melodic intervals

Posted on May 29, 2014 by tiramit

POSTCARD#69: Chiang Mai: Tuktuk gets stuck in traffic, comes to a stop, driver brakes and switches off. The large sound of the 2-stroke engine is gone with the flick of a switch. Suddenly it’s quiet, only metallic creaks and random traffic noises. The outside world enters my space – inner merged with outer – no walls, just a canvas roof supported by metal poles bolted to an engine with wheels and a seat. It’s like camping when we were kids, inside a tent, domestic activities in the open-air. Gentle winds blowing through, reflected heat from other vehicles and the slightly surprising presence of tarmac. City infrastructure – experiencing it for the first time… the world has always been here, I’ve just been busy with the concept of it and didn’t notice.

I hear my phone and search for it in the bag… listening, but it’s not mine, ringtone is totally different. It’s that kind of high frequency awareness I seem to have these days, the melody playing in the sound of air-conditioners, ceiling-fans and anything that whistles and sings. Then I hear this single word, ‘hello?’ coming from somewhere behind me in the column of stationary traffic. I turn to see; it’s a girl sitting on the back of a motorbike, holding a phone to her ear. A conversation begins, quite loud, but I can’t make sense of what she’s saying – not that I’d want to… anyway she’s speaking in Thai, which is difficult enough and also, I notice, she’s eating an ice-cream cone at the same time: “wah ee ah in ai-eem ah” no words, it seems, just incoherent mumbling. So, well I’m vaguely curious about this, thinking how can she expect anybody to know what she’s talking about with a mouthful of ice-cream going at the same time? Her boyfriend (driver of the motorbike) says something to her, and he’s eating an ice-cream too: “oo ap ai ao a-lai ab?” mouth open trying to let the coldness out. Coping with a large bite of ice-cream, he speaks with lips protruding in a singsong, bird-like way, all-vowel articulation – a kind of breathy thing. She replies, and it amazes me… they can understand each other perfectly well.

It’s like the mating dialogue of exotic animals in National Geographic. I listen and realise I can also understand some of what they’re saying (see below). No consonants in Thai, no sharp sounds like /s/ /sh/ /ch/ /t/ /d/ /k/ that require lip, teeth and tongue coordination and thus difficult (impossible) to articulate without an explosion of strawberry vanilla ice-cream from the mouth. The Thai language doesn’t have that problem; it’s mostly vowels, like an arrangement of melodic intervals, five tones: rising, falling, high, low and middle. Listen for the tones and you can always understand what’s being said (if you’re Thai). Words are not spoken, they’re sung. Thai is a tune played on the acoustic wind instrument that is the human vocal tract.

Tuktuk driver (a lady) keys the ignition; other engines start up like the clearing of throats. Gears engage and there’s movement in the column of cars, a kind of careful jostling for space as everybody gets ready to go. Things start to speed up, we’re all moving as one, then spaces open in the traffic. At some point, the motorbike roars up behind me and overtakes – girl on the back, speaking on the phone again, boyfriend in front with ice-cream cone held in his teeth, gives throttle to the machine and they accelerate away…

‘All we know of a thought is the experience of thinking, all we know of a sensation is the experience of sensing, all we know of a sight is the experiencing of seeing, all we know of a sound is the experience of hearing…. And all that is known of thinking, sensing, seeing, hearing, touching, tasting and smelling is the knowing of them. And what is it that knows this knowing? Only something that itself has the capacity to know could know anything. So it is knowing that knows knowing.’ [Rupert Spira]

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Notes on the ice-cream pronunciation: She says: “wah ee ah in ai-eem, ah” (wàt-dee kha gin ai-dtim kha: “hi, [excuse me] I’m eating ice-cream”) สวัสดีค่ะกินไอติมค่ะ And he says: “oo ap ai ao a-lai ab? (pôot gàp krai ao a-rai krab: “who are you talking to, what does he want?”) พูดกับใครเอาอะไรครับ ?

Excerpts included here from an earlier post: castles made of sand

flying away

Posted on May 26, 2014 by tiramit

POSTCARD#68: Phuket: We’re leaving today. Packing the bags takes up most of the early morning and M doesn’t say anything. Very soon we’ll check out, say goodbye to our rooms and never be back. The enigma of the hotel room, a location in time and space inhabited for a short time then it’s gone. Furniture is used; marble floor walked on – years and years of housekeeping staff have swept, swabbed and polished this floor. Such a beautiful thing ignored, M sits with me. Internet connection not good, no iPad – flying away in her mind already. Jumps up and goes over to the thin lace curtain at the window, pulls it around her narrow body, extends a leg and points her toe – looks along and down at how the folds of fabric fall like an exotic gown to the floor, then spins around in a twirl and skips away to somewhere else in the room.

The others are busy packing away bathroom things; nothing remains for me to do here. Sitting in the upholstered chair, see how that feels…. breath enters like a wind gusting in, withdraws. It comes back, blows through then it’s not there again. A great emptiness opens up, I might easily fall into a joyful state and believe that this is “it” but everything changes, anicca, everything changes. It’s about the on-going experiential response – what else could it be about? Skin, muscle, flesh, and these mysterious organs held by ligaments bonded into a skeletal structure. I am the context for the outer content. The whole investigation is one that is open to following where the mind leads, see where it goes, how it reacts. Conscious awareness of how the mind is able to concentrate and to what extent – passageways of insight open in an instant and are gone.

Then later in the breakfast room, M selecting food items from silver dishes, everything done in a dream, eyes glazed over; watching a movie in her head, a story about what’s going on around her. Holding her big white plate so it’s level, places it with mindfulness on the table, descending like a UFO landing. Sits next to me – I feel her presence/absence. She likes the hotel silverware flashing like swords. Takes the large fork and stabs a sausage as if it were trying to escape – that wriggling sausage can’t get away. Begins a vigorous sawing motion with knife held in the right hand, breakfast table moves with the vibration, coffee nearly spills from the cup. Cuts off less than 1/4 inch, lays down knife, fork transferred to the right hand like a weapon in battle… stabs the tiny portion of sausage and the trapped morsel travels up to the mouth. I count more than 20 chewing movements, up/down up/down, masticated beyond belief. She’s lost interest, forgotten about it. A few other nibbles and the rest of it is left untouched.

Wait in the hotel lobby, look at people we don’t know, will never see again, then into the van and away to the airport. Through the crowds, check-in, departure gate, boarding and we’re in our seats. The takeoff sends me to sleep, I have a short dream: gentle voices of friends talking, I hear my name mentioned with loving-kindness… it occurs to me that I’m dead. Wake up suddenly and ask M, beside me, did she say something? No answer, playing with her prince and princess dolls on the fold-down table. Silence, one held in each hand – relationships, a dialogue, events taking place in the mind…

‘The world outside is our consciousness…. It is not something separate and distinct. The object and the subject of perception inter-are. Without subject, there is no object; without object, there is no subject. They manifest at the same time. To see means to see something. The seer does not exist separately from the seen; they manifest at the same time. If you imagine that the seer is independent and goes out in order to see the seen, that is a mistaken perception.’ [Thich Nhat Hanh, “The Buddhist Understanding of Reality”]

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Upper image: Phuket island seen from the Southern viewpoint. Lower image: Chiang Mai seen from the air.

Notes from Ajahn Munindo’s talks included here.

– G R A T I T U D E –

responsibility & mindfulness

Posted on May 22, 2014 by tiramit

POSTCARD#67: Phuket: Hotel room on the third floor, level with the treetops, slide open the patio window and step out on the balcony. Birdsong in the early-dawn light. I sit in one of the outdoor chairs, settle down, and focus on the in-breath/out-breath. Check that there’s a balance in the body, symmetrical position of limbs, feet flat, back straight… and a curious peace in the air; an atmosphere that’s suddenly different from the North – the kind of thing you notice when you come by air, are dropped on the ground and have to figure out a whole set of new feelings, like where am I now and the quality of the air; all kinds of new things. Five minutes of watching the breath with mindfulness, the sun rises and a great flood of things to think about swells up. I’m washed away by it for a while; thought sequences and memories become apparent when they reach the point of “being”. Before that they’re in the uncreated state – arbitrary, disassociated. Things that don’t exist at all, until I observe them. For the first time I’m thinking of the Observer Effect in quantum physics, the experiment showing that when one is observing the movement of electrons it changes their behavior. In Buddhist thought, the ‘observer’ is the self-construct that forms as a result of responses to sensory input via the Five Khandas. Received data is formed according to the mechanisms of the human sensory process – including cognition, a sense like all the others. I see the need, the responsibility of mindfulness…

Sit for a bit more, to see what’s happening and on-going indications that’ll eventually lead to my assessment of what could be the ‘reality’ for the day. There’s a clear recognition that I’ll be able to see ‘it’ in this way, so then there must be all kinds of very powerful entities present who choose to ‘be’ in this World in order to manipulate our perceived reality to fit with their own advantage – to have control. (Then after I’d written this part of the post, the news came that there’s a military coup in Thailand as from 16.30 May 22, 2014.

What now… ah well, there’ll be enforced peace and that’ll allow everyone to investigate the feeling – the unknowing energy of Thaksin followers who might think differently about the consequences of their action in other circumstances. And maybe those who have the influence will have the space they need to see what needs to be done to get it all to work – whatever. The heart of the Thai people is with the King who is at the end of his life… when it happens they will wear black and mourn for a year, un-fillable vacuum… that’s what this is about.)

Light becomes an irreversible fact, sky is unquestionably blue and there on the hill is the Big Buddha of Phuket, พระพุทธมิ่งมงคลเอกเนาคคีรี sitting up there at the highest place on the island. From where I am, it’s seen from the back, looking in the same direction I’m looking – I have to search in Google images to find a good one seen from the front (see below). Limited by what the human sensory mechanisms can do, this is the means at our disposal, you could say, and all the stumbling pitfalls that are part of it… sensory receptors are on the face, the front of the head, no rear-view mirror. All incoming data is received that way, from the front and the ears on the sides – mouth and nose on the front too. Strange how it’s like that, we miss everything that going on behind, unseen. There’s a tendency to turn around, always, to see what’s going on… anybody there? The limitations of being human, see it and switch off the ‘search’ function. Allow things to happen in the way they’re supposed to. It’s what the software does… a prayer would help.

“…not a single particle out “there” exists with real properties until it’s observed… reality is a process that involves consciousness [Robert Lanza]

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Top photo, Bodhi tree at the viewing area in the south of the island. Bottom photo, the Big Buddha of Phuket. Link to source

Note: The Robert Lanza quote is from hipmonkey

round-and-round

Posted on May 17, 2014 by tiramit

POSTCARD#66: Phuket: It was nearly the end of M’s school holiday and she hadn’t had much experience of the ‘beash’ (beach: her mispronunciation of the ch/sh sound). So the three of us decided to take her to the seaside, got on a flight to Phuket, 1 hour 50 minutes from Chiang Mai and some of that time spent speaking in English and making jokes about the ch/sh sound: washing TV (watching TV). I asked her when she’s ‘washing’ TV does she uses BREEZE detergent, is that a good one? Hahaha, etc. No, Toong-Ting, I wash TV with MAGICLEAN because it’s anti-bacterial… (there’s a kind of one-upmanship developing, now she’s past her 10th birthday). Arrived in the early afternoon, lumpy chunks of land rising from the sea, seen from the plane window. Busy airport, flights from all parts of the world arrive and depart, waves roll in from the ocean and drift back out. There’s an Aeroflot jumbo jet arriving at the gate next to ours, direct flight from Moscow, and signs in Russian everywhere in the airport. In the town too, also Russian travel agents, Russian car rentals, Russian laundries, Russian restaurants, and guided tours for Russian tourists with Russian guides – they’re more noticeable than other Caucasians; large human beings who don’t smile at all.

Coming in by bus from the airport to the Centara Hotel at Karon beach (a hotel catering for families with children), M sitting with me in the front seat behind the driver, and she seems unusually quiet – busy with the iPad. I ask her if she’s okay… mm-hmm, (like I’m doing something quite complex, don’t bother me right now). We’re going round and round on these circular roads; signs for the airport keep coming up. The bus driver chatting with Jiab and M’s mum, saying it’s because it’s an island, the GPS brings you around in a circle and all the roads lead back to the point of origin. Nowhere else to go, limited land space, commercial potential of everything examined, evaluated, exploited to within an inch of its life. All to create another crescent shaped beach, same palm trees, same everything.

It was then I noticed there was this slightly dizzy feeling; a lot of up-and-down and around on cliff roads to get nowhere in particular because everywhere in Phuket looks exactly like the place you’ve just arrived from and the same as the place you’re going. And M turns to her mum, says something that mum can’t hear, has to repeat it; I hear it as cha-ooap (cha is a future indicator, ooap means to be sick). The recognition of it comes slowly; I see the driver’s eyes in the rear-view mirror looking at us with alarm… M shouts out cha-ooap! She’s going to be sick – there’s a rush and fumbling among the passengers on the bus to find a plastic bag… shouted instructions on how to hold the bag and how to lean forward. But she wasn’t sick, soon we were in the hotel and everything got back to something resembling familiarity.

Now it all looks pretty exotic here. A lot of Russians and if I look away from the grim expressions, I can really get to appreciate the lovely deep resonant tones of the language. The tsunami of December 26, 2004 was a visiting catastrophe, came and went and the memory of it now is like biblical karma. We don’t like to think of it… gone is gone. Could be we are the only Thai group in the hotel – I’m not Thai but identify more with them than Westerners here, and really amazed at the long story of what has led to this, dependent arising, and the karma that’s brought me into this situation ~ [to be continued]

For the early Buddhists, karma was non-linear and complex… karma acts in multiple feedback loops, with the present moment being shaped both by past and by present actions; present actions shape not only the future but also the present. Furthermore, present actions need not be determined by past actions. In other words, there is free will, although its range is somewhat dictated by the past. The nature of this freedom is symbolized in an image used by the early Buddhists: flowing water. Sometimes the flow from the past is so strong that little can be done except to stand fast, but there are also times when the flow is gentle enough to be diverted in almost any direction. [Thanissaro Bhikkhu]

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Upper photo image, view from the van that took us from the airport

Lower photo image source

‘it’

Posted on May 10, 2014 by tiramit

POSTCARD#65: Chiang Mai: The photo is from the garden of Wat Phra Singh, one of a dozen Buddhist temples in the old city – 700 years of accumulated virtue, focus, and wisdom, means the sense of well-being almost becomes a tangible thing. An improved English translation might be: ‘When there is no beginning there is no end.’ Words, in any language, don’t stretch that far. In Thai it’s expressed better: meua (when) mai mi (don’t have) kanreumton (beginning) kho mai tong (not necessary) kangbon (worry) tung kwam sin sut (the end). No end, no beginning, leave everything in the continuous form of the present moment – ‘it’ never started so it cannot stop – it cannot leave because it never came [Mooji]. No past, no future – only for the simplicity of linear time and getting things in the right order. ‘It’ is simply understood… things are as they are, the on-going investigation of what else is happening in the mind/body organism and the world containing it; all this continues, and finding my way through a lifetime of sensory input is enough – observing the smallest details of conscious awareness.

Saying there is a point of origin, creates a story in the mind: once upon a time… but I can’t be certain what happened before that – the chicken/egg puzzle. A story inside a story (inside a story), the deep memory of many lifetimes spent searching for ‘it’… and the reason for ‘it’. Now I discover if I ask what ‘it’ is, the question leads to the semantically empty ‘it’… as in: ‘it is raining.’ What’s raining? The sky, the clouds? ‘It’ is a ‘dummy’ word broadly signifying a general state of affairs, a name for something that’s not there. It’s what the software does. I can ask the question: what was it like before the story began? In the vast abundance of no ‘self’ anatta, looking at a thing without the identity of it being a thing and getting to be okay with not having to know what’s going on. Language creates identity, issues a photo ID, sign here please and over that it’s stamped with the seal of authority to verify the bearer of this document is who he/she says they are in the identity details created for it.

Then there are other days when the insight into How It Began just suddenly arrives… the entry point is in the context of the here-and-now. A fleeting moment of understanding in present circumstances; a light that illuminates everything. ‘It’ goes without saying… No beginning, no end in the absence of ‘it’.

In the Beginning, there is no beginning,
Only the Solitude of the One.
The One Being, Emptiness, the Void,
Space filled with Ether.
An eternal Hunger resides in the Silence of Space.
Hunger moves, growing, longing to be filled,
Tension becoming agitation, vibration.

Water forms in Ether,
Fire emerges within Water.
All is vibration — pulsating waveforms
born from Hunger in the Solitude, the One.

We are the One enjoying the appearance of Separation.

[V. Susan Ferguson, ‘Voices from the Four Cycles of Time’: Beginnings: Satya (source: hipmonkey)]

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Lower photo: Jiab in the grounds of Wat Phra Singh

the fool

Posted on May 3, 2014 by tiramit

POSTCARD#64: Chiang Mai: I hear a sound outside, a voice, a single-syllable, shouted utterance… somebody’s name maybe. I pay no attention, all kinds of noises of building construction out there; clatter-crash-bang; screaming drills and power tools. Then I hear it again, go to the window and take a look over at the new building rising above the treetops. There’s a man up there on the highest level of the structure calling on somebody. I watch him for a while and take a photo. Enlarge the image as far as it’ll go; he looks like a desperado, an urban guerrilla fighter, but I think it’s the same guy who was wearing the red shirt in another post I wrote [light-headedness]. Something about the posture, he’s just standing there, face covered because of the fierce heat of the sun – incognito, a masked identity, a mystical storyteller, the Fool card in the tarot pack, all his worldly possessions in a bag on his shoulder and so busy with what he’s thinking about, doesn’t know he’s about to fall over. A small dog is barking at his heel – trying to get him to see the danger. Will he tumble to his death from this high place or will he prevail? The presence of the Fool is part of the fiction he creates, it insists on the performance. Please tell us a story – it has to be started before it begins… a story about a story, a song about a song?

Childlike and forever taking things as far as they’ll go, I am a make-believe being acting a part I believe to be ‘me’. Subject to astonishing karma because I’m holding on and mortgaged to the point beyond which mortgages really cannot reach, living on air, out on a limb… what I do is often done under duress: WORK, a sense of urgency, stress and getting kids to/from school with traffic congestion, food buying and one problem after another means I seek gratification in purchasing things: clutter and stuff/stutter and cluff, and the-urge-to-get-rid-of-it-all. A new problem always seems to arrive to take the place of the problem that was there before it, and the endless lack of a solution is tacked on to that… and to the one that comes after that… and after that, until I realise it’s the searching for a solution that causes the problem to arise…

When was it not ever thus?… and all of a sudden I’m free of it, thinking of emptiness, nothingness (as opposed to somethingness) and we’re all of a oneness … everybody’s brother and son, I’m no different than anyone. It ain’t no use a-talking to me, it’s just the same as talking to you [I Shall Be Free – No. 10]. Play the guitar riff from Purple Haze, do the best MoonWalk ever, acting the part so well, the ‘truth’ is revealed completely. There is no difference between the ‘self’ construct and my part in the story – even so, the spectator wants to believe I am the character, not the actor just being myself and simultaneously not myself. The ‘act’ of being alive. It’s just there, a total act, ‘theatre’, illusion, maya and we’re immersed in the story of it all…

‘Our lives suffer from a lack of meaning that disguises itself as consumerism and a host of other addictions. Having lost our spiritual grounding […] we experience our groundlessness as an unbearable lightness of being. The tragic dialectic between security and freedom reasserts itself: having attained some measure of self-determination and confronted the lack at its core, we now crave the grounding that would connect our own aspirations with something greater than ourselves.’ [David Loy, A Buddhist History of the West – source: mindfulbalance.org]

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