tanhã, craving

Posted on February 28, 2016 by tiramit

OLD NOTEBOOKS: Craving perpetuates the fever of unsatisfied longing, this is the state of tanhã. The opposite of a sense of well-being, tanhã is not a happy bunny. It constantly feeds the hunger of desire but the action of feeding it only sharpens the edge of appetite. Too much is never enough. It explains very well the reason why some people are committed to ‘wrong view’ with an intensity that takes your breath away. Tanhã is this deep craving for the ‘self’ we construct in fear of ‘no self’, a result of tanhã. I am ‘me’, in this world, due to tanhã, the reason for rebirth.

In the story of King Assaka and Queen Upari, Queen Upari died and became a cow dung beetle in the next life. But she felt quite at home in her lowly existence as a cow dung beetle, because of tanhã which is delighting in whatever sense object presents itself and wherever it finds rebirth. Reborn as a dog, it takes delight in a dog’s existence; reborn as a pig, as a chicken, there is always delight in each existence. [‘Thoughts Without a Thinker: Psychotherapy from a Buddhist Perspective’ by Mark Epstein].

In the causality sequence that forms the 12 step cycle of the wheel of existence (paticcasamuppada), tanhã is step 8. The way to stop tanhã arising, is to cut off the conditions that lead to its beginning; interrupt the sequence before tanhã happens, and bring the whole thing to an end. The entry point in the cycle is just before tanhã: step 7 feeling (vedana). At the vedana stage, there are three possibilities: pleasure, pain or neutral feelings. If feelings of pleasure or pain arise, then craving or aversion will take place and tanha will be the result. If, by an act of will, only the neutral feeling is allowed to arise, the 7th link will be neutralized, de-activated. That being so, tanhã cannot arise, and the next link (upadana) will fail to arise and so on. [See “Fundamentals of Mainstream Buddhism”, p214-215, Eric Cheetham]

For me, the discovery that interrupting the sequence at vedana changed the momentum of everything was awesome, to say the least. This is how I quit the tobacco habit and my whole attitude changed. By allowing the neutral response at vedana to be present for a moment, I noticed an easing in the craving, a cessation, just enough to trigger my curiosity. The cessation took place when I noticed it was the way out of the cycle of repetition, and I understood then how to be free of it. The neutral feeling didn’t register as anything, just the awareness that there’s a space, a gap that wasn’t there before; a vantage point where I could see how to change the cycle of events. It’s in the nature of tanhã (as with everything else) to be transient like this, it’s something that comes and goes. Knowing it leads to Suffering, we can stay distant from tanhã for a moment, and allow it to start the process of cessation by itself. Trying to confront or defeat tanhã will not work because willed action only causes it to arise again.

Situations that used to completely overwhelm and demolish me disappeared; other habitual behaviour began to fall away. I began to notice the wonderful emptiness, the wholeness, a peace of mind that comes about when you understand there is a way out of Suffering; everything that arises, ceases.

…there is a noble truth about the cessation of suffering. It is the complete fading away and cessation of this craving [tanha]; its abandonment and relinquishment; getting free from and being independent of it. [Dhammacakkappavattana Sutta]

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Source for header image
this is a summarized form of an earlier post titled, ‘too much is never enough‘

options

Posted on February 16, 2016 by tiramit

POSTCARD #190: DELHI: The first time I saw the multiplug socket system in India, I assumed all of these pins were on one large Indian plug – what must that look like, wow! But then I was told, no, it’s not like that. The socket board tries to provide for all three Indian plug systems, and a two-pin round small size it shares with most Asian countries. It can also accommodate many international options on the same socket board – except this one in the photo doesn’t seem to allow for the Australian angled pin plug nor the big British uncompromisingly square pin plug. For these you’d need to plug in an adaptor and then plug your device or whatever into that.

We usually discover this puzzle when the time comes to charge our phone or iPad (usually the first thing that foreign visitors ask for). I notice Western visitors will look at the shapes and try to find the matching plugs they have, like the square-pin-round-hole-yes-no, basic IQ test… well, like that’s obvious, duh! Whereas Eastern people; South East Asians, Chinese, Korean and Japanese will just try their iPhone plug into any socket to see if it fits or not – force it, even, and maybe get lucky.

You could say this is an example of the gender attributes applied to the oriental/occidental psychology; the feminine Eastern way of doing things, and the masculine Western way of doing things which doesn’t always fit with the Asian way because the Asian (feminine) way of thinking is unwilling to accept the assertive typically male form (enough said…). But other times it appears to work okay, no problem. Even though, I’ve found that more often than not, the macho pushy kind of behaviour is received with a complex response in the East and doesn’t get you very far.

It’s also interesting that, in both the East and the West, technicians apply gender to identify plugs and sockets (also applied to plumbing fittings); the plug is ‘male.’ You can recognize the plug immediately because it has the sticking-out bit called the pin. And the socket is ‘female’, the one with the hole, that the pin (masculine) goes into. Okay so far? Technicians in the East have developed an electrical socket form that is more feminine orientated in that it that will accept a fairly wide range of foreign pins.

The idea is that, in the Eastern way of thinking, it’s the socket that needs to be developed first, in a way, it’s the source, and it can be extended or developed in all kinds of ways. So you will end up with a multi-choice electric socket, available in most homes and all hotels in India, which doesn’t insist on the way things ought to be – the same thing as, but an inversion of, the Western one-size-fits-all idea.

There are options folks! You can borrow your Chinese friend’s adaptor to fit with your charger that has an Australian plug and push that into an Indian socket board – or multiple variations depending on how many different nationalities are checked in to the same guest house. As long as you remember to give your borrowed adaptor back to its original owner. Yep, the options are endless, you can go any way you want.

“The entire universe is truly the Self. There exists nothing at all other than the Self. The enlightened person sees everything in the world as his own Self, just as one views earthenware jars and pots as nothing but clay”. [Shankara]

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neutrality

Posted on February 12, 2016 by tiramit

POSTCARD #189: DELHI Hospital OPD: First time here, looking for room number twenty-four in a sea of people. There it is – and a seat near the door is vacating itself as I approach, a hair’s breadth thing, musical chairs. Reverse into place; beeb-beeb-beeb, lower body in sitting posture: ‘This seat has been taken folks, thank you’. Possession, identity, this is ‘me’, head upright, but easy behaviour, no fast moves, no eyes looking out… an averted watching through peripheral vision. I’ll not interrupt your eye-beams folks, go right ahead… and I’m looked at with a few fast head-to-toe glances, visual-sweeps I can feel coming from different parts of the room. The only white guy here, probably the whole building; pale, bleached-out, transparent, old, colourless. White hair, white beard, white shirt; a totality of whiteness, OMG! how white can you get?

Yep, it hurts the eyes, sorry about that but you’ll not notice me after a while, merge with background patterns, disappear before your very eyes; it’ll seem like I’ve always been here, neutrality, nothing remarkable, neither too much, nor too little. Trying to blend chamelion-like with skin tones of chestnut brown, volcanic ochre, oatmeal-compexioned, golden people. Gold-bangled, gold-ear-ringed, nose-ringed women – toe-ringed too, open sandals swish-swoosh footwear, soft-shoe shuffle: swish swoosh through the standing crowds, magical beings in vivid costumes of all kinds.

I can close my eyes now and drop back into the inner world, a kind of circus-clown backwards tumble into the darkness of that inner space. Neutrality; I can find it straight away sometimes, just the action of letting the mind go; a sense of opening in receptivity to nothing in particular – the space between things. The neutral feeling that’s neither one thing nor the other, not really noticeable – of course, you could be looking straight at neutrality and not see it. It’s that space, the gap that comes before any action takes place. Finding my centre in that space.

There’s a childhood memory of a face looking down at me, mouth articulating words I can understand but somehow said too slowly and I’m already wondering if I missed something: “Now, are you listenin to me? Just think about what you’re doing before you do it okay?” and for an instant I’d get stuck with that… maybe I could see what was needed to make it work – I think. Or maybe it’s taken me all this time, right up to the present moment, writing this post; it’s taken me decades to understand that it’s neither this nor that, neither coming or going. Touch base with neutrality.

Somebody calls my name; it’s my turn I’m led into a small room and a small doctor aged 60 maybe with tightly groomed bristly grey beard that grows all round his mouth right up to the edge of a dark purple lip line, original front teeth one larger than the other. Other than that, hardly any eyes, no ears seen, baldness with a few brave hairs blowing in the breeze from the ceiling fan. So his central feature is this island of mouth in a field of grey beard, but a nice man, kind, smiles a lot. I tell him about these headaches all the time, show him the diagnoses by other docs: PHN and a really yuk photo in my phone-camera of the Herpes Zoster in full bloom. He spins around the cranium (a mouth in a head) something insectoid? Says, as he is writing, Tegrital 200mg, Tryptomer 25mg, (Carbamazepine), and it’s scribbled in unreadable writing, same as all doctors do, gives it to me and I’m gone.

So that’s it, back into neutrality, wondering if these new meds are going to end up in another crash course in how to avoid dependency… or not.

“There is that dimension where there is neither earth, nor water, nor fire, nor wind; neither dimension of the infinitude of space, nor dimension of the infinitude of consciousness, nor dimension of nothingness, nor dimension of neither perception nor non-perception; neither this world, nor the next world, nor sun, nor moon. And there, I say, there is neither coming, nor going, nor stasis; neither passing away nor arising: without stance, without foundation, without support. This, just this, is the end of stress.” [Udana, third book of the Khuddaka Nikaya 8.1]

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Header photo source

nothing

Posted on February 2, 2016 by tiramit

OLD NOTEBOOKS: DELHI: Sitting quietly on the meditation cushion, together with this headache that’s moved in recently, and I’m wondering if it’ll quieten down too – sometimes it does. At first it’s like there’s this energy of time and space moving through me from the past into future in continuously transforming evolving forms – but it’s more than that; internal processes happening by themselves – there’s no ‘me’ involved here, because I’m engaged with this swirling mass of headache and also just on the edge of understanding it’s like that when the whole thing becomes transparent – there is no beginning/no end… and it all slips into what you’d call the bigger picture.

So the meditation becomes more of a: let’s see now where are we at? (the headache and me). The outside world is not outside it’s inside too, every time I look/watch/see an object, it’s internalized. The brain creates a customized picture of it for me – and we all agree – who says the sky is blue, it could be a fantastic different color?

The pressure points on the cushion and floor where my legs are folded, and right knee supported, also parts of the body that are in contact with the surfaces of mat, form sensory data which reach the mind and give me balance, and I slip into this physical position like a hand fits the glove.

But then later as I’m walking through the rooms, the thought that I am as much inside as outside is a bit unexpected. The music I listen to becomes me, it is who I am, the alto saxophone sounds of Paul Desmond enter the hearing mechanism and I’m immediately on a 4D wave of melody floating out the window, I just take it for granted.

Then I smell lunch, go through, and eat the outside world. It enters my body. It goes to create flesh, blood and bones. Fingernails and hair grow. It’s quite an experience. The headache is a long swirling blue veil unravelled all around and caught in gentle aircurrents, of the saxaphone music – you could say it’s not getting the attention it deserves. Then all this becomes momentary, the headache disappears again and there’s the curious awareness of nothing. An experience of ‘open moments’, nothing in itself – but how did that happen? Where did the subject go? Suddenly there’s nothing in ‘here’ where the ‘me’ ought to be.

Virtue and the mind itself shows the way to go; the Buddha’s Noble Eightfold Path. Everything else in this great mass of no-thingness is an intuitive part of the whole, while functioning as form which is what we are on one level, everything else is too, and here we can study and learn so much from each other, while all of the world is comprised of particles that become increasingly smaller until their structure is formless space.

The knower and the known are one. Simple people imagine that they should see God, as if He stood there and they here. This is not so. God and I, we are one in knowledge. [Meister Eckhart]

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Source for Header Image
Note “open moments” comes from a post in the blog:A Buddhist Year titled, ‘Time”
Music I was listening to: ‘Polka Dots and Moonbeams’ by Paul Desmond:

becoming

Posted on January 30, 2016 by tiramit

OLD NOTEBOOKS: DELHI: I have this headache that lives with me now; wake up in the morning and it’s there… dreamy half-formed images like wings of birds fluttering around in front of the headache then I see it’s becoming something and try to correct it so there’s no ‘becoming’. As soon as I do that, there’s no headache – wonderful except, I fall asleep again; the mind assumes, since there’s no becoming, no subject is focused upon, no actual thing (nothing) happening, this must mean sleep; okay, goodnight. Zzzzz….

Wake up again, and stumble out of bed, the whirr and buzz of the mechanism of headache that still hasn’t managed to become anything yet is taken into the hot shower. Then dressed in scarf and warm clothing because it’s cold here in North India this time of year. Downstairs from the third floor holding on to the hand-rail in an almost spiral staircase makes you dizzy to look at it and balancing the head as best as possible in a stable position because now the headache has become a snooker ball rolling around and crashing into the walls inside a sphere at the top of the vertebral column.

Stone steps with shiny-soled slippers that slip. Spinning around, everywhere in the mind thoughts arise; there’s always a subject searching for an opportunity to ‘become’ something. Is this what holds beings in the cycles of rebirth? Curious idea; a possibility… so it must be to do with non-becoming – allowing it all to ‘become’ without anyone ‘becoming’ it. Let’s see, how does that work? Stop here for a moment and think about this.

Am I down yet? Which floor am I on now? Having to be careful about not slipping, how many landings are there? I’m losing my sense of direction. But this idea gets my attention: active thought arises from somewhere in the midst of a great cloud of inactive thought. I can decide to not-become a thought just allow it to ‘become’ by itself.

So it’s possible to be focused on two parts of a thought at the same time… there’s a kind of transparency about it, a ‘becoming’ but no one who ‘becomes’. There’s no become-ee; a headache but no ‘headache-ee’ – it doesn’t belong to ‘me’. There’s awareness of the headache, but no awareness of to whom it is happening, there must be a larger awareness that includes this – an awareness of one thought that includes awareness of another. There’s something that allows me to consider this; I’m seeing it from somewhere else.

Yes this must be it, I’m at the ground floor now, and these stairs are difficult I get lost in them every time – don’t know if I’m going up or down. The mind searches for this awareness in some place completely unknown. Where is it? The space that’s unattached: the space-in-between. This takes me to another awareness that’s quite distant from the headache. It’s like it’s happening somewhere far away.

The mind is the canvas on which our thoughts are projected and is part of consciousness. Our body is a holographic projection of our consciousness. [B. M. Hegde, cardiologist and former Vice-Chancellor Manipal University]
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Source for header picture. Note: this was developed from an earlier past titled ‘non-becoming‘. the structure of it is almost exactly the same, only difference is I had no headache in those days. So I was inspired to apply the same strategy in dealing with the headache I have now and it’s been quite succesful.

the buddha today

Posted on January 28, 2016 by tiramit

OLD NOTEBOOKS: The images of Gautama the Buddha we have today portray him as a person from the educated class, someone we might recognize as not unlike many of us who have the ability to see ordinary life at a distance, without any immediate financial concern about things in general because we live in a society that takes care of itself (as it was for Gautama before he left the palace). Or maybe we’re desperadoes, adventurers with a special genius and exceptional skill and energy that creates equanimity in times of brinkmanship and it’s the sheer confidence in our ability that allows us to see this truth; the suffering of the ordinary worldling is caused by wanting things to be different from (other than) what they are, and never managing to reach the desired state.

There is another a form of Buddhism that reaches the ordinary people of India through the Ambedkar conversion from the socially oppressed Dalit caste to Buddhist, in the hope of a better life. This has become a political issue and some would say the Buddha was an activist attempting to create social change – I think most would agree that, sadly the politics of the situation has confused the Buddha’s original teaching. The Ambedkar Buddhists are the fifth largest religion in India. The Dalit Buddhists I have met, those with university degrees at doctorate level, are actively searching for a way of integrating those parts of the Buddha’s original teaching.

In the West, people have to structure their lives around employment. Their innate ability to be happy is exploited by commercial strategies and a fleeting, temporary happiness has come to be built-in to the system. People can’t escape from that unless they step out of the social momentum they’re in and this means there’s the risk of losing everything. So they’re trapped in the system.

As Pankaj Mishra says: “Buddhism has always attracted the elite of whatever society it has traveled to, partly because you need to have traveled through a certain experience of materialism in order to arrive at the sense that there is something problematic about desire and longing, how they don’t lead to happiness, and more often than not lead to unhappiness. If you are still struggling to fulfill your fantasies of wealth, power, status, Buddhism is less likely to appeal to you.” [‘An End to Suffering’ Pankaj Mishra‘]

Maybe we are seeing some similarities here reading this while stretched out on the sofa with an iPad at this very moment, giving some thought to the situation of Gautama leaving his comfortable home and stepping into the unknown, in search of a spiritual life. In Thailand there’s the option of living in the monastery for a period of time in order to follow the spiritual path. In fact you can spend your whole life there. This kind of choice is held in high regard by Thai society. In the West we are in one way or another committed to our earning capacity. There is virtually no spiritual option of this kind in the system – other than self-study and the support from nearby Buddhist monasteries. A Google search for Theravada monasteries in USA and other parts of the world will explain that anyone is welcome to share in the one meal of the day, free of charge, the activities, Dhamma talks in the monastery and accommodation can be arranged.

“You should live as islands unto yourselves, being your own refuge, seeking no other refuge; with the dharma as an island, with the dharma as your refuge, seeking no other refuge.” [selected from the Buddha’s final words]

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Note: some parts of an earlier post included here: https://dhammafootsteps.wordpress.com/2012/08/22/the-way-out/

obviously unexpected

Posted on January 12, 2016 by tiramit

POSTCARD #186: Bangkok: Easily said in hindsight, but there’s a sense of helplessness, as I take leave of the birds nesting in the ceiling fan; now it depends entirely on their strength and vigor – anything could happen to these small creatures … and it’ll all take place without me being here because I’m leaving. Bag is packed on my way to the airport, flight to Delhi and swept away in the wave of circumstances. It was that kind of unexpected situation that obviously decided everything finally when we had the birds on the balcony the last time, in Switzerland.

Things came to a head. Events occurred, a change, suddenly this U-turn showed up and we had to follow it around. I was lying on the sofa in the front room, one day, head propped up on a large cushion, staring at my feet down there and the vague space beyond, when suddenly I became aware of something moving in the room, a shadow reflected in the shiny floor surface. A bird with folded wings striding boldly across the floor… quite far into the room – HEY get out of here! Strange to have a wild bird suddenly fly across the room, bird-wing-flap disturbing the air, the acoustics – a very odd thing. It shot out through the open door, into the outside world, straight over the balcony rail and immediately gone in a direct line further and further away in the vast sky until it vanished as a tiny dot.

I stood on the balcony and watched it for a moment then dismantled the perch I’d built and removed the artist’s easel; scraped off all the bird mess and washed down the whole floor. It’s that farmyard thing; dung and downy feathers blowing around inside the apartment because we have to have the balcony doors open in the hot weather, and even if I vacuum up all the feathers, one or two still seem to be fluttering through the rooms of the apartment. My wife Jiab continues to be nice about it but doesn’t actually answer the question when I ask how she feels about the birds. So it’s that awkward silence…

When the birds came back in the evening, there was tremendous confusion: where’s our perch gone? Flapping of wings, feathers flying and hovering in the air where the easel used to be. Then one of them figured it was a good idea to perch on the door stop bracket at the top of the door – never noticed it before – it sticks out about 5 cm with a rubber stopper on the end. An ideal perch. Also the top of the door, which had to be open in the warm evening. So much flapping of wings to see who had the right to be where, the doorstop perch seemed to be top in the hierarchy. That night I put out the easel again (for the last time) and things quietened down, back the way they were.

The following day, after the birds left, I cleaned up again and took the easel inside, locked the door and we were off for a week’s holiday. Mixed feelings, we left them to look after themselves, letting go of attachments. It’s always like this, uneasy feeling, leaving the place where you were. Gratitude for everything received here, loving kindness, anjali, blessings, time to move on…

Our skills and abilities all come from the kindness of others; we had to be taught how to eat, how to walk, how to talk, and how to read and write. Even the language we speak is not our own invention but the product of many generations. Without it we could not communicate with others nor share their ideas. We could not read this book, learn Dharma, nor even think clearly. [Excerpt from: “Eight Steps to Happiness” by Geshe Kelsang Gyatso]

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camouflage

Posted on January 9, 2016 by tiramit

POSTCARD #185: Bangkok: It might look like a small heap of dirt stuck in a ceiling fan, but it’s a bird’s nest and the tiny bird, hatched out, is just sitting there, not moving… camouflaged, trying to look like a small heap of dirt stuck in a ceiling fan.

Almost impossible to see, but there’s a shape of a head there, and a small body. I can see it sometimes when it appears from under the wing of the parent bird but whenever I lift the camera, parent bird glares at me with this slightly fierce stare.

As soon as the parent bird leaves the nest, the other one gets in… unless I’m standing on top of a chair wobbling around with a phone camera and not getting anywhere. So I’m looking for an opportunity to get a better pic but that’s the best I can do without disturbing things too much.

Yep, some familiarity with this kind of situation because this is the second time around. We used to have doves on the balcony in an apartment on the seventh floor, 70-80 feet up, well above street level, above the treetops, just clouds and sky. I was surprised the birds would fly as high as seven floors. They’d come in the evening, stay the night and fly away each day at dawn – I should say they flew down each day because there really wasn’t any up. Following is a section of notes made at that time:

old notebooks: The birds have decided to roost on that big old artist’s easel on the balcony we have no room for in the apartment; somehow sculptural, artistic in a puzzling conceptual way, birds perched on the cross-piece and silhouetted against the evening sky. I’ll have to try to get them not to roost there; the smears of paint on the easel are becoming more of an ochre/white/grey smearing and dropping off onto the floor.

I spent the whole day today building a structure of bird perches made from bamboo canes bound with string, glue, duct tape and screwed to the wall. Then I waited until evening when the birds came back… but they didn’t seem to notice it at all and continued to perch on the artist’s easel. It must be about having your own place and your own identity, ‘self’, this is ‘my’ territory; this is me, myself, and this is where I am. None of the birds moved from where they were, and my elaborate new perch remains unoccupied.

Two days later: new birds have arrived and assembled on it, checking out the situation with this nearly 360 degrees sweep of vision they have, and thinking, well, it looks like this fine perch must be for us! But the old birds on the easel don’t like the new ones on the perch. There’s some upset-wing-flap and the deliberate pushy invasion of each other’s space with puffed-out, chest and assertive walk thus forcing the unwanted bird off its perch. Gained some understanding of the term: “the pecking order”.

About 15 birds now on the balcony, too much noise every night, small feathers blowing around and coming into the house. My wife Jiab really doesn’t like the idea of it and has spoken wise words about how it is getting quite crowded out there and how this is getting to be a problem. So I have to persuade the birds, I invited to stay, to go away… that’s a whole story in itself and I’ll write about it later.

LATE NEWS: I managed to get a very blurred pic of the nest and I think there are two hatchlings, not one.

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ceiling-fan-nest, 1 egg

Posted on January 6, 2016 by tiramit

POSTCARD #184: Bangkok: The ceiling fan is situated in the open air of the balcony and hasn’t been used in years – the on/off switch sealed with Scotch tape now the birds have claimed the space. When the nesting bird left this morning, I took the photo, standing on a chair with arms stretched up, hands holding the phone-camera at a slight angle pointing downwards at where I thought the nest would be: click… a few tries and I got the picture showing the egg in a fragile little nest, then got down and quickly put the chair away. A very small nest, temporary structure made from stalks of grass individually placed. There’s lightness, like the wind and the air about it.

Shortly after that, the parent bird comes back, sees me watching (it knew I had been up there), looks around with an almost 180° sweep of vision that brings the cranium all the way round as far as it’ll go, then back the other way to where it started and there’s just that little bit of vision obscured by the back of the head. Also some movement on the vertical plane looking up and down with eyes on each side so, somehow choosing which eye to focus with. The head appears to spin around over the top in and in absolutely any direction… it makes me quite dizzy to watch. Bird gets back on nest by sliding through the upper bar of the ceiling fan guard and shuffling in.

Now I’m pacing around the room wondering if this is what it feels like to be expecting a child? The womb is placed outside the body; parent bird feels pecks from a small beak. Tiny beings find there is a way out of their enclosed shell. They learn how to fly quickly and abandon the nest to the monsoon winds, which will demolish it immediately.

Our own life is the instrument with which we experiment with truth. [Thich Nhat Hanh]

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every picture tells a story

Posted on December 29, 2015 by tiramit

POSTCARD #182: Bangkok: Some kind of cute little long-tailed dove-like bird has built a tiny nest in the ceiling fan we never use that’s outside on the porch; formerly the porch was where compulsive smokers would sit and flick ash into their ashtrays. Then smokers became less and less, dwindled away, became non-smokers like everyone else or joined la résistance, an underground movement. The fan hasn’t been switched on in years, the ashtrays were removed and everything was renewed, painted and no one ever went out there again.

So the birds decided it must be for them. We’re now standing behind glass doors, watching a bird arriving with small twigs held in the beak and squeezing through the bars with the structure of twigs to create a small nest base inside the metal guard. The process strikes a memory of another post in this blog from our time in Switzerland [Birds on the Balcony 1] about pigeons nesting on our balcony up there on the 7th floor. I had no camera and made a sketch of it.

The nest was in the old Christmas tree bucket we’d just put out on the balcony after Christmas had been and gone. Some of the bells and everything still dangling from the branches, the faded coloured paper of Christmas-Past… a forgotten thing. So the bird(s) just went ahead and built a nest in the abandoned tub. Strange really because the wrappings were intact, it was as if it were a continuation of a pagan rite. After a while two eggs appeared, which became two living beings with wings – and I saw the whole thing; their getting fed from the beak of the parent bird and the flapping of little downy wings. The birds on the balcony were the main focus of my attention for a long time. I feel I know such a lot about rearing birds, I’ve been through the whole thing.

Early on I realized they build their nests near human habitation because the proximity to humans is a good thing; humans chase away crows. And it was then I knew I had a part to play in this little family situation, patron and benefactor, and sure enough, security system… I had no time to prepare.

One day, I was looking out at the two cute little baby birds all huddled up in there, parent bird off to get food leaving me in charge, and suddenly I become aware of a black shape in the centre of my vision. It didn’t immediately click in my brain that it was a huge crow because maybe it’s so black, mysterious and a peculiar invisibility, a photographic negative, something that’s not supposed to be there, glinting a kind of deep purple and blue… a being materialised out of the unknown. And I’m kinda, speechless; hypnotized by it’s presence.

It slants its head with long pointed beak in the direction of the baby birds and makes a hop in their direction. I fall out of my chair, knocking over a few things in the scramble to get to the balcony door; collisions with the furniture: then a primal roar: ‘AAAAAHHHHHH!’ and wild flailing of arms, fling open the sliding glass door and the crow was gone, two little birds happy and safe, barely aware of the interruption.

My relationship with the birds became quite bonded since the visit of the crow and I felt a certain sadness when they both got their flying sense and left the balcony. Now another opportunity arises to see the beginning, and not the end….

Beauty is not caused, it is.
Chase it and it ceases,
Chase it not and it abides.
[Emily Dickinson]

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