese friend said she’d managed to make it by placing the bowl on the Wi-Fi router (horizontal type), covered with a plastic box all night, and ready in the morning. Interesting idea, yoghurt made with Internet signal.

As it happens, seasonal change for us coincides with a change in accommodation. We’re moving to a different part of Delhi. It happens once every three or four years, living in rented houses for intervals of time, watching the paint slowly peeling off in the heat and letting it all be as it is. No agitation about anything that needs fixing because, just at the edge of vision, household items are ready for the next move, poised… the choreography of the dance step/transfiguration, the great leap, percussive scatter of objects landing. Wake up in somebody else’s house with all your own things looking out of context… everything that’s old has been forgotten in the confrontation with the new, that’s not yet been gotten used to. Perception takes it all in, files it away in a new folder, a new reference point: ‘this’ is what we shall call reality for now… before that happens there’s the transition, looking for things:
‘Where’s the coffee filter cone?’
‘In the box.’
‘Which box?’
‘The one in the room.’
‘Which room?’
(no answer)
sound of footsteps walking off in search of it…

First posted November 02, 2015

The separate self is not an entity; it is an activity: the activity of thinking and feeling that our essential nature of pure Awareness shares the limits and the destiny of the body and mind. [Rupert Spira]

Even the word ‘gone’ is gone

New Delhi: Sitting in the garden these cool days, and the world, as it’s seen, suddenly falls into an enhanced version of what it is. Alice in Wonderland says things are not what they appear to be. The presence of my cup and book, my phone and a pen, just lying there on the garden table, extensions and extrapolations of the environment I’m in – the ‘self’ that I am, at this time. Everything I see becomes unfamiliar, yet known – uncanny recognition of every-day things, strangely out of context here, but also fits quite well in these surroundings of birds, sunlight shining through the trees and a pattern of moving shadows through layers of leaves.

A momentary easing… the ‘beholder’ sees beauty through the glass of eyes to the world out there and the self, as ‘me’ in here, disappears completely – a flow of words just tumbling out and I’ve got to get it all written down… if not, it will vanish. It’s the writing of it that gives it life (of course), the quickening. Words snatch at a direction, fractals of the original instance. Too huge, I cannot see the whole pattern, only what is here and now.

Then, it all falls into a vortex of shattered ends and beginnings as the focus shifts to headache mode – It’s part of me these days… take meds, wait for it to pass, allow healing, nurturing.

And now it is later. Fragments of imagery of the story appear in the mind so fast I can’t keep up with it. Scribbling it down on scraps of paper, and rewritten on the back of till receipts found in wallet, pockets. The back of my boarding pass… reduce the size of handwriting to get it all in the space, then take a photo of it and zoom in to see. A flow of utterance, stumbling incoherent urgency, activates extensions, developments, and completions… and I arrive at an ending. It changes the beginning (I thought it might), and there, it’s done. Refined, defined, in the form it takes, chunks of language jigsaw together, trim the edges and placed.

Extreme minimalism… the story contained is edited out. The Absolute is in all things, omnipresent and there’s nothing that it’s not a part of. I have to ponder this for a moment; where is it not? There’s no ‘nothing’ and no ‘thing’. Gone is… even the word ‘gone’ is gone. [First posted June 16, 2017 titled “More than words”]

The knower and the known are one. Simple people imagine that they should see God, as if He stood there and they here. This is not so. God and I, we are one in knowledge. [Meister Eckhart 1260 – 1328]

déjà vu & familiarity

New Delhi: We find ourselves in short-term lodgings just six weeks before it’s time to leave the country – all things are transitory and, uncertainty is the only certainty. Return to cheap rental days, and goods and chattels taken up the steep staircase, key in lock, open door, enter… so here we are. Belongings brought in, boxes and cases placed on the floor, on chairs, on any place handy, where there’s room – anarchy of packaging disassembled becomes an orderly system… catastrophe in reverse, clatter, bash, crash. Hoover, sweep, dust, clean; everything in the quiet interior held by these walls, ceilings, floors, for decades, re-energized. Sponges and cloths in water, squeezed out, wiping surfaces of furniture there to serve, in furnished accommodation; old paint painted over with new colour. Shadows of past lives seen for a moment then gone.

Like playing a video backwards, we end up at the beginning of our six weeks here; kitchen suddenly populated with cups and plates, forks and knives and spoons and things. Switch the kettle on. Empty spaces in closets, doors wide open, clothing leaps up from suitcase, as flat-pack garments shaken out, become animated beings, hang themselves on hangers. Drawers slide open, folded things inside, and slide closed. Everything seemingly peopled, inhabited, tenanted, yet there is no presence.

A cup of tea or coffee, sit or stand and look around, or feel how the room feels; déjà vu of familiar objects in unfamiliar surroundings. Shoes lying in the hallway by the door as if the owner has suddenly flown away, like the absence of the clown in a room full of laughter; missing from reality, or not back yet – or “coming soon”, and returns somewhere in another life becoming this, or being that, like an actor becomes the part he plays so well, there is no actor.

What remains to be considered, completed, prepared, and made ready in this tiny slice of time? The process is just a process – things are done but there is no do-er. One event is naturally linked to the one it’s most likely to link with, and that linked to the next and on it goes, round and round as in the Buddhist Chakra wheel turning. Wheels within wheels turning, turning, and we don’t see it unless it’s interrupted, held, examined as subject/object; this is that and that is this: an effect following a cause which in turn causes the effect to become a cause affecting the next event (Spooky Action At A Distance). All of the above, altered, shaped to fit and assimilated into the whole… the forever turning.

Somebody in the TV room is fiddling with the remote. A news program broadcast in a language I don’t understand. Another channel, different language, same news. So many languages in India, all giving me the same news but each is a different version of it. Recognition when we reach the English News – newsreader skilled in face acting; flickers of faces within faces, shifting around features to create emphasis, to insist, to infer, to imply, to suggest, to offer a whole portrait of compelling meanings I may believe to be true, or not. First Posted November 2, 2017

Even the sense of ‘I am’ is composed of the pure light and the sense of being.
The ‘I’ is there even without the ‘am’.
So is the pure light there whether you say ‘I’ or not.

[Nisargadatta Maharaj, I Am That]

Thanks to: thisunlitlight.com for the nisargadatta quote.
Thanks to:https://spookyactionatadistance.blog/ for the short text on cause/effect
photo: berti buffy on the buddhist tour

the space where it hasn’t happened yet

Amsterdam – Delhi flight: KLM passenger jet, Boeing 777-200, rapidly moving into the darkness of an evening already turned to night. No view from the cabin window, it’s a nocturnal blackness from here on. I try to picture it, high above the clouds, a sliver of waxing crescent moon reflected in the silver streak of thinning atmosphere – too fast for the human eye to follow. The tarot pack Fool contemplating the sum total of everything as nothingness or ‘somethingness’. Up here there’s nothing to compare with the speed of the aircraft, we see only what is inside our bubble of contained ‘here-and-now,’ and inside that, our ‘there-and-then’ in a past or future time, awareness of how it is, simply that.

Laptop fits exactly on the small fold down table. Wi-Fi on board and I’m focused on the relative speeds of this aircraft travelling West to East at a speed of approx: 500mph in the same direction of the Earth’s rotation which is approx: 700 mph, West to East. The aircraft can never catch up with the speed of rotation of the earth but their speeds are close enough, and if we could see the land below, there would be the sense of it all being almost stationary, a phenomenon I have noticed in relative speeds of aircraft and their surroundings.

Words appear in the mind and tumble out onto the page in structures which only need a little rearranging – the mechanism of transferring thought into syntactical forms which one can normally trust just happens by itself. But in the time that it takes to write it down, everything has moved on. Not possible to describe it… language doesn’t stretch that far – it seems as if the world is an illusion. It’s not what it appears to be, no, nothing is what I think it is…if it’s not that, then, what is it? Make a list of what it’s not, and everything on the other side of that must be what it is. A feeling that’s wordless and indefinable, or one could quite easily say God is the sum total of everything that exists.

Thought as stories of past and future created in the mind. Knowing this brings it all to a standstill for a moment… awareness of how it is, simply that. Then something triggers thought again and the narrative requires me to ‘believe’ in it before it begins. I’m teetering on the brink of what it could be, still contained inside that little space that’s neither here nor there… do I want to get swept away by this story, when I’m quite comfortable being here? It’s telling me I have to engage with it, become it… yes, but I’m also able to stay here in the space where it hasn’t happened yet.

Mindfulness of non-becoming. See how that feels, here with the hummm of the engines, and air pressure white-noise, shooshing sound and everything is always in present time. Passengers are lost in movies, transfixed by headphones and screen, sound & color, or asleep, seatbelts fastened in the shadowy gloom as we fall through the latitudes and on towards Delhi and home – thinking about things in the here-and-now, located in the there-and-then, which refer to events taking place somewhere out there in the thin air. First posted June 2, 2017

‘Only by liberating oneself from the thralldom of the senses and the thinking function – both of them servants and not masters – by withdrawing attention from “things seen” to give it to things “unseen” can this awakening be accomplished.” [E. F. Schumacher, “A Guide for the Perplexed”, p.79]

an evening flight

Bangkok/New Delhi flight: My frequent flyer card gets me an upgrade thus I carry my head pain with mindfulness and step behind the curtain folds where the grass is always greener. Glasses of champagne on silvered trays among the apple juices and orange juices – I don’t indulge, impossible, these days of heavy-duty neural pain killers. Look out at the sky, strange flesh-coloured clouds above a dark horizon I don’t recognize. It could be a different planet. Sounds so shrill and pointy-ended I have to wear earplugs squashed into the contours of the auditory passage and pressed in by fingertips. Members of the public seem alien, sentient beings but complex individuals; somehow, I can’t identify with them; I just never noticed how weird things were before…

There was the transformation, something else existed before I found I was in a low gravity world, a pharmaceutical weightlessness that allows me from time to time to contemplate the intrusive pain growing inside me like a tree, branches and twiglets with buds opening; it’s there but I can’t feel it – there was a time when I didn’t have this condition (PHN)… hard to believe. Sensory impingement, even through dark glasses, light hurts as the last of the sun’s rays enter cabin windows, sweep around the interior in the steep ascent of the aircraft and the course setting for Northwest.

A child is crying, front-left. I’m in an aisle seat, the sound piercing through insulation of the meds like a medical probe penetrating internal organs, deeper and deeper. I try tilting my head in small increments to alter the directional frequency of received sound but it’s not working – inconsolable. Fighting against it creates a narrative, “resistance is futile, you will be assimilated,” trying to open to the experience, extending, retracting… then the hum of the aircraft engine sends the child to sleep.

Dinner served and earplugs removed, I’m watching my video (Tomorrowland), good quality earphones and about three of a total four hours flying time remaining – then it happens. In the glimmer of video screens and forever trays of drinks offered by slim shadows of airline staff, a fairly large group of people block the passageway on my left. They’re flying together, look like the same family, all are tall have large physiques, bearded men, women wide at the bottom end, and they’re ordering items from duty-free with handfuls of US currency sprouting like leaves on a tree with many limbs. They can’t count out the amounts correctly because it’s too dark. I feel my irritation flare up in all the disorder and stewardesses’ strobe-like torch flashings. Then a mistake in the change, or something goes wrong, so all the items that were purchased and placed in overhead lockers have to be taken out and checked again.

I’m holding an unbelievable pain/stress crisis from exploding. The squeezing-past-each-other in crowded aisle means I get pushed by large rear-ends of women who feel they’re small and invisible. Then the little girl starts to cry again and I see the cute child, mouth a round black hole, arms and legs extended, a miniature version of the FAT PEOPLE who are her immediate family. The wail of distress breaks the sound barrier; child is carried up and down the aisle by different uncles, aunties, then a very harassed mommy, upper body kinda jogging up and down the aisle gets the child to sleep. Every time mommy turns around, I receive a buttock shove in the head. The silent pressure that’s inside my head, asylum-straight-jacketed, cannot be contained anymore… it goes, restraints bursts wide open – nothing said nobody harmed, just the measured giving way to it. The relief is huge… large out-breath. How did I do that? Time stretches out of shape, vertigo, where are we now? Good question, flying at 600 mph. Pressure returns, in defence, I attempt to recreate the climax of what just happened and do it again but… the mind forgets, it goes on and things settle down towards the end. We arrive in Delhi, nice landing and a few minutes early. First posted October 24, 2015

‘Surrender is the most difficult thing in the world while you are doing it and the easiest when it is done.’ [Bhai Sahib]

assumed identity

Chiang Mai: Arrived in the early evening and out through the exit tunnel into the airport corridors. Turn the first corner and we’re looking back through a large window at our plane with passenger bridge attached. M says, in her 9-year-old voice: take a photo of it… put in your blog Toong-Ting (she calls me that). There’ll be a time when M takes a direct editorial role in this blog… so I take the photo and here it is now. A passenger aircraft that has a painted face, while a large reptilian mouth is sucking out the contents of the plane.

M is silent for a moment as she considers the elasticity of this strange stretched metaphor. Then we continue along the corridors to get our bags from the luggage belt. I put everything on the trolley with M sitting on top, push the wheels through the glass doors, opening as we approach and we’re in Arrivals. Her mum is waiting for us, pleased to have M back.

Bags in the car and we’re off. Heavy traffic on the way into town and M, still silent, looking out at it all considering, maybe, how one thing can become another, tells me that cars have gender: boy-car and girl-car. It’s the look of the ‘face’ of the car – that kind of ‘grin’ created by the front bumper and radiator grille. She sees it as the face of a boy or a girl or, if she can’t decide which it is, it must be a katoey, effeminate gay male, trans-gender, or whatever – she giggles a bit, it’s okay to talk about that in Thailand. I ask her to identify a boy-car for me, just to see if I can recognise its ‘maleness’ – although I’ve always thought of a car as male being male. She points at one: that’s a boy-car Toong-Ting. I want to say… how d’you know that? But this kind of challenge to her reasoning might be too much, so I’m just going along with it.

She asks if I can identify the gender: you tell me, Toong-Ting, it’s a boy-car or girl-car, okay? I have a feeling I’m going to get this wrong… let’s see, there’s one that’s got really male characteristics, I point to it and say that one is a boy-car. No, Toong-Ting it’s a girl-car… looking at me like, how come you can’t see something as obvious as that, hmm?

M spends a lot of time on the road, going to and from her school, a long way from her house. I think she probably knows the brands of all kinds of cars now, maybe not the names, just a familiarity with their appearance and long ago decided some were boy-cars, some were girl-cars, and those in-betweens were katoeys. As we’re going along, I take a photo of the back of a car and show it to her so she can study it in detail: boy or girl?  She says she can’t really tell looking at the back of it, can’t see its face, but thinks maybe it’s a girl-car, because she remembers that she decided at some earlier time, that particular make of car was a girl. It’s a case of remembering which is what (or what is which?) or what she had already decided it was when she first saw that make of car.

There’s intelligence in her playfulness, a reality in her personifications that challenges my usual insisting there is no ‘self’, the Buddha’s Teaching on anatta: ‘self’ is an illusion arising from the 5 Khandas. I feel I’m holding on to something I should let go of, with M going around happily applying the attributes of ‘self’ and gender to all kinds of things. She can create an identity and let it go, because it’s one among many. She can escape the entanglements of ‘self’ because she plays with a multitude of ‘selves’, like waves in the ocean and an ocean in all the oceans of the world. Everything in the universe is Self. The ‘self’ I believe to be ‘me’ is an assumed identity – there is no ‘self’, everything I see is ‘me’. First posted March 29. 2014. Check it out for additional gender photos taken by M.

‘Brahman is full of all perfections. And to say that Brahman has some purpose in creating the world will mean that it wants to attain through the process of creation something which it has not. And that is impossible. Hence, there can be no purpose of Brahman in creating the world. The world is a mere spontaneous creation of Brahman. It is a Lila, or sport, of Brahman. It is created out of Bliss, by Bliss and for Bliss. Lila indicates a spontaneous sportive activity of Brahman as distinguished from a self-conscious volitional effort. The concept of Lila signifies freedom as distinguished from necessity.’ [Ram Shanker Misra, The Integral Advaitism of Sri Aurobindo]

now here & nowhere

Chiang Mai:Going home in a tuk-tuk with M, nine years old, sitting beside me, small body-mass pressed against my side. The urgency of speed, kinda scary, canvas roof, no walls and immense sound of 2-stroke engine fills our space. Impossible to hear what she’s saying, M indicates that she wants to borrow my phone. I pull it out of my pocket, hesitate. Is it okay to play with a slippery glass-like instrument like this in a speeding tuk-tuk?  It might fly away into the great-rushing-past-outside world, anicca, necessity of mindfulness – she should hold it tight. Small face looks at me silently… don’t make a thing out of this Toong-Ting. I press it into her small hands. Hot, prehensile fingers grab, grasp and clasp the phone. Go to settings, clear away unwanted windows with the swipe of a tiny finger and launch multiplayer Minecraft.

So fast! I’m kinda surprised she’s managing to get Internet, 5G signal reaching us here in a tuk-tuk racing through the streets of Chiang Mai – more like we’re in it in the same way fish are in an ocean of water. Everything out-there passing by in a blur, feels like a totally crazy speed, why all this rush? I can see over the driver’s shoulder, through his windscreen and it’s like travelling through a wormhole in space-time; the actual here-and-now – everything outside of this is in a different reality. Everything on the ‘in’ side of it locked down tight, my arm around the slight presence of M, taking up such a small amount of the space on the seat, legs sticking out, and Minecraft’s digitally created landscapes of mountains and seascapes appear in the little window of the phone in her hands. She’s now in player-hosted servers with visiting players from all countries in the world. How do you say this Toong-Ting? She spells out: G-A-V-I-N. I tell her it’s a boy’s name, ‘Gavin’, probably English (who’s this Gavin guy, I wonder). I see name labels moving around the landscapes, Japanese and Italian names; Spanish, German, Norwegian – players I assume are about the same age as M. I see boy’s names and girl’s names, all here at this very moment – and, where is ‘here’? Good question: now here and nowhere (anagram), depends on the context… spatial and temporal qualities. Space and time are not separate; I read in a post recently. This is (always) where we are at.

Looking down at the top of her head, hair combed from a parting in the middle, pulled out in two separate directions, woven into tight plaits on either side, and it’s as if she knows I’m looking at her: Remember this number Toong-Ting: 19122, she says. I consciously remember the number, repeating it to myself… In a moment she asks me what the number was. I tell her, 19122 and ask what it was for, by the way, but she doesn’t answer… having to have things explained to me by a 9-year-old girl who speaks English as a second language – must be a password or username. Sad really, these days there’s not the dialogue there used to be, ‘I’ am not here, anatta, a suspended state, waiting for the next question. What’s this mean, Toong-Ting? M spells out: B-R-O-S and I tell her, Brothers it’s a boy’s server, he’s American probably, he’s black and I think she knew the word ’bro’ already. Obviously interested in this and next thing she’s in with the BROS, their mountains and volcanic lava, burning fires.

Then there’s a little wail – she gets disconnected. It feels to me like a catastrophe, but for M it’s no big deal, she changes to a different player-hosted server with new players – or maybe some of them are the same ones who just got here from the same sites we were all in earlier. And while that’s loading, a quick glance at the blur of what’s out there rushing by us, then she starts to sing a song from the movie: Frozen: ‘Let it go, let it go….’ I join her in the song. We sing together, Tuk-tuk driver laughing with his eyes in the rear-view mirror…. First posted April 25. 2015

“As wave is driven by wave
And each, pursued, pursues the wave ahead,
So time flies on and follows, flies, and follows,
Always, for ever and new. What was before
Is left behind; what never was is now;
And every passing moment is renewed.”
[Ovid, Metamorphoses]

blessings fill the room

Chiang Mai: 07.00 hours: The alarm rings…. it takes a moment to recognize I’m in Chiang Mai, arrived last night. Heavy curtains over the window; a darkness I’m not used to. It’s quiet here, the sound of monks chanting anumodana on the edge of hearing. A motorbike whizzes by in the distance, nothing else. Senses are alert, listening, feeling, searching for a way to ‘become’ something that will establish ‘me’ in this place and time but I can’t, I’m distracted by these new surroundings and keep returning to the narrative associated with interesting objects.

Walking across the room, bare feet on cool floor tiles, flip flop, flip flop, a sense of empty rooms, as yet uninhabited; space/time occupied with the moving of its integral parts – chapters from a book about furniture being moved into a new apartment, the ending hasn’t been written yet and the beginning is a continuation of what happened before that. Future time slides into present time, tomorrow becomes today, and ‘now’ becomes yesterday – here we are in the awareness of this moment, the means by which we arrive at this point in time is forever the mystery.

I go over to the window, slide open the curtain. A blaze of colour, five monks in varying shades of orange robes and a group of kneeling Thai tourists from the hotel opposite. (The original post is dated Christmas Day 2012.) In Thailand, 25th December is just an ordinary day, kids go to school, people go to work, government offices are open, mail gets delivered, transport systems are normal, it’s all open for business, same as usual. Yet there are Christmas decorations everywhere downtown, Christmas carols playing in all the malls and the season of goodwill has a place here even though the population are 95% Buddhist, 4% Moslem and only 1.2% Christian. It’s because Thai society is joyful; they like to share everything. They like playfulness – the word in Thai is sanuk (fun), everything has to be sanuk and if it’s not, it’s mai sanuk (seriously boring) and that’s very bad style.

 And there’s a lot I could say about consumerist schemes embedded in our lives in the West that has resulted in our losing so much of our inherited cultural traditions. The Christmas festival is layered over with the maya (illusion)of santaclausisms and it’s as if the essential part of our spiritual truth got forgotten along the way and consumerism came along in its place.

But this is getting too serious, not in accord with the principle of sanuk, so no more about that. Another important part of Thai culture is tamboon. It t refers to the act of giving. This is a core Buddhist practice involving good deeds like offering food to the monks, donating to temples, chanting, meditating.

So, Christmas Day fits perfectly with the Thai love gift-giving and festivals making any event fun. [Adapted from an original dated December 25, 2012]
Merry Christmas friends and fellow bloggers ~ December 25, 2025

“Through our eyes, the universe is perceiving itself. Through our ears, the universe is listening to its harmonies. We are the witnesses through which the universe becomes conscious of its glory, of its magnificence.” [Allan Watts]

“The vastness created these human circuitries in order to have an experience of itself out of itself that it couldn’t have without them.” [Suzanne Segal, Collision with the Infinite]

the forever window

Chiang Mai: Early evening, M asks what kind of walls I’d like to have in the house she’s building for me. It’s the Minecraft game, everything created from virtual terrain, mountains, sea, sky and a square sun. She looks up from the iPad window and turns to me with enquiring lift of the eyebrow (a nine-year-old veteran). I say well, how about stone – walls are made of stone, aren’t they? It’s an unimaginative answer lacking in conviction – not paying attention properly. I ask what the choices are. She taps the screen to show me: gold, lapis, and you could have diamonds. Generosity. But I’ll just have the stone, please – keep it simple (thinking to myself is she going to come out soon from this digital dream she’s fallen into? Come out, it’s late and you have to do your homework. Be mindful and attend to things in the real world?) But there’s no ‘real’ world here. M says, what kind of roof you want in your house, Toong-Ting? (It’s her name for me) and I’m drawn into the discussion again. You like floor tiles Toong-Ting? I say what I’d like, and that looks nice (trying to reach her by telepathy, please, please emerge from the iPad window soon and think about the homework always in arrears!) For a moment it seems like she’s going to close the iPad but no, it goes on: why do you want that one? This other one looks nicer, does it look nice to you Toong-Ting?

I find answers that fit each question, but there’s no end to it; I know now the point of the exercise is to indulge expansively in this great wealth of choices. We have to try them all. No such thing as a final choice. The iPad is a forever window, a deep lake of astoundingly rich colours that’s difficult to surface from after you’ve fallen in – everything else in ‘real’ life is sadly dull. M dives into the forever window simply because it’s there. The containment of it is the context. The question answers itself, no need even to ask, cause becomes effect, timelessness without end.

Then for a moment she emerges from the dream, a flicker of alertness in her eye. Quickly, grab the opportunity! Act out a continuation of playfulness and joy, extend the interest to our surroundings and she decides to follow. Good, yes! It’s like guiding someone dismayed by sensory overload. Now let’s close the forever window for a while, shall we? Life is the same as it was but it’s quite nice out here. Fetch the school bag, heavy with stuff, reach inside and pull out a scrumfled homework book from the tangle of scraps of food wrappers in there, bits of tissue, and an overall blueness from a pen that flooded its ink inside the bag, a long time ago. My fingers are always slightly blue after visiting M’s bag; I go wash my hands while she considers her homework.

They have to make a simplified pop-up book page; the double page you open and a whole scene pops up. Wow, we never had fun homework like this when I was a kid! The teacher has given her a model of the folded-out paper mechanism she has to copy. A small spark of interest. Can do by myself now, Toong-Ting, she says, goes over to the sofa and pulls a large cushion over her head: but I have to think it first… stays under the cushion for quite a long time and I’m beginning to think I should ask if she’s okay under there. But next time I look M has cut and formed the folded-out bit with a scissors, glued on the picture that’s supposed to ‘pop up’ and it works – yaay! Well, not brilliant, but homework is not supposed to be a fun thing, it just gets ‘finished’. It’s done, put it away, now where were we? A voice says: may I borrow your iPhone, Toong-Ting? First posted March 25, 2014

‘We have a duty to befriend those aspects of obedience that stand outside of our house and shout to our reason, “O please, O please, come out and play.” For we have not come here to take prisoners or to confine our wondrous spirits. But to explore ever and ever more deeply our divine courage, freedom, and light.’ [Hafiz: We Have Not Come to Take Prisoners]

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‘return to go’

Chiang Mai: I have an appointment with the doc about my general state of health, being a ‘senior person’. It goes all right, a small mark on my inner arm where the needle went in, get blood pills and come back in 6 months. Downstairs and out; we have a slightly complex schedule today and I have to say there’s a small anxiety in me that’s saying maybe we can’t get it all done; M’s mommy is coming to pick me up in the car outside the clinic, then we’re going to the airport to meet Jiab coming from India. I get a call from M: How are you feeling Toong Ting? And I say yes, I’m fine, where are you now? There’s a silence then M says: I’m in the car. I keep forgetting she doesn’t know about explaining what her location is at this moment… I ask, are you near me? There’s a dialogue with mommy in Thai then: about 10 minutes from where you are. Okay I’m waiting outside the clinic bye-bye! Anxiety again about waiting there for an unknown period

Car arrives and I get into the back seat with M, mommy in the front, driving. I always have to get in the back with M – she insists. Jumps past the large arm rest in the ‘down’ position that divides the back seat to make space for my large body mass. A small smile as if to say welcome to my space, then the shuffling of play objects out of the way and debris of food wrappers on the floor and lately, careful about ‘the book’ she’s reading placed on the armrest. It’s her world, it’s where she spends a number of hours of every day going to and from school, and then stopping at restaurants to get fast food because Mommy has to work every day – there’s nobody at home to cook. I get in the back seat and there’s a sense that this is where M lives.

We get to the airport and have to drive around and around because there’s just nowhere to park. Anxiety returns. When it’s near the time I get out and meet Jiab, help her with her bags, car comes by and we’re in. Jiab has to sit in the front with mommy because M doesn’t allow her in the back – in fact there’s an immediate small resentment when Jiab speaks to me. Same thing when we stop at a Japanese restaurant Oishi Shabushi, I have to sit next to M. This is the kind of restaurant where there’s a moving belt of small plates of food and you have about an hour to eat as much as you want for a set price. The haste and urgency of it encourages M to eat a lot. The rest of us are required to show enthusiasm. So, once again I eat too much and we stagger out to the car park and drive back to the condo.

It’s obvious to me, being now a senior person with expanding waistline I have to be mindful of how things are and try to get back to normality, the middle way, the Path; ‘return to go’ as they say in the monopoly game. Get back there, to start again. First posted April 25, 2015

To be able to be unhurried when hurried;
To be able not to slack off when relaxed;
To be able not to be frightened
And at a loss for what to do,
When frightened and at a loss;
This is the learning that returns us
To our natural state and transforms our lives.
[Liu Wemin, 16th Century]

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