awesome selfie stick

IMG_2296POSTCARD 150: Delhi: To start with, it felt like a small insect bite. The painful part was just out of my vision on the back of my shoulder – impossible to see it in the mirror, so I ask Jiab to come and take a look. She studies the mark on my shoulder and says, “it’s a…” (pause), silence for a moment – looking at it thoughtfully, “It’s a…” (can’t think of the English word). I find a small hand mirror and try to see my reflection in the large bathroom mirror. Twisted around, contorted and awkward, but still can’t see it so I ask Jiab to tell me what she thinks it looks like. She says, “peempo” (pimple) her voice is so close to my ear it’s like she’s shouting. Then, silence, focused on trying to squeeze it with fingertips… doesn’t answer my questions because one can’t squeeze pimples and speak English at the same time. I can hear her holding her breath, small sounds of effort: mmmnh… but I find it’s too painful; get the phone out of my pocket, go to the camera app and ask her to take a photo of it. She takes a close-up: click! Shows it to me… oh, I see! It’s not “peempo” (pimple), singular; it’s pimples, plural. Many of them… and then I’m aware they reach up under my hair too.

We go to see the doc, show him the unpleasant skin rash and tell him about the headache and neck pain all the time. He takes one look and says: herpes zoster virus, it’s Shingles – Jiab says chingo… in Thai they call it ngoo sawatdi (snake says hello again). The doc tells me it’s the chicken pox virus we get when we’re children that remains dormant in the body for decades, then “wakes up,” or reactivates. Why? Maybe because I just came back from four weeks in Scotland, fresh hilltop air, and must have lost the immunity to infection I’d acquired as a long-term resident foreigner in South Asia. Who knows… it just comes back.

This is how it is for me now, headache, pulsating on and off, all over the right side of the head and neck. Doc gave me ant-viral tabs, ointment and pain med, saying it’s a neural reaction to the skin lesions, and (interestingly) the nerves below the surface of the skin tell the brain there’s pain inside the body. This sets off major alarm systems and you feel it deep inside. I have to get around the fact it’s telling me all the wrong things about the location of the pain – stated also with a kind of urgency, like, Pay attention! This is serious… so I’m starting to worry it’s a brain tumor. And it’s not that, it’s actually in the upper skin layers.

Sometimes I sit on the meditation cushion and wait for quietness to come; thinking and thought has its own momentum, takes time to settle down, then the openness to the pain experience is just totally there for a moment. There’s the default sense of self: hey, this must be happening to ‘me!’ then an initial frantic search for an alternative that runs on automatic takes it out of the normal context. Mind does a bypass, and for an instant the pain is not happening to anyone – there’s no ‘me’ engaging with these thoughts. The awareness that a thought was just there, but now nothing remains except the awareness that I can’t remember what it was… and the sensation of pain, like the hummmm of an old fluorescent tube light that needs to be replaced.

‘The mind is the canvas on which our thoughts are projected and is part of consciousness. Our body is a holographic projection of our consciousness.’ [B. M. Hegde, cardiologist]

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Photo source: PnnB on Thai social network

9/11/2015: perception

September_14_2001_Ground_Zero_02A Buddhist Reflection: Survivors describe how, after the debris and dust settled, there was only blue sky where the twin towers used to be. It was as if the awful devastation hadn’t occurred, mind turns away… natural reaction, a kind of sleight-of-hand,  conjuring trick – one thing becomes something else, what is seen and what it appears to be merge together. Human beings have a deep familiarity with the illusion – everything we see, hear, smell, taste, touch is perceived. Consciousness of the world unfolds and thought rationalises how it appears to be. It’s this, it’s that, the illusion insists on being there until things hidden and obscured are revealed and we cannot return to the unknowingness of how it was before… ignorance is a kind of ignoring.

Form and formlessness; there are planes, explosions and buildings disappear. The video running continuously on YouTube for 14 years, I know the sequence in detail. I also know how the mind habitually joins up all the loose ends of awareness input, interpreting reality, perception is interpretation. Now you see it, now you don’t… a technology that can break up the molecular structure of concrete, turns buildings to dust – hoover it all up, remove melted steel remnants and everything is gone. I try not to think about it anymore; war and disaster, samsara of violence, distress, pain, fear and that underlying sense that something about this is not what it seems to be… learning to live with that uncertainty.

Mind is powered and driven by TV news – forgetting that it’s just a presentation, a performance in the studio. Hair-styling, cosmetics, the newsreader is an actor reading from a script. TV news is a created product based on an event manipulated to get it to fit into media format. TV news producers create a scenario of righteous anger, Sodom and Gomorrah retributional justice; it’s all ‘their’ fault, not our fault, blame and guilt… complicity. The tendency to contract into self, ‘I’ caused it to be ‘wrong’ – no, I don’t want to think about this anymore, don’t want to dwell on anything sinister…

People living in war-ravaged countries (such as Iraq for example) know that when a traumatic event takes place everything changes. After the disaster, our surroundings are seen in a different way; in the aftermath of this truly catastrophic circumstance we come to realise that the smoke was actually dust. What we believed in before this happened disintegrates, a basic truth now included in our worldview… nothing is permanent – history taking place before our eyes. Fourteen years after the experience, some ease can be found in simply knowing the ‘terrorists’ created a shockwave that unknowingly opened a window of awareness to world attention.

Dependent on the eye and forms, visual-consciousness arises. The meeting of the three is contact. With contact as condition there is feeling. What one feels, that one perceives. What one perceives, that one thinks about. What one thinks about, that one mentally proliferates. With what one has mentally proliferated as the source, perception and notions resulting from mental proliferation beset a man with respect to past, future, and present forms cognizble through the eye (Majjhima Nikaya, I, 111–112).

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Photo source: Wikimedia Commons – https://commons.wikimedia.org/wiki/File:September_14_2001_Ground_Zero_02.jpg#/media/File:September_14_2001_Ground_Zero_02.jpg
[See also earlier posts:
9/11 2014,
9/11 2013
9/11 2012]
Related source: ‘Working with Perception’ by Ajahn Sucitto

 

improvisation

IMG_2123POSTCARD 149: Delhi: Mall architecture, astonishingly playful buildings, concrete and steel monuments and shrines to maya (sanskrit: illusion) – in Chiang Mai they even named a shopping mall ‘MAYA’. The population welcomes the idea; step into the illusion… air-conditioned, bright and colourful. More and more of these in Bangkok, over the top – a lightweight upbeat city culture, low labour cost and construction projects are ongoing. Something hopelessly inevitable about it careering towards the relentless consumer culture of the West – except that in the East, people are more likely to ‘know’ when they’re stepping into the illusion. Cultural tradition, awareness and vestiges of spirituality; besides, everybody here knows that if somebody is in the market trying to sell you something, it means you have the option to negotiate a fair price… not so in the Mall, and that’s why so few people go there.

The Mall culture affects only a small percentage of the population (sounds like a virus) and, I have to say I’m sometimes part of that minority; the need for essential things for devices, bookshops and a good baker. To get to our mall we have to drive out of town and the three-building complex is situated in an undeveloped area – there’s a fourth building going up at the time of writing. Construction site workers’ community nearby, chickens and goats in a hot dry, dusty landscape. Come off the highway, through a great winding turn of rough unsurfaced road, potholes and puddles of water and into the short entry, manned by security – car examined, mirrors held underneath, look in the trunk, the engine. More security at the entrance, metal detector and security guards carry out a full body search before you get in the door.

It’s as if the whole concept of consumerism is subject to scrutiny; not as easy as it is in the West to simply be ‘pulled’ into the Mall like a magnet and disinclined to escape from the illusion. For many people the whole thing seems impossible to change, situated at the end of the consumerist food chain, as they are, and trapped in that predicament. No alternative, we have to purchase the product because we can’t create it ourselves – so far away from the artisan, so far away from doing things ourselves. People believe they can’t improvise… forgetting that the whole thing is improvised… language is improvised, life itself is improvised. All the systems that are in place were improvised to start with, and even though we may be subject to skillful marketing strategies, there’s still the innate ability to be creative, to improvise, to invent, to innovate, to find a way out of the illusion.

These carnivorous marketing creatures have to be gently pushed into the background in order to bring what’s really meaningful in life into focus. There’s a lightness, a floating in the air… the open-endedness of the human situation, groundlessness.

“What can we gain by sailing to the moon if we cannot cross the abyss that separates us from ourselves?” [Thomas Merton]

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photo: shopping mall Bangkok

space and far-away things

IMG_2298POSTCARD 148: Delhi: bare feet on marble floor surface, pad-pad-pad, darkness in the front room, no daylight coming in through the glass patio door. What’s the time? Blinding light of my phone left on the desk: 5.15 am. I know my way by feel, through between furniture, mindful not to stub my toe on chair legs, and unwilling to switch on the light that hurts the eyes. Gentle with the mind/body organism waking up after having been parked, horizontalised in sleep mode for 8 hours. I know where the ceiling fan switch is… ting-ting-ting and I can depend on the laptop screen to illuminate the room – switch on the machine and it’s like a car headlight in the room, I need to turn my head away to avoid the glare.

There’s a pair of prescription sunglasses I use for this harsh brightness. Peer at the screen, scroll down through Word Press Reader and discover: Zen Flash: Tibetan Singing Bowl Meditation: Session 2 (27:30), click on the link. Plug in my ear buds and enter a huge, wonderful landscape of sound, space and far-away things – an entire panorama inside my head. But is that some conversation in the background or people chatting outside the house? Here in New Delhi there’s something going on 24/7. Is there a dog barking in the distance or is that on the sound track too? It seems at first that I need to differentiate, the ting-ting-ting sound is not the sound track, it’s the ceiling fan. At first I feel I have to be able to know what’s happening inside and outside of the listening zone, which is which? Then it doesn’t matter, it’s okay, accept it all as a oneness.

Back to the screen, open iPhoto library, and there’s the pic taken at Khan Market, a popular area; bicycle propped up on its stand in an alleyway. Left in the middle of the road, why? The owner must be somewhere nearby. Tibetan Singing Bowl sounds swirl around this bicycle, empty sack tied on the back, with a box on the front. There’s a presence of the owner – choosing to leave the bicycle in plain sight… he must know that everyone knows it’s his. It’s like the whole world is one large room; domestic life without walls, centuries of open-air living. There’s this quality about India – if you’ve ever been here you’ll know what I’m talking about. It’s not about visiting ancient sites or jaw-dropping experiences that fill you with awe, it can be simply the fragrance of incense, candlewax, ironed cotton clothes; an aura arising from something olfactory, the strange familiarity of cooking smells.

Fragments of people’s lives; a hugeness of ordinary things, a sense of loving-kindness and well being in the millions of every-day events taking place inside homes. Inside my home where we’ve lived for nearly five years, the Tibetan Singing Bowl Meditation track has birdsong, a sound like an aircraft passing overhead, voices outside quietly whispering. I look up to find the music has stopped, sounds from the world enter the room, faint daylight coming in through the glass patio doors. What’s the time? 6.00 am.

I am restless. I am athirst for far-away things.
My soul goes out in a longing to touch the skirt of the dim distance.
O Great Beyond, O the keen call of thy flute!
I forget, I ever forget, that I have no wings to fly,
that I am bound in this spot evermore.
[Rabindranath Tagore]

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Special thanks to Zen Flash for the soundtrack mentioned in this post
~   g   r   a   t   i   t   u   d   e   ~

tilt

Photo 1-2POSTCARD 147: Delhi: Phone rings. It’s a message from Jiab in Mumbai… image downloading, a photo taken from her car window. Reflections in the glass make it look like the yellow-top taxi is fusing into the back of the red bus. She’s stuck in a traffic jam; same here in central Delhi (on my way to Khan Market), rivers flowing through all the urban creeks and tributaries, as one vast river and this curious thought that it’s the same time at any point along its route. Or extended through every passageway in the city, as a mass of end-to-end steel/chrome-plated metal, creaking along like the glacier I visited a long time ago in Switzerland moving so slowly, the end of its 133 kilometer length is four hundred years older than its beginning.

Placing parenthesis around a block of time creates a beginning and an end, the world seen in a particular context… ‘my’ view of reality and the actual state of things out ‘there’ appears separate from me. I live in an illusion, riding around like a passenger seated in the vehicle of the body, input from data received through sight, sound, smell, taste, touch – and a mind that creates meaning based on memory files of similar events occurring in the past. There’s this identification with the thing-ness of things, thoughts, solutions and problems, reviewing, seeking, and memories of past times.

Yet, I can see the mind as an object; I am an organism contained in and created by the ‘world’, a body made of earth, water, fire and air. And if they’ve invented something that can break up the molecular structure of solid objects, concrete and steel, I find it impossible to believe, of course, more likely to disbelieve – but, given this all-inclusive subjectivity as the nature of the world, I’m inclined to believe it is possible, and everything tilts in an unexpected way.

Traffic seized up here in the approach to Khan Market, but the signal is still good so I take a picture and send it to Jiab in Mumbai, 1400 kilometers away.

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‘Things are not what they appear to be: nor are they otherwise.’ [Śūraṅgama Sūtra]

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immediacy

IMG_2161dPOSTCARD 146: Delhi: The early flight from Bangkok arrives in Delhi mid-morning local time. It feels like everything that brought me here has vanished; a curious missing piece of time, the four hours of travelling, and before that the Thai departures, the check-in desk, and before that the taxi that took me to the airport from my house in the darkness of very early morning, more like the middle of the night – all that has gone, the past is like a half-remembered dream.

I suddenly wake up in the middle of a Delhi traffic jam and it’s really confusing to be in this bright daylight after the darkness of the aircraft cabin. The transition into this reality so rapid, the split-second required for it to take form is… missing, yet an awareness of it having taken place remains – or the feeling that something just happened, whatever, and having to allow for the curious delay in the time it takes to recognize what’s going on. Suddenly there’s the blare of car horns from behind and vehicles overtaking as the driver adjusts to avoid a motorbike coming towards us on the nearside (why’s that man driving on the wrong side of the road?).

There’s an alertness, anticipated danger, preparedness… the car is buffeted around, rock-and-roll, accelerated, braked, jerked, vibrated and three lines of speed bumps one meter apart cause the vehicle to jolt six times. Then it stops. There’s an obstruction up front. Horns continue to blare and protest. What to do? The one-way system in Delhi is unrelenting; it can take a very long time to get back to where you want to be. So when the driver sees a gap in the flow and makes a smooth wide U-turn straight across four lanes of traffic, I feel like breaking into applause as we speed away in the opposite direction.

A few short turns through streets I’ve never been in before and we arrive at the house. Me and my suitcase of compressed, flat-pack clothing, ‘self’ assembly; get into the bathroom, shower, put on new clothes, and become someone else, an assumed identity. Step into the room: So, how was the flight? Yes okay not too crowded. Suddenly aware of having to speak in codes, chunks of language created by air forced through vocal cords squeaks like the reed of a wind instrument, and rolling articulated back throat cavities, deep volumes of sound, gasp and split bits of wet air that whistle and chirp for an instant in tongue, teeth and lip. Thought associates words which insist on naming things, integrate pieces of the jigsaw puzzle; a picture emerging as I speak, yet changing constantly according to the way the parts fit together.

Objects have that strange familiarity, rush towards me like old acquaintances… remember me? There’s a book on the desk, open it at the page where the marker was left the last time I visited. Return to that place but can’t recognize anything. The ‘now’ moment is here and in all other locations at the same time. All I can do is dig up a few artifacts from recent history before I have to go on again; the point of origin is so distant, I’d never find the way back to the beginning …

“The intimacy and immediacy of the now… is our only security. It is utterly vulnerable and completely secure. No harm can come to us in the now, no sorrow and no death. All our longing longs only for this.” [The Intimacy and Immediacy of the Now, by Rupert Spira]

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why?

matichon.cov1827POSTCARD 145: Bangkok: The front cover of the Matichon newspaper weekly supplement shows pictures of the Erawan Shrine with the headline: ‘why’, ทำไม (tham mai). Whoever is responsible for the bomb would have been aware of the damage to relationships with China, and aware of the damage to the Thai government for failing to protect the public. Seems strange to me that even though it’s a four-headed Hindu, Brahmin shrine, worshippers are mostly Chinese Thais and it’s popular with Chinese tourists from Hong Kong, Singapore, and the new wealth of mainland China, group-tours of families and young people mostly. Maybe it’s not political, an act of madness – the shrine has a curious history. Inevitable, though, that everyone assumes it’s political; the small cartoon character in the lower right appears in every edition of the Matichon weekly. In this one the character wears a black armband and is saying: “So now we have finally come to this!” A provocative statement – a comment about anti-government groups, trying to harm the Thai economy.

IMG_2291It’s a mystery. I visited the shrine yesterday, most of the barriers are moved away now, some repairs still to be done to the roof where the explosion blew off roof tiles. The pedestrian bridge is cordoned off with tape to stop people leaning over to take photos. The same great cloud of incence hangs in the air above a continuing throng of hundreds of people visiting throughout the day and night with their offerings and countless bowings of head and hands, burning incence sticks held in hands, and palms together as if in prayer (anjali). I’m amazed by the passion of the ritual, there’s always been some intensity of thought here – not an open free mind, it’s not meditative… it’s something ‘willed’. There’s an undercurrent of some sort of unknown energy, people cling to the idea of it, the deity can save us if we believe in Him; we worship somebody else ‘doing it’ on our behalf – we are subject to that.

Strange to see this, because Thailand is a Buddhist country and Buddhism is about not engaging with the ‘story’, it’s about understanding the constructed nature of what has been handed down to us and stepping outside of that to see the non-duality between ourselves and the world. Like the original Jesus Teachings, you simply ‘see’ the Truth of it; the reality that surrounds us all the time; like the Hindu Brahman, the Oneness, the God-state that’s here and now.

The people who visit here every day must be sincerely involved in mindfully finding their way through the busyness of their lives. Others may visit when they have an extreme situation they’re worrying about, they come for help; a desperate prayer for what ‘I’ want, what I think I need. I can’t imagine what they receive from this, only more of a focus on situations that are absent of that thing that is desired. Why? What can I learn from this? Is there a Teaching here? Or maybe there’s something wrong with the question. It could be superstition, misguided intentions, living in illusion; ‘the futile pursuit of happiness’ it’s always disatisying because it doesn’t do enough, I want more of it – the fleeting happiness found in consumerism doesn’t hit the spot.

Traffic noise echoes off the concrete structures all around. Heat and incence smoke rising…

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‘The ego’s attachment to power of any kind is linked inextricably to the fear of losing that power and thus becomes a source of suffering.” (Ramdas)

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History: In 1956, an astrologer advised building the The Erawan Shrine to counter negative influences and the bad karma believed caused by laying the foundations of the Erawan Hotel on the wrong date. Furthermore, the Ratchaprasong Intersection had once been used to put criminals on public display. The hotel’s construction was delayed by a series of mishaps, including cost overruns, injuries to laborers, and the loss of a shipload of Italian marble intended for the building. In 2006, the shrine was vandalised by a Thai man believed to be mentally ill. After smashing the statue with a hammer, he was himself beaten to death by angry bystanders.

gentle ways

IMG_2243POSTCARD 144: Bangkok: Impossible to write about Thailand without reference to the car bomb last night in downtown Bangkok, the Thai word for it is ‘baa’ (insanity), was it a madman or was it a politically motivated act intended to provoke retaliation? There’ll be a long investigation and what it means is ordinary people will endure the traffic jams as roads are blocked off; life will go on as usual. Extremists give Thailand a bad reputation; it’s a story we know all too well these days – a created enemy.

I wasn’t able to discuss it with M my Thai niece in Chiang Mai, who’s thinking of things much more important than crazy people with bombs and anyway I’d left for Bangkok the day before, and had no idea there was a bomb because my place there is nowhere near the disaster area and I don’t watch TV. M told me when I called her about the pictures of the chocolate tart she sent me that we made when I was in Chiang Mai. She got the recipe from a YouTube video; created from a packet of Oreo cookies and 2 bars of good quality dark chocolate and one bar of milk chocolate. Open up the cookies and discard the pasty yucky bit in the middle. Smash the Oreo itself to a fine powder and mix with butter to make the base. Then break up the chocolate and melt in milk in a bowl inside a larger bowl of hot water. Pour on top of the Oreo base and put in the freezer overnight.

It’s a kinda reconstituted thing, I thought, yeh nice! Fun thing to do with M and she liked the idea that we are engaged in this activity together, impressed that I was able to scrunch up the Oreo with a spoon really well because of large strong fingers. I was rushing to get it finished though and M was holding things up with her attention to detail, The sequence is important, you have to do properly Toong-Ting, its work like that, she says. I correct her because, well, it’s natural to do that: ‘it works like that,’ I say. She looks at me, then goes back to her scrunching of Oreo: Why he, she and it have ‘s’, and the others don’t? And I say it’s because it’s Third Person Singular, you know? (knowing I’ll have to think up an explanation fast).  But… Why? So I decide to try this: it’s just the way words relate to each other, the way things fit together, and the he-she-it one is different from the others. Just different, that’s all. M accepts this explanation and I’m relieved. We go on scrunching…

The Thai culture values peaceful, gentle ways. The Buddhist teachings guide people through the delusion arising from hot emotions like confusion, anger; the mindfulness of knowing that whatever arises, falls away. Thais have this deeply felt jai-yen (keep a cool heart) attitude that’ll hopefully allow things to remain calm in the years to come. Everyone is quite well aware of the danger. It’ll take more than a single bomb at Erawan Shrine to cause a reaction.
(Note: At the time of writing a second bomb has exploded in the river at Sathorn Bridge)

“Security is mostly superstition. It does not exist in nature, nor do children as a whole experience it. Avoiding danger is no safer in the long run than outright exposure. Life is either a daring adventure or nothing.” [Helen Keller]

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Note about Helen Keller: Helen was frustrated, at first, because she did not understand that every object had a word uniquely identifying it. [The] big breakthrough in communication came when she realized that the motions her teacher was making on the palm of her hand, while running cool water over her other hand, symbolized the idea of “water”.
Photo: Flower seller Phuket

looking out and looking in

IMG_0627POSTCARD 143: Delhi-Bangkok-Chiang Mai flight: The flight from Delhi arrives at Bangkok a bit behind schedule so we have to move along quickly to the transit desk and transfer to the domestic terminal for the next flight to Chiang Mai. In-flight bags on a small trolley, and we’re zooming along on the moving walkways in this celestial structure of steel and glass. As yet, passports are unstamped, les frontaliers, the no-man’s land between country borders. We’re unregistered, no identity, invisible data.

It’s always the journey to get there… after I get to where I think is ‘there’, there’s another ‘there’ to get to, and all of it leads back to ‘here’, an ‘everywhere’ place made up of everywhere else… then it’s extending away again. It can only be the journey itself, not the destination – the Path is the goal, this is where we live. Isolated scenes from parts of the surroundings seen flashing by as we’re soaring along the high speed walkways; smooth as swans gliding on the surface of a lake. Two thousand miles of transportation corridors from Delhi to here, flight corridors connected end-to-end, through which we travel in the sensory cloud of transient ‘now’ consciousness looking out and looking in. There is nowhere that consciousness isn’t present. Consciousness is everywhere, so vast – indeed everywhere is included in consciousness, “And the deep lane insists on the direction”, an extended corridor projected out towards the designated destination where everything in the perspective it creates seems to disappear in a vanishing point.

An incidental episode of familiarity comes along… the déjà vu of cups of coffee taken at these restaurants, bars where they have wifi. Have I been here before? Must be the last time I came through, or was it the time before that? Was I going – or was I coming back, transit to New Delhi? I spoke with some people there, if I happened to meet them now, I wouldn’t remember. No time this time, we’re at immigration, passport stamp thump! through to security, take off my belt, shoes, my watch. Laptops out of bags and put them into the tray together with my phone to go through the X-ray machine.

Just then, the phone rings… reflex movement to reach for it, but it’s too far and the security officer shakes her head… let it go through. Phone ringing happily as it rumbles on its rollers into the machine. I pass through the X-ray, muffled ringtone continues then lovely ascending increased volume as it comes out the other side. I want to pick it up but people are waiting, a bit harrassed; there’s the putting-on-of-the-belt and shoes. Security officials seem unmoved by the tremendous ascending 4D heavenly ringtone, probably happens all the time… eventually I get the phone. Hello?’ It’s M, my Thai niece: Where are you now Toong Ting? I tell her we are boarding the plane in a minute and will be in Chiang Mai in about one hour. Silence for a moment, then she says: I make choc-o-late-cake. Clearly punctuated percussive articulation, she speaks English as a second language. I tell her, oh nice! and try to explain how the phone got X-rayed as she was calling me, but she can’t find anything to say to that… attempting to find a link with something else it could be related to, mind travels away with this information. No time to discuss, we have to go now, bye. Speedwalking through to the Departure gate and they’re boarding just as we get there; processed, find seats, strapped in and ready for take-off… engines roar, climbing again up into higher altitudes.

You hide me in your cloak of Nothingness
Reflect my ghost in your glass of Being
I am nothing, yet appear: transparent dream
Where your eternity briefly trembles [Rumi]

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before the beginning

IMG_0124POSTCARD 142: Delhi-Bangkok flight: We are reading the newspaper, sharing parts of the Bangkok Post. Jiab also has the Thai newspaper and other pages spread over the seats and folded into the magazine pocket. Comfortable environment; the aircraft furniture, cushions, colourful papers and books. It’s a pleasing, at-home feeling; this is our space – looks like a hotel room, not an aircraft. There’s the hmmmm sound of the engines and shhhhh of the air, not unpleasant. Soft pale daylight coming in through the window, and out there, the blue sky above the clouds stretching on and on, curvature of the planet… it all seems so strangely still.

Stewardesses come with the drinks trolley, five or ten minutes go by and the sky, the horizon of clouds remain the same. It feels like the aircraft is stationary, suspended in space, no landmarks, no indicators of time, no beginning and no end. If I say there is a beginning, I create linear time. Encapsulated inside this aircraft there’s the duration of time – there was a beginning (we got on this plane at Delhi), and there will be an end (we get off the plane at Bangkok). But outside the cabin window there’s only the vast present time – the continuing ‘now’ phenomenon enfolding and unfolding, transforming from the past into future in one continuous surging-through movement that cannot be explained. What a strange mystery it is; future time slides into present time, tomorrow becomes today, ‘now’ falls back into yesterday… something ‘remembered’ because it’s gone now.

Mind creates a structure to explain time, otherwise how could we understand the enigma of how the past has ‘gone’ and the future has not arrived yet? Hovering on the brink of the smallest pause before it gets here; the empty space of not-knowing what it is, and held like this for an instant. We are time itself – how to understand that? It’s as if I were standing at the bow of a small sailing boat floating with the current flow, the sense of moving forwards but no shoreline, nothing to judge which direction the boat is going in, or the distance from (or to) something or anything – nothing to say where we’re going or where we are.

I glance down the aisle at my fellow passengers; Japanese staff based in India, they’ll transit at Bangkok and go on to Tokyo. Wealthy Indian tourists heading for a shopping experience in Bangkok… are they aware we’re presently suspended in timelessness? Probably choosing to not think about it – never arriving, always on the way to get ‘there’ (but where are we going?). Mostly choosing to focus on whatever is happening ‘now’, and creating a story about that. Focus on my presence here in a seat contoured to fit the human body, tight squeeze, enough space for legs and knees with an inch of space from the seat in front – beyond that I can see into the business class section… always the grass is greener. I am one of perhaps 300 passengers receiving services from the staff; a baby bird, beak wide open, help… feed me, please.

Before the beginning there were no beginnings or endings; there was only the eternal Always, which is still there – and always shall be. There was only an awareness of unflawed oneness, and this oneness was so complete, so awe-striking and unlimited in its joyous extension that it would be impossible for anything to be aware of something else that was not Itself.” [Disappearance of the Universe page 122]

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Excerpts from an earlier post: flying time