evening, the even-ing

POSTCARD #264: Bangkok – Chiang Mai flight: I could begin with the way the inflight experience is sliced up in manageable chunks and swallowed with drinks and gulps of air, which helps the ears adjust to cabin pressure, but the story of all that remains untold, replaced by the ‘impact’ of landing – in a manner of speaking. Time-and-space folds in on itself and suddenly we’re descending towards Chiang Mai… such a short flight. The plane is clearly pointed downwards, I become a little deaf, it feels like being underwater, and no amount of swallowing or holding the nose between thumb and forefinger and blowing of air into sinus cavities seems to clear it. Plane tilts over and makes a left-hand turn. Low sunlight comes in through the cabin windows on the right side and sweeps around the interior of our small space as the aircraft changes direction, circles around and goes further into descent. It’s as if it were in a flying house, spinning around on its axis and ‘we must be somewhere over the rainbow.’

Yawn and ears go ‘pop’. A whole new 3D sound enters…. didn’t realize how cotton-wooly it was before. Near to landing there’s the sound of the hydraulics, out go the flaps, down go the wheels and the earth rises up to meet us; 300 people all facing forwards in the direction of travel, looking out the windows of a structure the size of a building travelling at 200 mph on what could be a collision course with the surface of the planet. For a moment there’s a glimpse of samsara and the great yawning abyss of existential fear; I need something to hold on to, but there isn’t anything that’ll prepare me for such a colossal event. This is the ultimate roller-coaster experience – and… the aircraft’s wheels take the weight, first the one on the left then the other one on the right, and the deep lurch, sink-down/bounce-back – for a moment it feels like we’re going to tip out of balance and disaster looms, but we’re on level ground.

There’s something about this being in a public context, a shared experience, we’re all in this together folks, spectators watching an actual event in our own lives, the collective sense of a letting-go of something tightly held: woooooo! The perception of Self is relinquished; nobody at home… no identity, just this unattached feeling that couldn’t happen in any other circumstance. A riderless horse, the empty seat… footprints left behind in the place where he was. Symbols of the Buddha before the Greeks created the Buddha likeness we know today.

Awareness of breathing, deeply in and all the way out, like a huge sigh. Watch the breath enter the body again and go through the whole awakened experience. Knowing, consciousness, clarity and the mind settles into the quiet space of no thinking.

Out of the plane and following the exit signs. We’re all just seeing ‘the seeing of it’ as TV monitors here and there tell us stories built upon stories, swirling around events that otherwise take place wordlessly. Colorful banners pasted on every available space with words and images that’ll get our attention and Mind takes over, creates the story of ‘me’ stepping forward, and me as someone at the receiving end. Who’s that mirrored in the glass wall? There, again, stepping out with luggage on wheels, rolling along happily? Subject/object duality locks into place.

The story is everywhere, all around the departure gates and small cafeteria, episodes of it heard in the corridor with the sound of somebody else’s cabin luggage wheels going ‘click-click’ and the clatter of feet. Excerpts of the story overheard in the bar, acoustics muffled by a floor carpet. We’re always only part the way through whatever story it is before another starts up.

Beginnings, middles, and endings of short stories noted while waiting in the cash desk queue at Boots chemist. Stories using words I don’t understand in Chinese, Korean, Russian and a whole world of other languages speaking in stories.

Then I’m waiting in a seat by the exit, with my receipt to give to my taxi driver, just watching the breath and seeing the darkness of afternoon become evening; the even-ing, the smoothening out of wrinkles on a silk sheet stretched over the ironing table. Flat horizon line over an endless sea, the laying-out, as darkness sweeps over us.


Complied with excerpts of a previous post. Photo by Jiab in the south of Thailand

the forever turning

POSTCARD #263: New Delhi: House agent came to the door, saying they are going to demolish the building, and when would be a good time for the architect to come to see the house – it was said like how we decide to delete a message on the phone. We knew about the plan and are prepared, but the emphatic bluntness of it…  what’s gone is gone, the forever turning wheel. “Don’t let the sun go down on me.” My world is tipping over, mind driven by some kind of energy, a curiosity and desire to get involved with it. Words come out grouped in chunks, searching for a connection as if they had a volition of their own.

The characteristic mind reaction when confronted with an immutable truth; when I understood that my PHN headache is a permanent condition. As Jude says, the mind is creative no matter what the stimuli. Imagination let loose like a racehorse, goes careering off then is yanked back unwillingly and all kinds of fearful things arise, created by the struggle. How to have mindfulness so I can catch that creative awareness before I get hijacked by how bad it seems.

World-wide monitoring of events, immediate media coverage, on the spot reporting in a here-and-now performance starring ‘he’ who is about to be demolished: boom, crash, bang! It’s finished before it began, the whole scene gets folded into itself and packed away, gone – like it never happened, no evidence remains. Grab the bags and let’s get out of here. ‘I’ become ‘him’ over there, third person singular, object pronoun, making an escape out the window before the walls cave in. Away in the car through a swirling cloud of masonry brick dust, and onto the long straight road to the airport.

Check-in for the overnight flight to Bangkok and the day after tomorrow I go to see the lady doc down-town in the white room (link to: Finding The Way Out), to discuss, again, the possibility of an electrical zap to the nerve and that’ll be the end of my constant headaches. Comparison with the stand-off in the Korean peninsula… I’d like it if the whole thing could be put on fast-forward so I can get it over and done with, but it hasn’t even started yet. I’m here on the plane and in my mind, are pictures of a house falling down around my ears.

The flight is a directionless experience. Look out the window, total darkness, no sense of moving forward, we could be flying sideways. When I try to think of it, there’s the image of a journey that leads from here to there, the route we take is an elevated highway in the sky, we’re in a long silver night coach with the moon and stars and stewardesses with the drinks trolley. Occasional air turbulence suggests small bumps on an otherwise very smooth road surface – sufficient to tip me over and fall asleep, with not even the sense that we’re going anywhere… just the noise of the engines and hiss of the air.

The present moment is not an absolute. It’s something that we’re [unconsciously] fabricating, and the goal of the practice is to learn how to fabricate it in a new [nirvanic] direction…. The present is here to be used, and the teachings are here to teach us how to use it wisely” [Thanissaro Bhikkhu, “The Use of the Present,” 2016-11-28]


photo by Jiab in the South of Thailand

the way out is the way in

POSTCARD #262: New Delhi: A papaya tree just seeded itself in our small flower bed. It grew and grew and became a giant among the flowers, created shade in the noon day sun. Glory be to the bird that flew by here one day and the fortuitous dropping of a whole papaya seed which landed in exactly the right place. When the small plant appeared above ground we cleared the weeds away and it grew to a height of 2 meters in a few months. This is the karma of the tree thus far, like one of those random, stumbled-upon truths which appear in awareness when the introspective state of mind is present.

Whatever form it takes, there’s always the return to the human condition and finding a way out of attachment, the Buddha’s Third Noble Truth nirodha, (There Is A Way Out). I was reminded recently the way out is not an escape from the world, it’s a reappraisal of the situation without the attachment factor, the clinging adherence to objects of mind or body. This is what it comes down to, the way out is the way ‘in’, obstructed by the various forms of hunger and thirst in the human organism. The task is to get rid of desire, getting it unpeeled, unstuck and we could spend a lifetime searching for these and knocking them out, one by one – or maybe the whole thing just falls away by itself in an afternoon, and suddenly it’s done.

All that remains then, is equanimity like a vast still ocean mirroring the sky above. Some small event may arise, a puzzle, and one may choose to examine the circumstances of it, resolve the issue and allow it to disappear. For me it was a world of unsolvable tricks, riddles and switcheroos, created by an uncle only five years older than me. A nerd, long before his time. He’d show me a puzzle and conceal the answer so I’d never find it… sometimes dangled a clue like a carrot baits the donkey.

This was in a lonely farmhouse on top of a hill in the middle of nowhere. A riddle wrapped in a mystery inside an enigma*, it was before the days of mobile phones, before even the days of black and white TV. This was so long ago nobody could remember what existed in that place before it. We would have to go there for the school holidays, and I’d then be confronted by this strange cloned uncle, who looked like me, was near enough to be a brother but wasn’t – no, no… definitely not.

Sometimes I would escape from his forever hold on the secret I needed to find, and go for help from my other uncles and aunties there, but they were all his older brothers and sisters, had a fondness for his snarky wit. Yep, enough said.

The years went by and I’d come back from long journeys in the world to visit him sometimes, but he never changed from his middle-of-nowhere mind state. I’d see him age and think that’s what I‘ll look like when I’m his age… expecting to see him change in some way, but he didn’t, right up until the day he passed away… holding the secret to himself.

There was this release when it happened… there is no answer to the puzzle – no answer, no puzzle. It’s got to do with letting go, and everything is seen. It can’t be hidden, nothing can, concealment is not possible in the middle of nowhere because in the middle of nowhere there’s no concealment. No subject, no object… nothing there at all.

“Feel nothing, know nothing, do nothing, have nothing, give up all to God, and say utterly, ‘Thy will be done.’ We only dream this bondage. Wake up and let it go.” [Swami Vivekananda]


Gratitude to Val for her comment: ‘the way out is the way in’
“A riddle wrapped in a mystery inside an enigma.” Winston Churchill

fighting a war with myself

POSTCARD #260: New Delhi: I’m now upstairs for most of the day, the art room is a catastrophe of pieces of masking tape, cut tracing paper flying around and skittering across the floor in gusts of air from ceiling fan. Stuff everywhere, hardened acrylic paint mixings on my palettes and smeared on the table. The cleaning lady gives me bad looks, can’t understand why I’m doing this – it’s got to do with the social hierarchy here; dirty work done by people whose job it is to do that. The logic is if I do it, those workers don’t have a job, no work, no money, starvation. But anyway, foreigners break all the rules, clean up their dirty floors themselves, say sorry, please and thank you very much, so often it loses all meaning.

I find her disapproval on cleaning day intimidating. Art has no meaning, defeated by the perfumed smell of cleaning agents which amplify my headache and I can’t do anything till the next day. After that, all effort with the canvas self-destructs over and over… I don’t know where I am these days, thought dwelling in the darkness; the impact of 59 cruise missiles, shot to pieces, fighting a war with myself, heat and concrete dust from demolished buildings.

‘How to escape from the horror of Trump?’ A question without an answer. Repeated on loop cycle until it becomes an enslavement. A passive allowing locked into place. Escapees become the fringe, hunted down, arrest on sight. But no, it’s not over yet. I have Russian TV (RT) and Arabic, Al Jazeera TV in English, also the French and Chinese TV channels in English. RT says specifically that it wasn’t Assad who dropped the first bomb, it was the ‘rebels’ who planted the chemicals to draw fire from Trump – or maybe it was all staged by the unseen roots the West have everywhere… everything is fiction.

And although Putin is what he is, I have to respect him for holding back from the obvious reaction when US and UK ambassadors came with their untruths to the UN Security Council. Weapons of Mass Distraction, their baited untruths – two of them, one placed on top of the other so it appears to justify itself. A simple trick, we fell for it before – their long term goal is a kind of colonization of the world, but not this time around. We see through the facade…

There are birds in the early mornings here. As the day begins, heat rises and it gets quiet… chirrups in the trees from time to time. Sometimes the artwork I’m staring at suddenly is seen. Is what it is, and I wake up to that… is that what I thought it was? I get so totally lost in it sometimes, pondering possibilities, forget to wake up. Large areas of it have to be painted over to allow for the new direction it’s taking. Constantly refining and refining. I’m inside the Mystery, working the canvas with mixed-up acrylic on palettes, hardened and lumpy, like landscapes and mountains seen from the air. Small pieces of cut tracing paper race across the floor in gusts of air from the ceiling fan…

“It’s all dry land to the shipwrecked…” [Jac Forsyth]



 

holo

POSTCARD #258: New Delhi: I perceive the world as a solid tangible thing, I see, hear, smell, taste, touch and in the mind’s eye I believe this to be so. But it’s a hologram – outer and inner, subject/object split as One; all of it is holographic. Therefore, the planet Earth seen from outer space, shining with color, is holographic. If that is so, all neighboring worlds, seen to be dead planets, could be teeming with life and we can’t see it because our sensory mechanisms are not compatible with their operating system, so to speak. In the same way, those other world populations are seeing their holographic extension of themselves, and can’t see our world for the same reason.

An idea for an SF story… the way it is, so clear to me now, waking up after a short snooze on the sofa and the headache almost gone. Birds twittering in the trees outside, they react to the drop in temperature as the heat of the day turns towards cool. Let’s see, it must be around 4 pm, raise the remains of my headache up from the sofa, legs over the side and stand up, feet into slippers: flip, flop, flip… over to the window and look out.

Trees standing around here and there, pointing at the sky and contemplating the situation: if a tree falls in the middle of nowhere, it makes no sound – it’s nowhere so, nobody’s there to hear it. But if you split the word into two parts: ‘now’ and ‘here’, somebody’ll hear the sound of it, because it is ‘now here’, and that’s a time/space location in the hologram which makes it real in this context. You could say, because this is so, I am. You are. We are ‘here’ in our world and out there is just ‘out there’, the abstract realm where: you are what you is, and you is what you am…[Frank Zappa].

There was a time when I wasn’t here, not born yet. The world just going on without that person called ‘me’ in it – there’s an anonymity about this that’s quite liberating. The day before I was born, everything was just going on, birds twittering in the trees as they are doing now, and all the other random events taking place as I was birthed. And all those I was to be connected with, one way or another, arrived from what I’d call the past, dissolving into circumstances of present time as it falls away into the future, encapsulated in the timeless moment we are in, always. Nothing out of place, as I see it now, and here at the open window on the second floor of the house where the treetops are level with the window and higher… birds twittering more and more, as the day turns towards evening.

“The universe lies before you on the floor, in the air, in the mysterious bodies of your dancers, in your mind. From this voyage no one returns poor or weary.” [Agnes de Mille]


Photo source

 

terrestrial ocean

POSTCARD #255: Bangkok: Elevated passageways and corridors in the mind creaking like we’re on an old sailing ship, swaying with wind and air currents, the swell of the sea and the flip of waves at their peak. These lightweight structures hold the sails, huge areas of stretched canvas sailcloth – I can only see a part of the whole. The creak and strain of long hemp ropes, tarry old wood decking and a wide-open sky. Then the pain comes, ringing the urgency bell… see how it triggers all systems in a wild inarticulate way… make way! Allow the alarm to ring and let there be absolutely no resistance, no tightening up, just letting it be there… the worst of it subsides and the emergency mode is switched off. In the Buddhist sense I’m drawing attention to an awareness of Suffering and the cause of suffering, but not just labeling it; ‘the cause’ of Suffering is the 2nd Noble Truth, no, I’m asking, what is this ‘cause’? No labeling from here on.

What is the cause of Suffering and what is the cause of the cause? The desire for it to not be there, the confrontation, the avoidance, resistance… obstructing it, subverting it by any means. Running away from it, wanting things to be different than the way they are in a totally impossible way.

Childlike, I can see my (child) self as a baby, attending to whatever object appears, comes into range, immediately focused, the totality of each thing, as it arises – conscious experience without language.

Flickers of memory like this… food is a wonderful experience, it’s not Food, it’s Wonderful, it’s not ‘wonderful’ – no words for it, it’s a feeling(?). Then, just as easily, the bad, the awful – then the aftermath of the disaster, early childhood systems of understanding the world – but for my (child) self there’s no ‘understanding’, because there are no words in infancy to describe anything. Catastrophic! I am the cause of this hurtful chain of events. How it was then, and how it is now are no different. I am the same ‘me’ as I was then, language acquisition is here now, I’m expanded, filled out, developed and extended into the world but still the same ‘me’ (time can disappear in this kind of investigation), so how can I help protect the ‘me’ that was then, with the ‘myself’ that is now, equipped with adult skills?

Meditation. I’m sitting on the meditation cushion like a chick in the nest, cheep-cheep… waiting for the return of the Parent Bird (mother, father, both or neither) and, beak totally wide open, like a suitcase lying open on a bed waiting to be packed with things, my (child) self perceiving the Parent Bird visiting the nest (or not visiting), and for me now seated on the cushion too, there’s the acceptance, the wide-open giving-way-to it.

Maybe also in adversity, how much I’d prefer to not do this any more, because the recognition of the familiar forms of interaction between my (child) self and authority figures in the family group are too scary – for a moment I ‘see’ the blocking… but there aren’t any words, it’s something felt.

Simply how it came to be the way it is, but no words. A wetness at the eye, a glimpse of my (child) self receiving conscious experience, and the perception of it has shaped, formed the person I am today – it is the person I am today.

Then the pain comes back, deep stabs of it like bolts of lightning passing through, but the intention to allow space for the pain is still there. As the immensity of it become less and less, acceptance opens more and resistance begins to fall away. I see now the intention to be open and accept the pain, hidden from ordinary wakefulness, buried deeper than the pain can reach.

It’s this that tells me, when all other options are gone, there’s no running away from it now, I have to turn around and go back into the pain… for a split second the pain eases, an extraordinary and out-of-this-world feeling.

Absolutely no escape from the pain… then finding this window I know that’s always here, and everything is swept away like a flood of water finding its way through a landscape, rapidly filling up all the spaces and getting into all the corners… I am a sailing ship on a terrestrial ocean.


 

finding the way out

POSTCARD #254: Bangkok: The story of it is I went downtown to a government hospital to see a well-known anesthesiologist, about the 24/7 headache I’ve had since September 2015, in the hope that, aside from more needles and what-have-you, ablation? I’d discover the right way to switch it off. And to cut a long story short – getting through all the underground labyrinths and corridors, crowds and noise and waiting 5 hours with my headache being as it is, although for the most part, staying with mindful attention – I was finally in a white room with her, dressed in white, and three residents in white too.

Blinking in this dazzling clarity, I was asked all kinds of questions I’d never been asked before. Really it was just one question she was asking me and that was, how far do you want to go with this? Like a fairy godmother, she gave me new, stronger meds, saying try this before getting into these other procedures and treatments. So yes, I went home, took the meds and suddenly the headache got switched off. Hooray!

Wake up next morning and the headache is back. Oh no! Take the new meds and it gets switched off again. Hooray! There have been other times when it has switched off like this, but now there’s definitely a feeling that something else has changed too. I’m feeling more optimistic than I have done for a long time, why?

And I begin to focus and see it’s because of a new kind of acceptance I learned about (indirectly?) from the lady in the white room. She was saying, in so many words, okay I admire you for the effort you’ve gone to in coming to this place, but realize that we’re getting down to worst case scenario levels here; this where we DESTROY THE NERVE and it’s done in two procedures…

But I wasn’t listening, I’d just bounced right out of there thinking maybe I can live without this ‘procedure’. No needles or RFAs (radiofrequency ablation), ‘a minimally invasive procedure.’ There’s this electric needle and it goes in and precisely zaps the nerve. If that doesn’t work then we can put in another needle… but no-no-no, I was running away in my mind, ok, ok, what other options are there?

So I was back where I started and it was giving me a headache just thinking about it! Acceptance, looking more carefully into the Buddha’s Third Noble Truth (nirodha); the realization we don’t have to remain stuck in an unsatisfactory state. Finding the way out of Suffering begins when we let go of the craving that feeds it. An easing of the suffering of mind that takes place by seeing it is caused by holding on to… whatever, the longing for impossible things. Yep, what is causing this? To see what it is I need to accept that it’s there, the giving way to it the frank actuality of it. That was an eye-opener. Finding the way out of the Suffering in the mind means seeing the cause for what it is, a complex attachment/ resistance tied up with the suffering itself. Unravel the knot let go of the whole dang thing, and that’s the way out.

What to do? Train the mind to live with the Buddha’s Third Noble Truth, and I’m better equipped to accept the headache being there. Or go and see the lady in the white room and her worst case scenario ‘procedures’.

“… suffering smashes to pieces the complacency of our normal fictions about reality, and forces us to become alive in a special sense—to see carefully, to feel deeply, to touch ourselves and our worlds in ways we have heretofore avoided. It has been said, and truly I think, that suffering is the first grace. In a special sense, suffering is almost a time of rejoicing, for it marks the birth of creative insight. [Ken Wilbur]


 

out of context

airbridgesPOSTCARD #253: Chiang Mai: A short flight to Bangkok to see the needle man for the last attempt to anesthetize the head pain I’ve had for more than a year. Back to Chiang Mai the same day and it feels like it never happened, except for the pain where the needle went in – the scritch-scritch sound when needle point scratched the skull. I’m thinking maybe the pain is gone, walking through a small shopping area the next day, then I’m hit with three distinct stabs in the head. Knees bend, I want to lie down on the ground as if it were a soft bed… it would be so comfortable. No, no I need to find a place to sit. Suddenly a coffee shop appears with tables out in the street, waitress coming over as I sit. I ask for a bottle of water (waitress seems distracted, am I looking weird?), try to look normal while pushing out the capsules from their crackly celluloid enclosures, but what’s normal? It’s at times like these you notice the construct out of context.

Here I am, stabbed in the head and trying to act normal to everyone else in the street. I want to shout out ‘help me!’ but I go with the act. I can knowingly disappear in what is assumed to be the correct reality – an imaginary character in a fictional landscape. Everywhere we look the construct is staring back at us, as clear as clear can be… product marketing intrudes easily, interwoven and embedded for better or worse. And, like something direct from the mother ship itself, “the news” is inside our heads, a filter through which we see our world. The push-and-pull, towards or away from the things I love and hate, or love to hate.

I drink water, the trauma of head pain easing. People here don’t speak, hang out in postures of contemplation with devices, phones, the reflected glow of screens illuminate faces of the user. Maya is a beguiling concealment, agreeable enslavement. Heads tucked in, body crouched over in fetal position… absorption. Then, when it’s time to go, removing oneself from the enchantment, thinking how am I seen? How do I look to my ‘friends’, to all of us; I, you, he, she or it – we, you they? “Me’ as an individual… the world as my duality.

Next thing for me is an appointment to see the nerve-ablation lady 7th March. I expect the witchy neurologists will give me a hard time if I turn this down: radiofrequency ablation procedure (they stick an electric needle in and zap the nerve). Well, putting up with their negative attitude is better than getting zapped. Also, I’ve heard, the nerve grows back after the ablation, or the pain moves somewhere else. What then? Another one of these zap! ablations? zap! And does this zap! go on at intervals zap! for the remaining 10 good years of my life? I’m pretty sure I’ll say thanks but I’ll just see how it goes, go play with your procedures somewhere else, they say neuropathic pain gets more manageable as the years go by….

“The first noble truth of the Buddha is that when we feel suffering, it doesn’t mean that something is wrong. What a relief. Finally somebody told the truth. Suffering is part of life, and we don’t have to feel it’s happening because we personally made the wrong move…” [Pema Chödrön]


 

the time is not here yet

1POSTCARD #252: Chiang Mai: 05.00: When I open my eyes in the morning I don’t remember where I am. The great white neon light of the hotel sign across the way fills my room and takes away memory. I’m here so infrequently, there’s only a sense of the last time I came, an unfinished jigsaw puzzle with some pieces left over but no place where they fit. Or a thought appears in the empty mind like a beautiful small fish, and then it’s gone… where’d it go? Taking everything apart to see where that thought went, but can’t find it.

Ah well, pull the pillows together in a cushion and settle on top of that in a folded-leg sit. Aware of the breath, focus on nothing in particular. Early morning kitchen noises across in the hotel, clatter of plates, rolling-around-clunking sound of objects as they collide with their surroundings: bump, scrape; a cupboard door squeaks, water sloshing-in-sink noises, cutlery in metal mesh baskets becoming high frequency white noise received over here in the neon glow, seated in a third floor apartment on the other side of the street.

All and everything that occurs here, there and everywhere in the scenarios through life from start to finish pass through me now and the world becomes neutral. Non-intrusive, random thought mechanisms that function at the edge of attention pull me into the gentle whirr and flicker of thinking-about-things.

A far cry indeed from the western automatic-reflex-attached, “thou-shalt-not” society of the late 1940s when I was born, unaware and unschooled in Good Orderly Direction and seemingly by chance (?) narrowly escaped the fierce lock-down of a mortgaged future by means of sacrificed present time, with the simple thought that the thinker has no other form than thoughts… and with that, everything just drifted away from its moorings.

All that resolved itself somehow really very well. Now here in a street in a tourist town in the North of Thailand with a passport and inconsequential luggage… items of thought can pass through freely, fish uncaught – no reason to be holding on to anything at all. The emptiness of the moment is no-self. Nothing here except the operating system; form, feeling, perception, mental processes and consciousness [Link].

In a clamor of sounds, auditory events jump out in perceived grabs of recognition, registered, processed; memory updated. It happens so fast that trying to find words for it are like action-replays in slow motion, and I have to catch up after, as everything has moved on. Pause button; awareness aware of itself, the eye turns inwards, consciousness as a sensory organ, the ghost in the machine, no self. The process itself selects the sound – or the sound selects the process, and there’s no ‘it’.

Sensory mechanisms waiting for things to happen because it’s in their nature to do that, inseparable parts of the world out there/in here. Nothing happens, the time is not here yet. The alertness is all there is, receiving the world and, since we are also the world, so to speak, it’s an all-inclusive enfolding, unfolding, and remaining in the present continuous form, ‘listening’. Suddenly the great neon light is switched off. Blinded for a moment in the absence of it, traces of blue sky out there, birdsong. Without any sound, go quietly (whisper); the time is not here yet…


Photo of a young man named Namo (as in Namo tassa Bhagavato Arahato Samma sambuddhassa), French-speaking Thai/Swiss, who became a monk then left for a career in fashion modeling.

valentine 2017 falling in love again

interior_of_lotus_templePOSTCARD #250: New Delhi: Completely blown away at the Bahá’í Lotus Temple with the monk, Bodhinando – and it could be that an experienced young meditator like him, now entering the world for the first time after 5 years of intense practice, was just giving off this unseen bliss and harmony when sitting in meditation. Or it could be the dome itself, the amazing acoustics with fragments of birdsong, trills, chirps and whistles from the high windows up there; acrobatics of sound echoing 40 meters above our heads.

When we started the sit, I was struggling with head pain and didn’t think I could do it… pressure over the right eye. I couldn’t get up and leave without disturbing others, so the only way out was ‘in’. I tried getting focused on the in-breath/ out-breath, but the mind scampered away, again and again like a playful puppy. I persevered with it, over and over, did my best but in the end, gave up, or it might be better said that I gave in; whatever… ready to get up and go. But, just then, things started happening, triggered by that decisive acceptance, release of tension, and a huge enfoldment began, with everything tipping over, collapsing into a gentle falling.

A slow-mo picture of what happens when falling off the top of a tall building and the fun aspect of it is there’s no ground down below. Pieces of thought imagery flying past me in the fall, some are on the same level as the whole thing remains in free fall like this. It was a giving-in to it, a kind of birthing, a relinquishing, transitioning, and a swoon, a falling in love again, again.

The fall was without gravity; direction ‘down’ had no particular meaning, nor was ‘up’ or ‘through’. I use word ‘me’ object, and ‘I’ subject, as location points in the description of the event, and not as me, the Person walking around in the world. In the slow spinning enfolding through all directions and dimensions, the ‘I’ aspect was everywhere, all around, above and below, and inside and including the ‘me’, the Person who is normally separate, walking around in the world.

Then there was a small noise, and in response I opened my eyes; a shocking brightness of the here-and-now… what’s happening? Some people were leaving and the rustling of their clothing had drawn my attention. Closed my eyes again and the inner enfolding sensation was still there. It continued like this and when we left I carried it with me, looked at my watch and maybe an hour had passed, completely enthralling.

The word is Jhana perhaps; there was a familiarity about it. I must have experienced this years ago, and knew how to just go with it and when the opportunity arose, I gave up (gave in), relaxed the intensity, and everything was enfolded in the fall. As we were walking in the huge grounds surrounding the place, I was describing the thing with Bodhinando and asking him about it. I remember he looked at me once with small smile, and didn’t reply. Then I was going to ask him again later but forgot what the question was…

1-1Love is everywhere on Saint Valentine’s Day (and every day). Upper picture: the interior of the Lotus Temple, click on this link for more from Wikipedia. Photo above: Heart shape in the folds of a blue towel our taxi driver had placed on his seat in Lucknow, Uttar Pradesh, North India… and Marlene Dietrich from 1930, falling in love again.