the elusive moment

Posted on March 28, 2016 by tiramit

POSTCARD #198: THAILAND: In only a few days we’ve been to Bangkok, Hua Hin, and Chiang Mai , where I am now, alone with my headache that’s always here requiring attention, so I can’t do much else. Looking through the photos taken by my Thai niece M that come to my computer through our shared network. Images of the beach that carried so much meaning at the time, seem commonplace now… sadly not interesting anymore. It’s the experience of the moment; that great rush to take a photo, to capture that elusive quality of the moment. Later we see it as a record of the event, and the actual subject matter we were attracted to is caught in too wide a lens, overwhelmed in a landscape of other things.

Reminds me of the time I had to meet the Air France flight, arriving Bangkok 06.15 hrs. I got there in time, but the flight was delayed by one hour so there was time to sit in the seats at the tour group end of Arrivals, near Gate 10 and have a cup of coffee. Gate 10 is a lonely place where diplomatic vehicles park and tour groups gather, bleary-eyed and sleepless, having just got off the plane from some distant part of the world. The people around me were speaking Russian and I could see from the Arrivals board it must be the flight from Novobirisk. I googled the name on my phone and found that Novobirisk is a large industrial city in Asian Russia.

So I start to watch these Russians who are caucasians, like Europeans, and look like they’ve probably never left the area around their home in a lifetime. Stepped out of a time warp. They gather around their Thai tour-guide and have their names ticked off the list. Half an hour is allowed to have a cup of coffee; children run around, go to the toilets most of them are getting ready to get on the coach. Those who arrived first are now busy taking photos with old fashioned digital cameras, intensely absorbing everything around them. Taking photos with arms around the tour guides and taking pictures of everything; roof structure, walls, illuminated adverts, airport signage. Photos of each other posing in front of vases of purple orchids, dressed up in their best summer frocks and smiling for the camera. It’s as if they’ve emerged from black and white, greying photos of the 1950s, remote from anything I know of and yet there’s a familiarity; they could be people I knew in my childhood in the North of Scotland.

There are so many photos being taken, it’s like a small press event; digital camera lights flashing like strobe lights in a disco. I’m dazzled by it, blinded for a moment and have to look at the floor to allow normal vision to recover. Look up again and they’re leaving, the whole place captured in pixels and taken away back to Novobirsk, at the end of the holiday, where all the views of it are reassembled to form one composite image of the waiting area at Gate 10. ‘… and here is Aleksandra and Nikolai at Bangkok airport don’t they look so bright and lively?’

The tour leader has everyone present and accounted for and shouted commands gathers them together. Off they go, cameras flashing and blue lights twinkling at everything, on through the wide passageways and happily shuffling along with their luggage and running children. The mass exodus of the group is dynamic, all following the leader in front who’s holding a coloured flag high in the air so they can see it, moving as one great lake of beings in the direction of the coaches somewhere in another part of the airport.

And it’s suddenly quiet here at Gate 10, all the seats are empty and I still have time to wait for the Air France flight. This high-ceilinged place looks different, light slowly coming up and suddenly it’s daylight same as it always is. People again start to assemble in the seating area again; trickling in like water fills a pool. I see from the arrivals board It’s a group from Beijing, same as last time but the conversations are in Chinese.

In rivers, the water that you touch is the last of what has passed and the first of that which comes; so with present time. [Leonardo da Vinci]

————————-

Parts of an original post titled 30 minutes: https://dhammafootsteps.wordpress.com/2012/11/05/2122/

voice-over

Posted on March 25, 2016 by tiramit

POSTCARD #197: THAILAND: Arrived in Bangkok, then a small propeller plane to Hua Hin, 41 mins flight, ninety miles down the coast. Unaware of the Brussels bombings we walked on the beach, no people anywhere, where’d everybody go? Came upstairs to our room on 6th floor, switch on TV and there it was; the Brussels Bombings filling our hotel room from nearly ten thousand miles away. We were stunned by the coverage; BREAKING NEWS, coming to you live from CNN Center in Atlanta. CNN reaches the whole of the US, and as far West as Pacific Islands and Japan. Then the other way from Atlanta, all countries in South America broadcast in Spanish and Portuguese, East through Europe in all languages including Arabic and the whole continent of Africa. On through Asia to Australia who are so far down-under, the rest of the world is up-over to them. CNN facilitates this news and within minutes, the bombs in Brussels are exploding all over the world.

We wake up the next day and it’s the same thing, the assumption is that many people in the world haven’t heard the news yet. At breakfast there are developments that seemingly, we need to hear about, also in-depth analyses of what happened and why, with experts discussing it – showing the same footage with voice-over and the production beginning to take a particular form. But we can’t pay much attention to it, busy with getting ready for our walk along the beach. Understandable really, I think, being the only white guy here. Brown people over here and everywhere with black hair and dark eyes, who are not Americans but the majority of the world’s population, puzzled and a bit embarrassed by the CNN presentation. Inclined to ask what caused the extremists to do such a thing? Sorry but that’s the wrong question… CNN is broadcasting its opinion in all countries of the world, stepping into everyone’s lives and figuratively speaking blasting everyone with the aftermath of the bombings using the dismay, distress, and consternation as a vehicle to convey the consensus point of view.

My niece M who is 12, asks me ‘Why?” I have to provide a satisfactory answer, but the same ‘why?’ follows me and my explanation. Then the extended form: ‘but why?’ all the way through my reasoning as we get into the elevator and she stops asking only when we reach the bottom, running out and down to the sea. Our early morning walk along the sand, and again we are the only people there, leaving a trail of footprints and the only others are those of the birds, M running ahead stopping to take close-up photos with my phone and her ‘why?’ more concerned with why do the footprints look as if they’re embossed on the surface, relief sculptures, rather than hollowed in the sand, strange – once you see it that way it’s difficult to see it the other way.

Back up to the hotel room and the show must go on. Intense music, bright red colors and talking heads appear. They seem to ask and answer questions but the dialogue has been scripted. Frightening scenes of devastation from an on-the-spot location in the danger zone while we are in a safe place at home, made to feel like voyeurs at the battle scene: ‘This is coming to you live’ yes but it’s an act, rehearsed, decided on by an editorial team who take advice from those obscure unseen advisors making decisions, about how the facts should be portrayed.

The dialogue looks spontaneous, and informative (I’d like to be a fly on the wall of these studios and see how much of an act this really is), welcoming the invisible third party, that’s us, the part we play as passive listeners mesmerised by the act, struggling in a bewilderment of feelings, holding on to this induced attachment to TV that we’re kinda comfortable with anyway and only later realise that by passively acknowledging this version of events, we are committed to seeing it that way.

CNN is now established ‘in the danger zone’, with easy-to-understand explanations and we allow the hypnosis to deepen by passive acceptance of it entering our living rooms – George Orwell’s 1984 propaganda TV reassures the population it’s all being taken care of by those who know what to do, although the threat of it continues. We know there’s something happening, it’s as if it were orchestrated, quite obvious really, but somehow hidden. Curious why we allow it to be there, but we feel we’re already committed to the CNN point of view, and that rewarding, induced, comforting mind-state takes over as we fall into our places in front of TV.

The next day I go into Google and find it has a Wikipedia entry already. Still there’s the question: why are these Islamic extremists targeting us? Could it be that it’s the result of something we did to them? Sorry but there’s something wrong with that question. History is made by those who won the war.

I’d like to explain to M how this illusion is constructed but cannot. So I’ll just have to hope she’s has a good enough grasp of English soon so she can read this post sometime and understand it after I’m not around any more.

————————-

Photos: view from our hotel room at the top and the others are footprints made by a bird and M’s footprints as she studied the image on the screen that made it appear to be embossed on the surface.

the visitor

Posted on March 12, 2016 by tiramit

OLD NOTEBOOKS: BKK: I had a job as an illustrator many years ago, 1985 I think, part of a lifetime spent shading-in with a Rotring pen, and touching up with typewriter correction fluid, whiteout liquid. No computer enhanced imagery in those days – no computers. Cut and paste was not the metaphor it is today – it was done with a real pair of scissors and glue. But usually I’d sit for hours at the desk without much movement, only the hand holding the pen, carefully searching for form… a happy silence in the room on the top floor of a Bangkok shop house with door leading out to small roofed terrace and bougainvilleas in large old clay pots, red and pink blossoms everywhere. Very little traffic noise, blue sky, and few people came to see me there; I was happily alone in this self-contained apartment for many days at a stretch.

The small lizard (gecko) came to visit me one day and I hardly noticed it at first, a small rustle and clink sound from somewhere on my art table, covered in all kinds of drawing equipment, books and discarded papers. The clink sound again got my attention and I just sat still and waited to see what it was – so completely still, a spider could have spun a web in the spaces between my fingers. Then another rustle in the bits of papers on my desk, discarded sketches and cut paper crumpled up and trashed… and there it was!

Aiming for the cup of coffee gone cold, forgotten, but it was the spoon for the sugar, stirred into the coffee; it was that that it wanted – lying there in a tiny spill of wetness on the surface of the table. It must have come here before, it knows about the coffee spoon. I see its small head get nearer and nearer to the spoon, alert and aware of any movement. But I am a mountain, unmoving. The tongue extends out, lick, lick, and it gets into the hollow of the spoon with its tiny front feet, there’s the same clink sound, caused by the weight of the small creature.

The next day, around the same time it came back and sure enough, headed for the coffee spoon, lick, lick, lick, and it was gone. As the days went by, I got accustomed to it arriving, always around the same time. Then one day it didn’t come, in fact I couldn’t remember the last time I’d seen it. Sometimes I’d see it moving up the wall by the door and out through an open window to the roof terrace and the bougainvilleas outside. So I got up from my chair and out to the terrace also to see if the plants needed any water from the storage tank… and there it was, in the tank! Not in the water but standing ‘on’ the surface of the water!

Surface tension, amazing! I didn’t know lizards could do that. So I backed out of the terrace and left it for a while. When I went out again the lizard was still there in exactly the same place. I looked at it and there was something about the way it looked back at me: Get me out of this predicament, please? Hmmm was it not able to move because the surface tension would give way and it would sink? I went inside again and searched for the plastic mesh container for A4 paper and all kinds of junk, emptied out the contents and went out to the terrace.

Carefully sinking the plastic mesh tray into the water then over and down, under the lizard. Slowly scoop it up, out of the water and I placed it down in a shady corner on its side so my small friend could crawl out of and run away and hide. That was the last time I saw it (sad). I worried about the affect the sugar and tiny amount of caffeine had had on the lizard, and felt guilty about that. Maybe it induced a kind of lizard ‘high’ resulting in unwise decision-making and stepping out on to the surface of water. Ah well, if that was the case, I saved it in time…

————————-

cruel pillows [part two]

Posted on February 6, 2016 by tiramit

OLD NOTEBOOKS: Delhi: You may know already about my permanent headache caused by PHN on right side of the head and I’m a Buddhist so I can’t appear to be too grouchy about it. I can walk around gently balacing this headache, do my shopping and as long as things are simple and easy, I’m okay. I’ve been researching the kinds of pillows available in Chiang Mai, Thailand. It’s an on-going search because of my disturbed sleep at night. And it’s not easy in Chiang Mai a country town, where the staff are trained to smile, look nice and be elegant, but they don’t actually know anything about the product: I want to buy the softest pillow you have please?.

The sales girl shows me a pillow and poses beside it as I give it a little squeeze with my hand and she smiles. It’s not soft enough, try the next one, squeeze it, and sales girl, elegant, posing gives me a little smile again and I’m beginning to feel, get me out of here, there’s a headache coming on. I try every pillow they have in the shop and the sales girl is tiring of the instant smile when I squeeze; but I buy one because she was so good at posing beside the product. Get back and crash out with a bad headache. My side of the bed is full of pillows tried, discarded, there’s no space for any more.

Eventually I find one in Delhi and this pillow is so good! I take it with me everywhere; a totally soft pillow placed in my suitcase on top of everything. It’s also a good way of holding a whole lot of loose items tight in an oversized bag because the pillow expands into all the corners when you squeeze it in and zip up the bag tight. So, fling in loose items like pens, cables, adaptor plugs, knowing that the expanded pillow will hold everything in place and get to the other end, take out the pillow and everything’s like a screen-shot of how it was when you were packing at the last minute.

So I took it with me to Switzerland then all around the UK and back to Bangkok. One morning, early, Jiab puts the pillow into the washing machine. I see my pillow pegged out there on the washing line and I’m in a state of shock! Yes, she says, pillows can be put in the washing machine and I have to go out to look at it a few times hanging there in the hot sun, but it it wouldn’t dry out enough so I had to improvise something else that night and was tossing and turning for hours… cruel pillows. It was dry by the end of the next day but when I tried it that night, it was lumpy.

So I found another one in India, a crafty- artisan place, wild cotton filled fragrant pillow, I was assured. I tried it one night and it was great, so good to rest the head and feel normal. Then a couple of days later, I went for an afternoon nap – the headache is always better when it gets laid down. And, lying on my side with ear planted deep into the soft cotton, I was just drifting off into sleep when I hear something moving inside the pillow! An insect? A tiny lizard? Something struggling to get out from the weight of my head for some reason. The thing is you get insects and ‘things’ in the strangest places here, and not impossible that, when the pillow was being filled maybe some cotton-habitat creature ended up in there. So I opened it up, scissors at the stitching at one end. Spread everything out on the floor. No insect, no small creature… maybe it scuttled away unnoticed, aha! freedom, didn’t see it, but I did find some leaves and a bit of a small branch. Well, getting that all cleaned out and stuffed back in again was not easy and there was quite a bit left over. Never mind, stitched it up again with needle and thread, Then the final fluffs of cotton removed and got it back into its pillow case, slightly slimmer and looser, slowly lowered my head on it and it was wonderful, even better than before. So good!

I’ve suggested to Jiab we open up all the hard pillows in my collection and take out some of stuffing but so-far she’s unconvinced…

high altitude pain

Posted on January 15, 2016 by tiramit

POSTCARD #187: Bangkok/Delhi flight: The journey is by way of a series of crowded corridors connected like tubes in a telescope, one inside the other, becoming smaller and smaller, reduced to squeeze us into the self construct; the way we are and the lifetimes lived with it. The ‘me’ in the body, the voice in my head, the narrator telling the story. This is how it is… and already there’s a sense of distance from the world (‘this’ was). Keep moving, we pass through security as if it were the eyepiece of the telescope, examined through a lens; cameras watch us standing in line. We are subject to causes and conditions… shoes off, gentlemen remove belt, anything in your pockets Sir? Take off watch please. Enter the X-ray cubicle, stand with legs apart, arms extended, wind blows clothes aside and hair ruffled. I’m suddenly aware the viewer behind the lens can see everything underneath clothing. Shoes on, thread belt through loops, pick up watch and things. Collect computer from tray put it back inside bag and get organised. Step out of there, aware, balanced, easy breathing and it’s okay right now (except piercing high frequency air-conditioning sound, waiting for pain to arrive but it doesn’t come), sensory mechanisms function without my involvement. Continue with the slow foot shuffle (high pitched voices, mysterious kerfuffle), but we’re all moving along here. I’m like an antenna receiving data; seeing, hearing, smelling, tasting, touching and cognitive functioning receptor, waiting for things to happen.

Hand passport to officer, look at the camera, facial recognition, the self I inhabit… this is who I ‘am’ (the same as everyone else ‘is’). The officer stamps twice, thump… thump (the sound of it), walk through and out to the duty-free extravaganza (piercing light enters neural pathways), suddenly blinded for a moment in the reflected glow of gold watches, jewelry, the made-up lips and eyes in vivid, max-pixel pictures, videos of popular celebrities, cosmetic dentistry, facial alterations, images in unflawed focus and good-looking lighting; commonplace works of art, masterpieces of trivialities. I could use the television analogy; I’m watching this channel and all the other people are watching their channels – and if there were separate channels for every single being in the world, that would be the correct analogy.

We’re in another tunnel sloping downwards, becoming smaller at the end where painted ladies wait, show me where I have to go; turn right into an even smaller tube with seats on either side of a corridor, and I’m in my numbered seat. It’s made to measure, low ceiling, knees touch the seat in front, elbows touching the guy next to me, hairy arms. It’s like being on a bus at night, except less space. No view from the window, can see only the blank video screen at eye level, 18 inches in front of me… everything is too near and a feeling of blackness. Try to read my book on the Kindle but the words appear strange, three-dimensional, as if embossed on the screen, the lines of text are not straight; flowing in a gentle curve. Then I feel the pain behind my right eye like a sharp steel knife entering my head, and pushed right up to the hilt. Gasp! The painted ladies bring me a plastic glass of water. Searching in my pockets for the meds…the huge pain has reached its max, the steel blade withdraws; a devastation of everything, catastrophic, frantic looking for something to hold on to, or let go of, and it all tips over like a building falls on its face in slow motion, desolation, wreckage and some relief as I see it’s not happening to ‘me’ – it’s not ‘my’ pain, too big for that, much too big. It’s the force of pain on its own, like the huge wind blows, the vast rain falls, a storm at sea. Swallow two capsules, lie back, close my eyes and the curve I was seeing earlier becomes the curve of a thick dark smoke rising up from my head, swirling up through the paper-thin structure of the plane, the sky above and space all around.

Relaxed with the seat back, pain gone and all that remains is the sound of the engines at 600 mph and altitude 38,000 feet. The mind makes a ‘story’ out of it, a stretched sense of reality that includes the video I’m watching in the darkness. Memory allows all kinds of out-of-context events to be there and acceptably part of it.

Landing, bump… bump, long lumpy runway to get to the airport buildings, then the clamber and struggle for overhead baggage, push, shove. Intrude, squeeze as they do here, full body contact with total strangers, and out into a tunnel again, more tunnels becoming wider, wider then a corridor and out onto the miles of ochre coloured carpet with patterns of planets and stars. High speed moving walkways and we’re in India.

“God is a mythical word, a mumbo-jumbo word that is the invention of the priesthood. Actually, to ask whether God exists is absurd. God is existence, the very isness. When we say God exists we create something out of the word God, then God becomes a thing. But God is not a thing, nor is God a person, he is pure existence. The word is misleading because the word personifies. It is better to use the word existence. The totality of existence is God.” [Osho]

————————

Photo: Free internet image
Quote: Source, God is Existence itself – Osho

obviously unexpected

Posted on January 12, 2016 by tiramit

POSTCARD #186: Bangkok: Easily said in hindsight, but there’s a sense of helplessness, as I take leave of the birds nesting in the ceiling fan; now it depends entirely on their strength and vigor – anything could happen to these small creatures … and it’ll all take place without me being here because I’m leaving. Bag is packed on my way to the airport, flight to Delhi and swept away in the wave of circumstances. It was that kind of unexpected situation that obviously decided everything finally when we had the birds on the balcony the last time, in Switzerland.

Things came to a head. Events occurred, a change, suddenly this U-turn showed up and we had to follow it around. I was lying on the sofa in the front room, one day, head propped up on a large cushion, staring at my feet down there and the vague space beyond, when suddenly I became aware of something moving in the room, a shadow reflected in the shiny floor surface. A bird with folded wings striding boldly across the floor… quite far into the room – HEY get out of here! Strange to have a wild bird suddenly fly across the room, bird-wing-flap disturbing the air, the acoustics – a very odd thing. It shot out through the open door, into the outside world, straight over the balcony rail and immediately gone in a direct line further and further away in the vast sky until it vanished as a tiny dot.

I stood on the balcony and watched it for a moment then dismantled the perch I’d built and removed the artist’s easel; scraped off all the bird mess and washed down the whole floor. It’s that farmyard thing; dung and downy feathers blowing around inside the apartment because we have to have the balcony doors open in the hot weather, and even if I vacuum up all the feathers, one or two still seem to be fluttering through the rooms of the apartment. My wife Jiab continues to be nice about it but doesn’t actually answer the question when I ask how she feels about the birds. So it’s that awkward silence…

When the birds came back in the evening, there was tremendous confusion: where’s our perch gone? Flapping of wings, feathers flying and hovering in the air where the easel used to be. Then one of them figured it was a good idea to perch on the door stop bracket at the top of the door – never noticed it before – it sticks out about 5 cm with a rubber stopper on the end. An ideal perch. Also the top of the door, which had to be open in the warm evening. So much flapping of wings to see who had the right to be where, the doorstop perch seemed to be top in the hierarchy. That night I put out the easel again (for the last time) and things quietened down, back the way they were.

The following day, after the birds left, I cleaned up again and took the easel inside, locked the door and we were off for a week’s holiday. Mixed feelings, we left them to look after themselves, letting go of attachments. It’s always like this, uneasy feeling, leaving the place where you were. Gratitude for everything received here, loving kindness, anjali, blessings, time to move on…

Our skills and abilities all come from the kindness of others; we had to be taught how to eat, how to walk, how to talk, and how to read and write. Even the language we speak is not our own invention but the product of many generations. Without it we could not communicate with others nor share their ideas. We could not read this book, learn Dharma, nor even think clearly. [Excerpt from: “Eight Steps to Happiness” by Geshe Kelsang Gyatso]

————————-

camouflage

Posted on January 9, 2016 by tiramit

POSTCARD #185: Bangkok: It might look like a small heap of dirt stuck in a ceiling fan, but it’s a bird’s nest and the tiny bird, hatched out, is just sitting there, not moving… camouflaged, trying to look like a small heap of dirt stuck in a ceiling fan.

Almost impossible to see, but there’s a shape of a head there, and a small body. I can see it sometimes when it appears from under the wing of the parent bird but whenever I lift the camera, parent bird glares at me with this slightly fierce stare.

As soon as the parent bird leaves the nest, the other one gets in… unless I’m standing on top of a chair wobbling around with a phone camera and not getting anywhere. So I’m looking for an opportunity to get a better pic but that’s the best I can do without disturbing things too much.

Yep, some familiarity with this kind of situation because this is the second time around. We used to have doves on the balcony in an apartment on the seventh floor, 70-80 feet up, well above street level, above the treetops, just clouds and sky. I was surprised the birds would fly as high as seven floors. They’d come in the evening, stay the night and fly away each day at dawn – I should say they flew down each day because there really wasn’t any up. Following is a section of notes made at that time:

old notebooks: The birds have decided to roost on that big old artist’s easel on the balcony we have no room for in the apartment; somehow sculptural, artistic in a puzzling conceptual way, birds perched on the cross-piece and silhouetted against the evening sky. I’ll have to try to get them not to roost there; the smears of paint on the easel are becoming more of an ochre/white/grey smearing and dropping off onto the floor.

I spent the whole day today building a structure of bird perches made from bamboo canes bound with string, glue, duct tape and screwed to the wall. Then I waited until evening when the birds came back… but they didn’t seem to notice it at all and continued to perch on the artist’s easel. It must be about having your own place and your own identity, ‘self’, this is ‘my’ territory; this is me, myself, and this is where I am. None of the birds moved from where they were, and my elaborate new perch remains unoccupied.

Two days later: new birds have arrived and assembled on it, checking out the situation with this nearly 360 degrees sweep of vision they have, and thinking, well, it looks like this fine perch must be for us! But the old birds on the easel don’t like the new ones on the perch. There’s some upset-wing-flap and the deliberate pushy invasion of each other’s space with puffed-out, chest and assertive walk thus forcing the unwanted bird off its perch. Gained some understanding of the term: “the pecking order”.

About 15 birds now on the balcony, too much noise every night, small feathers blowing around and coming into the house. My wife Jiab really doesn’t like the idea of it and has spoken wise words about how it is getting quite crowded out there and how this is getting to be a problem. So I have to persuade the birds, I invited to stay, to go away… that’s a whole story in itself and I’ll write about it later.

LATE NEWS: I managed to get a very blurred pic of the nest and I think there are two hatchlings, not one.

————————-

ceiling-fan-nest, 1 egg

Posted on January 6, 2016 by tiramit

POSTCARD #184: Bangkok: The ceiling fan is situated in the open air of the balcony and hasn’t been used in years – the on/off switch sealed with Scotch tape now the birds have claimed the space. When the nesting bird left this morning, I took the photo, standing on a chair with arms stretched up, hands holding the phone-camera at a slight angle pointing downwards at where I thought the nest would be: click… a few tries and I got the picture showing the egg in a fragile little nest, then got down and quickly put the chair away. A very small nest, temporary structure made from stalks of grass individually placed. There’s lightness, like the wind and the air about it.

Shortly after that, the parent bird comes back, sees me watching (it knew I had been up there), looks around with an almost 180° sweep of vision that brings the cranium all the way round as far as it’ll go, then back the other way to where it started and there’s just that little bit of vision obscured by the back of the head. Also some movement on the vertical plane looking up and down with eyes on each side so, somehow choosing which eye to focus with. The head appears to spin around over the top in and in absolutely any direction… it makes me quite dizzy to watch. Bird gets back on nest by sliding through the upper bar of the ceiling fan guard and shuffling in.

Now I’m pacing around the room wondering if this is what it feels like to be expecting a child? The womb is placed outside the body; parent bird feels pecks from a small beak. Tiny beings find there is a way out of their enclosed shell. They learn how to fly quickly and abandon the nest to the monsoon winds, which will demolish it immediately.

Our own life is the instrument with which we experiment with truth. [Thich Nhat Hanh]

————————-

birds nest update

Posted on December 31, 2015 by tiramit

POSTCARD #183: Bangkok: I have to say that there’s not a lot happening here. One bird is tucked away down inside the ceiling fan wire guard and the other bird flies in with two or three longish springy lengths of leaf growth I can’t really identify. The seated bird inside takes the nest-building material in its beak, pulls it inside the enclosure and tucks it in around the space. The other bird watches for a while then flies away. In the photo you can see the long tail of the seated bird sticking up. The bird is inside the wire cage of the ceiling fan and the other one perched on top watching me take the photo.

Most of the day I’m sitting next to the glass doors of the patio, reading my book and a small flicker against the sky tells me when a bird is either coming or going. Strange how this whole thing is happening a second time… some years ago in Switzerland a couple of birds built a nest on the balcony and I encouraged this in the same way I’m doing now; next thing we had a whole colony of pigeons and doves, creatures of the air perched out there on the balcony among old discarded objects and summer furniture. I wrote a few posts about the experience, excerpts follow:

Switzerland, August 29, 2012: Awake at 4:00 AM this morning, came through and switched on the kitchen light; old style fluorescent neon tube-light, flicker-flicker flick. And a bluish white light everywhere with electronic buzz you don’t notice after a while. The light shines through the windows illuminating the balcony of this 7th floor apartment and the pigeons wake up. A very loud sound: croo-croo, croo-croo, croo-croo, croo-croo! So I switch off the light again and they’re quiet as soon as I do that. Now I’m sitting in the darkness, held back in my domestic activities by the wildlife on the balcony. What to do now? Can’t read my book. Stand there in the darkness, and it takes a moment to notice the silence the birds are in. I sit in my chair and fall into meditation state… first thing I’m aware of is entering the quiet space of the perched birds – so silent here, 7 floors above street level. There’s a presence around these birds in roost mode; it takes my breath away, winged animals, so close to me… metta loving-kindness to all beings. I can’t see them but I know I’m very close to a small family group inhabiting the balcony. Two adults and two young birds and there’s another one – the mysterious ‘other’ … the alpha male has taken a second wife? I’m saying this because in the evenings there’s often some extended flapping of wings as they get their places in the hierarchy settled for the night – it’s like who gets to be next to whom. I can’t imagine… return to mindfulness mode.

After a while, and maybe I’ve fallen asleep, the wing-flutter, flap gets my attention, in the light of very early morning. Then there’s an odd silence in the bird group out there; no wing-flap. I get up quietly and go over to see. They’re poised on the balcony handrail; all looking out, little necks extended, heads focused downwards on the space below; the great swimming pool of sky. Still no movement. Then simultaneously they burst into an instant wing-flutter-flap-flick of feather tip flip of flight, and they’re gone. As one unit they drop over the balcony and down. A moment later I see them swoop and swirl in a great arc in the sky then on eye level with this 7th floor and in a direct line away from me, they vanish in the distance.

‘… so with a boundless heart should one cherish all living beings; radiating kindness over the entire world: spreading upwards to the skies, and downwards to the depths; outwards and unbounded, freed from hatred and ill-will. Whether standing or walking, seated or lying down free from drowsiness, one should sustain this recollection.’ [from: Karaniya Metta Sutta]

————————-

Happy New Year Everyone all the best for 2016

every picture tells a story

Posted on December 29, 2015 by tiramit

POSTCARD #182: Bangkok: Some kind of cute little long-tailed dove-like bird has built a tiny nest in the ceiling fan we never use that’s outside on the porch; formerly the porch was where compulsive smokers would sit and flick ash into their ashtrays. Then smokers became less and less, dwindled away, became non-smokers like everyone else or joined la résistance, an underground movement. The fan hasn’t been switched on in years, the ashtrays were removed and everything was renewed, painted and no one ever went out there again.

So the birds decided it must be for them. We’re now standing behind glass doors, watching a bird arriving with small twigs held in the beak and squeezing through the bars with the structure of twigs to create a small nest base inside the metal guard. The process strikes a memory of another post in this blog from our time in Switzerland [Birds on the Balcony 1] about pigeons nesting on our balcony up there on the 7th floor. I had no camera and made a sketch of it.

The nest was in the old Christmas tree bucket we’d just put out on the balcony after Christmas had been and gone. Some of the bells and everything still dangling from the branches, the faded coloured paper of Christmas-Past… a forgotten thing. So the bird(s) just went ahead and built a nest in the abandoned tub. Strange really because the wrappings were intact, it was as if it were a continuation of a pagan rite. After a while two eggs appeared, which became two living beings with wings – and I saw the whole thing; their getting fed from the beak of the parent bird and the flapping of little downy wings. The birds on the balcony were the main focus of my attention for a long time. I feel I know such a lot about rearing birds, I’ve been through the whole thing.

Early on I realized they build their nests near human habitation because the proximity to humans is a good thing; humans chase away crows. And it was then I knew I had a part to play in this little family situation, patron and benefactor, and sure enough, security system… I had no time to prepare.

One day, I was looking out at the two cute little baby birds all huddled up in there, parent bird off to get food leaving me in charge, and suddenly I become aware of a black shape in the centre of my vision. It didn’t immediately click in my brain that it was a huge crow because maybe it’s so black, mysterious and a peculiar invisibility, a photographic negative, something that’s not supposed to be there, glinting a kind of deep purple and blue… a being materialised out of the unknown. And I’m kinda, speechless; hypnotized by it’s presence.

It slants its head with long pointed beak in the direction of the baby birds and makes a hop in their direction. I fall out of my chair, knocking over a few things in the scramble to get to the balcony door; collisions with the furniture: then a primal roar: ‘AAAAAHHHHHH!’ and wild flailing of arms, fling open the sliding glass door and the crow was gone, two little birds happy and safe, barely aware of the interruption.

My relationship with the birds became quite bonded since the visit of the crow and I felt a certain sadness when they both got their flying sense and left the balcony. Now another opportunity arises to see the beginning, and not the end….

Beauty is not caused, it is.
Chase it and it ceases,
Chase it not and it abides.
[Emily Dickinson]

————————-