The Jhanās I Bliss

Editor’s note: in the original, pages 127-133 (print book copy) the author looks at the Jhanās from a historical and theoretical point of view. That section is not included here, if anyone would like to have it, please let me know [dhammafootsteps at gmail dot com] – let me have your email address and I will send the missing section. Now the author continues with the Jhanās in terms of their practice.


Pīti-sukha—Joy and Happiness

POSTCARD#461: In Pali the compound word pīti-sukha means the combination of joy  with  happiness.  One  can  use  those  words  for  many  kinds  of experiences, even worldly ones. But in meditation, pīti-sukha refers only to that joy and happiness that is generated through letting go.

Just as various types of fire can be distinguished by their fuel, such as a wood fire, oil fire, or bushfire, so can the various types of happiness be differentiated by their cause. The joy and happiness that arises with the beautiful breath is fueled by the letting go of the burdens of past and future, internal commentary, and diversity of consciousness. Because it is a delight born of letting go, it cannot produce attachment. One cannot be attached and let go at the same time. The delight that arises with the beautiful breath is, in fact, a clear sign that some detachment has taken place.

Pīti- sukha may arise from sensual excitement, from personal achievement, or from letting go. These three types of happiness differ in their nature. The happiness generated by sensual excitement is hot and stimulating but also agitated and therefore tiring. Repetition makes it fade. The happiness caused by personal achievement is warm and fulfilling but also fades quickly, leaving a vacant hole. But the happiness born of letting go is cool and long-lasting. It is associated with the sense of real freedom.

Moreover, the happiness generated by sensual excitement produces ever-stronger desires, making the happiness unstable and tyrannical. The happiness caused by personal achievement produces more investment in being a control freak and encourages the illusion of personal power. The controller then kills any happiness. The happiness born of letting go inspires more letting go and less interference. Because it encourages one to leave things alone, it is stable and effortless. It is the happiness most independent of causes and closest to the unconditioned, the uncaused.

It is important for success in meditation to recognize the different types of happiness. If the happiness that arises with awareness of the breath is of the sensual excitement – for example, waves of physical pleasure coursing through your body – it will soon disappear when effort is relaxed, leaving you heavy and tired. If the happiness is associated with the sense of achievement – “Wow! At last I’m getting somewhere in my meditation” – it will often disintegrate, destroyed by the arousal of the controller, ruined by the interfering ego. But if the happiness that arises from the beautiful breath is that born of letting go, then you feel that you don’t need you say anything or do anything. It becomes the happiness whose brother is freedom and whose sister is peace. It will grow all by itself in magnificent intensity, blossoming like a flower in the garden of jhāna.

In addition to the beautiful breath, there are many other objects of meditation: loving-kindness (mettā), parts of the body (kāyagatāsati), simple visualizations (kasina), and others. However, in all meditation that develops into jhāna there must come a stage where the pīti-sukha born of letting go arises. For example, loving-kindness meditation opens into a wonderful, gorgeous, unconditioned love for the whole cosmos filling the meditator with delicious joy. Pīti-sukha born of letting go has arisen and one is at the stage of “beautiful mettā.” Some meditators focus on parts of the human body, often a skull. As the meditation deepens as mindfulness rests on the inner image of a skull, an amazing process unfolds. The image of the skull in one’s mind starts to whiten, then deepen in colour, until it appears to glow with intense luminosity, as the “beautiful skull.” Again, pīti-sukha born of letting go has appeared, filling the whole experience with joy and happiness. Even some monks who practice asubha (loathsomeness) meditation, on a decaying corpse, for instance, can experience the initially repugnant cadaver suddenly changing into one of the most beautiful images of all. Letting go has aroused so much happiness that it overwhelms the natural disgust and floods the image with pīti-sukha. One has realized the stage of the ‘beautiful corpse.”

In meditation on the breath, the Lord Buddha taught the arousing of pīti-sukha along with the experience of one’s breath as the fifth and sixth steps of the 16-step ānāpānasati method. I dealt with this crucial stage of meditation at length above.

When pīti-sukha doesn’t arise, it must be because there is not enough contentment, that is, one is still trying too hard. One should reflect on the first two of the five hindrances. The first hindrance, sensory desire, draws the attention toward the object of desire and thus away from the breath. The second hindrance, ill will, finds fault with the experience of breath, and the dissatisfaction repels the attention from the breath. Contentment is the “middle way ”between desire and ill will. It keeps one’s  mindfulness with the breath long enough for pīti-sukha to arise.

The Way Into Stillness

Stillness means lack of movement. Since will causes the mind to move, to experience stillness one must remove all will, all doing, all control. If you grasp a leaf on a tree and try your hardest to hold it still, no matter how hard you try, you will never succeed. There will always be some vibration caused by slight tremors in your muscles. However if you don’t touch the leaf and just protect it from the breeze, then the leaf comes to a natural state of stillness. In exactly the same way, you cannot achieve stillness by holding the mind in the grip of the will. But if you remove the cause of movement in the mind, the will, the mind soon becomes still. Thus one cannot will the mind to be still. The way into stillness is through pīti-sukha born of letting go. Once the delight that comes with the beautiful breath appears, then the will becomes redundant. It becomes unnecessary since mindfulness stays with the breath all by itself, effortlessly. Mindfulness enjoys being with the beautiful breath, and so does not need to be forced.

When stillness appears it enriches the pīti-sukha. The deepening of pīti-sukha, in turn, creates even less  opportunity  for  effort,  and  so  stillness  grows  stronger.  A  self-reinforcing  feedback  process ensues. Stillness deepens pīti-sukha, and pīti-sukha increases the stillness. This process continues, when not interrupted, all the way into jhāna, where stillness is profound and pīti-sukha ecstatic.

In this chapter I have explored some of the issues often raised about the jhānas. The next chapter, on the nimitta, takes us farther down the road to the deep absorptions.

Continued next week: 11th March 2022

Mind Object Contemplation

POSTCARD#460: Objects of the mind are the last of the four focuses of mindfulness. The mind objects listed in the Satipaṭṭhāna Sutta are the five hindrances, the five aggregates, the six senses, the seven enlightenment factors, and the four noble truths. I understand this list to represent examples of mind objects, and therefore other mind objects not mentioned in the Satipaṭṭhāna Sutta, such as thought and emotions, may also be included.

Contemplating the Five Hindrances

As I’ve explained regarding contemplation of feeling (vedanā), the five hindrances must be abandoned before you can effectively contemplate anything. But how can you contemplate the five hindrances after you have abandoned them? As I stated above mindfulness can take as its object an experience that has already passed. Mindfulness includes memory. So superpower mindfulness can take up, for example, a previous example of sloth and torpor and hold that past experience still in its strong light long enough to see into its true nature. What you apprehend with superpower mindfulness is that these five hindrances are mere instances of images on the screen, that they are not yours or anything to do with you, as the following simile demonstrates.

An old school friend visited Jamaica many years ago. He went to see a movie in a drive-in theatre in a remote town well known for its violence. He was surprised to see that the screen was a two-foot thick reinforced concrete wall. It must have cost a fortune. People of that town, it turns out, were very fond of Westerns. However, when the story came to the inevitable gunfight, many members of the audience took out their own guns and joined in the action! If they didn’t like the sheriff, they shot at his image on the screen, or they blasted away at the Indians, or whomever else upset them. The owner of the theatre could not stop them from joining in the gunfights, and he had replaced so many bullet-riddled canvas screens that he built this indestructible concrete screen. Then his audience could join in the gunfights without ruin.

If, like these moviegoers, you identify images on the screen as real, you will want to shoot them. With mindfulness, however, you will see them as having nothing to do with you. When you see the hindrances merely as images on the screen of consciousness, you will not bother you ever again. You will be free.

Contemplating thought

Thought, the inner conversation, is an object of the mind that can generate immense suffering. It can manifest as restlessness, remorse, doubt, desire or ill will. As such, remorse is at the heart of the five hindrances. Persistent pessimistic thoughts lead to depression, even suicide. Obsessive fearful thoughts lead to paranoia. It should be obvious that there are great benefits to be won through contemplating thought according to this fourth satipaṭṭhāna.

Again, only superpower mindfulness can see through the con game that is thought. With ordinary mindfulness you tend to believe in the thinking, get caught up in it, even worship it as more truthful than reality. A hungry man goes to dine at an expensive restaurant and is handed the menu. He eats the menu, pays, and leaves. He is still hungry. The menu is not the food any more than thoughts are reality.

Superpower mindfulness sees that thought, at best, is one step removed from reality, and at worst it is completely removed. Ill will bends thought into anger, sensory desire inflates thoughts into lust, and restlessness twists thoughts into frustration. When seen clearly, thoughts can’t be trusted. Not even this one!

When satipaṭṭhāna sees thinking for what it truly is, a makeshift approximation,  then  we  experience  dispassion  with  regard  to  our  thinking.  The  sign  of  such dispassion and wisdom is that you can let go of thoughts at any time. The proof of such insight is your ability to be silent. In the suttas, a term for an enlightened one is santamuni, “silent sage.”

Contemplating Will

Another important mind object that I wish to discuss here is “will” (cetanā), which comes under the contemplation of the five aggregates (khandha) in this fourth satipaṭṭhāna. Will is “that which does” or the doer. As I mentioned above the will is one of the two last resorts of the illusion of self, along with the knower (citta). Contemplating the will, the doer, and seeing it as anattā is therefore crucial to the experience of enlightenment.

Years ago I was an active member of the Psychic Research Society at Cambridge University. Every year we would hire a professional hypnotist to demonstrate his craft, often to the great amusement of us students. Once the hypnotist put a receptive volunteer student into a deep state of hypnosis. In front of all the students the hypnotists told him that later in the evening when the hypnotist touch his left ear the student was to stand up and sing the British national anthem. And later after coming out from the hypnotic trance, when the hypnotist touched his left ear the poor student arose and sang “God Save the Queen”! He sang alone accompanied by great laughter. The most fascinating part of this demonstration was that, when questioned, the student was of the firm opinion that he had freely decided to sing the national anthem and gave some convoluted reason for it. It showed that even brainwashing appears to the brainwashed as free will.

You are deluded to think you are reading this of your own free will. My friend, you had no choice but to read this! Will is not the action of a being, it is the end product of a process,

When superpower mindfulness takes a recent experience of jhāna as its object it sees that will, the “doer” has completely ceased within that state. It has vanished for long periods of time. Contemplating a fully mindful state that is free of will allows you to see that “will”, “choice”, and the “doer” are not me or mine, not a self. Whatever you do is just a result of complex programming.

When I talk like this people get frightened. Such fear is a symptom that something you are so attached to, your will, is about to be taken away. We in the West are so attached to the delusion of free will, in fact, that we enshrine the illusion in our constitutions and declaration of human rights. You may raise objection that if there is no free will, why bother to generate the great effort needed for enlightenment? The answer should be obvious. You put forth great effort because you have no choice. It is only superpower mindfulness that has the strength to penetrate the barrier of fear erected by attachment and observe the process of will as it truly is. Like the thousand-petaled lotus, when the layer of petals that represent the “the doer” fully opens up, you see the unexpected, that there is no one in here doing all this. The will is anattā. Craving begins to unravel at this point.

Contemplating Emotions

The last of the mind objects that I want to discuss here is emotion. Emotion is that texture of mind categorized as depressed or inspired, guilty or forgiving, worried or serene, angry or compassionate, and so on. Emotions toss us around, and this often hurts. Emotions are mind objects, things that appear on the screen of consciousness, and are part of this fourth satipaṭṭhāna.

When I was already a young Buddhist I went to see the movie West Side Story. There is a heartbreaking scene at the end when the hero, Tony, runs to his lover, Maria, under a New York City streetlight, is shot, and dies in Maria’s arms. As their doomed relationship is tragically rent, they sing, “There’s a place for us. Somewhere a place for us.” Many in the audience began sobbing uncontrollably. Why did they cry? It was only a movie after all, just the play of light on a cloth screen.

When you are deluded by emotions you take them to be important, real, “mine”. You get so sucked in that you seek even unpleasant emotions like sadness repeatedly. Why is it that so many people go to a movie with a box of tissues knowing, from the reviews that it is a tearjerker? It is because they are attached to emotions, delight in them and identify with them. They don’t want to be free.

Superpower mindfulness focused on the emotions uncovers the reality of whether you want to be free or not. It pushes aside your preferences. You recognize that the emotions are seductive sirens beckoning you to their treacherous rocks. But in their essence they are but mind objects, causally conditioned like weather fronts passing overhead, having nothing to do with you. When you see the truth, you are detached from emotions and free from their tyranny.

Whatever is an object of the mind, whatever appears on the screen of consciousness – whether it be the five hindrances, thought, will, or emotions – can be put under the unremitting and penetrating beam of superpower mindfulness. There you will realise the completely unexpected. You will see what the Buddha saw under the Bodhi tree. The realization will dawn that all these events on the screen of consciousness, are just the play of nature not the play of God, not the play of a soul. There is nothing here. There is “nobody at home”. These mind objects are empty. They are no-self (anattā). The illusion has been seen through. You are now free, unaffected by any mind object.

The Buddha promised that anyone who practices the four satipaṭṭhānas diligently will reach the  state  of  either  the  non-returner  or  full enlightenment  in  seven  days.  Perhaps  you  now understand why many meditators have  been  disappointed  that  after  many  more  than  seven days  they’re  still  not  enlightened.  As  I  said  earlier,  the  reason  is  that  they  have  not  been practicing   satipaṭṭhāna   following   the   Buddha’s   instructions.   Try   it   and   see.   Develop superpower mindfulness generated by jhāna so you know for yourself how impotent ordinary mindfulness is. Put the citta (the knower) or cetanā (the will) under the spotlight of superpower mindfulness,  courageously  going  beyond  the  comfort  of  your  views.  Await  the  unexpected. Don’t second-guess truth. Wait with patience until the thousandth petal of the lotus fully opens to  reveal  the  heart.  That  will  be  the  end  of  delusion,  the  end  of  saṃsāra,  and  the  end  of satipaṭṭhāna.

Image: Buddha statue under construction at Khai Nguyen Pagoda, Vietnam, 2019, Photo credit MANAN VATSYAYANA/AFP/Getty Images)

Continued next week 4 March 2022 with “The Jhānas I: Bliss”

Mind Contemplation

POSTCARD#459: Bangkok: Editor’s note, continuing with our text “Mindfulness, Bliss, and Beyond” by Ajahn Brahm. This section is the study of the Four Foundations Of Mindfulness, which Ajahn refers to as the Four Focuses of Mindfulness.

This  third  focus  of  mindfulness,  observing  the  citta  or  mind  consciousness,  is  one  of  the  most difficult  to  practice.  Most  people’s  meditation  is  not  developed  sufficiently  to  even  see  mind consciousness.  Mind  consciousness  is  like  an  emperor  covered  from  head  to  toe  in  five  thick garments: his boots go up to his knees; his trousers go from his waist to his calves; a tunic stretches from his neck to his thighs and along his arms to his wrists; gloves cover his hands and forearms; and a helmet covers all of his head. Being so completely covered, the emperor cannot be seen. In the same way, mind consciousness is so completely clothed by the five senses of sight, hearing, smell, taste, and touch that you cannot see it underneath.

To see the emperor, you have to remove his clothes. In the same way, to see the citta, you have to remove the five external senses. It is the task of the jhāna to remove the five senses and reveal the citta. Thus you cannot even start to practice this third focus of mindfulness until you have experienced a jhāna. For how can you contemplate citta when you haven’t really experienced it? It would be like contemplating the emperor when all you can see are his (or her?) clothes.

Investigating the nature of citta is also like investigating the nature of gold. Before chemists even begin to test the material, they must ensure that the sample of gold is purified of all other elements and that what they have is 100 percent pure gold. Similarly before you begin to investigate the nature of citta you have to ensure that this mind consciousness if purified from all other types of consciousness, i.e., that the five external sense-consciousnesses have been abandoned. Again, this can only be done after emerging from a jhāna. Then superpower mindfulness takes the jhāna experience just past, a sustained experience of the citta set apart from the five sense, as its object of investigation. Only in this way will the truth be seen, that the citta is anatta, that mind consciousness is subject to arising and passing, that is it “me’, or “mine”, nor a self, that it is neither God nor cosmic-consciousness – that is just citta, a flame burning because of fuel.

Where the Citta Goes After Enlightenment

A flame depends on fuel. The word for “fuel” in Pali is upādāna. A candle flame depends on heat, wax, and a wick. If any one of those three “fuels” disappears, then the flame ceases. If a wind takes away the heat, the flame ceases. And if the wax is used up, the flame ceases. Once the flame ceases, it doesn’t go anywhere. There is no heaven where all good flames go to flicker for eternity. Nor does the flame merge with a comic transcendent Flame. It just ceases, that’s all. In Pali the word for a flame “going out” is nibbāna.

The citta too depends on fuel. The suttas say that citta depends on nama-rupa (body and objects of mind) and when nāma-rūpa ceases, the citta completely ceases (SN 47.42). It goes out. It “nibbānas”. It doesn’t go anywhere, it just cease to exist. Interestingly, the two famous bhikkhunīs Kisāgotamī and Pațācārā became fully enlightened when they saw the flame of a lamp go out (Dhp 275; Thig116).

The Nature of Citta

When you sustain superpower mindfulness on the pure citta, the nature of all types of consciousness reveals itself. You see consciousness not as a smoothly flowing process, but as a series of discrete, isolated events. Consciousness may be compared to a stretch of sand on a beach. Superficially, the sand looks continuous over several hundred metres. But after you investigate it closely, you discover it is made up of discrete, isolated particles of silicate. There are empty spaces between each particle of sand, with no essential sandiness flowing in the gap between any two particles. In the same way, that which we take to be the flow of consciousness is clearly seen to be a series of discrete events with nothing flowing in between.

Another analogy is the fruit salad analogy. Suppose on a plate there is an apple. You clearly see this apple completely disappear and in its place appears a coconut. Then the coconut vanishes and in its place appears another apple. Then the second apple vanishes and another coconut is there. That vanishes and a banana appears, only to vanish when another coconut manifests on the plate, then another banana, coconut, apple, coconut mango, coconut, lemon, coconut and so on. As soon as one fruit vanishes then a moment later a completely new fruit appears. They are all fruits but completely different varieties, with no two fruits the same. Moreover, no connecting fruit-essence flows from one fruit to the next. In this analogy the apple stands for an event in eye-consciousness, the banana for an incident of nose-consciousness, the mango for taste consciousness, the lemon for body consciousness, and the coconut for mind consciousness. Each moment  of consciousness is discrete, with nothing flowing from one moment to the next.

Mind consciousness, the “coconut,” appears after every other species of consciousness and thereby gives the illusion of sameness to every conscious experience. To the average person, there is a quality in seeing that is also found in hearing, smelling, tasting, and touching. We can call that quality “knowing.” However, with superpower mindfulness, you will discern that this knowing is not part of seeing, hearing, and so on, but arises a moment after each type of sense consciousness. Moreover, this knowing has vanished when, for example, eye consciousness is occurring. And eye consciousness has vanished when knowing (mind consciousness) is occurring. In the simile of the fruit salad, there can’t be an apple and a coconut on the plate at the same time.

That Which Knows Is Not Self

Contemplating consciousness in this way—seeing it as a series of discrete, isolated events with no thing  continuing  from  one  moment  to  the  next—undermines  the  illusion  that  there  is  a  knower, constantly present, which is always there to receive the experience of the world. You are unravelling the last refuge of the illusion of a self. Previously, it may have seemed so obvious to you that “I am the one who knows.” But what seems obvious is often wrong. Now you see it as just a “knowing,” as mind  consciousness,  like  the  coconut  that  is  sometimes  there  and  sometimes  not.  Citta  is  just  a natural phenomenon, subject to ceasing. It cannot be me, mine, or a self. That which knows, citta, is finally understood as anattā.

Satipaṭṭhāna, as noted above, is practiced for the purpose of realizing anattā—no-self. The two last resorts of the illusion of a self or soul are the knower and the doer. If you identify with anything as the essential “you,” it will be one or both of these. You assume that you are that which does or that which  knows.  These  two  deep-seated,  long-held  delusions  are  what  stand  between  you  and enlightenment.  See  through  these  illusions  once,  and  you  are  a  stream  winner.  See  through  these illusions every time, and you are an arahant.

Continued next week 25 February 2022 with “Mind Object contemplation”

Composition of the Body

POSTCARD#458: I remember when I was about eleven years old watching a television program on my parents’ black-and-white set that showed in gory detail major surgical operations common at that time. My parents and my brother had to leave the room, but they let me watch after I argued that the program was educational. I found it fascinating to see the innards of a body.

Many years later as a Buddhist monk I was eager to observe autopsies in Thailand and Australia. What fascinates me now is why some persons are repelled by the very thought of watching an autopsy, and often faint when they attend one. Even though we have all been taught biology at school, most of us are still in denial about the nature of our bodies. Why else would we faint or groan when seeing guts exposed?

We have a huge amount of attachment to this body, a delusion that causes us much suffering. By focusing superpower mindfulness on the composition of your body, you can penetrate the barrier of denial and fear and see the body as it truly is. It is just a body. Bits and pieces strung together and falling apart, neither beautiful nor ugly, neither strong nor weak. It is simply a thing of nature, not something of yours. Can you keep it fit and healthy forever? Can you stop it from dying? So who owns your body? Surely it must be obvious that nature owns your body, not you.

The sign that you have penetrated the truth of the body is the complete lack of fear about your own death. Another test of your insight is your response when a loved relative or close friend dies. If you receive a phone call telling you they have just been killed in a road accident and you reply, “Yes, that’s to be expected,” then you are free of attachment to the body.

The Corpse Meditations

Meditation on a corpse combines the contemplations of what a body is and what a body does. It produces revulsion at the beginning, insight in the middle, and liberation in the end. It’s powerful and effective.

A corpse from a road accident is quickly covered and sent to a funeral home, where it is embalmed and made up with cosmetics. The embalmer’s skill makes Uncle George look like he is happily sleeping rather than stone dead. We do not want to see a corpse as it truly is. We are more content to have the fantasy. Unfortunately, delusion demands a heavy price. The longer we delay understanding death, the more we will have to suffer from it.

When superpower mindfulness is focused on a corpse or on the clear memory of one, the dead body opens up like a thousand-petaled lotus and reveals the truth hidden deep beneath the surface. The corpse is teaching you that this is what your body does—it gets old, falls apart, and dies. This is the destiny of your body and all others. Such insight produces dispassion with regard to this body and disinterest in getting another body. Seeing a corpse disintegrate and return to its natural state proves once again who the real owner is—nature. No longer will you be attached to your body, take delight in your partner’s body, or fear death. And if the insight reaches to the core, then you will never again come to birth in another body.

Feeling Contemplation

The second focus of mindfulness is feeling (vedanā). This term needs explanation because “feeling” is not quite accurate as a translation. In English “feeling” has a wide range of meanings. It can mean both emotional states and physical sensations in the body. The Pāli word vedanā means that quality of every conscious experience—whether through sight, sound, smell, taste, touch, or mind—that is pleasant, unpleasant, or somewhere in between.

In English we use different words to convey pleasantness or unpleasantness in each of the six senses. If we’re relating to a sight, we call vedanā “beautiful,” “ugly,” or “average.” If we are talking about sound, vedanā is “sonorous,” “grating,” or “uninteresting.” If we’re describing bodily sensations, vedanā is “pain,” “pleasure,” or “dullness.” That agreeable quality which is common to beauty, melody, and physical pleasure is called sukha vedanā, or “pleasant feeling.” That disagreeable quality common to ugliness, discordance, and physical pain is called dukkha vedanā, or “unpleasant feeling.” That which is neither agreeable nor disagreeable is called “neutral feeling.”

It is to be remembered that the qualities that we perceive as beautiful, ugly, sonorous, pleasurable, and so on do not reside in the object. Otherwise we would all agree on what was beautiful or pleasurable. The agreeable, disagreeable, and neutral qualities are values that we add to reality through our conditioned mind. Again, vedanā means that quality accompanying every conscious experience that you feel as pleasant, unpleasant, or somewhere in between.

When mindfulness is strong and stable, you can investigate vedanā, present and past, without complicating the matter with desire and aversion. When the mind is weak in samādhi and the five hindrances are present, the mind reacts to unpleasant vedanā with aversion and responds to agreeable vedanā with desire. Such reactions stir the mind and distort the truth, in much the same way that winds stir up waves on a lake and distort the images of fish swimming below the surface. This demonstrates yet again the importance of jhāna experience prior to satipaṭṭhāna in order to suppress the five hindrances, especially desire and ill will, in order to have the capability to view the vedanā with complete dispassion.

The Rise and Fall of Vedanā

When the mind is still and free from both desire and aversion, it sees that sukha vedanā (pleasant feeling) is no more than a pause between two moments of dukkha vedanā (unpleasant feeling). Indeed, you can also discern that the intensity of the pleasure in sukha vedanā is directly proportional to the degree of unpleasantness that went just before, and the intensity of the pain in dukkha vedanā is measured by the amount of happiness that you have just lost.

In a chilling book describing imprisonment and torture as a political prisoner in Argentina during the 1970s, an author relates that his most painful experience was not the beatings or the sessions on “Susan” (the name the guards gave to the electric shock torture machine). The worst moment, after endless months of imprisonment, was when his persecutors handed him a letter from his wife. He had blotted out from his mind all memory of the happy years before prison in order to cope with the terror and hopelessness of the present. That letter brought up many warm memories of his wife and family, and made the darkness and agony of his situation even more unbearable. He cursed his wife for sending that letter and screamed deep inside, louder than he ever had under electric shock. As this story graphically illustrates, the intensity of your pain or discontent is proportional to the degree of the happiness that you recall has now vanished.

Vedanā Does Not Belong to You

Vedanā is thus clearly seen to be conditioned, in the same way that night conditions day and day conditions night. It is merely the dualistic play of nature. Vedanā is beyond your control and beyond anyone’s control. It is understood to be not mine, not me, not a self. Understanding vedanā in this way through superpower mindfulness, as just vedanā and beyond anyone’s control, gives rise to dispassion toward pleasure and pain. You realize with certainty that there can be neither permanent pleasure nor permanent pain. A perfect heavenly world is seen as a sensory impossibility, merely wishful thinking, and an eternal hell is similarly implausible.

Thus the purpose of this second focus of mindfulness is to gain the insight that vedanā is not mine, that pleasure and pain twirl around each other, two inseparable partners on the dance floor of saṃsāra. Craving becomes pointless. And when craving is finally abandoned, there is freedom from pain (and from happiness too).

Continued next week 18 February 2022 with Mind Contemplation

Satipaṭṭhāna and Anattā

POSTCARD#457: Bangkok: [Editor’s note: this excerpt is from ‘The Thousand-Petaled Lotus’, last paragraph, page 109 in the print copy: “… when petal number one thousand opens up, so beautiful and unworldly, then you see the famed jewel in the heart of the lotus. Do you know what that jewel is? – a diamond? a ruby? No it’s emptiness. You see the priceless gem of emptiness in the very heart of the body-mind and this is not what you would ever have expected. That’s how you know it is not just another petal. Emptiness is something of a completely different nature to every other petal, to every other thing. Nothing! To reach this far usually requires superpower mindfulness sustained on its focus for a very long time.

The Purpose of Satipaṭṭhāna

So what is the purpose of satipaṭṭhāna? The purpose is to see anattā, that there is no self, no me, nor anything that belongs to a self. As it says in the texts, “Such mindfulness is established enough to discern that there are just the body, feelings, mind, and objects of mind” and that these are not me, not mine, nor a self (this is how I (the author) translate a phrase in the suttas).

When you keep in mind that the purpose of satipaṭṭhāna is to uncover the delusion of me, mine, or a self, to see anattā or the “emptiness in the heart of the lotus,” then the way of practice becomes clear. In particular you can appreciate why the Buddha taught just four focuses for mindfulness: body, feelings, mind, and mind objects. He taught these four because these are the major areas where life assumes a “me” or a “mine.”

So the satipaṭṭhāna practice sustains superpower mindfulness on each of the four objects in order to unravel the illusion of a self. You have been deluded for too long, identifying with the physical body, regarding your feelings as yours (and therefor subject to your control), assuming the mind (the process of knowing) to be your self and attaching to the objects of mind as matters of concern to you.

Summary of the Preliminaries

1. vineyya loke abhijjhā domanassam – first abandon the five hindrances through the practice of jhāna.

2. satimā – be possessed of superpower mindfulness resulting from jhāna.

3. atāpi – diligently sustain that superpower mindfulness on the focus.

4. sampajāno – keep in mind the purpose of satipaṭṭhāna on each of the four focuses in turn.

Body Contemplation

In the Satipaṭṭhāna Suttas there are fourteen areas for focusing mindfulness involving the body. They are grouped as follows: (1) breath, (2) bodily posture, (3) bodily activity, (4) composition of the body, (5) the body seen as four elements, and (6) the nine corpse contemplations. Here, I will discuss briefly all but the fifth.

Breath

In Indian philosophy, the breath (prāṇa in Sanskrit) is sometimes considered to be the vital essence of a human being. Indeed, the Pāli word for “animal” is the same as the word for “breath,” pāṇa. Similarly, the English word animal is derived from the Latin animalis, meaning “having breath.” Certainly, in ancient times the breath was considered to be such an important part of life that it was thought to be almost identical to a self or soul.

By focusing superpower mindfulness on the breath, it is possible to experience the breath as an empty process, completely subject to conditioning, with no being in here doing the breathing. Moreover, in deep jhāna, we can experience the breath disappearing altogether (in the fourth jhāna) with no danger to life.

During my teacher Ajahn Chah’s long sickness, he would often stop breathing. On one such occasion the new nurse on duty became alarmed. He knew that Ajahn Chah must die one day, but he didn’t want it to happen on his shift! The attendant monks on duty that night reassured him that Ajahn Chah had done the same many times before and that it was just a sign of deep meditation. The nurse was still worried and so took blood samples every few minutes during the hours without breathing to ensure that the blood was still well oxygenated. After all, as long as there is enough oxygen available in the blood there will be no harm to the body. The nurse discovered that even though Ajahn Chah was not breathing for a long time, the oxygen level in the blood remained constant. In jhāna, the metabolism is so slowed down that you are using almost zero energy. You don’t need to breathe.

Why is it that ordinary people gasp when they are excited, or struggle for breath just before they die? Perhaps their attachment to their breath is deeper than they realized. Remember, satipaṭṭhāna uncovers attachments that are completely unexpected. When you experience the cessation of breath, then it is obvious that it is not yours at all. From that insight, attachment to breath unravels.

Bodily Postures and Bodily Activities

There are two ways to understand something: by contemplating what it is made of and by contemplating what it does. Here we are analyzing this body by contemplating what it does. It is an illusion to think that I am walking, standing, lying down, sitting, stretching my arm, and so on. The truth is that there is a body doing this, not an I.

Many high achievers in sports, the arts, or even meditation, describe a state of selflessness called entering the “zone.” When a famous classical Indian dancer I knew was asked how she could perform to such a high standard, she replied that she practices and practices, but when the performance begins, she deliberately forgets everything she has been taught. She “gets herself out of the way” and allows the dance to take over. This is a classic description of entering the zone. When the athlete is in the zone, she can move effortlessly, gracefully, and faultlessly. When the meditator is in the zone, he can watch samādhi deepen beautifully, seamlessly, and wordlessly. You clearly experience all this as mere process, with no being driving the process. It is anattā, no-self.

You observe bodily postures and activities with superpower mindfulness and quickly enter a zone where all bodily postures and activities are seen to be mere cause-driven processes, not self-driven ones. You become less of a control freak concerning this body. You detach and live at ease.

Some teachers mistakenly think that mindfulness must always be focused on activities in the present moment. In fact the Pāli word for mindfulness, sati, also means remembering. Superpower mindfulness can focus on an object many moments old, bore into it without the object fading, and uncover its truth.

For example, in the Satipaṭṭhāna Sutta one is asked to practice mindfulness focused on sleeping. Even arahants are not aware when they’re asleep, so what does this mean? Some translators have attempted to solve this question by changing the meaning of the exercise to mindfulness on falling asleep. However, the Pāli word used in the Satipaṭṭhāna Sutta means “in sleep,” and there is a different phrase for falling asleep, niddaṃ okkamati. The practice of mindfulness focused on sleeping means one uses a previous experience of having been asleep as the focus of superpower mindfulness in the present. It is mindfulness that takes an old experience as its object. This may seem pedantic to you now, but it becomes crucially important, as you will see, when I explain the focus of mindfulness on the citta (mind consciousness).

Continued next week 11th Feb 2022 with Composition of the Body

Review of the Five Hindrances

Image Source: Monk Pillars

POSTCARD#456: Bangkok: The suttas say that one practices satipaṭṭhāna “having temporarily abandoned the five hindrances.” That means that a prerequisite for the practice of satipaṭṭhāna is the abandoning of the five hindrances first! MN 68,6:“not attaining a jhāna, the five hindrances invade one’s mind and remain. Attaining a jhāna, the five hindrances do not invade the mind and remain.”) Anyone who has experienced a jhāna knows that after emerging, one’s mindfulness is so powerful and so easy to sustain. This is the result of the five hindrances being absent.

Editors note: Continuing from last week with our review of the Five Hindrance, please note 1. sensory desire kāmma-cchanda was included there, but for convenience’s sake we have included it here also.

1. sensory desire kāmma-cchanda

 The compound kāmma-cchanda means ‘delight, interest, involvement with the world of the five senses. At the start of your meditation, place the mind beyond the reach of the five senses by returning to present-moment awareness [chapter 1, stage one, print copy, page 7]. Most if not all of our past and future is occupied with the affairs of the five senses. Through achieving present-moment awareness, we cut off most of the kāmma-cchanda. [see also: silent present-moment awareness – stage two, print copy, page 11]

 2. ill will (vyāpāda).

The  usual understanding of this second hindrance is anger toward another person. But it is more likely to be toward yourself or even toward the meditation object.

Ill will towards yourself can manifest as not allowing yourself to bliss out. There are many people who have deep guilt complexes. This is mostly a Western trait because of the way most of us have been brought up. Guilt and punishment are inseparable in our culture and in our minds. Punishment may be denying ourselves some kind of pleasure, happiness or freedom. People in the West just keep on seeking punishment. It’s crazy!

Goodwill Toward Yourself

Give  yourself  a  break, do  some  loving-kindness  meditation [Page 34 Print copy. Key in: Loving Kindness in the WordPress search box]. Say  to yourself, “The door to my heart is open to all of me. I allow myself happiness. I allow myself peace. I have goodwill toward myself, enough goodwill to let myself become peaceful and to bliss out on this meditation.”

3. sloth and torpor (thinā-middhā)

I’m sure we know it all too well through our experience of meditation. We sit in meditation and don’t really know what  we  are  watching,  whether  it’s  the  present  moment,  silence,  the  breath,  or  whatever.  This  is because the mind is dull. It’s as if there are no lights turned on inside. It’s all gray and blurry.

Making Peace with Sloth and Torpor

The  most  profound  and  effective  way  of  overcoming  sloth  and  torpor  is  to  make  peace  with  the dullness and stop fighting it! When I was a young monk in the forest monasteries in Thailand and became sleepy during the 3:15 A.M. sitting, I would struggle like hell to overpower the dullness. I would usually fail. But when I did succeed in overcoming my sleepiness, restlessness would replace it. So I would calm down the restlessness and fall back into sloth and torpor.

The Knower and the Doer

It  took  many  years  to understand what was going on. The knower is the passive half of the mind that simply receives information. The doer is the active half that responds with evaluating, thinking, and controlling. The knower and the doer share the same source of mental energy. Thus, when you are doing a lot, when you have a busy lifestyle and are struggling to get on, the doer consumes most of your mental energy, leaving only a pittance for the knower. When the knower is starved of mental energy you experience dullness.

4. Restlessness and Remorse (udhaccha-kukkccha)

The main component of this hindrance is restlessness of mind. But first let me briefly address the matter of remorse. Remorse is the result of hurtful things that you may have done or said. In other words, it is a result of bad conduct. If any remorse comes up in meditation, instead of dwelling on it, you should forgive yourself. Everyone makes mistakes. The wise are not people who never make mistakes, but those who forgive themselves and learn from their mistakes. Some people have so much remorse that they think they can never become enlightened.

Restlessness

Whether we find joy or not depends on the way we train our perception. It’s within our power to change the way we look at things. We can look at a glass of water and perceive it as very beautiful, or we can think of it as ordinary. In meditation, we can see the breath as dull and routine, or we can see it as very beautiful and unique. If we look upon the breath as something of great value, then we won’t get restless. We won’t go around looking for something else.

That’s what restlessness is, going around looking for something else to do, something else to think about, somewhere else to go—anywhere but here and now. Restlessness is one of the major hindrances, along with sensory desire. Restlessness makes it so hard to sit still for very long.

Contentment  is  the  opposite  of  a  fault finding mind. You should  develop  the  perception  of contentment with whatever you have, wherever you are, as much as you can. Beware of finding fault in your meditation, that  thought  is  the  very  cause  of restlessness. It doesn’t matter how the meditation is going, be absolutely content with it and it will go deeper. If you’re dissatisfied with your progress, then you’re only making it worse. So learn to be content with the present moment. Forget about jhānas, just be content to be here and now, in this moment.

Watch the silence and be content to be silent. If you’re truly content, you don’t need to say anything. Don’t most inner conversations take the form of complaining, attempting to change things, or wanting to do something else? Or escaping into the world of thoughts and ideas? Thinking indicates a lack of contentment. If you’re truly contented, then you’re still and quiet. See if you can deepen your contentment, because it is the antidote for restlessness.

5. doubt (vicikiccā)

Doubt can be toward the teaching, about the teacher, or toward yourself.

Doubt can also be directed toward what you are experiencing now: “What
is this? Is this jhāna? Is this present-moment awareness?” Such doubts are hindrances. They are inappropriate during meditation.

If while meditating the thought “Is this jhāna?” arises, then it cannot be jhāna! Thoughts like that can’t come up within these deep states of stillness. Only afterward, when you review those states, can you look back and say, “Ah, that was a jhāna.” If you get into any difficulty in your meditation stop, and rather than think “Is this a jhāna”, ask yourself, “Which of the hindrances is this?”

[Below are the five hindrances in the usual order in which the Buddha lists them:

1. sensory desire (kāmma-cchanda)

2. ill will (vyāpāda)

3. sloth and torpor (thinā-middhā)

4. restlessness and remorse (udhaccha-kukkccha)

5. doubt (vicikiccā)]

Continued next week 4th February 2022

The Importance of Jhāna for Satipaṭṭhāna

POSTCARD#455: Bangkok: If mindfulness is like a light, meditation brightens that light. When I (the author) was a young monk at Wat Pa Nanachat in Northeast Thailand, I became quite peaceful by doing walking meditation in the hall. I would walk with my gaze on a spot on the concrete floor some two meters ahead. Then I had to stop. I couldn’t believe it, but the dull concrete surface began to open up into a picture of magnificent beauty. The various shades of gray and the texture suddenly appeared as the most beautiful picture I had ever seen. I thought of cutting out that section and sending it to the Tate Gallery in London. It was a work of art. An hour or two later, it was just a boring, ordinary piece of concrete again. What had  happened,  and  this  may  have  happened  to  you,  is  that  I  had  a  short  experience  of  “power mindfulness.” In power mindfulness, the mind is like a megawatt searchlight, enabling you to see so much deeper into what you are gazing at. Ordinary concrete becomes a masterpiece. A blade of grass literally  shimmers  with  the  most  delightful  and  brilliant  shades  of  fluorescent  green.  A  twig metamorphoses into a boundless universe of shape, color, and structure. The petty becomes profound and the humdrum becomes heavenly under the sparkling energy of power mindfulness.

What is happening is that the five hindrances are being abandoned. When they are gone the experience is like seeing through a windshield that has been cleaned of grime and dust, or hearing through ears that at last are unclogged of wax, or reflecting with a mind released from its fog. When you know the difference between power mindfulness and weak mindfulness as a personal experience, not a mere idea, then you will understand the necessity of jhāna prior to satipaṭṭhāna.

Jhāna generates “superpower” mindfulness. If power mindfulness is like a megawatt searchlight, then jhāna-generated superpower mindfulness like a terawatt  sun.

The Thousand-Petaled Lotus simile is used in this way because there are a thousand or so levels of reality to uncover. The practice of meditation takes many hours of sitting, uncovering many deep layers of delusion and wrong  ideas  about  yourself  and  the  world.  When  the  Buddha  taught  that  the  root  cause  of suffering  is  avijjā,  or  delusion,  he  did  not  say  that  it  would  be  easy  to  uncover.  Avijjā  is uncovered, as it were, in layers, like the opening of the lotus petals.

Recall that a lotus closes all of its petals at night. In the morning the first rays of the sun begin to warm the lotus. This is the trigger for the lotus to open its petals. It takes a long time, many minutes for the warmth to build up enough for the first layer of petals to open. Once the outermost petals are opened, the warmth of the sun can shine on the next layer of petals, and after a few moments of uninterrupted light they too open up. This allows the next layer to receive warmth the warmth and soon it opens up in turn. A thousand-petaled lotus requires a very strong sun sustained for a very long time to open every petal and reveal the famed jewel at its heart.

 In satipaṭṭhāna, the thousand-petaled lotus is a simile for this body-mind, that is, “you” – or whatever you like to call that which is sitting somewhere right now reading this page. The sun is a simile for mindfulness. You have to sustain power-mindfulness for a very long time on this body-mind to allow the innermost petals to open up. If the five hindrances are there, no insight happens, just as when there are clouds or mist, the sun cannot warm the lotus.

[Editor’s note: Here the author reviews the five hindrances, “obstacles that you will  meet  in  your  meditation  and  that  you  should  learn  to  overcome.” Key in: The Five Hindrances in the search box in the WordPress app. Then: The Second Hindrance, etc.] These  obstacles  to  deep meditation  are  called  in  the  Pāli  language  nīvarana.  Literally  that  means  “closing  a  door”  or “obstructing  entering  into  something,”  and  this  is  exactly  what  the  hindrances  do.  They  stop  you from entering into the deep absorption states, jhānas. They also obstruct or weaken wisdom and strengthen delusion.

These are the five hindrances in the usual order in which the Buddha lists them:

1. sensory desire (kāmma-cchanda)

2. ill will (vyāpāda)

3. sloth and torpor (thinā-middhā)

4. restlessness and remorse (udhaccha-kukkccha)

5. doubt (vicikiccā)

Basically, these five hindrances stand between you and enlightenment. When you know them, you have a good chance of overcoming them. If you have not achieved the jhānas yet, it means you have not fully understood these five hindrances. If you have gotten into such deep states, then you have overcome the hindrances. It’s as simple as that.

The Five Hindrances

1. sensory desire kāmma-cchanda – the compound kāmma-cchanda means ‘delight, interest, involvement with the world of the five senses. At the start of your meditation, place the mind beyond the reach of the five senses by returning to present-moment awareness [chapter 1, stage one, print copy, page 7]. Most if not all of our past and future is occupied with the affairs of the five senses. Through achieving present-moment awareness we cut off most of the kāmma-cchanda. [see also: silent present-moment awareness – stage two, print copy, page 11]

Continued next week, Friday 28th January 2022, with the review of the five hindrances

The last Three Steps

The Fourteenth Step: Reflecting on Fading Away of Things.

POSTCARD#454: If reflections on anicca fail to work, there is virāga, the fading away of things—sometimes called dispassion. It has this dual meaning, but I usually prefer the meaning “fading away.” This is when things just disappear. You’ve seen many things disappear when you enter jhāna—some of which were so close to you that you assumed that they were an essential part of your identity. They are all gone in jhāna. You’re experiencing the fading away of your self.

The Fifteenth Step: Reflecting on Cessation

The third reflection after emerging from a jhāna should be on nirodha, or cessation. Something that was once there has now completely disappeared. It has ended, gone, and its place is now empty! Such emptiness can be known only in deep meditation. So much of the universe that you thought was essential has ceased, and you’re in a completely different space. Cessation is also the third noble truth. The end of suffering is called cessation. The cause of that cessation is letting go. You’ve actually let go. Dukkha, suffering, has ended—most of it anyway, 99 percent. And what’s left? What’s the opposite of dukkha? Sukha. The ending of suffering is happiness. That’s why you should reflect that these jhānas are the most blissful experience you’ve ever felt in your existence. And if you’ve got a little bit of wisdom or intelligence, you will see that the bliss arises because so much dukkha has ceased.

You experience happiness and you know the cause. Imagine that you had a migraine headache for many, many months and someone gave you a new medicine that had just been invented, saying it works for some but not for everybody. So you take it and find that it works for you. Your migraine has gone! How would you feel? You’d be high as a kite. You’d be blissed out! Sometimes you’d be crying with happiness. The ending of pain is happiness. Why is it that schoolchildren feel so happy when they finish their end-of-year school exams? It is because a lot of suffering has just ended. So often, the happiness in the world is just a measure of how much suffering preceded it. When you finally pay off the mortgage on your house, you feel so happy; all the pain of working for months and years to pay it off is gone.

The Sixteenth Step: Reflecting on Letting Go, Abandoning

The last of the reflections in the Ānāpānasati Sutta is on this beautiful word paṭinissagga, “letting go, abandoning.” In this context paṭinissagga is giving away not what’s “out there” but what’s “in here.” Many times people regard Buddhism as being unworldly, giving away what’s out there. But paṭinissagga is the letting go of the inner world, the letting go of the doer and even the knower. If you look very carefully, you’ll see that what has been happening in jhāna is not only letting go of the external world but also letting go of the internal world, especially letting go of the doer, the will, the controller. This insight gives rise to so much happiness, so much purity, so much freedom, so much bliss. You’ve found the path to the ending of suffering. That is how the Buddha described ānāpānasati. It’s a complete practice that starts with just sitting down in a quiet place, on a comfortable seat, mindful of what’s in front of you and just watching the breath. Step by step—in steps that you know are within your ability—you reach these profound and blissful states called jhāna. When you emerge from them, you have any one of these four things to contemplate: anicca, the impermanence or uncertainty of things; virāga, the fading away of things; nirodha, cessation of self; and paṭinissagga, letting go of all that’s “in here.” And if you reflect upon those things after the experience of jhāna, then something is going to happen. I often say that jhāna is the gunpowder and reflection is the match. If you put the two together, then there’s going to be a bang somewhere. It’s only a matter of time.

 May you all experience those beautiful bangs called enlightenment!

The Twelfth and Thirteenth Steps

The Twelfth Step: Freeing the Mind

POSTCARD#453: The twelfth step in ānāpānasati is called vimocayaṁ cittaṁ, “freeing the mind.” Here, you have an experience that you might describe afterward in two different ways, depending upon your perspective. Either you find yourself sinking or diving into the nimitta, or the nimitta with its brilliant light and ecstatic feeling completely envelops you. You don’t do this. It just happens as the natural result of letting go of all doing.

You enter the jhāna through liberating the mind. The jhānas, the Buddha said, are stages of freedom (vimokkha) (DN 15,35). Vimokkha is the same word used to describe someone who is released from jail and walks free. You may know it from the Sanskrit moksha which has the same meaning. The mind is now free. That is, free from the body and the five senses. I’m not saying the mind is floating somewhere in an out-of-body experience. You are not located in space anymore, because all experiences of space are dependent on the five senses. Here the mind is free from all of that. You’re not at all sensitive to what’s happening with the body. You’re unable to hear anything, unable to say anything. You’re blissed out yet fully mindful, still, stable as a rock. These are signs of the mind being freed. This experience becomes one of the most powerful, if not the most powerful experience, of your life.

If you get a few of these jhānas, you usually want to become a monk or a nun. The world will have less attraction for you. Relationships, the arts, music and movies, sex, fame, wealth, and so on all seem so unimportant and unattractive when compared to jhānas and the bliss of the freed mind. But there is much more than just the bliss. There is also the philosophical profundity of the experience. When you’ve spent hours in a jhāna, you can call yourself a mystic, if you like. You’ve had an experience that in all religious traditions is called a mystical experience—something far from the ordinary. The Buddha called it uttari-manussa-dhamma (MN 31,10), something that surpasses ordinary human experience. He called it the mind “gone to greatness” (mahā-ggata). He also considered the happiness of jhāna so similar to enlightenment happiness that he named it sambodhi sukha (MN 66,21). It’s a place where defilements cannot reach. So this is where Māra—the Buddhist devil—cannot reach you. You’re awakened and free during this time.

So if you develop these stages, the first twelve steps of ānāpānasati, they will lead you into jhāna.

Emerging from a Jhāna

The last four steps in the Ānāpānasati Sutta relate to the meditator who has just emerged from a jhāna. After you emerge from your first experience of jhāna you can’t help but think, “Wow, what was that?” So the first thing you should do is review the jhāna. Investigate that experience, though you will struggle to give it words. Ask yourself, How did it arise? What special thing did I do? What did it feel like in jhāna? Why did it feel like that? How do I feel now? Why is it so blissful? All these reflections will give rise to deep insight.

You’ll find that the best two words to describe why jhāna happened are “letting go.” You’ve really let go for the first time. Not letting go of what you’re attached to, but letting go of the thing doing the attaching. You’ve let go of the doer. You’ve let go of the self. It’s a difficult thing for the self to let go of the self, but through these methodical stages you’ve actually done it. And it’s bliss.

So, having reflected on the experience, you either take up satipaṭṭhāna (the focuses of mindfulness) or just go directly to the last four stages of ānāpānasati.

The Thirteenth Step: Reflecting on Impermanence

The first reflection is on anicca, usually translated as impermanence but meaning much more than this. Its opposite, nicca, is the Pāli word used to describe a thing that is regular or constant. For instance, in the Vinaya a regular supply of alms food, say from a disciple who brings food to a monastery every Tuesday, is called nicca food (Vin II,4,4,6). When that which was once constant stops, that’s anicca. What’s important to reflect upon after the deep experiences of meditation is that there was something that was so constant that you never noticed it—this thing we call a “self.” In jhāna, it disappeared! Notice that. Noticing it will convince you of the truth of no-self (anattā) so deeply that it’s very likely to give rise to the experience of stream winning.

Continued next week: 14 January 2022

The Tenth and Eleventh steps

Book Link- Mindfulness, Bliss, and Beyond: A Meditator’s Handbook, by Ajahn Brahm

POSTCARD#452: Bangkok: Best Wishes to our readers for the New Year 2022. A page marker in a text going all the way back through time, half seen and distant. Sometimes I feel a deep part of me responds to the pre-language mystery then, the ceremony in the community and the stars and phases of the moon.

Continuing with our text: Mindfulness, Bliss, and Beyond: A Meditator’s Handbook, by Ajahn Brahm. Click on the link to get through to the Amazon page where you can buy the book, also a pdf version is available.

The Tenth Step: Shining the Nimitta

Two flaws of the nimitta may hinder further progress: the nimitta appears too dull, and the nimitta is unstable. To address these two common problems, the Buddha taught the tenth and eleventh steps of ānāpānasati: shining the nimitta and sustaining the nimitta. “Shining” is my expression for the Pāli term abhippamodayaṁ cittaṁ, literally, “giving joy to the mind.” The more joy there is in the mind, the more brilliant shines the nimitta. To enter jhāna, the nimitta has to be the most brilliant thing that you have ever seen, and of unearthly beauty.

Let’s look at why the nimitta can appear dull or even dirty. It is very instructive to recall that the nimitta is just a reflection of your mind. If the nimitta is dull, it means that your mind is dull. If the nimitta is dirty, then it means that your mind is defiled. There is no possibility for dishonesty or denial here, for you are face-to-face with the truth of your mind state.

It is here that the importance of sīla (moral conduct) becomes apparent. If the mind is defiled due to impure action, speech, or thought, then the nimitta, if it appears at all, will be dull and stained. If that is your experience, then spend some effort purifying your conduct beyond the meditation cushion. Keep the precepts faultlessly. Check your speech. The Buddha said that without first purifying sīla, it is impossible to purify samādhi (AN VII,61).

Generous, compassionate people with strong faith have what is commonly called a “pure heart.” From my experience teaching meditation, it is a general rule that such pure-hearted meditators are the ones who experience the bright nimittas. So in addition to keeping your precepts spotless, develop what is known as the pure heart.

However, sometimes even good-hearted people experience dull nimittas. Usually this is because their mental energy is low, maybe due to ill health or overwork. A skillful means of avoiding this problem is to spend some meditation periods developing the inspirational meditations, such as the reflections on the Buddha, the Dhamma, and the Sangha. These should be contemplated until the mind becomes suffused with joy. Alternatively, if you are a very charitable sort of person, you could reflect on your past generosity and inspire yourself that way. The Buddha called this cāga-anussati. Or you can spend some time on mettā. Once the mental energy is raised to a level of joyful brightness, then you can return to ānāpānasati. Thus far, I have talked about techniques to shine up the nimitta before you even start ānāpānasati. They are, in fact, the most effective techniques. However, when a nimitta has arisen during meditation but appears dull, there are four ways of proceeding:

Focus on the center of the nimitta. Even in a dull nimitta, the center is brighter than the periphery. By gently suggesting to yourself to look at the center of the nimitta, the central brightness expands. Then focus on the center of that, and that is brighter still. By going to the center, then the center of the center, and so on, the dull nimitta soon becomes incredibly bright and often continues “exploding” in luminosity all the way into jhāna

Sharpen the attention in the present moment. Even though present-moment awareness was part of the preliminaries to ānāpānasati, it often happens that by this stage the attention is “smeared” around the present moment. Personally, I often find that a gentle reminder to focus more sharply in the present moment brightens the mindfulness and shines up the nimitta, abolishing any dullness.

Smile at the nimitta.

Remember that the nimitta is a reflection of your mind. So if the mind smiles, then the nimitta smiles back! It brightens. It may be that a residue of ill will (the second hindrance) is keeping the nimitta dull. Smiling is both gentle and powerful enough to overcome this subtle form of the hindrance. If you do not understand what I mean by smiling at the nimitta, go and look at yourself in a mirror, smile, and then take the mental part of that activity and repeat it in front of the nimitta.

Return to the beautiful breath.

Sometimes it is simply too early to go to the nimitta, and it is better to exert a gentle determination to remain with the beautiful breath a bit longer. Even if the nimitta comes up, when it is dull ignore it and return to the mental experience of the breath. Often when I do this, after a short time the nimitta comes up again a little brighter. I ignore it again. It keeps coming up brighter and brighter, but I keep on ignoring it until a really gorgeous nimitta appears. Then I don’t ignore it!

So these are the ways to “shine” the nimitta, polishing it, as it were, until it is brilliant, beautiful, and radiant.

The Eleventh Step: Sustaining the Nimitta

The second of the two flaws of the nimitta that hinder a deepening of the meditation experience is instability of the nimitta. It does not stay still but quickly disappears. In order to deal with this problem, the Buddha taught the eleventh step of ānāpānasati, samādahaṁ cittaṁ, literally “attentively stilling the mind” and here meaning “sustaining the attention on the nimitta.”

It is common that the first few times a nimitta appears, it flashes up for a short time and then disappears, or else it moves around in the mental field of vision. It is unstable. Usually, the bright, powerful nimittas remain longer than the dull, weak ones, which is why the Buddha taught the step of shining the nimitta before the step of sustaining the nimitta. Sometimes shining the nimitta is enough to sustain it—the nimitta becomes so beautifully radiant that it grabs the attention for long periods of time. However, even a brilliant nimitta can be unstable, so there are methods to sustain attention on the nimitta.

The insight that helped me to sustain the nimitta was the realization that the nimitta that I was seeing in my mind was just a reflection of the knower, the one watching. If the knower moved, so did its reflection, the nimitta. Like staring at your image in front of a mirror, if you move then so does the image. So long as you are moving, it is a waste of time trying to keep the image still just by holding the mirror still. It doesn’t work. Instead focus on the knower, that one who is experiencing this, and calm that into stillness. Then the image of this knower, the nimitta, will stabilize and appear motionless, gloriously constant.

Once again, it is usually fear or excitement that creates the instability. You are reacting too much rather than passively observing. Experiencing the nimitta for the first time is like meeting a complete stranger. Often, you are on edge because you do not know who they are or how they might behave. After getting to know them, though, you relax in their company. They are good friends, and you are at ease with them. The overreaction disappears.

Or it is like when as a child you first learned how to ride a bicycle. For the first few rides, you probably gripped the handlebars so tightly that, like me, your knuckles went white. And because I wasn’t relaxed, I kept falling off. I soon discovered, after many cuts and bruises, that the more relaxed I was, the easier it was to keep my balance. In the same way, you soon learn to  stop gripping the nimitta. You relax and discover that the more you ease off controlling, the easier it is to sustain the nimitta.

Another skillful means that I developed to stop controlling was to use the image of driving a car. When a bright nimitta comes up, I give it the keys and say, “You drive from here on.” I give it full trust, complete confidence.

I actually try to visualize my trust and give it over to the bright nimitta. I realize that the last residue of the doer, the control freak, still wants to spoil things. So I use this metaphor to help give up all control. This is the point where I stop. When I stop, the nimitta stops with me.

After sustaining attention on the nimitta a while, it becomes even more brilliant and very powerful. The signs of good nimittas are that they are the most beautiful colors you’ve ever seen in your life. For example, if you see a blue nimitta, the color is no ordinary blue but the deepest, most beautiful, bluest blue you’ve ever known. The good, or should I say “useful,” nimittas are also very stable, almost motionless. When you are experiencing a beautiful stable nimitta, you are on the edge of the world of jhānas, looking in.

Continued next week: January 7th 2022