before already

IMG_0574bPOSTCARD #153: Delhi: Getting things organized for the flight to Thailand, I go through my files and find this photo taken at Delhi Airport Departures last time I was there. Unfamiliar with this kind of airport signage: STOP/ LOOK/ GO, I’m lost for a moment in the what-came-first directionality, then I see it’s meant to be for vehicles approaching from the left. The driver is supposed to stop at the word STOP, then drive to the word LOOK, then he is ready to GO. Curious incongruities for me, an observer at the window on the third floor of the passenger terminal, I feel like a tiny speck in a huge transparent glass and steel building. A time/space anomaly, I’m reminded of something somebody said; part of a conversation with a married couple I know, in Chiang Mai. German husband and Thai wife – she doesn’t speak German, he doesn’t speak Thai. They use English to communicate, husband speaks it with traces of Thai pronunciation, and wife has a slightly German accent. We’re having tea together and I’m the only native speaker in the room so I naturally start to facilitate their searching for words, then realise I don’t have to do that, of course – English is their link language and over the years they’ve worked out their own system.

Their dialogue is a hybrid of grammar forms improvised as they go along. We’re getting ready to go out and husband says to wife, Where my blue socks. Wife tells husband: in the ironing basket… (mumbling quietly to herself in Thai: he can’t find anything because he doesn’t look properly). As he’s walking off to the laundry basket husband says, why you can move things without telling to me, and she follows it up with, I tell you before already.  I lose track of the conversation then, thinking… before already, huh? Is it a point in time somewhere before ‘already’ happened? Or is it that she already told him about the socks, and that was before something happened that’s not referred to here.

You can say it in Thai (bok gon laew*) but in English it suggests there’s an instant in time we are searching for but haven’t discovered yet. Miniscule shavings of time, events that last for 100 attoseconds, or 100 quintillionths of a second (note: 100 attoseconds is to one second as a second is to 300 million years). The illusion of duration, I’m experiencing a before/already disorientation, the present moment constantly updating itself in an attempt to find out where we are now. Cause and effect are parts of the same event; ‘before already’ is a screenshot capture of karma particles (cittas) in the time construct we inhabit. Lost in translation, so vast it doesn’t matter any more.

One moon shows in every pool;
in every pool, the one moon.
[Zen Forest Saying]

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*bok gon laew: บอกก่อนแล้ว say before already

pasta in the past

IMG_2234bPOSTCARD #152: Delhi: Video call from M, my Thai niece, she’s showing me her new glasses… they make her look so grown-up, hard to believe she’s only 11 years old. I remember when she was little, using English words and that creative playfulness: ‘pasta in the past’, something she learned about the word ‘pasta’ having its origins in China and brought to Italy by Marco Polo in the 13th century. So it became pasta (in the past) – as in pasta/ presenta/ futura – but it was also from the movie ‘Frozen’ where the main character (Elsa) sings the song, ‘Let It Go’ and there’s the line ‘the past is in the past…’ (click here for 9 second link) and M was singing along with a video of it as, ‘pasta in the past’, either because that’s how she heard it in some other animation, or she thought it was funny, or both… I can’t remember.

The wisdom of this childlike intelligence that seeks/finds creative solutions to problems – I must have had in my own childhood, over many horizons, long ago and far away. All the ups-and-downs; all the dramas embedded in our history that make us who we are now and form the characteristics of our future time. Births, deaths, marriages; I have a fragile, old, yellowed newspaper clipping of an obituary column that describes my grandfather who came from the Orkney Islands in the North of Scotland and was drowned in a fishing boat in the Moray Firth before I was born. The unseen cause/effect of emotional catastrophes enduring for decades; we’re unknowingly driven to take responsibility for things over which we have no control, thinking (or believing) that by chance we might stumble upon the key to unlock it all; the karma that’ll undo the karma that led to this.

M asks me: Toong Ting, you feel better now? How about your Chingo? (Shingles)… I tell her, yes, I’m okay now, thanks. She looks at me, Did you go to the hospital? (we go to the outpatients section of the local hospital rather than a private doctor) Yes, I went to the hospital, showed the doc my skin rash, looked really yukky, told him about the bad headache all the time. Did you eat the medicine Toong Ting? Yes… we take medicine, we don’t eat medicine, and she knows this but can’t be bothered to make the change from the Thai translation: kin ya

I took homeopathic medicine towards the end of the three-week frenzy of stabbing pain, then the recovery and falling into a huge landscape of pain-free, ease and gentleness. Altered state, revisiting old memories with such vivid clarity it all seemed quite different – I thought the past was irredeemable but it’s not. The past changes according to how it is perceived in present time. And I’d been so firmly attached to the endless thinking-about-thinking, watching the same old rendition of the story I’d assembled over the years.

My world was transformed, ideas and perceptions started to change; a fierce face appears in a kindly way, the scary familiarity of events unfolding but portrayed differently… a completely new production of an old movie. Kindnesses and sorrows, things I’d not noticed at the time become redefined in the process of mindfully remembering the situation. It’s as if I’m seeing my missing grandfather coming back to life; a rebirth happening here and now – in the same way this video call from M is happening now, although she is 2000 miles away. Toong Ting?, M asks, when you come to Thailand? I tell her it’ll be 29 September, that’s next Tuesday… Okay, bye! Everything comes full circle again.

A monk asked Yueh-shan, “What does one think of while sitting?”
“One thinks of not thinking,” the Master replied.
“How does one think of not thinking?” the monk asked.
“Without thinking,” the Master said.
[Zen mondo]

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the orange tree

IMG_2323bPOSTCARD 151: Delhi: Wake up in the morning and it takes a moment before I remember who I am. There’s a sense of having to press START to get it going, then the pieces fall into place… some parts of the jigsaw are late in arriving, fit into position as the image appears; it’s somehow reassembling to become a different picture as the moments pass… becoming another new picture, and more and more pictures. Then there’s the remembered pain – head turning on the pillow, stare at the ceiling; must have had it all through the night, but… not as bad as it was? Gently sit up and see how that goes, balance the cranium on top of spinal column, get up from the bed and gently walk through to the front room as if tight-rope walking… start the day.

Years go by, living on received sensory data and just taking it all for granted. Tiny molecules of experience passing through the organism in great rivers, and all of it goes unnoticed… until it malfunctions in some way. The buildings collapse, a natural disaster, illness – herpes zoster virus, shingles; permanent headaches. Through necessity I develop more of an investigative attitude to actions and reactions, monitoring the mind-body-world situation I am in, we are all, always, in… consciousness. Then the remedy, the simple homeopathic miracle and immediately some easing, enough to make the return to ordinary things seem possible.

Birdsong outside. A dog barks. Voices in the street. I go up to walk on the roof terrace. Look over the edge, the orange tree encroaching on our roof – see the first ripening orange this year. It looks out of focus because it’s arising out of the green it was before. Curious magic, the orange is changing colour as I stand here watching it in the early morning sunlight; object of consciousness becomes who I am – the ongoing transformation…

Beyond the mind there is no such thing as experience. Experience is a dual state. You cannot talk of reality as an experience. Once this is understood, you will no longer look for being and becoming as separate and opposite. In reality they are one and inseparable like roots and branches of the same tree. Both can exist only in the light of consciousness, which again, arises in the wake of the sense ‘I am’. This is the primary fact. If you miss it, you miss all. [Sri Nisargadatta Maharaj]

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Lower photo: last year’s oranges
Sri Nisargadatta Maharaj quote source: This Unlit Light
~   G   R   A   T   I   T   U   D   E   ~

 

awesome selfie stick

IMG_2296POSTCARD 150: Delhi: To start with, it felt like a small insect bite. The painful part was just out of my vision on the back of my shoulder – impossible to see it in the mirror, so I ask Jiab to come and take a look. She studies the mark on my shoulder and says, “it’s a…” (pause), silence for a moment – looking at it thoughtfully, “It’s a…” (can’t think of the English word). I find a small hand mirror and try to see my reflection in the large bathroom mirror. Twisted around, contorted and awkward, but still can’t see it so I ask Jiab to tell me what she thinks it looks like. She says, “peempo” (pimple) her voice is so close to my ear it’s like she’s shouting. Then, silence, focused on trying to squeeze it with fingertips… doesn’t answer my questions because one can’t squeeze pimples and speak English at the same time. I can hear her holding her breath, small sounds of effort: mmmnh… but I find it’s too painful; get the phone out of my pocket, go to the camera app and ask her to take a photo of it. She takes a close-up: click! Shows it to me… oh, I see! It’s not “peempo” (pimple), singular; it’s pimples, plural. Many of them… and then I’m aware they reach up under my hair too.

We go to see the doc, show him the unpleasant skin rash and tell him about the headache and neck pain all the time. He takes one look and says: herpes zoster virus, it’s Shingles – Jiab says chingo… in Thai they call it ngoo sawatdi (snake says hello again). The doc tells me it’s the chicken pox virus we get when we’re children that remains dormant in the body for decades, then “wakes up,” or reactivates. Why? Maybe because I just came back from four weeks in Scotland, fresh hilltop air, and must have lost the immunity to infection I’d acquired as a long-term resident foreigner in South Asia. Who knows… it just comes back.

This is how it is for me now, headache, pulsating on and off, all over the right side of the head and neck. Doc gave me ant-viral tabs, ointment and pain med, saying it’s a neural reaction to the skin lesions, and (interestingly) the nerves below the surface of the skin tell the brain there’s pain inside the body. This sets off major alarm systems and you feel it deep inside. I have to get around the fact it’s telling me all the wrong things about the location of the pain – stated also with a kind of urgency, like, Pay attention! This is serious… so I’m starting to worry it’s a brain tumor. And it’s not that, it’s actually in the upper skin layers.

Sometimes I sit on the meditation cushion and wait for quietness to come; thinking and thought has its own momentum, takes time to settle down, then the openness to the pain experience is just totally there for a moment. There’s the default sense of self: hey, this must be happening to ‘me!’ then an initial frantic search for an alternative that runs on automatic takes it out of the normal context. Mind does a bypass, and for an instant the pain is not happening to anyone – there’s no ‘me’ engaging with these thoughts. The awareness that a thought was just there, but now nothing remains except the awareness that I can’t remember what it was… and the sensation of pain, like the hummmm of an old fluorescent tube light that needs to be replaced.

‘The mind is the canvas on which our thoughts are projected and is part of consciousness. Our body is a holographic projection of our consciousness.’ [B. M. Hegde, cardiologist]

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Photo source: PnnB on Thai social network

improvisation

IMG_2123POSTCARD 149: Delhi: Mall architecture, astonishingly playful buildings, concrete and steel monuments and shrines to maya (sanskrit: illusion) – in Chiang Mai they even named a shopping mall ‘MAYA’. The population welcomes the idea; step into the illusion… air-conditioned, bright and colourful. More and more of these in Bangkok, over the top – a lightweight upbeat city culture, low labour cost and construction projects are ongoing. Something hopelessly inevitable about it careering towards the relentless consumer culture of the West – except that in the East, people are more likely to ‘know’ when they’re stepping into the illusion. Cultural tradition, awareness and vestiges of spirituality; besides, everybody here knows that if somebody is in the market trying to sell you something, it means you have the option to negotiate a fair price… not so in the Mall, and that’s why so few people go there.

The Mall culture affects only a small percentage of the population (sounds like a virus) and, I have to say I’m sometimes part of that minority; the need for essential things for devices, bookshops and a good baker. To get to our mall we have to drive out of town and the three-building complex is situated in an undeveloped area – there’s a fourth building going up at the time of writing. Construction site workers’ community nearby, chickens and goats in a hot dry, dusty landscape. Come off the highway, through a great winding turn of rough unsurfaced road, potholes and puddles of water and into the short entry, manned by security – car examined, mirrors held underneath, look in the trunk, the engine. More security at the entrance, metal detector and security guards carry out a full body search before you get in the door.

It’s as if the whole concept of consumerism is subject to scrutiny; not as easy as it is in the West to simply be ‘pulled’ into the Mall like a magnet and disinclined to escape from the illusion. For many people the whole thing seems impossible to change, situated at the end of the consumerist food chain, as they are, and trapped in that predicament. No alternative, we have to purchase the product because we can’t create it ourselves – so far away from the artisan, so far away from doing things ourselves. People believe they can’t improvise… forgetting that the whole thing is improvised… language is improvised, life itself is improvised. All the systems that are in place were improvised to start with, and even though we may be subject to skillful marketing strategies, there’s still the innate ability to be creative, to improvise, to invent, to innovate, to find a way out of the illusion.

These carnivorous marketing creatures have to be gently pushed into the background in order to bring what’s really meaningful in life into focus. There’s a lightness, a floating in the air… the open-endedness of the human situation, groundlessness.

“What can we gain by sailing to the moon if we cannot cross the abyss that separates us from ourselves?” [Thomas Merton]

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photo: shopping mall Bangkok

space and far-away things

IMG_2298POSTCARD 148: Delhi: bare feet on marble floor surface, pad-pad-pad, darkness in the front room, no daylight coming in through the glass patio door. What’s the time? Blinding light of my phone left on the desk: 5.15 am. I know my way by feel, through between furniture, mindful not to stub my toe on chair legs, and unwilling to switch on the light that hurts the eyes. Gentle with the mind/body organism waking up after having been parked, horizontalised in sleep mode for 8 hours. I know where the ceiling fan switch is… ting-ting-ting and I can depend on the laptop screen to illuminate the room – switch on the machine and it’s like a car headlight in the room, I need to turn my head away to avoid the glare.

There’s a pair of prescription sunglasses I use for this harsh brightness. Peer at the screen, scroll down through Word Press Reader and discover: Zen Flash: Tibetan Singing Bowl Meditation: Session 2 (27:30), click on the link. Plug in my ear buds and enter a huge, wonderful landscape of sound, space and far-away things – an entire panorama inside my head. But is that some conversation in the background or people chatting outside the house? Here in New Delhi there’s something going on 24/7. Is there a dog barking in the distance or is that on the sound track too? It seems at first that I need to differentiate, the ting-ting-ting sound is not the sound track, it’s the ceiling fan. At first I feel I have to be able to know what’s happening inside and outside of the listening zone, which is which? Then it doesn’t matter, it’s okay, accept it all as a oneness.

Back to the screen, open iPhoto library, and there’s the pic taken at Khan Market, a popular area; bicycle propped up on its stand in an alleyway. Left in the middle of the road, why? The owner must be somewhere nearby. Tibetan Singing Bowl sounds swirl around this bicycle, empty sack tied on the back, with a box on the front. There’s a presence of the owner – choosing to leave the bicycle in plain sight… he must know that everyone knows it’s his. It’s like the whole world is one large room; domestic life without walls, centuries of open-air living. There’s this quality about India – if you’ve ever been here you’ll know what I’m talking about. It’s not about visiting ancient sites or jaw-dropping experiences that fill you with awe, it can be simply the fragrance of incense, candlewax, ironed cotton clothes; an aura arising from something olfactory, the strange familiarity of cooking smells.

Fragments of people’s lives; a hugeness of ordinary things, a sense of loving-kindness and well being in the millions of every-day events taking place inside homes. Inside my home where we’ve lived for nearly five years, the Tibetan Singing Bowl Meditation track has birdsong, a sound like an aircraft passing overhead, voices outside quietly whispering. I look up to find the music has stopped, sounds from the world enter the room, faint daylight coming in through the glass patio doors. What’s the time? 6.00 am.

I am restless. I am athirst for far-away things.
My soul goes out in a longing to touch the skirt of the dim distance.
O Great Beyond, O the keen call of thy flute!
I forget, I ever forget, that I have no wings to fly,
that I am bound in this spot evermore.
[Rabindranath Tagore]

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Special thanks to Zen Flash for the soundtrack mentioned in this post
~   g   r   a   t   i   t   u   d   e   ~

tilt

Photo 1-2POSTCARD 147: Delhi: Phone rings. It’s a message from Jiab in Mumbai… image downloading, a photo taken from her car window. Reflections in the glass make it look like the yellow-top taxi is fusing into the back of the red bus. She’s stuck in a traffic jam; same here in central Delhi (on my way to Khan Market), rivers flowing through all the urban creeks and tributaries, as one vast river and this curious thought that it’s the same time at any point along its route. Or extended through every passageway in the city, as a mass of end-to-end steel/chrome-plated metal, creaking along like the glacier I visited a long time ago in Switzerland moving so slowly, the end of its 133 kilometer length is four hundred years older than its beginning.

Placing parenthesis around a block of time creates a beginning and an end, the world seen in a particular context… ‘my’ view of reality and the actual state of things out ‘there’ appears separate from me. I live in an illusion, riding around like a passenger seated in the vehicle of the body, input from data received through sight, sound, smell, taste, touch – and a mind that creates meaning based on memory files of similar events occurring in the past. There’s this identification with the thing-ness of things, thoughts, solutions and problems, reviewing, seeking, and memories of past times.

Yet, I can see the mind as an object; I am an organism contained in and created by the ‘world’, a body made of earth, water, fire and air. And if they’ve invented something that can break up the molecular structure of solid objects, concrete and steel, I find it impossible to believe, of course, more likely to disbelieve – but, given this all-inclusive subjectivity as the nature of the world, I’m inclined to believe it is possible, and everything tilts in an unexpected way.

Traffic seized up here in the approach to Khan Market, but the signal is still good so I take a picture and send it to Jiab in Mumbai, 1400 kilometers away.

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‘Things are not what they appear to be: nor are they otherwise.’ [Śūraṅgama Sūtra]

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immediacy

IMG_2161dPOSTCARD 146: Delhi: The early flight from Bangkok arrives in Delhi mid-morning local time. It feels like everything that brought me here has vanished; a curious missing piece of time, the four hours of travelling, and before that the Thai departures, the check-in desk, and before that the taxi that took me to the airport from my house in the darkness of very early morning, more like the middle of the night – all that has gone, the past is like a half-remembered dream.

I suddenly wake up in the middle of a Delhi traffic jam and it’s really confusing to be in this bright daylight after the darkness of the aircraft cabin. The transition into this reality so rapid, the split-second required for it to take form is… missing, yet an awareness of it having taken place remains – or the feeling that something just happened, whatever, and having to allow for the curious delay in the time it takes to recognize what’s going on. Suddenly there’s the blare of car horns from behind and vehicles overtaking as the driver adjusts to avoid a motorbike coming towards us on the nearside (why’s that man driving on the wrong side of the road?).

There’s an alertness, anticipated danger, preparedness… the car is buffeted around, rock-and-roll, accelerated, braked, jerked, vibrated and three lines of speed bumps one meter apart cause the vehicle to jolt six times. Then it stops. There’s an obstruction up front. Horns continue to blare and protest. What to do? The one-way system in Delhi is unrelenting; it can take a very long time to get back to where you want to be. So when the driver sees a gap in the flow and makes a smooth wide U-turn straight across four lanes of traffic, I feel like breaking into applause as we speed away in the opposite direction.

A few short turns through streets I’ve never been in before and we arrive at the house. Me and my suitcase of compressed, flat-pack clothing, ‘self’ assembly; get into the bathroom, shower, put on new clothes, and become someone else, an assumed identity. Step into the room: So, how was the flight? Yes okay not too crowded. Suddenly aware of having to speak in codes, chunks of language created by air forced through vocal cords squeaks like the reed of a wind instrument, and rolling articulated back throat cavities, deep volumes of sound, gasp and split bits of wet air that whistle and chirp for an instant in tongue, teeth and lip. Thought associates words which insist on naming things, integrate pieces of the jigsaw puzzle; a picture emerging as I speak, yet changing constantly according to the way the parts fit together.

Objects have that strange familiarity, rush towards me like old acquaintances… remember me? There’s a book on the desk, open it at the page where the marker was left the last time I visited. Return to that place but can’t recognize anything. The ‘now’ moment is here and in all other locations at the same time. All I can do is dig up a few artifacts from recent history before I have to go on again; the point of origin is so distant, I’d never find the way back to the beginning …

“The intimacy and immediacy of the now… is our only security. It is utterly vulnerable and completely secure. No harm can come to us in the now, no sorrow and no death. All our longing longs only for this.” [The Intimacy and Immediacy of the Now, by Rupert Spira]

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why?

matichon.cov1827POSTCARD 145: Bangkok: The front cover of the Matichon newspaper weekly supplement shows pictures of the Erawan Shrine with the headline: ‘why’, ทำไม (tham mai). Whoever is responsible for the bomb would have been aware of the damage to relationships with China, and aware of the damage to the Thai government for failing to protect the public. Seems strange to me that even though it’s a four-headed Hindu, Brahmin shrine, worshippers are mostly Chinese Thais and it’s popular with Chinese tourists from Hong Kong, Singapore, and the new wealth of mainland China, group-tours of families and young people mostly. Maybe it’s not political, an act of madness – the shrine has a curious history. Inevitable, though, that everyone assumes it’s political; the small cartoon character in the lower right appears in every edition of the Matichon weekly. In this one the character wears a black armband and is saying: “So now we have finally come to this!” A provocative statement – a comment about anti-government groups, trying to harm the Thai economy.

IMG_2291It’s a mystery. I visited the shrine yesterday, most of the barriers are moved away now, some repairs still to be done to the roof where the explosion blew off roof tiles. The pedestrian bridge is cordoned off with tape to stop people leaning over to take photos. The same great cloud of incence hangs in the air above a continuing throng of hundreds of people visiting throughout the day and night with their offerings and countless bowings of head and hands, burning incence sticks held in hands, and palms together as if in prayer (anjali). I’m amazed by the passion of the ritual, there’s always been some intensity of thought here – not an open free mind, it’s not meditative… it’s something ‘willed’. There’s an undercurrent of some sort of unknown energy, people cling to the idea of it, the deity can save us if we believe in Him; we worship somebody else ‘doing it’ on our behalf – we are subject to that.

Strange to see this, because Thailand is a Buddhist country and Buddhism is about not engaging with the ‘story’, it’s about understanding the constructed nature of what has been handed down to us and stepping outside of that to see the non-duality between ourselves and the world. Like the original Jesus Teachings, you simply ‘see’ the Truth of it; the reality that surrounds us all the time; like the Hindu Brahman, the Oneness, the God-state that’s here and now.

The people who visit here every day must be sincerely involved in mindfully finding their way through the busyness of their lives. Others may visit when they have an extreme situation they’re worrying about, they come for help; a desperate prayer for what ‘I’ want, what I think I need. I can’t imagine what they receive from this, only more of a focus on situations that are absent of that thing that is desired. Why? What can I learn from this? Is there a Teaching here? Or maybe there’s something wrong with the question. It could be superstition, misguided intentions, living in illusion; ‘the futile pursuit of happiness’ it’s always disatisying because it doesn’t do enough, I want more of it – the fleeting happiness found in consumerism doesn’t hit the spot.

Traffic noise echoes off the concrete structures all around. Heat and incence smoke rising…

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‘The ego’s attachment to power of any kind is linked inextricably to the fear of losing that power and thus becomes a source of suffering.” (Ramdas)

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History: In 1956, an astrologer advised building the The Erawan Shrine to counter negative influences and the bad karma believed caused by laying the foundations of the Erawan Hotel on the wrong date. Furthermore, the Ratchaprasong Intersection had once been used to put criminals on public display. The hotel’s construction was delayed by a series of mishaps, including cost overruns, injuries to laborers, and the loss of a shipload of Italian marble intended for the building. In 2006, the shrine was vandalised by a Thai man believed to be mentally ill. After smashing the statue with a hammer, he was himself beaten to death by angry bystanders.

before the beginning

IMG_0124POSTCARD 142: Delhi-Bangkok flight: We are reading the newspaper, sharing parts of the Bangkok Post. Jiab also has the Thai newspaper and other pages spread over the seats and folded into the magazine pocket. Comfortable environment; the aircraft furniture, cushions, colourful papers and books. It’s a pleasing, at-home feeling; this is our space – looks like a hotel room, not an aircraft. There’s the hmmmm sound of the engines and shhhhh of the air, not unpleasant. Soft pale daylight coming in through the window, and out there, the blue sky above the clouds stretching on and on, curvature of the planet… it all seems so strangely still.

Stewardesses come with the drinks trolley, five or ten minutes go by and the sky, the horizon of clouds remain the same. It feels like the aircraft is stationary, suspended in space, no landmarks, no indicators of time, no beginning and no end. If I say there is a beginning, I create linear time. Encapsulated inside this aircraft there’s the duration of time – there was a beginning (we got on this plane at Delhi), and there will be an end (we get off the plane at Bangkok). But outside the cabin window there’s only the vast present time – the continuing ‘now’ phenomenon enfolding and unfolding, transforming from the past into future in one continuous surging-through movement that cannot be explained. What a strange mystery it is; future time slides into present time, tomorrow becomes today, ‘now’ falls back into yesterday… something ‘remembered’ because it’s gone now.

Mind creates a structure to explain time, otherwise how could we understand the enigma of how the past has ‘gone’ and the future has not arrived yet? Hovering on the brink of the smallest pause before it gets here; the empty space of not-knowing what it is, and held like this for an instant. We are time itself – how to understand that? It’s as if I were standing at the bow of a small sailing boat floating with the current flow, the sense of moving forwards but no shoreline, nothing to judge which direction the boat is going in, or the distance from (or to) something or anything – nothing to say where we’re going or where we are.

I glance down the aisle at my fellow passengers; Japanese staff based in India, they’ll transit at Bangkok and go on to Tokyo. Wealthy Indian tourists heading for a shopping experience in Bangkok… are they aware we’re presently suspended in timelessness? Probably choosing to not think about it – never arriving, always on the way to get ‘there’ (but where are we going?). Mostly choosing to focus on whatever is happening ‘now’, and creating a story about that. Focus on my presence here in a seat contoured to fit the human body, tight squeeze, enough space for legs and knees with an inch of space from the seat in front – beyond that I can see into the business class section… always the grass is greener. I am one of perhaps 300 passengers receiving services from the staff; a baby bird, beak wide open, help… feed me, please.

Before the beginning there were no beginnings or endings; there was only the eternal Always, which is still there – and always shall be. There was only an awareness of unflawed oneness, and this oneness was so complete, so awe-striking and unlimited in its joyous extension that it would be impossible for anything to be aware of something else that was not Itself.” [Disappearance of the Universe page 122]

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Excerpts from an earlier post: flying time