windows

Posted on March 14, 2014 by tiramit

POSTCARD#55: Bangkok: Coming in from the airport in a taxi with my Thai niece. I call her M, nine years old (soon be 10) and playing Minecraft on my iPhone all day. Glass window opens into another reality, digital trees, cubed terrain, oceans and snowscapes in a gravity reduced space. ‘Look, Look, Toong-Ting’, she says. Since she was an infant, M has called me Toong-Ting; holding on to her baby talk of the past and now it’s somehow cool to call me that. I lean over to see what’s going on in her window: building an ice palace with Lapis and Gold entranceway while playing the ‘Let it Go’ soundtrack from the movie, ‘Frozen’. I listen, ask questions, sing along and we exchange views – limited because English is a second language. When there’s nothing left to talk about, she returns to the Minecraft world and I hover in space waiting for the next question to arrive.

I am the support system, resource person, back-up plan. We came by plane from Chiang Mai this morning and the day has passed us by like this; M absorbed in her Minecraft software and the outside world seen from a sequence of moving vehicles we’re in, time and space transforms around the moment. Clouds in high altitude sky of 30,000 feet, mountains of buildings in the urban landscape and M emerges from the dream from time to time to pull me into the depths of the inner world she’s in – let’s see what she’s doing there… we dialogue about it, laugh, and she disappears further into subterranean caves, while I swim up to the surface again. There’s only a short time for me to look at the page I’m reading… sometimes only a few seconds before the next request arrives: “Look Toong-Ting, look, look…” I take a deep breath and dive into the water again. In the intervals between these visits to M’s world, I’m having to be mindful and speed-read my text like pieces clipped from a larger flow of words; one piece jumps out more than anything else:

A man is searching for God but gets frustrated in his effort, throws a stone into the water and a fish sticks its head out, says: ‘You think you’ve got problems? I’ve been swimming in this river my whole life looking for water, dying of thirst and cannot find any water to drink.’ The man says, ‘But the river is filled with water, there’s not a spot in the river where there is no water. Just open your eyes and you’ll see.’ And the fish says, ‘same with you; you’re surrounded by God. God is all around you and within you. Yet you say you can’t find God…’ [Sant Rajinder Singh: “The Love of God Is All Around Us”] (Click here for the original source: Holy Notion/ God and the Self)

Our taxi arrives at the house, get inside and M runs around discovering the familiarity of the last time we were here. Later in the day we’re in a corner of the room where she has her playthings scattered around. Everything lying in disarray after a particularly large creative frenzy of cutting out and the sticking of things with glue, scotch tape, adhesive coloured paper and bits of old Christmas decorations, recycled. And when every additional use these items might be put to is thoroughly exhausted, M moves to Minecraft videos on my laptop: “Look Toong-Ting, look…” she says.

I position myself so I can see the screen, participate when I’m needed, and otherwise pleasantly distracted by the surroundings; the world suddenly thrust into a clear, enhanced three-dimensional presence. Objects become somehow… known? All our bags and things just lying where they got dropped, extensions and extrapolations of the environment of rooms, the furniture, the plants and trees outside. A momentary happiness, bien-être, no words for it…

‘… the Truth and the way leading to it are often indicated by what they are not rather than what they are… in the Upanishads, ‘neti… neti’, meaning ‘not this… not this’, the reality of appearances is rejected. In Christian theological language, referring to what things are not is called the ‘apophatic method’, also known as the via negativa.’[Ajahn Pasanno & Ajahn Amaro: The Island – An Anthology of the Buddha’s Teaching on Nibbana]

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passing through 1

Posted on March 9, 2014 by tiramit

POSTCARD#54: Chiang Mai: Situated at the top of a column of words (at the time of writing), light and easy, a feeling of no-thingness, the world is here but no serious attachment to anything. Emptiness of space in the place where “I” have not yet arrived and the sensory mechanisms that give the world meaning for me are still offline. Look at the altitude app, it says 1043 ft. above sea level, add 180 feet for the height of a 7 floor building and my location is identified. I am standing with my bag here on the top floor of said building, waiting for the elevator down… everything goes down from here. Doors open, step in with my bag on its little wheels, doors close, and down we go. It’s a small elevator space with large mirror. Is this good or bad; the witchcraft of mirrors. Study my reflection, hmmm… look into my eyes and see my eyes looking back out at me – slightly scary, stop doing that. Elevator stops at the 3rd floor, doors open, nobody there… a volume of 3rd floor air enters, doors close. We go down again, floor numbers on the indicator decrease as we descend further. Look at my reflection like a friend standing next to me. Examine the teeth in a large wide grin; watch myself holding this grimace, weird guy. Try to be normal; this is how I’m seen in public. Elevator reaches the ground level.

The people in the lobby are engaged in a conversational event that started before I got here and there’s a pause in the dialogue as I step into their space. Eyes look… do we know you? Smile, show teeth, no cause for alarm folks, just passing through. Walk out the main door and lift my bag down the steps. Street restaurants, the smell of exotic cooking, noise and clatter, a child cries, bicycles creak, rubber wheels on hot tarmac, a motorbike fills the place with sound. I have the feeling that I’m now situated at the top of a column of bones, ligaments, tissue, fluidity, and looking out of two holes in the skull that bond together into a single screen monitor – just the edges seen and the side of the nose. If I focus on something in the environment, through sight, sound, smell, taste, touch, there’s a curious ‘entering’ takes place… the outside world invades totally, no boundaries, and my whole head disappears* (funny how it does that) and there’s only the world, with me in it, headless. Everything switches back to normal view, when I want it to, and back to watching my feet appear and disappear on the ground below, one at a time: left, right, left, right. My bag following behind, rumbling along on its little wheels, slippers flip-flop on soles of feet…

Looking for a passing tuk-tuk or some means of public transportation that’ll take me to the airport. Reality check: am I at peace with myself? Is there an easefulness or am I busy thinking about things? How am I feeling? Allow the software to do its job; the facility of reflecting on how all this is going so far. Outer noise and heat find a way through the senses and have an effect on the mind/body organism in its ambling walk down the road – that stumbling gait, typical of lanky Western folk. Pleased to know how it feels and I can be aware of the sensation without making it into something I love or hate. Letting the events of the mind go unheld; give it all away, the great generosity of relinquishment. Be kind to myself, the ongoing practice of learning how to live my life. Tuk-tuk arrives, get in, wind in my face….

‘Human beings have a reflective quality that steps back from experience and says: “I don’t like this. It shouldn’t be this way. Stop it!” The aim of the spiritual path is to fully understand that the main problem of life is not that the government is unfair, that one isn’t getting enough money, that there is hunger, violence, pain or sickness, not even that one isn’t loved – but the feeling in the reflective mind of being bound down by these circumstances. Once we have clearly understood the mind, we can experience patience, equanimity, and release – even in predicaments that can be difficult or unpleasant.’ [Ajahn Sucitto, ‘Making Peace With Despair’, from the volume: ‘Peace and Kindness’]

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*Reference to: ‘On Having No Head’ by Douglas Harding

– G R A T I T U D E –

over there

Posted on February 21, 2014 by tiramit

POSTCARD#51: Delhi: Jiab left for Bangkok this morning and in the afternoon I get a text message saying she’s over there now; it’s a 4 hour flight, no jet-lag and it’s warm and nice. Later I’m up on the roof terrace and she calls me on Skype, laughing and talking… checking out, meanwhile, how she looks in the little window in the Skype frame; eyes anchored in the same position as she’s turning her head from side to side. I’m holding my phone screen like I’m inside a mirror looking at her sitting in that same room I was in just a week ago. What time is it there? 1½ hours ahead, so I’m in another time zone, one I know quite well, a kind of back-to-the-future thing. I have to think about it for a moment… the ‘now’ I experience at this moment was the future for me when I was there in the past. Pause for a moment, let’s see… there is always only ‘now’, past-time and future-time swirling around it in a vortex. I need to get some distance from it, so I think in these terms: I, as the subject, see ‘it’ as the object over there somewhere. The world is ‘seen’ and the one who sees it, curiously absent at the actual moment of seeing, is currently processing the image, and trying to locate the ‘now’, which by this time, seems to be lost somewhere in the past (or the future).

Senses interact with the outer environment, the brain conjures up the colours, sounds, smells, tastes, feelings; these inner landscapes of the mind, and I don’t usually even consider that the reality behind the dreamscapes of the senses is in any way different from what I think it is. The 7 basic colours in the spectrum created by the human brain may be sourced in a field of colours nobody has ever seen; all the subtleties between a white opalescence that’s nearly turquoise, and black that’s not a colour in itself but an iridescent purple.

I’m thinking of these exotic birds up here on the roof terrace, perched on the electric cables at eye-level and looking at me – outrageously coloured, orange, black purple, way off the scale of normality. What is it with these birds? Do they fly in and out of this unseen world we’re talking about here; into that reality where ordinary speech frequencies sound the same as the arbitrary shrill whistles, trills and pings of birdsong; an ocean of intoxicating tastes and fragrances, and a vast range of tactile sensations? You could say it’s totally out of this ‘world’.

We have to filter all this exotic disorder or we’d go insane, get it into a simple format so we’re all watching the same movie: ‘oh, I see what you mean.’ It’s an objectified reality; the world is a concept understood by the mechanism I call ‘me’. The snag is though, the constructed ‘self’ has it’s own momentum and I need to be mindful about engaging with whatever it is that’s invading sensory awareness at the time. Let it pass through like a river in a landscape, and be mindful of the tendency to fall into the dream, into the fiction I’ve created; a pleasing kind of hypnosis or an exhausted state where I find I’m subject to conditions seemingly situated in the reality I created ‘over there’. I need to be mindful that, to become me, I have to think ‘me’. The ‘me’ that I think I am depends on me ‘thinking-it’ into being. Be able to release from this tendency and mindful of the times when I forget to be mindful…

Our objective experience consists of thoughts and images, which we call the mind; sensations, which we call the body; and sense perceptions, which we call the world. In fact we do not experience a mind, a body or a world as such. We experience thinking, sensing and perceiving. In fact all that we perceive are our perceptions. We have no evidence that a world exists outside our perception of it. We do not perceive a world ‘out there.’ We perceive our perception of the world and all perception takes places in Consciousness.’ [‘The Transparency of Things’, Rupert Spira

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Photo image by KP: Chaopraya River at Nontaburi, seen from the Tree House Restaurant

‘now’

Posted on February 8, 2014 by tiramit

POSTCARD#47: Bangkok: So profoundly stuck in this traffic jam it feels like time has stopped. It’s not today; it’s yesterday – same taxi, same traffic jam. I raise my head from the book I’m reading and look out at the world. No sense of having moved further on, the back ends of vehicles and bits of buildings. This is a continuation of the same day and the interval that happened in between, dinner, 8 hours sleep; it was a daydream. Look at my watch, same time, same place I was in yesterday. The same people (probably) all headed in the direction they go in every day. Look down at my book again, eyes scan the text… where was I? Remembering my place by association with events taking place around me. The sounds of the gear stick shifting through its worn engagings and the accelerator pedal, the brake, then the gear stick again… parts of the story seem related to parts of the journey. The words I’m reading are flickering around the interior of this cab. Parts of sentences and interesting phrases get wrapped around the objects in this small space.

It feels good in here, inside this metal shell that’s holding me cushioned in a womb-like environment, bent over the book in my lap and looking outside from time to time. The experience of the ‘now’ moment is the same ‘now’ moment everybody else is experiencing… a hesitant, preoccupied ‘now’, maybe, for many of us; teetering on the brink of wanting things to be different from what they are. The traffic is hard to believe. Skillful avoidance of the tendency to hold on to the thought it ‘shouldn’t be like this.’ Look around the interior of the taxi, devotional flowers hanging up front in the windscreen and up above I see the painted marks of a holy person’s blessing on the underside of the roof. Grey/blue seating, a public space, registration numbers for the driver and the vehicle. A photo of the driver with his name in English.

We don’t have a conversation. I say: rod tid… (bad traffic eh?). And he says: yeu! (too much). We’re comfortable with the silence after that. For him, it’s a pointless journey to nowhere in particular – no problem; it’s often like this. Pause for a moment and watch the in-breath, the out-breath; mindfulness. A moment’s reflection and meditative contemplation in a Bangkok taxi… this is how it is for him. After I get out, somebody else will get in and off to the next place. When he gets there it’s the same as the place he just left. Where are we now? There’s a huge map in his head. City traffic is like a river, it gets into all the corners and any place where there’s space for it, finding its own level and passing through the hundreds of miles of its landscapes as it makes its way to the sea.

Like a boat on the river going with the current, the ‘now’ feels like it’s not moving. Only when the trees on the riverbank are seen is there a sense of movement, of moving through time. The ‘now’ is experienced in this present time as it has been for millions of years. I can imagine a time in what I would call the ancient past, but a moment experienced then happened in present time; it was ‘now’. A prehistoric being may have been sitting on a rock or a branch, exactly where I’m sitting, inside this cab… looking around – just as I’m doing now – and the ‘now’ experienced then would have been no different from the ‘now’ experienced at this moment.

‘The river is everywhere at the same time, at the source and at the mouth…in the ocean and in the mountains, everywhere, and the present only exists for it, not the shadow of the past, nor the shadow of the future… Nothing was, nothing will be, everything has reality and presence.’ [Hermann Hesse: ‘Siddhartha’, Chapter 9]

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connectedness

Posted on February 5, 2014 by tiramit

POSTCARD#46: Bangkok: Sitting in a taxi that’s stuck in traffic and I see these buildings through the window, take the photo thinking, wow! I can write a post about that. The floating staircases look like they were put in as an afterthought. Somebody came up with the idea and sketched it out on the back of a beer mat. Creativity. Things are linked in the mind – the symbol of a bridge, everything is connected. It all fits. Taxi still stuck and I’m searching around in the memory for something, through the staircases and corridors of no-words-to-describe-it, looking for a starting point. How to begin? A small insight comes along; it’s the karma of circumstances.

That’s why, who, where, what, which, when and how I came to be here in Bangkok, strange as it may seem, having started off in such a far-away place over the mountains, over the sea… the Northern part of the world, near to the Arctic region. Up there, the polarities of shady darkness and never-ending light inspire one thing above all: the desire to get on a plane to a sunny place in the Southern Seas and never come back. So that’s what I did.

When I came back I discovered thirty years had passed, the Rip Van Winkle effect – look in the mirror, hair gone white. Most of the people I knew are dead. It had been so long I’d forgotten the ‘me’ that used to be there. I gave some thought to the ‘me’ left behind in the sunny place in the Southern Seas, went back over to check on that but it wasn’t there either. All these hours and days over the years, looking out the windows of an airplane and the world coming in through these eyes but seeing it like it’s not ‘me’ personally that it’s happening to, more like it’s an extension of what’s out there.

There’s a connectedness. No ‘me’. The temporary self-construct that used to be ‘in here’, a tentative sort of half-existence, has gone. Gone is gone. No ‘self’, anatta, nobody at home. Elvis has left the building. I am a metaphor of ‘me’ looking out of the window of a moving vehicle going away to, or coming back from a place called ‘home’ in Bangkok at the present time but next week I’ll be in Delhi again and looking at ‘home’ from that location. I know that three weeks from now I’ll be in Chiang Mai in that place there called ‘home’, hang out for a while, contemplate the space I’m in, then after that, no plans…

Is there anything I can call a real home? (hold that thought)… there’s a memory of something being ‘home’ when I was a kid. I remember long nights and short days, aunties and grannies wearing comfortable wooly cardigans, porridge in a cracked bowl, coal and wood fires, a black-and-white sheepdog – and incidentally, the rural/urban thing about Asian cities, cows sitting on the pavement, goats nibbling and chickens pecking around, the sound of a cockerel in the distance; all this reminds me of the farmyard scene where I was brought up. There’s a familiarity about it

Fond memories, pictures in the gallery of the mind, and yes I’d like there to be a real home, but for a very long time now there’s been only a series of temporary homes – all good, I share my life with Jiab and we’ve gotten used to the way things are. In each place I have my favourite chair, books, and all the things I need. It works okay except sometimes I might spend a long time searching the bookshelves for a book I’m sure is there then realise it’s not in these bookshelves, it’s the other bookshelves, about 2000 miles away. So I have to let that one go, although I can see it there in the mind’s eye…

I feel dispersed, an okay sort of feeling. It suits me well to follow the Buddha’s Teachings: homelessness, non-attachment, no-self. Whether there is a ‘self’, yes/no, is best not thought about too much because saying ‘yes’ or ‘no’ to it is, in itself, identifying ‘self’’. Words identify things, language has a default mechanism that allows me to select what ‘I’ want it to be (also what I don’t want it to be) and the resulting attachment to all that I love and hate. I see it happening, stay mindful about where the exit is located, and open the heart/mind citta to the world as wide as possible.

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‘I place the word “Jesus” into my heart, and in a magical instant all those wordless, intangible sensations I have come to recognize as His Presence fill the room, as if that word was a seed dropped into the planter of my heart, which took root, and produced an entire orchard.’ [Excerpt from the post: Trending Towards Holiness]

– G R A T I T U D E –

leaving

Posted on January 27, 2014 by tiramit

POSTCARD#44: Chiang Mai: Time to close this chapter of the story. I’m leaving soon for New Delhi, transit in Bangkok for some days. The flight departs at 16.20 and before that there are things to do in the apartment: a basket of laundry to iron; ironing table set up and I’m standing there. Pointed end of the iron smoothens its way among the creases, sailing through mountains and valleys of fragrant laundered cloth, leaving a warm, flat plain of patterned textile in its wake. Place the heavy iron on its metal stand and there’s that pleasing little sound: clink-clink… then pick it up again to do another part of the garment. Doing the front, the back, the shoulders, the collar – place it on its stand again: clink-clink. Ironing is such a peaceful thing, the hot smoothness of it, all these landscapes of wrinkled cotton eased away.

Pictures unfold in the mind, a memory appears, the story begins. It’s wintertime, I’m in Kamakura, Japan, snow everywhere and the colourless luminosity of reflected light inside the dark interior of my cute little house (everything is small in Japan) high up on the slope of a hill, in the precincts of Zuisenji temple. The ironing table set up by the window; just enough room if I move carefully, laundry basket placed at hand and on the corner of a small table, a pile of folded ironed things. The brightness of reflected light outside illuminates what I’m doing. A time of sleepy afternoon days, the clink-clink sound of the iron at intervals intrudes gently into this comfortable silence.

There’s a small slooshing sound of someone walking through the snow – look out the window; a blinding whiteness, a photographic negative. Black tracks of footsteps on the path leading to the steps to the temple. It’s a lady walking with great care, taking smaller steps than Japanese ladies usually take. She is dressed in a long dark maroon coat and indigo coloured costume down to the ankles, feet in wooden geta slippers secured by a small V-shaped thong passing between the first and second toe over tabi, white stockings specially stitched for the purpose, and the entire foot encased in transparent galoshes with pretty floral designs. Holding her hand is a little girl about 8 years old, and it just happens that as I’m looking at the girl and her small white face, alert eyes, she turns to look at me… a faint smile, a moment of intelligent understanding; she sees me, a gaijin, framed in my window at eye level with the street: a foreigner lives there, in a house the same as ours… or maybe there are no words for it, just some kind of recognition, an enigma suddenly cleared away and knowing this.

How did life turn out for her? I feel sad that we only had the shared experience for that instant. Maybe it’s the remembering of events like these, returning many years later; a moment recalled, a thing that was puzzling for a long time suddenly understood, somehow – beyond words. These small moments of understanding, overlapping each other and it could be the more I’m aware of it, the more conscious experience includes the possibility of revelation. And this is the reason why there’s always a fascination with the remembered moment; an event or an accumulation of events that make sense… somehow. Language doesn’t stretch that far; the whole thing just carries meaning.

Ironing along the seams, the waistband, how good these garments look, just as they are, stitched art objects – clink-clink goes the iron. Pictures unfolding in the mind, a memory of an event is a story with a beginning, a middle, an end – although I might arrive in the middle and have to work it out from that entry point; searching for the ending of it so that I have some idea of what the beginning could have been – then re-order it so the story starts as it should (“… once upon a time….”). Language insists on a structure, I have to ‘story’ it (verb: to story), think about how to get it to work; what happened after that? Create a sequence of events. Listening to a story I’m telling myself as if it were being told to me by someone else.

Getting this place cleared up and ready now so that it can enfold itself quietly in hibernation while I’m away living in another world. Soon it’ll be time to jump into the taxi and off…

‘We are forever telling stories about ourselves. In telling these self-stories to others we may, for most purposes, be said to be performing straightforward narrative actions. In saying that we also tell them to ourselves, however, we are enclosing one story within another. This is the story that there is a self to tell something to, a someone else serving as an audience who is oneself or one’s self…. On this view the self is a telling.’ [Roy Schafer]

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appearances

Posted on January 22, 2014 by tiramit

POSTCARD#43: Chiang Mai: It’s been a long extended morning, awake before dawn. My day began at 3 am – not a day, a night… correction, not ‘a’ night, just ‘night’, no defining characteristics. Night, as in: ‘the state of night.’ Night as an abstract noun, the darkness that envelops all beings in sleep, including a few birds, head-under-wing, perched on small branches in the treetops, level with my apartment on the third floor. All the lights are on here, dishes make noise, kettle boiling; cups rattle but there’s no coffee, and I can’t go out to get some because everything is closed… a long time to wait before the little supermarket round the corner is open. I sit near the window and look at the birds breathing, their small chest movements sometimes visible.

A couple of hours reading friends’ blogs in the UK and the East coast of the US. And by the time it’s daylight, and Chiang Mai is awake, I feel like going back to bed. But instead, I’m walking along the road blinking in the sunshine. The air is warm like a soft blanket; no heaviness of winter clothing or hard shoes. T-shirt, shorts and rubber slippers, everything light and easy. Noise and clatter, traffic, smells of food cooking. Everywhere you look it’s like a children’s picture book, blue sky and golden people who smile all the time. The world has been photo shopped, vivid, maximum-pixels. Everything appears as if lit from within, bananas are almost luminous; papaya fruit is a magic-marker orange. Too bright for me, I feel like an owl in the daylight, a nocturnal shadow… let me hide in the shade of my sunglasses; deep, cool, blue-green, cloaked in my dark, quiet space.

After the eye operation I’ve been disturbed by bright light. The doctor says the surface of the cornea is exposed, I have “the eyes of a twenty-year-old’ (wow). It’ll take a couple of years to adjust to the world. The sunlight in Thailand is bright like a television studio and I might have felt less sensitive about light, maybe, if I’d been living in the North of Scotland, where I’m from, and been the pale, indistinct, colourless being that I really am, with the pigmentation of a plant growing in the darkness – long and extended tendrils seeking out tiny sources of sunshine and taking on the glow of colour only when the growing tip finds its way through a crack and into a glimmer of light.

So I’m making my way along the small pavement, looking out for traffic hazards in this busy place and staying alert because of the rough paving underfoot I could stumble on – all kinds of obstructions and sometimes no pavement at all. A small temporary restaurant has arrived that wasn’t here yesterday, the owner just drives up in a pickup truck, sets up his stuff on the pavement, tiny tables unfolded and stools to sit on. It blocks the way, pedestrians cannot get past, have to step down on the road and walk out in the traffic, then back up on the pavement again. Can’t help feeling they ‘shouldn’t’ be allowed to do that… I notice though, that nobody here seems unduly affected by the inconvenience. Thais don’t impose their ‘preferences’ on a world that is for the most part neutral. It’s a Western thing to try to customize it according to what it ‘should’ be like, and engage with all the feelings conjured up by a ‘self’ that makes ‘my’ world into something good, bad or whatever.

Suffering a bit and thinking about this turmoil of having to adjust my expectations of the world according to how things appear to be and why bother with all that because things never turn out exactly as I want them to be – but the best is yet to come, really, because when I get to the little supermarket, the whole place has been demolished! It is totally not there. Doors taken out and nothing remains of the place that I recognize, just this very large, dark, dusty hole in the building. Some kind of major renovation. Hmmm looks like I’ll not get the coffee I came here for… but on the way back I see the temporary shop erected on the pavement is selling coffee. So I sit down and have one there.

‘For life in the present there is no death. Death is not an event in life. It is not a fact in the world. Our life is endless, in just the same way that our field of vision has no boundaries.’ [Wittgenstein]

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light-headedness

Posted on January 17, 2014 by tiramit

POSTCARD#42: Chiang Mai: Don’t know why or how it can be like this, but there’s a sense of joyfulness, today – floating free. An easeful vertigo that’s comfortably not lost its balance. I’ve been looking at the building under construction next door, and seeing it expanding upwards daily. It’s like something sculptural. The floors and wall surfaces that will hold the enclosed space we recognize as rooms and corridors are not complete, just the shape of the space within which things exists, a 3 dimensional photographic negative in the mind’s eye. The builders do everything in negative form.

They’ve done one new floor since I last wrote about it [structures]. Bricks and mortar with foundations deep in the earth. So fast, almost like everything is made out of paper, no gravity, no heaviness, and we’re in the realm of birds and flying. The guy in the red shirt seems to be the one who always goes up first; climbing into the sky. I don’t know what his life can be like, maybe bonded to his job, burdened with hardships, and struggling with the contractor over pay… but how could he not feel good today, standing up there in the cool morning and looking out, blue sky as far as the eye can see.

These builders are the heroes of the story, men and women in their wide brimmed straw hats, faces covered with cloth to protect the skin from the sun and regulation hard-hats squeezed down over the straw crown. The big bankers and investors might open bottles of champagne when it’s finished, but they’re nothing compared with these ordinary folk on the scaffolding who climb up into the sky on their flimsy structures and boards and the building follows on up behind them. It’s as if there was a hook in the sky they attach their ropes to and from there, can haul the building up, suspended.

Buildings are the mountains of the city and the created world. These builders are rural/urban migrants; they’re from the villages and the mountains themselves; mountain climbers who build the mountains they climb. And seen from where I am, on the third floor, this mountain/building next to me appears above the tree line and looks strangely separate from the ground below – I can’t see the foundation, there’s sky above and (I assume) sky below. It’s a floating building.

A strange illusion, I’ve seen it in Switzerland, on walks around Dhammapala Buddhist Monastery. When you’re high up there on a steep incline, with trees near enough so you can see the forest floor below, the mountain above the treetops looks like it has disconnected itself from the earth, drifted away from its moorings; a gravity-free mass of rocky earth and vegetation floating in the sky. Thinking of the floating Hallelujah Mountains in the Avatar movie; based on the Huang Shan mountains in China.

There’s a light-headedness about this because, today, I’m somehow free from attachment to things in the mind. Considering the possibility that one reason human beings tend to be in a state of ‘holding’ a lot of the time, is that we’re all earth-bound creatures; attached by gravity to a spinning planet and the default mindset is this holding-on thing – can be difficult to feel comfortable about letting go. But today I feel released from that pressure; climbing the mountains in the mind. This freedom has always has been like this. I just didn’t notice.

‘The Buddha taught that clinging was the ninth link in the chain of Dependent Origination. In that chain, craving led to clinging, and clinging to “becoming” (bhava), i.e., to continued stuckness in cyclical existence. There are two places where the chain of dependent origination can be broken: at the point where a pleasant feeling turns to craving, and at the point where craving leads to clinging. We can break the link of craving through awareness of its dangers and insight into where it will lead us. We can break the link of clinging by simply letting go.’ [Seth Zuihō Segall]

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fragments

Posted on January 14, 2014 by tiramit

POSTCARD #41: Chiang Mai: Awake with the sound of birdsong and the first signs of daylight. A kinship with all beings. We breathe the same air, experience the same kind of heart beat – the tastes, the smells, light, sound, body sensations and consciousness. Suddenly a thought arrives, a memory of something that happened a long time ago; not important, like an aspect of another thought that got overlooked somehow – now seen in a different way, simple and easy to be with. I’m sitting on the edge of the bed, bare feet on cold floor; not completely awake, contemplating the start of the day and it takes a moment to notice this thought is still here. I have the feeling that I understand more about it now than ever before. Quickly! Get up, search around for a pen, I’ll have to write it down in my notebook before I forget.

In the next few minutes, the thought seems to expand, occupies my whole attention. It’s as if I’m seeing it all for the first time. Even as I’m going around doing early morning things, the thought remains – like a stationary object. A feeling of meaningfulness, a sense of amazement with the functioning of the mind; watching to see what it’ll do next, where’ll it’ll go after this. What’s it like? Getting to know it, like a child understands a thing directly. Got keys, wallet and down in the elevator, still thinking about it. Out on the street and walk to the main road. Aware of mind phenomena and looking at that thought in particular; the fragility of non-grasping and allowing things to be un-held. Where did it come from, where was it before it arrived here? Somewhere in The Great Space, fragments of it dispersed in actions not yet taken… am I creating the thought by noticing it?

A tuktuk stops, I get in, we accelerate along the road; wind in the face, noise all around. The present moment is an accumulation of pieced-together thought-items; bits of language imagery from environmental-input and memories of past-time brought into present-time, projected into future-time. Time is a human measurement: applied time. Reminds me of something I read in a book written by somebody wise, saying that TIME is just God’s way of preventing everything happening in the same instant. In one microsecond, the entire history of the world, up to the present and off into the future… watch it as it flies past.

Pause for a moment. Traffic lights at the intersection and everything stops; a curious extended, stretched-out moment – just the circumstance itself. It takes a conscious effort to get it started again. Is conscious awareness moving from one moment to the next? If so, is this the next moment yet? Are all the fragments of the next moment combined sufficiently in the endless stream of things so that I can now say definitively, THIS IS THE NEXT MOMENT? And all of a sudden it’s the past again. There’s only one moment, always has been. One long moment that includes immensely distant things. A single passing thought lasts a thousand years. Its parts so remotely scattered, a great ocean of nothingness invades the space between things. No easily seen reference points, objects get forgotten about eventually and all that remains is the idea that, a long time ago, I think I was searching for something but I can’t really remember. Anyway, I was never able to find it – still distracted sometimes by the idea that I might stumble upon it by chance one day, but otherwise at peace with everything the way it is.

‘The fact that we can never “fully know” reality is not a sign of the limitation of our knowledge, but the sign that reality itself is “incomplete,” open, an actualization of the underlying virtual process of Becoming.’ [Slavoj Žižek]

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structures

Posted on January 9, 2014 by tiramit

POSTCARD #40: Chiang Mai: Watching the construction of a new condominium next door that’s been going on for 6 months or more. It’s like a story: Once upon a time there was a construction site. Then there was the first floor. Now they’re up to the fifth floor and the structure is above the tree tops. I can see the workers, including women workers wearing wide brimmed hats, sitting there creating the metal reinforcement of the support pillar. They’re doing it by hand; twisting flexible metal wires around the vertical and horizontal parts, like you tie a plastic bag closed with a plastic cable tie. Not moving around too much, aware of the flimsy platform they’re on. No safety measures, other than the mindfulness of being careful.

There are another two condos being built on the other side. A constant coming and going of cement trucks through the narrow streets, and all around the clangs and bangs of construction site sounds. Noisy but I’m attracted by the creativity of it. These large structure were once an idea in an architect’s office and I can see the plans and diagrams that were drawn on draftsman’s paper coming to life in three dimensions. Throughout the day, I stop what I’m doing and go over to stand by one of my windows and maybe watch the huge crane lifting things up from the floor below and placing them on the new floor above. Then to the other window and see what’s happening there. The workers are active the whole time; rural/urban migrants from another strata in society, pluralism. Where they come from you could buy 5 acres of land with the money paid for one small unit in the condo they’re building here. What they get from this is an income, and there’s stablity, their children can go to school here, an opportunity to break out of the mould, social change is generational.

Their stamina humbles me, I’m a foreigner living in their country, my life style is so distant from theirs. I wonder if they have times when they get fed-up with it all? Are they as dissatisfied as I am? Would they understand how I sometimes pause in the writing of a piece, reflect on how much my original idea has changed since the beginning of it, and what I’d really like to do is take the whole thing to pieces and start again? Probably not, and I’m trying not to give up on it because this is already the third revision. In the West we can’t think of constructing without deconstructing. In the process of learning how to build things up, we learned how to knock things down. Click the remote and we’re watching a different movie; basic truths were disassembled overnight. Postmodernism arrived and everything came to pieces – nothing to hold on to. A world that’s always a work in progress, no final ‘finished state’.

New possibilites arise and one of these is the thought that maybe I’m not seeing the real world at all, what I’m seeing is something created in the mind; something ’seen’ in the way I want it to be. I can change the world to get it to fit when it doesn’t seem right according to the image I have of it – so how can I be sure I’m not simply thinking up a theory and creating supporting statements to prove it? My continuing engagement with it somehow confirms its reality… but is it really real? The question is the answer, it’s open-ended, exploratory – inductive reasoning. The solution is revealed in the process of examining the question. No subject/object dualism. Instead of trying to impose a structure on Nature, things take place subjectively. Finding the way that has a starting point inside, not outside; something I recognize in the interaction with the question.

Around noon, all the noise and clatter suddenly goes quiet. Lunchbreak. From my window I see the workers sitting in groups and some lying in makeshift hammocks strung across the scaffolding supports in the cooler shaded floors: zzzzzzzz… the world is a kind of analogy, a figure of speech – the metaphor and reality. No final conclusion, forever on-going….

‘… houses rise and fall, crumble, are extended,  are removed, destroyed, restored, or in their place  is an open field, or a factory, or a by-pass.  Old stone to new building, old timber to new fires,  old fires to ashes, and ashes to the earth  which is already flesh, fur and faeces,  bone of man and beast, cornstalk and leaf.  Houses live and die: there is a time for building  and a time for living and for generation  and a time for the wind to break the loosened pane…’ [The Four Quartets, East Coker, T. S. Eliot 1943]