as the crow flies

Posted on June 15, 2016 by tiramit

POSTCARD #210: Delhi/Bangkok flight: I arrived at the place and couldn’t remember how exactly I came to be there except for the journey returning to me in flashes; scanned by X-ray machines, identified, processed, held in aircraft cabin pressure for 4 hours… then look out the window and see small green rice fields with water everywhere; 1800 miles southeast on the Asia map as the crow flies.

Placed on the ground and I have to get my things quickly, put together the parts of who I think I am in this new context of a day I missed the beginning of, and things out there are just happening anyway. Extraordinary, even so – catching up on the rebound, the momentum of the journey, the sense of something recharged, action endowed with purpose because I’ve arrived in what remains of a day that belongs to other people, those who have been here since early morning… Sorry I’m late, dropped out of the sky unnoticed – the Fall of Icarus in a painting by Pieter Bruegel.

Look at the camera please, click, passport page, thump, you have entered the Kingdom… exotic creatures made of gold. The world seen in flashes from an airport taxi in the fast lane, everything designed to get us there with the urgency of speed. It feels like the whole outside is entering the inside in large jigsaw pieces of landscape partly remembered, connected familiarity, but no time to think where, when, or who with. Glimpses of other people’s traffic congestion at the paytolls, shadowy drivers and their tinted glass and steel glint, chromium shine of new cars in pastel shades sliding slowly along in the golden light of their early-evening lives.

In here everything is locked down tight, attention captivated by the directionality of the journey I see through the front windscreen how we’re hurtling into a wormhole in space/time, plunging towards a vanishing point that never arrives. The outer world becomes neutral, non-intrusive random thought mechanisms that function at the edge of a dream pull me into the gentle whirr and flicker of thinking-about-things, and it seems like what’s happening here just could not be any more ordinary.

I find relief in that… can unwind in the Thai sense of normality, thammada, ธรรมดา, mind still buzzing as it is with the energy, the immediacy of the experience. Just fall into focus on the neutrality of no-thinking, looking for the space that’s between things. Deep in-breath and extended outbreath; the long and forever road extending deep into the horizon with great dome of sky above. Everything looks like a picture of what it is, a composition, a story told by a storyteller long since disappeared and I can’t remember how I came to be here, only parts of the journey now coming back to me in flashes, shining in my darkness at the edge of sleep in a different time zone.

“You are not in the universe, you are the universe, an intrinsic part of it. Ultimately, you are not a person, but a focal point where the universe is becoming conscious of itself.” [Eckhart Tolle]

Photo: Departures walkway at Delhi. New… pls chk out the latest art page post

the desire to believe in

Posted on May 6, 2016 by tiramit

POSTCARD #207: CHIANG MAI: Before my Thai niece M runs out the door to spend the day with her friends, she comes over to where I’m sitting and says: Toong Ting? I am going now. Bye bye! And she’s gone. I sit there for a while being Toong Ting, her pet name for me, part of her baby talk that remains because it’s thought to be cute when applied in a grandfatherly way. I feel like I don’t deserve it… the Judeo-Christian sense of guilt that doesn’t fit in this Buddhist country (I need to remind myself always). M is courteous and respectful as she’s been taught, a learned thing which reinforces the natural world-view children have. But I wonder if I’m worthy of it – am I simply taking advantage of people’s natural desire to believe in, to trust?

More than thirty years of living with other people’s preferences, adopting them as my own… how it is for the migrant in his/her host country. North Americans must have a deep familiarity with this. There’s a slight doubt that enters sometimes, it’s as if everything that’s done or said is a form of compliance, has the quality of procurement – how can I be as committed to being here as everyone else is when I know I could get on a plane any time and disappear? Moving from one ‘safe house’ to the next, the leave-taking between is sudden and children may forget me completely, or think about it for a lifetime and never understand why I went away. It’s something unknown, unthought in the Thai world. They’re so kind here. I feel I don’t deserve it.

The silence of the room comes as a surprise, birdsong in the trees opposite the window, and I wake up from this prolonged moment in search of the memory of who I am. The same as it always is; I’ve arrived here by the same route I’m accustomed to when reviewing the image of who I want to be and who I think I am. It happens in a tiny fraction of a second, so fast it feels like the process of trying to figure it out is in slow motion.

Objects scattered on the desk in the position they were in, unmoved, a pen, papers – a cup with a curious handle that appears to stick out further and wider than it should, waiting for my fingers to come and hold it… I’d be that person I think I am if I were to I reach for the cup. Alice in Wonderland, Drink Me says the label on the bottle… but I don’t and it doesn’t happen. Everything on the desk and the sofa and the floor remains as a quiet presence of M, these are her unclaimed, unidentified objects that come alive when she’s here. Maybe it’s easier for me than for the native inhabitant to choose to stay with the emptiness and silence of inanimate things, the motionless space where everything is situated, aware of context and content, and seeing that which normally passes unseen.

It’s a perception, and only seems real by comparison with other things that are thought to be not real… falling into the delusion it’s not delusion, or knowing it’s reality – we do it knowingly, we go with the illusion. For a moment it’s seen and this is how we escape from it. Sometimes it’s a familiarity displaced and we’re tricked into staying there believing it’s really real but we’ve only convinced ourselves that it is, and it can take years, a lifetime. A pattern found in the itinerary of former lives, all these journeys connected end-to-end, divided and subdivided into periods of looking out the twin windows of the upper front face of the skull as if it were a moving vehicle, and looking out and thinking: ‘are we there yet?’ Then back to the conundrum of being busy with thought, and never arriving.

Later in the day a message on my phone goes ding! A picture of somebody’s lunch. It’s from M they’re all in a restaurant I’ve been in before and I can imagine how that is right now…

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Photo: a carefully created pavement repair in Chiang Mai.

knowing knows knowing

Posted on April 25, 2016 by tiramit

POSTCARD #204: DELHI: … like suddenly waking from a dream, an unfinished story and something just happened – so fast that everything is out of sync, skips a beat. It’s because I’ve been unknowingly holding this pain in my head that’s now breaking through and the holding is not as important as the getting away from it… this is not happening to me! With that recognition, suddenly there’s no ‘me’ to whom this pain is happening just the velocity of it, like a wind storm and I’m lying flat in the grass as it passes over.

Some time after that, having taken my meds and the pain is now walled off in a corner of the head, I’m sitting in a straight-backed chair, just to see how that feels. Breath enters the body like a wind gusting in, withdraws, comes back, blows through everything then it’s not there again. Focus shifts to a great emptiness opening up – opening and opening… I might easily believe this will never end, but moving along with it to see what the next thing is. The purpose of my life is the on-going experiential response to the impact of sensory contact – what else could it be about? Skin, muscle, flesh, and these mysterious organs held by ligaments bonded into a skeletal structure. It’s as if there’s an electrical charge in there, sparks flying out. I am the context for the outer content. The whole investigation is one that is open to following where the knowing of it leads, see where it’s going, how it reacts. Conscious awareness of how the mind is able to concentrate and to what extent – passageways of insight open in an instant and a great flood of things to think about pours in.

Thought sequences and memories become apparent when they reach the point of “being”… before that they’re in the uncreated state – arbitrary, disassociated. Things don’t exist at all, until I observe them. There’s the Observer Effect in quantum physics, the experiment showing that when one is observing the movement of electrons it changes their behavior. In Buddhist thought, the ‘observer’ is not the ‘self’ but the self-construct arising from responses to sensory input via the Five Khandas. Received data is formed according to the mechanisms of the human sensory process – including cognition, which is a sense like all the others, and the great dome of sky above. Mindfulness is a returning to that place where I see how things change through my engagement with them…

‘All we know of a thought is the experience of thinking, all we know of a sensation is the experience of sensing, all we know of a sight is the experiencing of seeing, all we know of a sound is the experience of hearing…. And all that is known of thinking, sensing, seeing, hearing, touching, tasting and smelling is the knowing of them. And what is it that knows this knowing? Only something that itself has the capacity to know could know anything. So it is knowing that knows knowing.’ [Rupert Spira]

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Note: excerpts from an earlier post titled: ‘it’. Photo: Buddha rupa on the my working desk and the view of the garden

darkness and light

Posted on April 22, 2016 by tiramit

POSTCARD #203: DELHI: I’m sitting on the meditation cushion in the darkness of a very long power cut. What else is there to do? The back-up system keeps one fan working at slow speed creaking around, then it goes out too and we fall into a quietness of no fans at all, no air con. Look out the window and no street lights either. It’s fortunate there’s still some cool air here, upstairs in the bedroom as I get settled down on top of a short pillar of cushions that sink into the soft bed and the top is just the right position for me and my folded legs. So, here we are, just the two of us, corpus et mente. The agility of Mind senses body mass, tubed liquid of intestinal gurgling, body heat and wind of breath gusting around. Mind sweeps around the limbs up to the head in a high acrobatic somersault then down to the lowest point as if called to do so, and loosens leg muscles consciously. Ease and empty space creep in; the facility of it pervades everything, enters, becomes, or seems to be already here… it was always here.

It’s as if I’m part the way through something not experienced yet. Access at some middle point with nothing to indicate what has gone before, nor what it is now, only the empty space of what it could be… but not going there; held somehow in the neutrality of the pause before anything or everything arrives. There is only this surging through, it seems, an on-going movement, then a flicker of physical sensation somewhere sends Mind off to that location to be there with that small consciousness. Then another sensation and Mind seems to be able to travel around and through the cavern of body, front to back, no barriers, rushing through the invisibility of body structure, into the elbows, up to the base of the skull, everywhere.

Attention is drawn to a zizzle-zizzle sound and I’m fully aware of what it is; the ever-present, insistent mosquito, whizzing past my ear, then back again: zizzle-zizzle. I can picture it in its slight weight, tiny wings-blur of movement hovering for one brief second near to the ear… in proportion, a canyon swirl leading deep inside the brain with hot cloud of air all around that mossies like; that inner ear smell, blood capillaries and aspects of the vast organism it feeds on, the great mountain that is the human head. I twitch in response and it changes course: zeeet. It returns again and I do the head twitch, then it stops zzt… we know it has chosen an unseen piece of skin to land upon, unfelt, and getting the needle-sharp proboscis ready, positions it at the chosen point of entry: Em… now you may feel a very small prick here… please don’t move, it won’t hurt at all…. Mosquito arches her small abdomen (yes only females do this); the treasured insertion tool pierces the skin and plunges down deeper and deeper searching for a blood vessel further into the redness…

I try generosity; okay, go ahead! Giving it away free like this, letting go of the intensity, but it’s not working. Fall sideways off the cushion, defeated by a mosquito. All the other cushions that were underneath me spring up immediately and I’m flat on the bed surrounded by cushions; vigorous face and body slapping, fingers ruffle through hair on head for a moment then it seems it’s gone away.

Eyes closed and there’s that wonderful light coming in at the edge of vision that I haven’t seen for a long time – a kind of unreal ‘heavenly’ warm creamy white moonlight light. Open my eyes again… where’s it coming from… any light on in here? Nope total black out conditions. Close my eyes again and lying flat, waiting… in a moment it returns. Not seen, indirect, it illuminates the space as if it were just about to appear. So it’s okay to be here lying on the bed, coping better in this position with the mossies circulating around breath exhale, and the mystery of the light that has returned, light in the darkness – darkness and light.

‘What’s happening now is the position that I’ve always wanted to be in, I was just trying to get here.’ [Prince, 2014]

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photo above: wave on the beach at Hua Hin collecting shells with M

time-lapse

Posted on April 17, 2016 by tiramit

POSTCARD #202: CHIANG MAI/DELHI: It looks like this tuk-tuk is moving but it’s not. Shadows of overhead cables create the effect. It feels like this present moment is just one screenshot taken in the making of a video about my whole life… well, I suppose it is, but if I hold everything on the pause button and examine my surroundings in detail, I find they’re not held in the moment I’m in. I’m distracted by two large birds zooming past my window, one bird chasing the other. If the whole thing was tracked by time-lapse photography, the trees could be seen growing up, extending their branches, leaves, closer to my window and blocking the daylight. The flight of birds would be like bees buzzing around in a cloud, and my movements in the apartment, a flash of shadowy comings and goings. Then stillness for the times I’m not there, only the sunrise and sunset light illuminating and darkening the empty living space.

The mind was in this time-lapse mode and I allowed a whole day to pack and tidy up the apartment. More than enough time, it was a night flight, so I’m moving in slo-mo action and at the same time watching a video posted by a Buddhist blogger friend. The packing was uncomplicated because it was all clothes for laundry – my washing machine stopped working the other day and the repairman will come after I leave (somebody will take care of it). So packing your bag is easy if it’s all stuff headed for the washing machine. Mostly it’s just getting it all in, squeezed into all the corners and close the bag with one all-round zip-zip-zip. Carrying 20 kilos of laundry across international borders and through X-ray machines and the officer stops me at the Nothing To Declare exit: ‘may I see inside your bag sir?’ “Carrying clothes for laundry into the country, are we then sir? [Aha, a likely story…]”

That didn’t take place, just a story inside my head with different versions of the same thing played out again and again. I got to the house, said hello to everyone and excuse me for a moment, into the laundry area and put the entire contents of my bag into the washing machine in one swift unpacking movement. Add detergent, select the program button, and close the door click! That’s it, done. The whole point of the journey was to get to the washing machine, you could say.

But, before that happened, M and her mom turned up to say good-bye. They brought with them a friend who is a masseuse, so I’m saying how about this pain in my head and neck? (PHN) and in seconds she had me face down on the bed, embarked on a full body massage, she’s on my back, twanging ligaments and tendons like guitar strings. I was in a daze, just enough time to shower and put on the only remaining set of wearable clothes, into a tuk-tuk for the airport – and there was no pain as such, just an easing because the ligaments and tendons’ twanging had stopped.

All the way through this, there were pictures in my mind of getting to the destination but having to correct these images because what I see is the old house, not the present house. I’ve spent more time since last November away from the place than living there. So I have to consciously delete these old remembered places and try to bring the present house to mind. Strange how you have to think things back to how they are right now rather than how they used to be. But the actual destination doesn’t show on the mind’s screen, hasn’t been updated yet… and sleep sweeps me away. Hardly noticed the arrival at 2.30 am, time brought forward by one hour and a half. I’m shoveled into the car by circumstances prevailing, and everything pushing me along in that direction. I get to the house, into the laundry area and put the entire contents of my bag into the washing machine in one swift unpacking movement. Add detergent, select the program button, and close the door click! And there’s this déjà vu thing about it.

“The timeless in you is aware of life’s timelessness. And knows that yesterday is but today’s memory and tomorrow is today’s dream.” [Kahlil Gibran, The Prophet]

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songkran สงกรานต์, संक्रांति

Posted on April 13, 2016 by tiramit

POSTCARD #201: CHIANG MAI: Impossible to not notice Songkran here, Thailand’s New Year festival, “sawat deepee mai”, Songkran begins today, 13 April 2016, in the Buddhist/ Hindu solar calendar. It’s also New Years day in many calendars of South and South East Asia. Songkran is the water festival, the act of pouring water is a blessing and good wishes. Before the festival begins, everything old is got rid of or it will bring the owner bad luck. Time to let go of bad stuff, ‘should auld acquaintance be forgot for the sake of auld lang syne.’ Wash away misfortunes in the past year, and welcome in the new year and a fresh start.

Thai people usually try to go back home and see their parents or their old relatives at Songkran. A tradition of bathing elders and asking for their blessing is part of the festival. Now I’m seen as a harmless old guy so I don’t get water thrown at me; a very small amount of blessed water is gently poured on my shoulder, or I sometimes get to sprinkle jasmine flower soaked water on the youngers who kneel and pray for fortunate circumstances in the coming year. All Thais go to temple in the morning and make merit by either giving alms to the monks or releasing birds, fishes or turtles from captivity – good deeds and the karma of it all.

But it’s mostly about water and the release from hot summer days. For young Thais and foreign tourists visiting here it’s a joyful water-throwing free-for-all. The streets are running with water to the extent that the Chiang Mai Government this year have started a small campaign to persuade the public it’s necessary to save on water. But not taken too seriously.

It’s also a time when people get reckless, accidents on the road the Bangkok Post today reports that so far, police arrested 20,094 people for drink-driving and 549 vehicles were impounded at checkpoints from 9 – 12 April. Owners of the impounded vehicles, 439 motorcycles and 110 cars, will be allowed to pick up their vehicles at police stations after April 17 when Songkran ends.

the two-hundredth

Posted on April 3, 2016 by tiramit

POSTCARD #199: CHIANG MAI, THAILAND: the two hundredth postcard leaves this keyboard with a question I’m hoping will find an answer. There’s more of a familiarity with the characteristics of my perpetual headache, but the months slip by and I’m postponing the plan I had to come to terms with the dependency on the medicine I need to numb the pain. Future time slides into present time, tomorrow becomes today, and everything I was doing a moment ago has disappeared into the past again – the enhancement created by the meds masks many things. No sooner has it been seen than it’s gone. On the rebound, senses are alert, listening, feeling, searching… how can this be? But I’m caught in the conundrum of not being able to see it’s the searching for the way out that maintains the state of being lost.

After the illness came to stay (September 2015), it took a while to focus on the functioning of Mind as I’d previously known it; as the cognitive sense, the sixth sense that knows the other five senses and knows itself as the ‘self’ until attachment to that self aspect is seen through. Everything from there onwards is understood in a different way. There’s the seeing of events without the story and it all can be deconstructed carefully – indeed nowadays, there’s a fascination with this investigation, somehow believing that by taking things to pieces I’ll be able to see where the problem of dependency lies. But the investigation goes deeper and deeper, Mind changes its focus, and I discover I’m not able to find what it was I was looking for because I’ve simply forgotten the train of thought that brought me here. An uncomfortable place of attachment to something but no idea what it is. It doesn’t seem worthwhile to try to return to how things were before I started this, even if I could remember how it all fits together, which I can’t. Besides, things being as they are, putting it back together is impossible because everything has changed.

The confusion of mind like a jigsaw puzzle with pieces missing that can only be put together in chunks and not ever completed, means there’s always this dissatisfaction and returning to it again and again; this coming-back to look for the beginning of it… then, as if to remind me, and before I am properly aware of it, the parts come together as a felt pain. A thought now appears in a small window and the recognition of it as pain unfolds with ‘me’ suddenly playing the role of the person to whom this is happening – this is a story about ‘me’ and I’ve learned to take the dosage as soon as possible, and I leave the story and the window closes.

In the vast ease that follows I recognize an important piece of the puzzle; selected attention affects perception. What I think is the solution has been displaced by my attachment to searching for it. So, it just looks like it’s complete because time has moved on in the duration of thought arising, and everything now has the quality of being seen in hindsight.

In the peace and quiet ease of those moments when there is no driving urge to take the meds to correct this perceived pain, it’s possible to see that my attention to it is both the problem and the solution; trying to get what I want or to get rid of what I don’t want, but unknowingly caught in attachment to it. The desired state I’m seeking already belongs to ‘me’. Everything I have, everything I want, all of this is ‘mine.’ Even the pain, that which I consider to be the thing I hate the most, is also ‘mine’. What to do? How to learn the skill of detachment in these circumstances?

How wide are the horizons of the spinning earth! The moonlight leads the tides and the sun’s light will not be confined within the net of heaven. But in the end all things return to the One. The deaf and the dumb, the crippled and deformed are all restored to One’s perfection. [Hsu Yun]

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Photo: detail of a Wat Poh Guardian taken by P Henderson. Note: special thanks to Ellen Stockdale Wolfe who kindly sent me the link to the video below of Mooji’s remarks about pain. Go to 25.50 to bypass a lengthy introduction

http://mooji.tv/freemedia/he-sees-only-the-infinite-sky-of-your-being/

voice-over

Posted on March 25, 2016 by tiramit

POSTCARD #197: THAILAND: Arrived in Bangkok, then a small propeller plane to Hua Hin, 41 mins flight, ninety miles down the coast. Unaware of the Brussels bombings we walked on the beach, no people anywhere, where’d everybody go? Came upstairs to our room on 6th floor, switch on TV and there it was; the Brussels Bombings filling our hotel room from nearly ten thousand miles away. We were stunned by the coverage; BREAKING NEWS, coming to you live from CNN Center in Atlanta. CNN reaches the whole of the US, and as far West as Pacific Islands and Japan. Then the other way from Atlanta, all countries in South America broadcast in Spanish and Portuguese, East through Europe in all languages including Arabic and the whole continent of Africa. On through Asia to Australia who are so far down-under, the rest of the world is up-over to them. CNN facilitates this news and within minutes, the bombs in Brussels are exploding all over the world.

We wake up the next day and it’s the same thing, the assumption is that many people in the world haven’t heard the news yet. At breakfast there are developments that seemingly, we need to hear about, also in-depth analyses of what happened and why, with experts discussing it – showing the same footage with voice-over and the production beginning to take a particular form. But we can’t pay much attention to it, busy with getting ready for our walk along the beach. Understandable really, I think, being the only white guy here. Brown people over here and everywhere with black hair and dark eyes, who are not Americans but the majority of the world’s population, puzzled and a bit embarrassed by the CNN presentation. Inclined to ask what caused the extremists to do such a thing? Sorry but that’s the wrong question… CNN is broadcasting its opinion in all countries of the world, stepping into everyone’s lives and figuratively speaking blasting everyone with the aftermath of the bombings using the dismay, distress, and consternation as a vehicle to convey the consensus point of view.

My niece M who is 12, asks me ‘Why?” I have to provide a satisfactory answer, but the same ‘why?’ follows me and my explanation. Then the extended form: ‘but why?’ all the way through my reasoning as we get into the elevator and she stops asking only when we reach the bottom, running out and down to the sea. Our early morning walk along the sand, and again we are the only people there, leaving a trail of footprints and the only others are those of the birds, M running ahead stopping to take close-up photos with my phone and her ‘why?’ more concerned with why do the footprints look as if they’re embossed on the surface, relief sculptures, rather than hollowed in the sand, strange – once you see it that way it’s difficult to see it the other way.

Back up to the hotel room and the show must go on. Intense music, bright red colors and talking heads appear. They seem to ask and answer questions but the dialogue has been scripted. Frightening scenes of devastation from an on-the-spot location in the danger zone while we are in a safe place at home, made to feel like voyeurs at the battle scene: ‘This is coming to you live’ yes but it’s an act, rehearsed, decided on by an editorial team who take advice from those obscure unseen advisors making decisions, about how the facts should be portrayed.

The dialogue looks spontaneous, and informative (I’d like to be a fly on the wall of these studios and see how much of an act this really is), welcoming the invisible third party, that’s us, the part we play as passive listeners mesmerised by the act, struggling in a bewilderment of feelings, holding on to this induced attachment to TV that we’re kinda comfortable with anyway and only later realise that by passively acknowledging this version of events, we are committed to seeing it that way.

CNN is now established ‘in the danger zone’, with easy-to-understand explanations and we allow the hypnosis to deepen by passive acceptance of it entering our living rooms – George Orwell’s 1984 propaganda TV reassures the population it’s all being taken care of by those who know what to do, although the threat of it continues. We know there’s something happening, it’s as if it were orchestrated, quite obvious really, but somehow hidden. Curious why we allow it to be there, but we feel we’re already committed to the CNN point of view, and that rewarding, induced, comforting mind-state takes over as we fall into our places in front of TV.

The next day I go into Google and find it has a Wikipedia entry already. Still there’s the question: why are these Islamic extremists targeting us? Could it be that it’s the result of something we did to them? Sorry but there’s something wrong with that question. History is made by those who won the war.

I’d like to explain to M how this illusion is constructed but cannot. So I’ll just have to hope she’s has a good enough grasp of English soon so she can read this post sometime and understand it after I’m not around any more.

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Photos: view from our hotel room at the top and the others are footprints made by a bird and M’s footprints as she studied the image on the screen that made it appear to be embossed on the surface.

found objects

Posted on March 8, 2016 by tiramit

POSTCARD #194: NEW DELHI: Even though everything we had in the old house was numbered, labelled and the whole thing carefully folded in on itself and squeezed into a removals truck with a set of instructions on how to reassemble, when we got to the new house it came out backwards, and the assembly instructions must have gotten lost as it was going in. Thus everything had to be emptied out on the floor in the search for the instructions, and that’s how it began to look like a vast three dimensional jigsaw of an instant house-kit, abstracted. So that when the assembly instructions were found, we weren’t interested in them anymore because we’d already found the proper screwdivers and L-shaped keys that fit into these holes in furniture assembly and started to put bits of it together by eye and what looked right. More things were discovered, ‘objets trouvés’, a collage, arising from found objects carrying that strange familiarity… traces of a former life.

And that was when I remembered something from long ago and far away; I used to be an easel painter, had exhibitions, sold paintings, thought about being a rising star in the World of Art. Then something happened – I don’t know what, an insight into how things arise and pass away. Everything just turned to dust, vapourized, reduced, distilled into the elements, thoughts created by Mind and the words required to describe it started to run out. Anything still standing after the event was taken to pieces, carefully numbered, labelled and the whole thing folded in on itself, then squeezed into a large box that I’ve carried around with me ever since and never opened… until now.

I cut through the old nylon ropes and slit around the edges of the box, sealed with parcel tape and old labels saying FRAGILE and sticky stuff from years of airline stickers for check-in luggage. The lid opens with a creak and a great volume of pandora’s creative playfulness is released in a soundless explosion. Well, that’s done it… no going back now. Brushes, pallete knives, tubes of acrylic paint, acrylic medium, glue gone hard, unusable adhesive tape, bits of measuring devices. and pieces of artwork. Boxes of charcoal, ink and yellowed pencil drawings for a painting I remember I never started – wouldn’t it be fun to go back, after all these years, and pick up where I left off?

I don’t know how many years have gone by, lost in the dream. Woke up one day, look in the mirror, hair gone white; the Rip Van Winkle effect – all of the elders are dead now and I’m grateful for everything I have that belonged to them (strangely addressed in the past tense). I’ve forgotten the ‘me’ that used to hold these brushes, squeezing these tubes of vermillion, cadmium yellow, it’s been such a long time, so many journeys extended out over thousands of air-miles, hours and days maybe weeks of looking out the windows of an airplane somewhere in the clouds and the world coming in through these eyes but seeing it like it’s not ‘me’ personally that it’s happening to, more like it’s an extension of what’s out there.

A sense of the air and spaces inside things I never even thought of until now. It’s possible that this is the right time to return to it. Less words more imagery, it’ll change the direction of the blog. Let’s see, I’m going to take a look into that pandora’s box, maybe find out what it was that caused things to shift as they did and what can be retrieved from the wreckage… got to go now. Sayonara bloggers, more later….

UPDATE: CHECK OUT THE NEW PAGE OF MY ARTWORKS, GO TO HOME AND LOOK FOR THE PAGE TITLED ‘ART’ UNDER THE HEADER IMAGE

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springtime, new delhi

Posted on March 4, 2016 by tiramit

POSTCARD #193: NEW DELHI: Watering the plants upstairs on the roof terrace and there’s this small one looking so simple and symmetrical, extraordinary. I take a photo of it and zoom into the wonderful experience of a life form in a different kind of temporality. It’s springtime here and the analogy of everything waking up applies, except that there’s no snow in winter, really no winter, and there never was any time before this, or anywhere in the future when things were or will be asleep. Everything is awake, the sense of an eye like a camera aperture so wide open the edges of it creak with the strain of it trying to open wider. It’s an endless cycle of birth/rebirth, the seed contained in the fruit that falls from the tree and from there another tree grows which creates another seed. No beginning/no end, all forms intertwined with each other to the extent that they are inseparable, bound together in time. The inclination is to think what was it like before this, when things were separate and the mind tries to pull it all apart. What was it like before all this, before the Big Bang?

Another kind of reality. What happened before we came here? We were in another house in New Delhi. It had a roof terrace and seeds were planted in flowerpots there, we carried the pots and everything from there to here and these seeds are now sprouting on this roof terrace. It makes no difference to the plants if they’re moved, so long as they have the same conditions, the cycle continues; seed/ plant/ flower spinning in their own arising and falling away, an enfolding and unfolding sequence of patterns in movement, and I come along, view it from this entry-point in time, called ‘here’.

There’s the urge to create an object that could fill this perceived space, this seemingly incomplete world: the sense of a vacant place we need to fill with something held in high esteem, and that will make it whole… what is it? Christians call it God, Hindus call it Brahman and Buddhists have no name for it, because everything is integrated, nothing exists outside of this – really nothing, not even the word ‘nothing’. Subject/object together in a oneness of contemplation, in conscious experience and the path taken leads us into a realm so fragile and subtle you can never be absolutely sure you’re not just seeing it the way you want it to be, and not really how it actually is. Better not to call it anything, acknowledge its presence, awareness is all-inclusive, mindfulness, take care, and see how that goes.

The sensitivity of the mind, not held by the limitations of the body, always looking for more than what there is, searching beyond the present instance; using one thing as a springboard to get to the next, everything is driven on and on, and present time is not here at all. There’s the sense of a game, an energy, a curiosity – a desire to get involved with ‘it’. The object is the desired state. It belongs to ‘me,’ the act of possessing it requires that there has to be an ‘I’ to whom it belongs. Everything I have, everything I want, all of this is ‘mine.’ Even my enemy is mine. Thus indirectly creating an identity that is always somehow incomplete unfulfilled, searching for the truth in this and unable to see that it’s the searching that maintains the state of being lost. It’s the seeking that causes it to be formed, reformed and transformed: the world is seen, sounds are heard, food is tasted, words are spoken, things are done, but there is no do-er.

“Imagine if all things that are perishable grew still – for if we listen they are saying, “We did not make ourselves; he made us who abides forever” – imagine, then, that they should say this and fall silent, listening to the very voice of him who made them and not to that of his creation; so that we should hear not his word through the tongues of men, nor the voice of angels, nor the clouds’ thunder, nor any symbol, but the very Self which in these things we love, and go beyond ourselves to attain a flash of that eternal wisdom which abides above all things: And imagine if that moment were to go on and on, leaving behind all other sights and sounds but this one vision which ravishes and absorbs and fixes the beholder in joy; so that the rest of eternal life were like that moment of illumination which leaves us breathless: Would this not be what is bidden in the scripture, Enter thou into the joy of thy Lord?” [Saint Augustine]

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