OLD NOTEBOOKS : East Anglia, England (originally dated October 8, 2012): 06.00hrs: I’m upstairs in the cottage, sitting at the desk placed in front of the small window looking out at the world. What a strange sight, everything is chocolate brown. The field was ploughed yesterday, I remember now, a man in a red tractor ploughing the earth into neat chocolate furrows, moving by small increments across the field and back, followed by a flock of pale grey seagulls making a tremendous mewing sound. It took him the whole day.
Furrowed chocolate fields forever, like lines drawn in the earth, as you would draw with a pencil on a piece of paper, but on a huge scale; a measurement made across the field. Furrows as neat as a comb passes through hair and it leaves the strands precisely separated from each other. The strange thing is though, it’s done and no evidence of it having taken place remains. Just the mystery of this energy left behind. The field devastated with precise lines marked deep into its surface; an orderly catastrophe.
Events generate their own time, an on-going transformation like clouds in the sky above speeding along in this cold and windy October day; they normally move so slowly you can’t see them moving at all. On a windy day like this they’re tumbling and spinning along, against a layered background of other clouds moving in their own air currents, in their own place in time. A wheeling clockwork of engaging cogs contained in the greater space above me and all around.
It’s as if the sky has become the sea, slow moving but clearly defined ‘waves’ created by a complexity of air currents. The eye/ brain/ visual mechanism, engaged with cloud watching in this way, becomes weary and things come into consciousness in small jerks. The smooth flow of movement is broken up into a speeded up sequence of ‘stills’ that seem to have their own life, unfolding as my consciousness apprehends the ‘knowing’ of it.
I go downstairs, step outside the door to see the sky, and the scale of it blows me away…. It’s immense, over the top of the hill and away in the direction of the coast a few miles away. Then in all directions in a pattern of huge arcs and smaller interlocking wheels of cloud forms reflecting complex wind movements that I can see only part of. There’s a sense of very much more than this and the rest of it is sweeping around, thousands of miles away over the curvature of the earth. Clouds transforming in vast spaces like blossoming flowers speeded up in time-lapse photography.
I go back inside the house and upstairs but the security of this building is not reassuring; I feel like I’m caught in a hurricane, held in freeze-frame motion. When I look out the window again the sky is still up there, doing its thing. The ploughman’s neat lines etched into the earth, row after row stretching as far away as the eye can see. This does not bring stability; there’s a feeling of unease that takes some time to settle. No ‘self’ to make sense of it. A mutuality of awareness in a world that’s not separate from me, but somehow I return to the familiarity of who I am. I have weight… gravity prevents me from flying away.
‘I am what the world is doing here and now. Trying to ground myself in constructed reality is not it. I am not inside my body, looking out at the world outside, so I don’t need to secure myself. Letting go of my self, there is nothing that needs to be made real.’ [David Loy, Linda Goodhew, ‘Consuming Time’]