Category Archives: the ‘now’ moment

bent into shape

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POSTCARD #265: Chiang Mai: I’d decided to use this image for the header thinking the way I cope with my headache is an improvised thing, much like the way this traffic sign has been bent back into shape after something has crashed into it – then as I write this I’m distracted by wind chimes from the balcony of the next-door house, which suddenly play a perfect chord in the air. I slip into wakefulness from the dream of that which I’m held by, and become an extension of the wind-chime’s notes. Horizontal on the bed as if shipwrecked on a sandy beach. Waves rushing in to the shore crash-crash, and the whole thing receding back. Comes rushing in again, crash-crash-crash, becoming a form that shapes into the body of the sea rolling over on its side like a great animal trying to sleep in an enormous bed. Then I realize I’m awake and have to give my whole attention to the headache that lives with me… just looking at it, seeing it as it is.

Wind chimes strike groupings of notes like the random sound of birds in the trees. I’ve been reading about knowledge which is so completely at one with the thing it knows, there is complete understanding, complete absorption into that knowledge. I can understand how that could be – it is of course a description of events, rather than the thing itself. Seems amazing to me, being as far away as I am, living in the world of attachment, the automatic bonding, even with things I dislike; seeing that and learning, by necessity, the strategy of no-avoidance….

I’ve had this headache for long enough to know that how it is right now, is the kind of suffering I can accept and live with for the time being. I can open up to the presence of it, as a form of recognition, accepting it as it is. Just the ‘me,’ being like this, still slightly on-edge, alert for the spikes which appear sometimes – but no, not this time. It becomes an energy accumulating with the in-breath, disintegrating with the long out-breath like the waves at sea breaking on the shore. I can open up to and experience the fact that it’s here, then it’s collapsing again as the out-breath distances it, like a long golf course, or a road winding into a landscape.

Curious, interested, and seeing the headache I experience as the First Noble Truth… just this openness to it. The contemplation is about calm, steadiness and everything else is swept away in a storm of liking, disliking, wanting, not wanting. Remain firmly in that same place as the wave returns and there it is again but I don’t need to hold on to it by hating it, or seeing it as something somehow construed and thought to be ‘bad’. See all of that happening, see it disassembling, falling to pieces; form, feeling, perception, fabrications, consciousness… and the ‘I’ can vanish into the totality of it.

Time to get the headache into the shower and get on with things. Then I’m at my desk, and at some point in the mid-morning, see how it feels, take the meds, then I’m falling back into a world of no pain, stumbling at the wonder of it. The day gets through in a dull fogginess. Sleep, and next morning I wake up with the opportunity to be back in this place of mindfulness again…

“To know yourself as the Being underneath the thinker, the stillness underneath the mental noise, the love and joy underneath the pain, is freedom, salvation, enlightenment.” [Eckhart Tolle]

The sign says: turn left, caution, traffic coming from the right

evening, the even-ing

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POSTCARD #264: Bangkok – Chiang Mai flight: I could begin with the way the inflight experience is sliced up in manageable chunks and swallowed with drinks and gulps of air, which helps the ears adjust to cabin pressure, but the story of all that remains untold, replaced by the ‘impact’ of landing – in a manner of speaking. Time-and-space folds in on itself and suddenly we’re descending towards Chiang Mai… such a short flight. The plane is clearly pointed downwards, I become a little deaf, it feels like being underwater, and no amount of swallowing or holding the nose between thumb and forefinger and blowing of air into sinus cavities seems to clear it. Plane tilts over and makes a left-hand turn. Low sunlight comes in through the cabin windows on the right side and sweeps around the interior of our small space as the aircraft changes direction, circles around and goes further into descent. It’s as if it were in a flying house, spinning around on its axis and ‘we must be somewhere over the rainbow.’

Yawn and ears go ‘pop’. A whole new 3D sound enters…. didn’t realize how cotton-wooly it was before. Near to landing there’s the sound of the hydraulics, out go the flaps, down go the wheels and the earth rises up to meet us; 300 people all facing forwards in the direction of travel, looking out the windows of a structure the size of a building travelling at 200 mph on what could be a collision course with the surface of the planet. For a moment there’s a glimpse of samsara and the great yawning abyss of existential fear; I need something to hold on to, but there isn’t anything that’ll prepare me for such a colossal event. This is the ultimate roller-coaster experience – and… the aircraft’s wheels take the weight, first the one on the left then the other one on the right, and the deep lurch, sink-down/bounce-back – for a moment it feels like we’re going to tip out of balance and disaster looms, but we’re on level ground.

There’s something about this being in a public context, a shared experience, we’re all in this together folks, spectators watching an actual event in our own lives, the collective sense of a letting-go of something tightly held: woooooo! The perception of Self is relinquished; nobody at home… no identity, just this unattached feeling that couldn’t happen in any other circumstance. A riderless horse, the empty seat… footprints left behind in the place where he was. Symbols of the Buddha before the Greeks created the Buddha likeness we know today.

Awareness of breathing, deeply in and all the way out, like a huge sigh. Watch the breath enter the body again and go through the whole awakened experience. Knowing, consciousness, clarity and the mind settles into the quiet space of no thinking.

Out of the plane and following the exit signs. We’re all just seeing ‘the seeing of it’ as TV monitors here and there tell us stories built upon stories, swirling around events that otherwise take place wordlessly. Colorful banners pasted on every available space with words and images that’ll get our attention and Mind takes over, creates the story of ‘me’ stepping forward, and me as someone at the receiving end. Who’s that mirrored in the glass wall? There, again, stepping out with luggage on wheels, rolling along happily? Subject/object duality locks into place.

The story is everywhere, all around the departure gates and small cafeteria, episodes of it heard in the corridor with the sound of somebody else’s cabin luggage wheels going ‘click-click’ and the clatter of feet. Excerpts of the story overheard in the bar, acoustics muffled by a floor carpet. We’re always only part the way through whatever story it is before another starts up.

Beginnings, middles, and endings of short stories noted while waiting in the cash desk queue at Boots chemist. Stories using words I don’t understand in Chinese, Korean, Russian and a whole world of other languages speaking in stories.

Then I’m waiting in a seat by the exit, with my receipt to give to my taxi driver, just watching the breath and seeing the darkness of afternoon become evening; the even-ing, the smoothening out of wrinkles on a silk sheet stretched over the ironing table. Flat horizon line over an endless sea, the laying-out, as darkness sweeps over us.

Complied with excerpts of a previous post. Photo by Jiab in the south of Thailand

the forever turning

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POSTCARD #263: New Delhi: House agent came to the door, saying they are going to demolish the building, and when would be a good time for the architect to come to see the house – it was said like how we decide to delete a message on the phone. We knew about the plan and are prepared, but the emphatic bluntness of it…  what’s gone is gone, the forever turning wheel. “Don’t let the sun go down on me.” My world is tipping over, mind driven by some kind of energy, a curiosity and desire to get involved with it. Words come out grouped in chunks, searching for a connection as if they had a volition of their own.

The characteristic mind reaction when confronted with an immutable truth; when I understood that my PHN headache is a permanent condition. As Jude says, the mind is creative no matter what the stimuli. Imagination let loose like a racehorse, goes careering off then is yanked back unwillingly and all kinds of fearful things arise, created by the struggle. How to have mindfulness so I can catch that creative awareness before I get hijacked by how bad it seems.

World-wide monitoring of events, immediate media coverage, on the spot reporting in a here-and-now performance starring ‘he’ who is about to be demolished: boom, crash, bang! It’s finished before it began, the whole scene gets folded into itself and packed away, gone – like it never happened, no evidence remains. Grab the bags and let’s get out of here. ‘I’ become ‘him’ over there, third person singular, object pronoun, making an escape out the window before the walls cave in. Away in the car through a swirling cloud of masonry brick dust, and onto the long straight road to the airport.

Check-in for the overnight flight to Bangkok and the day after tomorrow I go to see the lady doc down-town in the white room (link to: Finding The Way Out), to discuss, again, the possibility of an electrical zap to the nerve and that’ll be the end of my constant headaches. Comparison with the stand-off in the Korean peninsula… I’d like it if the whole thing could be put on fast-forward so I can get it over and done with, but it hasn’t even started yet. I’m here on the plane and in my mind, are pictures of a house falling down around my ears.

The flight is a directionless experience. Look out the window, total darkness, no sense of moving forward, we could be flying sideways. When I try to think of it, there’s the image of a journey that leads from here to there, the route we take is an elevated highway in the sky, we’re in a long silver night coach with the moon and stars and stewardesses with the drinks trolley. Occasional air turbulence suggests small bumps on an otherwise very smooth road surface – sufficient to tip me over and fall asleep, with not even the sense that we’re going anywhere… just the noise of the engines and hiss of the air.

The present moment is not an absolute. It’s something that we’re [unconsciously] fabricating, and the goal of the practice is to learn how to fabricate it in a new [nirvanic] direction…. The present is here to be used, and the teachings are here to teach us how to use it wisely” [Thanissaro Bhikkhu, “The Use of the Present,” 2016-11-28]

photo by Jiab in the South of Thailand

the way out is the way in

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POSTCARD #262: New Delhi: A papaya tree just seeded itself in our small flower bed. It grew and grew and became a giant among the flowers, created shade in the noon day sun. Glory be to the bird that flew by here one day and the fortuitous dropping of a whole papaya seed which landed in exactly the right place. When the small plant appeared above ground we cleared the weeds away and it grew to a height of 2 meters in a few months. This is the karma of the tree thus far, like one of those random, stumbled-upon truths which appear in awareness when the introspective state of mind is present.

Whatever form it takes, there’s always the return to the human condition and finding a way out of attachment, the Buddha’s Third Noble Truth nirodha, (There Is A Way Out). I was reminded recently the way out is not an escape from the world, it’s a reappraisal of the situation without the attachment factor, the clinging adherence to objects of mind or body. This is what it comes down to, the way out is the way ‘in’, obstructed by the various forms of hunger and thirst in the human organism. The task is to get rid of desire, getting it unpeeled, unstuck and we could spend a lifetime searching for these and knocking them out, one by one – or maybe the whole thing just falls away by itself in an afternoon, and suddenly it’s done.

All that remains then, is equanimity like a vast still ocean mirroring the sky above. Some small event may arise, a puzzle, and one may choose to examine the circumstances of it, resolve the issue and allow it to disappear. For me it was a world of unsolvable tricks, riddles and switcheroos, created by an uncle only five years older than me. A nerd, long before his time. He’d show me a puzzle and conceal the answer so I’d never find it… sometimes dangled a clue like a carrot baits the donkey.

This was in a lonely farmhouse on top of a hill in the middle of nowhere. A riddle wrapped in a mystery inside an enigma*, it was before the days of mobile phones, before even the days of black and white TV. This was so long ago nobody could remember what existed in that place before it. We would have to go there for the school holidays, and I’d then be confronted by this strange cloned uncle, who looked like me, was near enough to be a brother but wasn’t – no, no… definitely not.

Sometimes I would escape from his forever hold on the secret I needed to find, and go for help from my other uncles and aunties there, but they were all his older brothers and sisters, had a fondness for his snarky wit. Yep, enough said.

The years went by and I’d come back from long journeys in the world to visit him sometimes, but he never changed from his middle-of-nowhere mind state. I’d see him age and think that’s what I‘ll look like when I’m his age… expecting to see him change in some way, but he didn’t, right up until the day he passed away… holding the secret to himself.

There was this release when it happened… there is no answer to the puzzle – no answer, no puzzle. It’s got to do with letting go, and everything is seen. It can’t be hidden, nothing can, concealment is not possible in the middle of nowhere because in the middle of nowhere there’s no concealment. No subject, no object… nothing there at all.

“Feel nothing, know nothing, do nothing, have nothing, give up all to God, and say utterly, ‘Thy will be done.’ We only dream this bondage. Wake up and let it go.” [Swami Vivekananda]

Gratitude to Val for her comment: ‘the way out is the way in’
“A riddle wrapped in a mystery inside an enigma.” Winston Churchill

the look of flowers

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POSTCARD #261: New Delhi: looking at Facebook pics of my niece M aged 13, in New Zealand, reminds me of how it was when I was her age; studied many things in school but never learned (or escaped from learning) what lay beneath the overlay of becoming some ‘body’ – a person with a job, an identity and this is ‘me’ how are you?

Intuition told me it wasn’t the whole story. Living a lie, I must have thought. Nobody taught us about the art of living (or maybe I wasn’t listening), somehow missed the bit about being at peace with the sense of I-am-ness, only that jittery feeling of physicality, and living on the edge. Mind searching for motivation in situations that offer comfort, gratification in pleasure, gratification in displeasure too, justified raging and things out of control, everything thrown to the wind.

Stumbling and crashing through the successes and failures of many lives, and coming to India more than thirty years ago – there to be suddenly awakened to The Whole Thing. So much can be said about that, but now here in New Delhi on a Sunday morning, no traffic noise, just blue sky and birdsong. Flowers seen in a passing eyebeam with that look of being looked at.

Then, ‘regret’ arrives from somewhere thousands of miles from here and in a great expanse in time. It appears in the form of a small boy, bowed head, scruffy uniform, string showing at the collar, latch-door key kid. Headmaster in a huge voice says, ‘you have to think about what you’re doing before you do it, okay?’ Small boy nods, says some words of respect, and shuffles out of the room. Headmaster was talking about mindfulness decades before it came to be what it is today – for me, it was something intuitively know but still unlearned.

In a split second I see that moment there and then encapsulated in the here and now of present time. The boy in a state of anxious urgency every day, no real home, slightly unstable and the struggle to get it right without anyone to reassure him that yes, you can use intuitive guesswork even if you have nothing to go on. The built-in reasoning of mind in these circumstances is enough. So I’m the adult here, now playing the part of headmaster, saying, ‘yes kiddo, you’re right, and it’s allright, you can do that, no problem!’

Even now when I see the English word ‘ignorance’ translated from the Pali word ‘avidya’, it brings a slight twinge of anxiety of school days, built-in conditioning and authoritarian adults. Then, reaching out to that kid with the burden of failure, standing before the Headmaster, I can correct the thought enslavement of ignorance, because it’s not that. You need to have the context of stability, look at this state of not knowing, and being as open as you can to it, see that it’s not not-knowing, it’s ‘knowing’. Then it becomes the Pali word ‘vidya’ The seed of knowing planted deep in the ground of what is not known… the metaphor of the lotus rising from the mud.

Looking through M’s photos of her in New Zealand, being who she is, and for me it’s surprising to see it’s as easy as that. Thus stepping into my own timeline to make these corrections so that everything unfolding from there and then to here and now is free of obstructions – gone is the dark fear experienced by the schoolboy and in its place is the light of knowing.

“And the bird called, in response to the unheard music hidden in the shrubbery, and the unseen eyebeam crossed, for the roses had the look of flowers that are looked at.” T. S. Elliot, The Four Quartets

Photo: sunflowers in our garden. I took the photo not expecting to see the bee in the flower head!

fighting a war with myself

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POSTCARD #260: New Delhi: I’m now upstairs for most of the day, the art room is a catastrophe of pieces of masking tape, cut tracing paper flying around and skittering across the floor in gusts of air from ceiling fan. Stuff everywhere, hardened acrylic paint mixings on my palettes and smeared on the table. The cleaning lady gives me bad looks, can’t understand why I’m doing this – it’s got to do with the social hierarchy here; dirty work done by people whose job it is to do that. The logic is if I do it, those workers don’t have a job, no work, no money, starvation. But anyway, foreigners break all the rules, clean up their dirty floors themselves, say sorry, please and thank you very much, so often it loses all meaning.

I find her disapproval on cleaning day intimidating. Art has no meaning, defeated by the perfumed smell of cleaning agents which amplify my headache and I can’t do anything till the next day. After that, all effort with the canvas self-destructs over and over… I don’t know where I am these days, thought dwelling in the darkness; the impact of 59 cruise missiles, shot to pieces, fighting a war with myself, heat and concrete dust from demolished buildings.

‘How to escape from the horror of Trump?’ A question without an answer. Repeated on loop cycle until it becomes an enslavement. A passive allowing locked into place. Escapees become the fringe, hunted down, arrest on sight. But no, it’s not over yet. I have Russian TV (RT) and Arabic, Al Jazeera TV in English, also the French and Chinese TV channels in English. RT says specifically that it wasn’t Assad who dropped the first bomb, it was the ‘rebels’ who planted the chemicals to draw fire from Trump – or maybe it was all staged by the unseen roots the West have everywhere… everything is fiction.

And although Putin is what he is, I have to respect him for holding back from the obvious reaction when US and UK ambassadors came with their untruths to the UN Security Council. Weapons of Mass Distraction, their baited untruths – two of them, one placed on top of the other so it appears to justify itself. A simple trick, we fell for it before – their long term goal is a kind of colonization of the world, but not this time around. We see through the facade…

There are birds in the early mornings here. As the day begins, heat rises and it gets quiet… chirrups in the trees from time to time. Sometimes the artwork I’m staring at suddenly is seen. Is what it is, and I wake up to that… is that what I thought it was? I get so totally lost in it sometimes, pondering possibilities, forget to wake up. Large areas of it have to be painted over to allow for the new direction it’s taking. Constantly refining and refining. I’m inside the Mystery, working the canvas with mixed-up acrylic on palettes, hardened and lumpy, like landscapes and mountains seen from the air. Small pieces of cut tracing paper race across the floor in gusts of air from the ceiling fan…

“It’s all dry land to the shipwrecked…” [Jac Forsyth]

 

renewal

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POSTCARD #259: New Delhi: Humbling to think Easter is all marshmallow bunnies and chocolate eggs in the North when, for the ancients, it was a time endowed with meaning. Sometimes I feel a deep part of me responds to this pre-language mystery of the stars and phases of the moon. A Buddhist interpretation of Easter could be Suffering and the End of suffering. An emergence into new life, perhaps. The festival occupies the place where the Pagan goddess Ēastre used to be, and the Spring Equinox predates everything.

According to ancient Maori tradition in the Southern hemisphere, the first new moon after the rise of Matariki star cluster Pleaides, signals the start of the Maori New Year (I know this because my Thai niece M is there on a 7 week English program). Easter is the Thai New Year, Songkran, and in every other culture in the world the Spring festival is a time of change and renewal. The Frangipani tree in our small garden begins to blossom (image above), a sign the winter cold and darkness in North India is at an end.

And on a darker note, because this is our reality, President Trump’s monstrous bomb on Afghanistan, the day before Good Friday says something about the assertive Western world. We don’t know, of course, if it was the intention but the darkness of Good Friday coming towards light on Easter Monday, fits with the parody of Trump’s actions these last few days… posturing before the eyes of the world as superhero, stirring up the fundamentalist sense of retribution.

Is it the intention to have the Churches in North America, over this Easter weekend, include this as part of the imagery preceding the Christian awakening? Or maybe it’s intended to have the Islamic world see it that way. Darkness with no sign of light…

“I’d be glad of a retaliation that wouldn’t recoil on myself; but treachery and violence are spears pointed at both ends: they wound those who resort to them, worse than their enemies.” [Emily Brontë, Wuthering Heights]

holo

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POSTCARD #258: New Delhi: I perceive the world as a solid tangible thing, I see, hear, smell, taste, touch and in the mind’s eye I believe this to be so. But it’s a hologram – outer and inner, subject/object split as One; all of it is holographic. Therefore, the planet Earth seen from outer space, shining with color, is holographic. If that is so, all neighboring worlds, seen to be dead planets, could be teeming with life and we can’t see it because our sensory mechanisms are not compatible with their operating system, so to speak. In the same way, those other world populations are seeing their holographic extension of themselves, and can’t see our world for the same reason.

An idea for an SF story… the way it is, so clear to me now, waking up after a short snooze on the sofa and the headache almost gone. Birds twittering in the trees outside, they react to the drop in temperature as the heat of the day turns towards cool. Let’s see, it must be around 4 pm, raise the remains of my headache up from the sofa, legs over the side and stand up, feet into slippers: flip, flop, flip… over to the window and look out.

Trees standing around here and there, pointing at the sky and contemplating the situation: if a tree falls in the middle of nowhere, it makes no sound – it’s nowhere so, nobody’s there to hear it. But if you split the word into two parts: ‘now’ and ‘here’, somebody’ll hear the sound of it, because it is ‘now here’, and that’s a time/space location in the hologram which makes it real in this context. You could say, because this is so, I am. You are. We are ‘here’ in our world and out there is just ‘out there’, the abstract realm where: you are what you is, and you is what you am…[Frank Zappa].

There was a time when I wasn’t here, not born yet. The world just going on without that person called ‘me’ in it – there’s an anonymity about this that’s quite liberating. The day before I was born, everything was just going on, birds twittering in the trees as they are doing now, and all the other random events taking place as I was birthed. And all those I was to be connected with, one way or another, arrived from what I’d call the past, dissolving into circumstances of present time as it falls away into the future, encapsulated in the timeless moment we are in, always. Nothing out of place, as I see it now, and here at the open window on the second floor of the house where the treetops are level with the window and higher… birds twittering more and more, as the day turns towards evening.

“The universe lies before you on the floor, in the air, in the mysterious bodies of your dancers, in your mind. From this voyage no one returns poor or weary.” [Agnes de Mille]

Photo source

 

a story to be told

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POSTCARD #257: New Delhi temp: 38° Centigrade (100.4° Fahrenheit): Too hot to be out in the middle of the day, stay indoors, everything is internalized, giving way to the illusion. Lucky to have this comfortably cool room – two ceiling fans spinning in the half darkness of noon-day filtered light. This old house was nicely designed; corridor goes around three sides of the room with large window at the front, looking through the corridor space, out through a second window to the garden – and same at the back.

Enclosed in a room inside a room, lost to the ‘real’ world, we choose the window of Netflix – a story to be told about me and the Netflix illusion getting to know each other here in Asia, where I’ve been resident for 30 years, a Scot married to Jiab who is Thai. I’m distanced from the Western cultural model, a part of my past surgically removed, and all immigrants will know how that feels. Nowadays, the best audio, video devices have made it here to this part of the world and raised to a level equal to, or higher (some would say), than the Western model. So I bought myself a large, flat-screen TV, and stepped into sound and color.

Getting emotional, just listening to the sound of Western voices conversing in the mother tongue – the familiarity of it quite strange. Sudden recall of whole pieces of my life, forgotten until that moment. I’d get quite tearful about just seeing the streets, the traffic, and the easy pleasantness of it. The pace and the way things move along, created for TV by the director and advisors from the political realm, those unseen, propping up the Western model of the world as they see it.

How wonderful to have all these generous close-ups of immaculate faces, portraits, talking heads, good-looking news anchors in Breaking News. Ordinary faces are extraordinary on TV shows, super-ordinary, the face is an act in itself, head swings, facial gestures, lovable laughter and dentistry, cosmetics, lighting – more than enough, and all these nice interiors, a gallery of created spaces with artwork on the walls. Everything looks better when it’s framed, presented with image enhancement, studio lighting… my room as a selfie! Smile please! Take another one, smile click.

I’m falling in love with it more and more each day but I’m also somewhere in a story of the past in a black-and-white world, sad shades of grey. The irretrievably lost, a la recherché du temps perdu. A part of me died while I was away, I’m back there now just in time for the funeral, and relatives I’d forgotten about, greying and smaller than I remembered, look at me as if I were a ghost. I am a ghost, an actor in a movie, playing a part so well the audience believe it’s real. About this, unknowingly we accept, and to an extent engage with. The skill of the illusionists, the politicians, or anyone with the gift of the gab, convincingly dressed for the part, standing against a nice backdrop and there you are.

The story I’m in is different from but similar to those of migrant populations from Europe who came to the US with their belongings and heritage of things past. I went in the opposite direction, back to the places all those young and able-bodied left behind. Similar in the sense that now they’re hidden in the background, like me, off-stage or behind the scene. But theirs was a story of hardship and endowed with the sharp intelligence of living on the edge. The great great grandmothers and great great grandfathers of today’s success stories in the West, you could say. In two generations the memory of the old world is completely gone, death is a vanishing trick.

Today’s refugees and migrant workers are waiting in the wings, with their own stumbling through a colonial and demolished past, singing their songs about forgotten things out of time and place. Ready for the next re-build… another story to be told.

Photo: Siam Paragon Mall in Bangkok the day it opened, December 9, 2005. I walked into a glass wall, split an eyebrow and there was a lot of blood. Not serious but it looked bad and, uncharacteristic of the Thais, no one came forward to help. I had to find my own way out of the place, clean up in a washroom and get a taxi home.

unfathomable and vast

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POSTCARD #256: New Delhi: No memory now of the journey, the three-legged hop from Chiang Mai, Bangkok to Delhi. Nor the specific sense of that wormhole spiraling through space-time, large enough but no bigger than my body size, songs of the mind, and belongings – things we cling to/ clings we thing to. The urgency of speed, an immense engine sound deafened, hidden, obscured and bubble-like enclosure built over it, designed with the dynamics of flight … the same plane flying to and from the same route all of its working life, and the ‘to’ becomes the ‘from’… no end, no beginning. Maintenance crews service the parts whenever it lands – both ends of the journey. From the engines’ point of view, everything is stationary. It’s the world that moves.

Arriving at the Delhi house then, with ears sucked out and everything familiar yet creepy, the coldness of known objects that’ve been unheld for all this time. And dropping stuff here and there, releasing context plug-ins from the journey. Freed from having to have everything to show officials, and always in the background searching: where’s my passport ‘now’? Biro pen to fill in Landing Form, boarding pass with some words written on the back. Crumpled up tissues, a wrapper, and bits and pieces from the journey. Checked-in bag dropped, remains where it is, wide open like the mouth of an opera singer reaching the high note: laaaaa. Contents of pockets’ fly out, liberated, what it’s got in its pocketses, wallet opens, low value currency bills and little old folded notes from a former life, which always seem to be there.

Body expanding, filling out to normal size, and so I go up the three flights, to the top where the steps become narrow and steep, and the stiff old door is reached. Teetering on the topmost step, just enough space to negotiate this particular door lock from some time in history, which opens by means of a remembered turn-key and shoulder-shove. Thus propelled on to the roof, I jailbreak the house and everything out here is pink. Birds quietly watching the sun go down.

I remember now, it’s the crows that perch on the highest branches, and as far as the eye can see all around this massive landmass, broad enough for every imaginable thing, encompasses all kinds of ways of being. I’m expanding and stretching out from the cramped confines of small states of mind, in countries like Thailand, Japan, UK, Switzerland where they believe things come to an end. Pink sky at the end of daylight… unfathomable and vast.

“Beyond the mind there is no such thing as experience. Experience is a dual state. You cannot talk of reality as an experience. Once this is understood, you will no longer look for being and becoming as separate and opposite. In reality they are one and inseparable like roots and branches of the same tree. Both can exist only in the light of consciousness, which again, arises in the wake of the sense ‘I am’. This is the primary fact. If you miss it, you miss all.” [Sri Nisargadatta Maharaj]