endless horizons

IMG_2054POSTCARD #113: New Delhi:  Carrying stuff upstairs, laptop under arm with notepad, phone in pocket, pen held in teeth, water bottle neck clasped between first and third fingers. Pause at the top of the stairs to turn the door handle (how much better it would be if we had three hands), it opens by practiced handle-lever push with thumb, and timed shoulder-shove. Out into the bright daylight of the roof terrace, carrying everything to the table, and unload piece by piece.

Bring the chair over and sit… now maybe I can relax for a bit in this warm spring-like weather. But the voices start up again as if they’ve been waiting off-stage for their big entry: What’s with all this control-freakery? Why try to do everything at once? Leaving on Saturday 28th night, red-eye flight to Bangkok, change for the Chiang Mai flight and arrive there early Sunday morning on 1st March. I know it’ll be hot in Chiang Mai and as we get nearer to April, hotter still. Then 1st May to UK because I have to get a new passport (no pages left), and two weeks later, back to Thailand on a tourist visa. One week later, the return to Delhi before my India visa runs out… and I need to have that renewed too. Then, to crown it all, it’ll be impossibly hot by the time I get back here, temperatures reaching their peak, 46°C.

Intrusive thinking about ticketing, schedules, filling in forms; uninvited thoughts gate-crash the party, insist on getting attention and shouting out: What’ll happen if the flight from Delhi doesn’t arrive in Bangkok on time, and I miss the flight to Ch’Mai? Noisy internal dialogues about the whole itinerary – I need to ease out from this clamour of conjured-up scenarios, imponderables and enigmas – searching for something creates the idea that it is lost. Delete the ‘my’ in my-self. They’re not ‘my’ thoughts; they belong to everyone – the generosity of letting go. None of it is ‘mine’, I don’t think these thoughts, these thoughts think me. I don’t breathe the air – the air breathes me. Cognitive functions synchronize things so the world appears the way it does. I don’t see the world; the brain selects what is seen. Sounds are heard, but there’s no listener. The ear is a musical instrument. The body is a sensory-acoustic device that plays an immense chord of vibrating harmonics at 432 Hz, the natural frequency of the universe.

Mind contemplating the experience of ‘me’ seated on the chair; aware of the pressure points where legs touch the seat, bearing the weight, arms on armrests, and everything else is empty space, just this invisibility. I’m not aware of the mass of internal organs… slightly unnerving; get up and walk around. Feet appear down below on floor surface: left, right, left, right. The roof-terrace enters my vision, floor, wall, the plants – objects seem to pass through the body. Meanwhile, far away over endless horizons, another place begins to stir with aliveness; this time on Sunday I’ll be ‘there’ in Ch’Mai – or Ch’Mai will be here in ‘me’….

scotland-trip-jan-15-385

“And men go abroad to wonder at the heights of the mountains, and the mighty waves of the sea, and the wide sweep of rivers, and the circuit of the ocean, and the revolution of the stars, but themselves they consider not.”
[St. Augustine]

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The photo of the sea at St Andrews comes from Sue Vincent’s post: The Elasticity of Time
–   G  R  A  T  I  T  U  D  E   –

the seen

IMG_2020POSTCARD #112: New Delhi: Birds fly low between the buildings, suddenly see me sitting in the sunshine on the roof terrace and swoop straight up into the sky… not expecting me to be there – usually there’s nobody around on these rooftops, the human domain should be down below. I’m in their flight path and feeling a bit uneasy about that, move my chair out of the way… avoiding collision with bird flying at 30 mph.

But they seem to have communicated with each other about it somehow – is it possible? No birds pass through after that. I’m looking out from the roof terrace level with the treetops, birds flit, zoom, dart, leave no tracks in the sky. Perch on a branch for a moment, flick their head in my direction – aware of my presence, and away without warning in unexpected directions; ‘up’ is not necessarily up and neither is down – ground level is not the reference point.

And these ominous birds of prey circling high above… I’m thinking I want to take a photo if one comes near. Take out phone camera and stand in the middle of the roof, point it at the birds. They’re too far away… no, wait, there’s one coming towards me. Take a few photos as it comes closer. It seems curious, coming over for a look – nearer and nearer; our eyes meet in a strange encounter, it knows it’s being looked at and I’m on the edge of being hypnotised by it watching me here in the centre of this pool of intense vision, like a spotlight moving over the landscape.

Are these smaller birds aware of the predator – is this why they move so quickly? All this and more; an extraordinary alertness, joyful, immediate. They’re in a different kind of temporality. Their world is forever the same moment here-and-now taking place in all other locations and everywhere at the same time. I’m in slow motion, don’t see it, burdened with human mechanisms of sensory perception and lost in thought. I have to consciously look for the way to get back to ‘here’… telescopic sights of mindfulness on crosshairs of past/future that focus on the ‘now’, the point of reference – discovering I don’t have to try to create it because the present moment is already here, always present… it’s the mind that goes away.

Traces of these last thoughts vanish. If I don’t reach out for the next thing to think about, there’s just the stillness of the event itself; a transparent curtain through which there’s a transparent stage in a transparent theatre and all the actors with the illuminated background shining through from behind.

“…sound does not exist, separate from our hearing; sights do not exist, separate from our seeing; tastes do not exist, separate from our tasting; smells do not exist separate from our smelling [….] our projection of an “external world” — of objects “out there” which we then interact with via the sense-organs of a seemingly individual bodymind — is a claim that can never be experientially verified.” [Elizabeth Reninger, “If A Tree Falls In A Forest …” – Bishop Berkeley Meets Laozi]

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Another  post about birds of prey: seeing with alertness.  Note: Our young friend Ng arrived back from New York on the night of 17 Feb, there were storms when she was there and the dance performance at Brooklyn Bridge was cancelled