sky become sea

 

OLD NOTEBOOKS [282]: East Anglia, England (originally dated October 8, 2012): 06.00hrs: I’m upstairs in the cottage, sitting at the desk placed in front of the small window looking out at the world. What a strange sight, everything is chocolate brown. The field was ploughed yesterday, I remember now, a man in a red tractor ploughing the earth into neat chocolate furrows, moving by small increments across the field and back, followed by a flock of pale grey seagulls making a tremendous mewing sound. It took him the whole day.

Furrowed chocolate fields forever, like lines drawn in the earth, as you would draw with a pencil on a piece of paper, but on a huge scale; a measurement made across the field. Furrows as neat as a comb passes through hair and it leaves the strands precisely separated from each other. The strange thing is though, it’s done and no evidence of it having taken place remains. Just the mystery of this energy left behind. The field devastated with precise lines marked deep into its surface; an orderly catastrophe.

Events generate their own time, an on-going transformation like clouds in the sky above speeding along in this cold and windy October day; they normally move so slowly you can’t see them moving at all. On a windy day like this they’re tumbling and spinning along, against a layered background of other clouds moving in their own air currents, in their own place in time. A wheeling clockwork of engaging cogs contained in the greater space above me and all around.

It’s as if the sky has become the sea, slow moving but clearly defined ‘waves’ created by a complexity of air currents. The eye/ brain/ visual mechanism, engaged with cloud watching in this way, becomes weary and things come into consciousness in small jerks. The smooth flow of movement is broken up into a speeded up sequence of ‘stills’ that seem to have their own life, unfolding as my consciousness apprehends the ‘knowing’ of it.

I go downstairs, step outside the door to see the sky, and the scale of it blows me away…. It’s immense, over the top of the hill and away in the direction of the coast a few miles away. Then in all directions in a pattern of huge arcs and smaller interlocking wheels of cloud forms reflecting complex wind movements that I can see only part of. There’s a sense of very much more than this and the rest of it is sweeping around, thousands of miles away over the curvature of the earth. Clouds transforming in vast spaces like blossoming flowers speeded up in time-lapse photography.

I go back inside the house and upstairs but the security of this building is not reassuring; I feel like I’m caught in a hurricane, held in freeze-frame motion. When I look out the window again the sky is still up there, doing its thing. The ploughman’s neat lines etched into the earth, row after row stretching as far away as the eye can see. This does not bring stability; there’s a feeling of unease that takes some time to settle. No ‘self’ to make sense of it. A mutuality of awareness in a world that’s not separate from me, but somehow I return to the familiarity of who I am. I have weight… gravity prevents me from flying away.

‘I am what the world is doing here and now. Trying to ground myself in constructed reality is not it. I am not inside my body, looking out at the world outside, so I don’t need to secure myself. Letting go of my self, there is nothing that needs to be made real.’ [David Loy, Linda Goodhew, ‘Consuming Time’]


Reblogged earlier post from 2012

the train to the north

POSTCARD #267: Newcastle-Inverness journey: Head spinning with ear-popping air pressures and momentum of the great storm that brought me here. The travel industry is the largest network in the world. Miles of corridors, two planes, Delhi/ Amsterdam/ Newcastle and the train to the North. Everything is linked with everything else – absolutely everything… who runs it all? (is there a God?) Inappropriate question; taxis, escalators, the spinning flow of it just moving along by itself. I jump on a train to Scotland and join the others already there. Get my seat, and we’re all swept away by these huge mountain scenes passing through the train, opening up in the windows, then changing to the next picture.

Train arrives at my stop, a small town I visited when I was a kid, long ago and far away. I feel like a stranger now, my whole reason for being here is to visit the boy. I could be one of the three wise men flying in from the East to visit the child (why did they do that?), except I’m the only one… a wise man nobody has ever heard of, bearing gold, myrrh and frankincense (the story goes), and other assorted gifts, including Chawanprash, an Ayurvedic health food for the parents. Ring doorbell, hello everyone, well the boy is asleep now is he then? Okay, never mind, he will wake up soon.

Twenty minutes spent chatting with mom and dad, then sure enough, enter stage right, stumbling into the spotlight… a one-and-a-half year-old, fair-skinned, wide-eyed, blond boy, new to the world. And all I can see when I look at him, are the faces of the elders (recently passed) flickering through identities in his face, the enigma, in recognition of me being here (I never attended their funerals)? The boy is shy about me in his living room, turns this way and that, bright colours of toy objects, he is a shining presence, moving in the actuality of it…the IS-ness of it.

I’m astonished. He is all of it; the elders faces I see in profile who look back at me when the boy moves his head. Short glimpses of aunts and uncles I haven’t seen for so long, now dead and gone, and it’s as if they were really ‘here’, having become the form of this small boy. If I say they are real, then they are. Their eyes looking out of his small face. Identity… where does it begin? The child is father to the man, they’re looking at me as if waiting for something to happen… birth is a turning inside-out and an embodiment in a physical being – we are all so unaware of it, only the Old Souls who have been here and travelled through this gate many times can see how it really is.

Everything happening without language to give it form, so it cannot be remembered, and of course this sweet boy is unaware of any kind of story about me, the only uncle on his mother’s side… and when he’s old enough to understand that, it’ll be too late! I’ll not be able to be here to say hello, my nephew, and this is the story of how the World works… I feel an urgency, I should write this post in such a way that he will find it one day (message in a bottle), and thus understand the World much more clearly than I. He will find words for it, I feel sure, which can immediately express and bring into reality these hesitant forms of mine, shadows of a former time.

So, it was all a wonderful returning to one’s own sense of ‘selfhood’, seen in the boy – a dream-state set in the context of my being awake. We have no children of our own – sad, so sad. There’s something about this that’s so clear and obvious, then I lose it, and it can never be found, because searching for it creates the sense of it being lost, for ever and ever….


Image: Dreamstime.com

is there anything?

POSTCARD #266: Delhi-Newcastle flight: There’s something about these long, high altitude journeys – this flight is only 9 hours but long enough to realize, as the hours and miles go by, we have totally left our place of origin… everyone seated, seatbelts fastened, and facing the direction of travel, committed to going ahead with ‘the plan’ which is still in its unimplemented state at this time, and rushing towards that reality at 600 miles per hour in a huge forward-facing directionalized force – teeth-clenched momentum.

Where we are in the meantime is so obviously unimportant, there’s a small fold down table, a reading light, a TV screen. Look outside and we’re in a nowhere place. A strange fractured light, clinical bluish-white, in a place of no-place, just the sensory receptors; eye, ear, nose, tongue, skin-feeling, and mind, in a shared space. Seeing the events without the story. Seeing the seeing; awareness of the awareness; knowing the knowing.

Suddenly, in my thoughts, I’m with my mother in the low-ceilinged, curtains-drawn, Care Home on a wet afternoon in Scotland. Holding her hand and there’s this very long outbreath… I’m waiting for the in-breath to come – breath in, breath in! But no, she stops breathing… just like that. I see the moment she dies and it’s like this is her last teaching to me: this is how you die son, just watch me… and I see her move from present time into the past tense – completely.

So there we are. Is there anything remaining? This story comes to an end, disappears in patterns of thought. Old thoughts recycled from yesterday and the day before, and the absolute totality of thought. Layers upon layers of interconnected thought. All of it clouding over and gone in an instant, but is there anything in the space of no-thought that just resonates with mother’s presence somehow?

The great relinquishment, and seeing her death led to a major letting-go thing. It doesn’t take much more than a moment before the Me and supporting cast remove themselves from active engagement with the story. Then an immense sense of gratitude. Slip over the edge of having-it into the empty space of not-having-it and see how life goes on same as usual without all the backup.

Enter password, unlock, and give it its freedom. For me, roots pulled up and a commitment to spending the rest of my life in someone else’s country. It’s irreversible and knowing that, helps somehow. But there’s this thing, is there anything remaining? I think there’s something of mother here, but I don’t know if that’s the psychological result of me coping with the loss, or is it a separate resonance coming to me from what remains of her.

We’re coming in to land over the South side of Newcastle, and I’m thinking about the new-born baby boy I’m here to visit up North. Is it morphic resonance? I do feel a particular warmth in the center of my body when I think of the child. Is this the resonance from my mother passed through this child who would have been her great grandson?

Looking out of the aircraft window now; how do these thoughts fit with all these millions of people going about their business down there, no time to see if there’s anything else but Science to believe in? Here in these fleeting altitudes there are no thoughts, they’re all maybe still in the somewhere-place back over the curvature of the planet. My face turns forwards with everyone else’s, waiting to see what this journey brings.


Photo shows the east coast of England, south of Newcastle

inertia of TV

inertia-001-jason-decaires-taylor-sculpturePOSTCARD 141: New Delhi: I passed a shop selling TVs, walked in and stood there for a moment in the zizzling static of huge glowing plasma screens. We don’t have a TV at home, haven’t owned one for nearly 5 years. It seems alien to me now, ‘entertainment’, compulsive Bollywood movies with high-power advertising every five minutes. I managed to kick the TV habit many years ago in the house in East Anglia. Reblogged below are some excerpts from the post I wrote about that event.

(Originally dated October 2, 2012): There used to be a TV here but I gave it away. A big old fashioned dinosaur TV, too large for this little old cottage. No room for it; limited floor space, low ceiling height, clutter and junk (jutter and clunk). I manhandled the TV upstairs but it was no good there; then downstairs again and hurt my back in the process. It was always in the way; just too big. I had it under the table for a while but it looked silly there… and I started to see that it had to go.

But I was dependent on TV watching; every other activity took second place to that, and attempting to disengage from TV was a struggle. What to do? I’d try switching it off suddenly, right in the middle of something, a chat show, whatever, just to see what the room felt and looked like without all the noise, bright lights and rewarding, congratulatory applause. But every time I did that, the absolute silence of a world without TV was devastating! The lack of colour and severity of greyness in the house was just… sad! I had to switch it on immediately. TV was like a friend, I couldn’t say goodbye to it. I kept on doing that, though, switching it off and on again, in the middle of programmes, to surprise myself. Eventually I started to get interested in the idea of the silence that remained without TV, typical of the location I was in – a house surrounded by quiet fields and nature.

But TV-cold-turkey was no fun and I was in denial for a very long time. Then one day I was watching the BBC news and noticed the newsreader pronounced his words with a weird sort of ‘smirk’… kinda disgusting, and then the whole ugly ‘self’ aspect of it was revealed. Shocking, but I was glad it happened because it was obvious then that I didn’t feel comfortable with TV in the house – it had to go. I carried it out the back door and left it in the garden; went back inside and discovered this huge space in the room where it used to be. Interesting to see the directions in the room created by a focus on TV; chairs arranged so that viewing could take place comfortably. So I rearranged the furniture, changed it all around, and that was really quite liberating.

I’d return to the kitchen window from time to time and look at the TV out there in the garden – holding my attention, still… thinking, that object should be ‘inside’, not ‘outside’. Completely out of context in the garden, but I just left it there; no longer connected to it. Later that day, it started to rain and drops were falling on the dusty black surface – the urge to take it back in… that was difficult. The neighbour dropped by and he said it’s not a good thing to leave a TV out in the rain. I told him I didn’t want it anymore, maybe he’d like to have it for his spare room? Okay thank you very much… and, you’re welcome. So I gave him the channel changer and that was it. Off he went and I watched him carry it into his house, happily bewildered by my generosity and failing to understand my joy at having escaped the inertia of TV.

‘Like a thief entering an empty house, bad thoughts cannot in any way harm an empty mind.’ [Padmasanbhava]

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Photo: Jason deCaires Taylor’s underwater sculpture, ‘Inertia’. Click here for more images.
Excerpts from an earlier post, titled The End of TV.

directionality

IMG_2214bPOSTCARD 137: The Edinburgh Road: For a moment I’m conscious of the present moment contained inside this moving vehicle following the white line marked in the centre of the tarmac, captivated by the directionality of the journey hurtling through a kind of wormhole in space/time, and plunging towards a vanishing point that never arrives. Pieces of a picture landscape, like a giant jigsaw, fly up and pass through the windscreen of the car, through the transparency of self and a new picture is forming. Left-hand bend approaching, steer around that, attention caught by a constant continuity of looped overhead cables on the right that continually sweep upwards and fall away like waves ebb and flow. Into a right-hand curve… tilt and rising with the camber of the road on the left side then level out and down into the next one. More curves and bends, dizzy and bewildering, winding down these slopes and (ear-popping) altitude drops on the way that leads to the coast.

This must be an old drovers’ road to the markets in the town, it’s foundations laid by the hooves of herds of animals following a path through ancient forests that once were here, and finding a route around swamps and boulders; obstacles long since filled in and cleared away. Now there are just fields of sheep and grass and crops, featureless hillsides – only the road remains, it’s twists and turns carry no meaning. Land owners’ properties claimed on either side have trapped it in its original form, a skeleton from the past, a craggy old branch of a tree, its shape created by historical circumstance.

The outer world becomes neutral, non-intrusive random thought mechanisms that function at the edge of a dream pull me into the gentle whirr and flicker of thinking-about-things, just as we’re coming into Edinburgh. Drop some people here at the train station, then on to drop the rest of us at the airport. Strange to suddenly be in the centre of a town, held by the traffic lights and see people crossing over – reverse culture shock; I’m not used to seeing Europeans, dark-haired, golden, Asian faces with almond shaped eyes fill my world. Memory of a former life, strange familiarity, déjà vu… this pavement, these streetlights, have I been here before? But it’s just somewhere on the way. No, wait… was it here that an event took place, long since forgotten? But no explanation seems to fit – it’s just what’s happening – the world, doing its thing. All that is here is a reflection of me passing through. It appears in present time, and then it’s gone.

Ed.people1

“No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.” [Heraclitus]

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lowlands

lowlands 1POSTCARD 136, Peebles, Scotland: We don’t usually wake up to the sound of birdsong at dawn, it’s too early – 4.30 am here in the room with curtains closed to keep out light that glimmers all through the night. Summer in the north means it’s nearly always day. Difficult to sleep, getting out of bed is not easy but I have to be up and ready to leave because this is the end of the retreat and the start of the long journey home.

A labyrinth of corridors and narrow staircase that leads down from the upper floors in this old mansion house converted to a Health Center. Nurses chattering together in their white coats come upstairs, pass me on the staircase going down (ghostly image of maids and housekeeping staff from a former life). I go down and down to the small chapel created in the old wine cellar at the lowest point beneath this great house. Find a place and sit in the silence. I feel humble, a Buddhist in a Christian sanctuary, examining the nature of human experience rather than its external creator – ‘a part of’, rather than ‘apart from’. The ‘hallowed’ Presence may have no name… identification creates an object in a world of subjectivity; a world of whispering Hymn books’ paper pages turning in these curious acoustics: ‘forgive us our trespasses and those who trespass against us.’ So many ‘s’ sounds the rhythm of the Prayer goes out of sync for a moment then its momentum builds up and falls into unity again. Trespasses and trespassing; acting out scenarios in the mind – letting-go and forgiveness.

Say goodbye to nurses, therapists, doctors and friends I’ve known for four weeks and will probably never see again – we shared a small lifetime. Goodbye dark stained wood panels, chandeliers suspended in high ceilings; goodbye antique furniture and carpets over oak block herring-bone flooring. Bags in car and down the long drive into the rolling hills. Sun breaks through and the sky is blue as we descend through the landscape. These are the Lowlands.

“The mind is a kind of theatre where several perceptions successively make their appearance; pass, re-pass, glide away and mingle in an infinite variety of postures and situations.” [David Hume]

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Note: Dear fellow bloggers, I’ve been on retreat for more than a month, deep in the Scottish lowlands. One of the requirements was to stay away from social media, so I’ve been offline for all that time. Nice to be back, more posts to come…

clan

photo-9POSTCARD #135: Glasgow, Scotland: Battles lost and won and always the bagpipes have a part to play. There’s an extraordinary power about the instrument. I hear it as I’m walking down Buchanan Street, drawn towards the sound, and see the huge crowd surrounding the group outside an expensive shopping mall. Street musicians, I don’t know anything about the tartan kilt outfits they wear – the piper seems kinda clean-cut to me, respectable. Maybe he’s also a part-time piper in other bands, or one of the sons of these war-like characters beating out a furious rhythm on the drums. Somebody else going around collecting coins in an open box – there must be more than a hundred pounds in there ($150). I pour the contents of my pocket into the collection.

Jiab was here a long time ago while I was in Japan, she stopped to listen to a street musician playing the pipes and the piper happened to be standing next to an old red phone box with glass panels smashed out (those were the days before cell phones). So Jiab had a think about time zones between here and Japan, gathered all the change she had and called me up. I was in the office in Yokohama and somebody said there was a call for me. Picked up the phone and there was this skirl and blare of the pipes coming from the other side of the world. Then Thai laughter and the sound of coins being shoved into the phone slot – we couldn’t talk or anything, the sound was so loud. So after a while we ended the call. Jiab has a sense of humor.

Sound of the pipes fading into the background as I walk now through these streets back to my hotel… extraordinary that I have no home in Glasgow. I’m a tourist, even though I lived here for 5 years, and all that’s left is a strange familiarity – recognizing the streets, the buildings. Feels like I’m a member of a clan, vanquished, as if in a battle that took place in the time I was away – the Celtic sense of calamity. And today, after more than thirty years living in other people’s countries I discover I’m homeless. It feels like I don’t exist. I’m nobody, in a place where I used to be ‘somebody’. Mutuality in the illusion; clan, this is all we seem to have in the lifetime we share. In truth, it all merges into one; cycles of darkness and light, and seasons, a spinning planet around the sun, cycles of organic forms that reproduce, die and other’s take their place, continuously.

“… the moon, reflected in the water, shines brightly and within the spotless water seems to be, but the water-moon is empty, substanceless; there is no thing to grasp… ‘tis thus that all things are.” [Samadhiraja-sutra 2nd century CE]

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Note: Dear friends tomorrow I’m going offline for a couple of weeks in order to enter a retreat and receive advice on my health situation. I’ll be back again in July and catch up with your posts and comments then. Thanks for reading….

there and then, here and now

IMG_2188POSTCARD #134: Elgin, Scotland: It’s a fleeting transitory thing, sometimes so clearly seen – as now on this bus following the coastal route and scribbling down words in my notebook (almost illegible writing due to the motion of the bus). I’m visiting Uncle P who is over 80 and lives in a care-home. The photo above was taken from the bus going through these small villages, and it was shortly after that I got off at Buckie.

Then it all comes back to me, the call of seabirds and smell of the sea. Huddled in my coat in the cold wind looking down at the same street surfaces; pavement cracks I recognize from the last time I was here, years and years ago? What is it? Just a feeling, awareness precedes thought, no words for this kind of thing. Incidental people pass by on the street. I think I know them from long ago, but it’s possible I never spoke to them at all, we were always like this, seeing each other in the town and only that gentle familiarity, glance, eyes meet, strange recognition… do I know you? It’s like I never left this timeless non-objective moment – there and then is here and now.

And they would say it makes no difference if I’ve been away in foreign lands, North India and Thailand, Chiang Mai, Bangkok and living my butterfly life. Coming back here is like stepping into the same instant of existence. It’s like it was yesterday, except people are older, aging, settling into a comfortable gravity. And a feeling of how everyone is near the end – I don’t know the young folks, of course. People I used to be friends with are inexplicably gone. It’s like the estuary leads out to the sea – water from the mountains flowing through so many different circumstances, on the way to joining the oceans of the world.

I get to see Uncle P and he looks well but almost all that he says is subtly incorrect, wrong dates, gives people all the wrong names and I agree with everything he says. When it’s time to go, he takes me to the exit, but we get lost, pause at the dining room and he’s puzzled why everything has been tidied away – I ask a staff lady in the kitchen who assures me that Uncle P had his lunch already. He forgets things; she tells me out of earshot – shows me the exit. Last I see of him, he’s going back down the corridor with the kitchen lady and telling her he’s looking for his wife. But she passed away a year ago.

On the bus to Elgin I have a little weep about Uncle P, and when the bus gets there, find an Internet café to write this.

‘Wandering through realms of consciousness like a refugee, thought looks for a home. Thought thinks that perhaps by clinging to this or to that, it can find a home. In this way, thought forms attachments with names and forms, with concepts such as “is” and “is not,” “self” and “other,” “me” and “mine,” and with emotions like envy, pride, and desire. It is the mission of thought to form these attachments in hopes of finding a home. Thought wants to own its own home.’ [Thought Is Homeless/The Endless Further/ 2012 July 16]

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pain/resistance

fishing netsPOSTCARD #133: Scotland: Overnight flight from Delhi to Heathrow, train from Euston station and I’m in Glasgow. Can’t recognize anything, it’s been years. I feel like a foreigner… then later having breakfast at the hotel, 7am and sitting by the front window, watching everybody on the street going to work. Hats and coats and it’s cold out there; the happiness of the people in Thailand, sunny and bright… just not here. Reminds me of the following post, written when I had a part time job teaching English in Geneva, Switzerland – migrant workers employed in the factories and light industry going to work by bus in the early morning:

(originally dated August 22, 2012) I’m on the bus, going to an early morning class in the industrial zone. As we get near, the bus is stopping at every stop to pick up people employed in the factories. Migrant workers from East Europe; men and women speaking a language unknown to me. Thin, sad, serious faces; reminds me of Van Gogh’s drawings of the miners in 19th Century.

Van Gogh 'Miners' 1880 (detail)Bus is getting crowded, I have a book to read: ‘The Noble Eightfold Path’ by Bhikkhu Bodhi: ‘The search for a spiritual path is born of suffering. It does not start with lights and ecstasy but with the hard tacks of pain, disappointment and confusion… for suffering to give birth to a genuine spiritual search, it must amount to more than something passively received…’ 

More stops, more migrant workers get on the bus. It feels like I’ve got to have my head down reading my book because there’s nowhere else in this bus to look without encountering another pair of eyes looking straight back at me; my shirt and tie, polished shoes. What they don’t realise is that I’m a foreign worker too: UK citizen resident in Switzerland. I know how it feels to live in someone else’s country. Okay, guys! I’m a teacher of English, and I’m on my way to teach your bosses, yes – but, as far as I’m concerned, we’re all the same here. And that’s how it is now, squashed up against the window glass; thin shoulders and arms pressing against me. Continue reading:

‘It has to trigger an inner realization, a perception which pierces through the facile complacency of our usual encounter with the world to glimpse the insecurity perpetually gaping underfoot. When this insight dawns, even if only momentarily, it can precipitate a profound personal crisis. It overturns accustomed goals and values, mocks our routine preoccupations, leaves old enjoyments stubbornly unsatisfying.’

Urgent circumstances; this is about a level of suffering hard to endure and there’s just no getting away from it. A long time ago, I had an operation for colonic cancer and there were a number of confrontations with pain… unbearable, I had to give in to it. As soon as that happened, something unseen tipped the balance… for a moment there was the easing –  I discover it’s the resistance to it that causes most of the discomfort.

What would it take for Bhikkhu Bodhi’s insight described here to be meaningful for these migrant workers? For them, it’s about holding on, not letting go; as long as they can withstand hardship, it will go on like this. They’re putting their small amounts of money together to send back home to support the family. They structure their lives around employment and the innate ability to be happy becomes a fleeting, temporary happiness found in consumerism, built-in to the system. People can’t escape from it unless they step out of the earning momentum they’re stuck in, and risk losing everything.

The bus gets to the terminus, stops, air suspension lets out in one long last gasp, and the bus lowers itself on to its structure. I get out with everyone else in this strangely remote place with factory smells and set off walking along the path to the industrial buildings in the distance. Behind me the bus starts up, a worrying moment, no wish to be stranded in this particular reality. I look back at it as it rumbles off on its little round wheels.

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Image: Vincent van Gogh 
Drawing, “Miners”, Pencil on Paper,
 Cuesmes: September, 1880, Kröller-Müller Museum.
Note excerpts here from an earlier post: ‘Choosing Liberation

the construct

IMG_1192OLD NOTEBOOKS: East Anglia: [post written in New Delhi] A group arrives at the mall coffee shop sorts out the chairs, a few remarks, laughter; look at the menu the waitress comes over. Give their order, then there’s nothing left to say. Silence. Each one pulls out a mobile device, phone or iPad, stares at screens whose reflected glow illuminates the face of the user. Heads tucked in to examine the picture, body crouched over in fetal position; hypnotized, fascinated with the object, unlearned, never thinking of the question ‘WHY?”

Dominated by thoughts of, who am I? How do I relate to everybody else: you, he, she or it – we, you they? “Me’ as an individual doesn’t seem to be anything more than just a member of a particular socio-economic group. From this way of thinking, I can see (my) self situated favorably – or it could be unfavorably if I’m caught in being the victim; subject to the karma of former circumstances – product marketing gently nudging at the elbow. I need to be thinking about the next option – expectations, responsibilities, things I ought to be doing. Thoughts thinking thoughts, thinking more thoughts and thinking about things to the extent that it all becomes habitual – embedded in the self-construct I recognize as ‘me,’ subject to causes, conditions in the world, which is also a construct, I am some kind of imaginary character in a fictional landscape.

There is so much that we cannot know, limitations of the senses, including the cognitive sense. But everything arises due to thought, the duration between one thought and another is non existent – thought knows nothing of it because thought only knows an object; all objects appear only in thought – no object, no thought. STOP THINKING and there’s the enigma… the empty space where that thought used to be. Nothing there now, if it is just ‘nothing’, I’d need to have ‘something’ there to confirm it is nothing. I can’t find the ‘something’. So it’s not ‘anything’, it’s ‘not something’ – it’s a feeling of no-thingness. But then I’m thinking about it again… it’s an easing-away from that heaviness of thought, that which built the construct; buildings, welded metal, concrete, brick and iron embedded in stone. All of it can be demolished in a day. It all just fades away. ‘Melted into thin air… the baseless fabric of this vision… we are such stuff as dreams are made on…’

“After having thus successively taken each member of the community in its powerful grasp and fashioned him at will, the supreme power then extends its arm over the whole community. It covers the surface of society with a network of small-complicated rules, minute and uniform, through which the most original minds and the most energetic characters cannot penetrate, to rise above the crowd. The will of man is not shattered, but softened, bent, and guided; men are seldom forced by it to act, but they are constantly restrained from acting. Such a power does not destroy, but it prevents existence; it does not tyrannize, but it compresses, enervates, extinguishes, and stupefies a people, till each nation is reduced to nothing better than a flock of timid and industrious animals, of which the government is the shepherd.” [Alexis de Tocqueville, 1805-1859]