passing through 2

IMG_3448POSTCARD #209: Delhi, North India: There are times when the whole thing just gets stuck in the traffic jam of Mind – objects in movement screech to a halt, metallic creaks stretch out the momentum, jerk back and come to a standstill. Eyes blink in the silence and falling specks of dust, the world is seen as if it were a screenshot of the present moment. I focus on the long deep in-breath, the forever long out-breath… it is as it is in this instant, a fusion of everything seen, heard, touched, the taste, the smell, and all this held in thought, in words unspoken.

I’m falling into this familiarity again, having been far away from here, the first time in four years. Returning now and I’ve forgotten how to write, how to shape it so it fits, how to allow it to take form of its own accord. Surprised to discover that when I engage with it, that action seems to trigger remembering, opening up a gallery of recollections unfolding and integrated pieces of imagery like massive Lego constructs of long-term memory files (patisandha, if we can call it rebirth), fit together as in a 3D jigsaw, and the whole thing gathers speed like a long straight highway cuts through the landscape, large chunks of it seen rising up and falling away on either side, then the engine noise, a rolling and a tumbling along.

Many thanks for the Voice from blogging friends that reminds me of the connection that’s out there. I’ve got more of an understanding of Indie Publishing now than I had a few months ago, the first section of the book is completed as preliminary draft and the wind in its hair. I know at some point it’ll shout out that it’s complete. Nothing else to say at this time, everything that relates to this swept away in the doppler effect, sounds flatten off and it’s gone….

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Photo: autorickshaws in Mumbai

parts of a whole

IMG_0015 (1)POSTCARD #208: CHIANG MAI: Sorry we’re closed for renovations, editorial work and improvements; facilitated and inspired by friends I’ve met here in the blogosphere. I wanted to take things a step further, turn the energy of the posts into a completeness; thinking of a book. I’m trying to see how all the posts could simply become that. I’m happy to go on writing and engaging in dialogue with friends in the comments box, but I’m wondering where does it go from here; just more posts, adding to an ever increasing number of posts, and no objective other than taking things to pieces to see how they fit together as parts of a whole.

WordPress admin page tells me there are 368 posts 815 followers and 4,878 comments. Unbelievable, it just goes on and on, and I’m so grateful to all the friends out there in the blogging world who are reading this, and those who have contributed in the comments box. I’ve been posting since December 2011 and twice a week from then until now, May 2016 – with only one other break when I got ill. A turning point if ever there was one; next thing was the PHN condition; learning to live with a headache that doesn’t go away… but enough said about that.

So having decided to stop blogging for a while, the first thing I notice is it’s hard to do that… hard to stop blogging. I haven’t properly figured it out yet, but I can see there’s an attachment to it, the blogger is driven, every few days, to get that post out. Same as how the potter flings a lump of slithery clay on to the wheel and holds it spinning there with hands and fingers moulding, shaping, forming it into a beautiful hollow object with mouth so open it feels like the whole outside is inside. Like the sculptor hacks and cuts and chips at the block of stone to release the form that got trapped inside there.

That’s the creative itch identified, and I will be adding more posts to the art page, otherwise not blogging for a while and I’m hoping this means I can turn my whole attention to the pain in my head. Why’d I want to do that? Just to be with it, understand it, see why it’s there – why there is a pain in my life, not as a question… more like a statement of fact and it becomes an object of contemplation. Is there a no-self space beyond the pain? (as Karin has said?) Some people would pray and ask a higher power to help them remove the pain or at least help them to see it differently and to guide them. Do I do that? Do Buddhists pray? Or is it all about just noticing sense perceptions with compassion and detachment?

IMG_0015cI’m hoping to make some progress into this and find the energy to work on the book project motivated by the transformation, piece by piece, of the whole blog/book project – working title: ‘Postcards From the Present Moment’. Various people have suggested I should do this, I’m grateful to Ellen of stockdalewolfe.com and Karin at karinfinger.com, this is not an ending, I’ll be back with updates from time to time. As we get near to completion, there’ll be pre-publication news and a new beginning…

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UPPER AND LOWER PHOTOS: CABLES & SINGAGE, CHIANG MAI

the desire to believe in

IMG_2511POSTCARD #207: CHIANG MAI: Before my Thai niece M runs out the door to spend the day with her friends, she comes over to where I’m sitting and says: Toong Ting? I am going now. Bye bye! And she’s gone. I sit there for a while being Toong Ting, her pet name for me, part of her baby talk that remains because it’s thought to be cute when applied in a grandfatherly way. I feel like I don’t deserve it… the Judeo-Christian sense of guilt that doesn’t fit in this Buddhist country (I need to remind myself always). M is courteous and respectful as she’s been taught, a learned thing which reinforces the natural world-view children have. But I wonder if I’m worthy of it – am I simply taking advantage of people’s natural desire to believe in, to trust?

More than thirty years of living with other people’s preferences, adopting them as my own… how it is for the migrant in his/her host country. North Americans must have a deep familiarity with this. There’s a slight doubt that enters sometimes, it’s as if everything that’s done or said is a form of compliance, has the quality of procurement – how can I be as committed to being here as everyone else is when I know I could get on a plane any time and disappear? Moving from one ‘safe house’ to the next, the leave-taking between is sudden and children may forget me completely, or think about it for a lifetime and never understand why I went away. It’s something unknown, unthought in the Thai world. They’re so kind here. I feel I don’t deserve it.

The silence of the room comes as a surprise, birdsong in the trees opposite the window, and I wake up from this prolonged moment in search of the memory of who I am. The same as it always is; I’ve arrived here by the same route I’m accustomed to when reviewing the image of who I want to be and who I think I am. It happens in a tiny fraction of a second, so fast it feels like the process of trying to figure it out is in slow motion.

Objects scattered on the desk in the position they were in, unmoved, a pen, papers – a cup with a curious handle that appears to stick out further and wider than it should, waiting for my fingers to come and hold it… I’d be that person I think I am if I were to I reach for the cup. Alice in Wonderland, Drink Me says the label on the bottle… but I don’t and it doesn’t happen. Everything on the desk and the sofa and the floor remains as a quiet presence of M, these are her unclaimed, unidentified objects that come alive when she’s here. Maybe it’s easier for me than for the native inhabitant to choose to stay with the emptiness and silence of inanimate things, the motionless space where everything is situated, aware of context and content, and seeing that which normally passes unseen.

It’s a perception, and only seems real by comparison with other things that are thought to be not real… falling into the delusion it’s not delusion, or knowing it’s reality – we do it knowingly, we go with the illusion. For a moment it’s seen and this is how we escape from it. Sometimes it’s a familiarity displaced and we’re tricked into staying there believing it’s really real but we’ve only convinced ourselves that it is, and it can take years, a lifetime. A pattern found in the itinerary of former lives, all these journeys connected end-to-end, divided and subdivided into periods of looking out the twin windows of the upper front face of the skull as if it were a moving vehicle, and looking out and thinking: ‘are we there yet?’ Then back to the conundrum of being busy with thought, and never arriving.

Later in the day a message on my phone goes ding! A picture of somebody’s lunch. It’s from M they’re all in a restaurant I’ve been in before and I can imagine how that is right now…

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Photo: a carefully created pavement repair in Chiang Mai.

ever-present

IMG_2922bPOSTCARD #206: CHIANG MAI: Sitting in a taxi stuck at the red light in Nimmanhaemin, Chiang Mai town. The nearness to Southern China is obvious these days with the occasional Chinese number plate seen in Thai traffic and streets full of Chinese tourists, women in curious long white costumes and wide brimmed hats in the tremendous luminosity of sunshine. The border is  do-able now the roads have improved; road 3Asia (R3A), part of the GMS North-South Economic Corridor. The total distance is 350 miles from Chiang Rai across the Mekong River into Laos, then on to the border town of Boten, and China’s Yunnan Region at Mohan.

I’d prefer it to be darknight, but instead it’s brightday, step outside and it feels like I’m in a television studio. Inside the car, cold air blasting through our enclosed metal bubble; this could be an ice-cream headache… then I remember this one is the one that’s always with me, ‘my’ headache is part of my life; ‘my’ arm, ‘my’ leg. Part of everything and right now, undeniably out there too, exposed in high resolution Photoshop enhancement. Light penetrates everything; the orange color of papaya fruit blinds me, street vendors’ cut pineapple painfully vivid. I feel I’m really a nocturnal owl-like creature, squinting in the daylight through slit eyes; a quiet presence behind sunglasses vibhava tanha, (buddhist term for the desire to not exist)… I am not here.

I’ve been away for only 2 weeks and now I’m back, all recollection of where I went and what I did when I was away are suddenly gone. There’s this feeling it never happened, I’ve been here all the time, only imagined I went. Somebody asks: where did you go?  I went to Delhi, North India 2,300 miles away. Sixty-eight hours driving time on NH 28 through Myanmar, Bangladesh, Bhutan and India to Delhi… but I went by plane of course, so fast, and it’s as if I went there in my mind, gone from here for only a moment. A pause in mid sentence in the timeless ever-present…

My niece M, aged 12, is taller since I saw her 2 weeks ago; taller, longer and elongating as we speak, like a plant in the darkness searching for the light, sprawled on the back seat in an adolescent bundle of legs and arms, wearing a diver’s watch, colorful T-shirt; long black hair curtains a small oriental face, sometimes seen, when adjusting the thread of earphones cable, then disappears again. Sorry, she’s unavailable at the moment, plugged into the tablet device and YouTube videos while checking for messages at the same time on her phone device. Questions addressed to her remain unanswered.

It’s all one extended ever-present time, no seasons, nothing to say where we are in the year. Summer every day. Night comes at 6pm, instant darkness, then at 6am, instant daylight and each day is like the one before, and it all runs together, days become weeks, weeks become months, months become years. The whole thing is just one very long, continuous day.

Time disappears, I’m startled to discover I’m now an old person – lifetime is running out. Rip Van Winkle fell asleep and woke up with a very long beard. He discovers fifty years have passed since he fell asleep; people have died, his daughter is middle-aged, her children are grown up. There’s an IMG_2929awakening to this reality, unasked-for, it just falls into place…

Note: excerpts from an earlier post titled: ‘constructed reality’. Upper image: scene from the taxi window. Lower image: Chinese car number plate in Chiang mai

darkness and light

Library - 1POSTCARD #203: DELHI: I’m sitting on the meditation cushion in the darkness of a very long power cut. What else is there to do? The back-up system keeps one fan working at slow speed creaking around, then it goes out too and we fall into a quietness of no fans at all, no air con. Look out the window and no street lights either. It’s fortunate there’s still some cool air here, upstairs in the bedroom as I get settled down on top of a short pillar of cushions that sink into the soft bed and the top is just the right position for me and my folded legs. So, here we are, just the two of us, corpus et mente. The agility of Mind senses body mass, tubed liquid of intestinal gurgling, body heat and wind of breath gusting around. Mind sweeps around the limbs up to the head in a high acrobatic somersault then down to the lowest point as if called to do so, and loosens leg muscles consciously. Ease and empty space creep in; the facility of it pervades everything, enters, becomes, or seems to be already here… it was always here.

It’s as if I’m part the way through something not experienced yet. Access at some middle point with nothing to indicate what has gone before, nor what it is now, only the empty space of what it could be… but not going there; held somehow in the neutrality of the pause before anything or everything arrives. There is only this surging through, it seems, an on-going movement, then a flicker of physical sensation somewhere sends Mind off to that location to be there with that small consciousness. Then another sensation and Mind seems to be able to travel around and through the cavern of body, front to back, no barriers, rushing through the invisibility of body structure, into the elbows, up to the base of the skull, everywhere.

Attention is drawn to a zizzle-zizzle sound and I’m fully aware of what it is; the ever-present, insistent mosquito, whizzing past my ear, then back again: zizzle-zizzle. I can picture it in its slight weight, tiny wings-blur of movement hovering for one brief second near to the ear… in proportion, a canyon swirl leading deep inside the brain with hot cloud of air all around that mossies like; that inner ear smell, blood capillaries and aspects of the vast organism it feeds on, the great mountain that is the human head. I twitch in response and it changes course: zeeet. It returns again and I do the head twitch, then it stops zzt… we know it has chosen an unseen piece of skin to land upon, unfelt, and getting the needle-sharp proboscis ready, positions it at the chosen point of entry: Em… now you may feel a very small prick here… please don’t move, it won’t hurt at all…. Mosquito arches her small abdomen (yes only females do this); the treasured insertion tool pierces the skin and plunges down deeper and deeper searching for a blood vessel further into the redness…

I try generosity; okay, go ahead! Giving it away free like this, letting go of the intensity, but it’s not working. Fall sideways off the cushion, defeated by a mosquito. All the other cushions that were underneath me spring up immediately and I’m flat on the bed surrounded by cushions; vigorous face and body slapping, fingers ruffle through hair on head for a moment then it seems it’s gone away.

Eyes closed and there’s that wonderful light coming in at the edge of vision that I haven’t seen for a long time – a kind of unreal ‘heavenly’ warm creamy white moonlight light. Open my eyes again… where’s it coming from… any light on in here? Nope total black out conditions. Close my eyes again and lying flat, waiting… in a moment it returns. Not seen, indirect, it illuminates the space as if it were just about to appear. So it’s okay to be here lying on the bed, coping better in this position with the mossies circulating around breath exhale, and the mystery of the light that has returned, light in the darkness – darkness and light.

‘What’s happening now is the position that I’ve always wanted to be in, I was just trying to get here.’ [Prince, 2014]

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photo above: wave on the beach at Hua Hin collecting shells with M

time-lapse

IMG_1005 (1)POSTCARD #202: CHIANG MAI/DELHI: It looks like this tuk-tuk is moving but it’s not. Shadows of overhead cables create the effect. It feels like this present moment is just one screenshot taken in the making of a video about my whole life… well, I suppose it is, but if I hold everything on the pause button and examine my surroundings in detail, I find they’re not held in the moment I’m in. I’m distracted by two large birds zooming past my window, one bird chasing the other. If the whole thing was tracked by time-lapse photography, the trees could be seen growing up, extending their branches, leaves, closer to my window and blocking the daylight. The flight of birds would be like bees buzzing around in a cloud, and my movements in the apartment, a flash of shadowy comings and goings. Then stillness for the times I’m not there, only the sunrise and sunset light illuminating and darkening the empty living space.

The mind was in this time-lapse mode and I allowed a whole day to pack and tidy up the apartment. More than enough time, it was a night flight, so I’m moving in slo-mo action and at the same time watching a video posted by a Buddhist blogger friend. The packing was uncomplicated because it was all clothes for laundry – my washing machine stopped working the other day and the repairman will come after I leave (somebody will take care of it). So packing your bag is easy if it’s all stuff headed for the washing machine. Mostly it’s just getting it all in, squeezed into all the corners and close the bag with one all-round zip-zip-zip. Carrying 20 kilos of laundry across international borders and through X-ray machines and the officer stops me at the Nothing To Declare exit: ‘may I see inside your bag sir?’ “Carrying clothes for laundry into the country, are we then sir? [Aha, a likely story…]”

That didn’t take place, just a story inside my head with different versions of the same thing played out again and again. I got to the house, said hello to everyone and excuse me for a moment, into the laundry area and put the entire contents of my bag into the washing machine in one swift unpacking movement. Add detergent, select the program button, and close the door click! That’s it, done. The whole point of the journey was to get to the washing machine, you could say.

But, before that happened, M and her mom turned up to say good-bye. They brought with them a friend who is a masseuse, so I’m saying how about this pain in my head and neck? (PHN) and in seconds she had me face down on the bed, embarked on a full body massage, she’s on my back, twanging ligaments and tendons like guitar strings. I was in a daze, just enough time to shower and put on the only remaining set of wearable clothes, into a tuk-tuk for the airport – and there was no pain as such, just an easing because the ligaments and tendons’ twanging had stopped.

All the way through this, there were pictures in my mind of getting to the destination but having to correct these images because what I see is the old house, not the present house. I’ve spent more time since last November away from the place than living there. So I have to consciously delete these old remembered places and try to bring the present house to mind. Strange how you have to think things back to how they are right now rather than how they used to be. But the actual destination doesn’t show on the mind’s screen, hasn’t been updated yet… and sleep sweeps me away. Hardly noticed the arrival at 2.30 am, time brought forward by one hour and a half. I’m shoveled into the car by circumstances prevailing, and everything pushing me along in that direction. I get to the house, into the laundry area and put the entire contents of my bag into the washing machine in one swift unpacking movement. Add detergent, select the program button, and close the door click! And there’s this déjà vu thing about it.

“The timeless in you is aware of life’s timelessness. And knows that yesterday is but today’s memory and tomorrow is today’s dream.” [Kahlil Gibran, The Prophet]

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songkran สงกรานต์, संक्रांति

songkran2016POSTCARD #201: CHIANG MAI: Impossible to not notice Songkran here, Thailand’s New Year festival, “sawat deepee mai”, Songkran begins today, 13 April 2016, in the Buddhist/ Hindu solar calendar. It’s also New Years day in many calendars of South and South East Asia. Songkran is the water festival, the act of pouring water is a blessing and good wishes. Before the festival begins, everything old is got rid of or it will bring the owner bad luck. Time to let go of bad stuff, ‘should auld acquaintance be forgot for the sake of auld lang syne.’ Wash away misfortunes in the past year, and welcome in the new year and a fresh start.

Thai people usually try to go back home and see their parents or their old relatives at Songkran. A tradition of bathing elders and asking for their blessing is part of the festival. Now I’m seen as a harmless old guy so I don’t get water thrown at me; a very small amount of blessed water is gently poured on my shoulder, or I sometimes get to sprinkle jasmine flower soaked water on the youngers who kneel and pray for fortunate circumstances in the coming year. All Thais go to temple in the morning and make merit by either giving alms to the monks or releasing birds, fishes or turtles from captivity – good deeds and the karma of it all.

But it’s mostly about water and the release from hot summer days. For young Thais and foreign tourists visiting here it’s a joyful water-throwing free-for-all. The streets are running with water to the extent that the Chiang Mai Government this year have started a small campaign to persuade the public it’s necessary to save on water. But not taken too seriously.

It’s also a time when people get reckless, accidents on the road the Bangkok Post today reports that so far, police arrested 20,094 people for drink-driving and 549 vehicles were impounded at checkpoints from 9 – 12 April. Owners of the impounded vehicles, 439 motorcycles and 110 cars, will be allowed to pick up their vehicles at police stations after April 17 when Songkran ends.

songkran2

the elusive moment

IMG_3672POSTCARD #198: THAILAND: In only a few days we’ve been to Bangkok, Hua Hin, and Chiang Mai , where I am now, alone with my headache that’s always here requiring attention, so I can’t do much else. Looking through the photos taken by my Thai niece M that come to my computer through our shared network. Images of the beach that carried so much meaning at the time, seem commonplace now… sadly not interesting anymore. It’s the experience of the moment; that great rush to take a photo, to capture that elusive quality of the moment. Later we see it as a record of the event, and the actual subject matter we were attracted to is caught in too wide a lens, overwhelmed in a landscape of other things.

Reminds me of the time I had to meet the Air France flight, arriving Bangkok 06.15 hrs. I got there in time, but the flight was delayed by one hour so there was time to sit in the seats at the tour group end of Arrivals, near Gate 10 and have a cup of coffee. Gate 10 is a lonely place where diplomatic vehicles park and tour groups gather, bleary-eyed and sleepless, having just got off the plane from some distant part of the world. The people around me were speaking Russian and I could see from the Arrivals board it must be the flight from Novobirisk. I googled the name on my phone and found that Novobirisk is a large industrial city in Asian Russia.

So I start to watch these Russians who are caucasians, like Europeans, and look like they’ve probably never left the area around their home in a lifetime. Stepped out of a time warp. They gather around their Thai tour-guide and have their names ticked off the list. Half an hour is allowed to have a cup of coffee; children run around, go to the toilets most of them are getting ready to get on the coach. Those who arrived first are now busy taking photos with old fashioned digital cameras, intensely absorbing everything around them. Taking photos with arms around the tour guides and taking pictures of everything; roof structure, walls, illuminated adverts, airport signage. Photos of each other posing in front of vases of purple orchids, dressed up in their best summer frocks and smiling for the camera. It’s as if they’ve emerged from black and white, greying photos of the 1950s, remote from anything I know of and yet there’s a familiarity; they could be people I knew in my childhood in the North of Scotland.

There are so many photos being taken, it’s like a small press event; digital camera lights flashing like strobe lights in a disco. I’m dazzled by it, blinded for a moment and have to look at the floor to allow normal vision to recover. Look up again and they’re leaving, the whole place captured in pixels and taken away back to Novobirsk, at the end of the holiday, where all the views of it are reassembled to form one composite image of the waiting area at Gate 10. ‘… and here is Aleksandra and Nikolai at Bangkok airport don’t they look so bright and lively?’

The tour leader has everyone present and accounted for and shouted commands gathers them together. Off they go, cameras flashing and blue lights twinkling at everything, on through the wide passageways and happily shuffling along with their luggage and running children. The mass exodus of the group is dynamic, all following the leader in front who’s holding a coloured flag high in the air so they can see it, moving as one great lake of beings in the direction of the coaches somewhere in another part of the airport.

And it’s suddenly quiet here at Gate 10, all the seats are empty and I still have time to wait for the Air France flight. This high-ceilinged place looks different, light slowly coming up and suddenly it’s daylight same as it always is. People again start to assemble in the seating area again; trickling in like water fills a pool. I see from the arrivals board It’s a group from Beijing, same as last time but the conversations are in Chinese.

In rivers, the water that you touch is the last of what has passed and the first of that which comes; so with present time. [Leonardo da Vinci]

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Parts of an original post titled 30 minutes: https://dhammafootsteps.wordpress.com/2012/11/05/2122/

voice-over

IMG_3377POSTCARD #197: THAILAND: Arrived in Bangkok, then a small propeller plane to Hua Hin, 41 mins flight, ninety miles down the coast. Unaware of the Brussels bombings we walked on the beach, no people anywhere, where’d everybody go? Came upstairs to our room on 6th floor, switch on TV and there it was; the Brussels Bombings filling our hotel room from nearly ten thousand miles away. We were stunned by the coverage; BREAKING NEWS, coming to you live from CNN Center in Atlanta. CNN reaches the whole of the US, and as far West as Pacific Islands and Japan. Then the other way from Atlanta, all countries in South America broadcast in Spanish and Portuguese, East through Europe in all languages including Arabic and the whole continent of Africa. On through Asia to Australia who are so far down-under, the rest of the world is up-over to them. CNN facilitates this news and within minutes, the bombs in Brussels are exploding all over the world.

FullSizeRender (5)We wake up the next day and it’s the same thing, the assumption is that many people in the world haven’t heard the news yet. At breakfast there are developments that seemingly, we need to hear about, also in-depth analyses of what happened and why, with experts discussing it – showing the same footage with voice-over and the production beginning to take a particular form. But we can’t pay much attention to it, busy with getting ready for our walk along the beach. Understandable really, I think, being the only white guy here. Brown people over here and everywhere with black hair and dark eyes, who are not Americans but the majority of the world’s population, puzzled and a bit embarrassed by the CNN presentation. Inclined to ask what caused the extremists to do such a thing? Sorry but that’s the wrong question… CNN is broadcasting its opinion in all countries of the world, stepping into everyone’s lives and figuratively speaking blasting everyone with the aftermath of the bombings using the dismay, distress, and consternation as a vehicle to convey the consensus point of view.

My niece M who is 12, asks me ‘Why?” I have to provide a satisfactory answer, but the same ‘why?’ follows me and my explanation. Then the extended form: ‘but why?’ all the way through my reasoning as we get into the elevator and she stops asking only when we reach the bottom, running out and down to the sea. Our early morning walk along the sand, and again we are the only people there, leaving a trail of footprints and the only others are those of the birds, M running ahead stopping to take close-up photos with my phone and her ‘why?’ more concerned with why do the footprints look as if they’re embossed on the surface, relief sculptures, rather than hollowed in the sand, strange – once you see it that way it’s difficult to see it the other way.

M footprintsBack up to the hotel room and the show must go on. Intense music, bright red colors and talking heads appear. They seem to ask and answer questions but the dialogue has been scripted. Frightening scenes of devastation from an on-the-spot location in the danger zone while we are in a safe place at home, made to feel like voyeurs at the battle scene: ‘This is coming to you live’ yes but it’s an act, rehearsed, decided on by an editorial team  who take advice from those obscure unseen advisors making decisions, about how the facts should be portrayed.

The dialogue looks spontaneous, and informative (I’d like to be a fly on the wall of these studios and see how much of an act this really is), welcoming the invisible third party, that’s us, the part we play as passive listeners mesmerised by the act, struggling in a bewilderment of feelings, holding on to this induced attachment to TV that we’re kinda comfortable with anyway and only later realise that by passively acknowledging this version of events, we are committed to seeing it that way.

CNN is now established ‘in the danger zone’, with easy-to-understand explanations and we allow the hypnosis to deepen by passive acceptance of it entering our living rooms – George Orwell’s 1984 propaganda TV reassures the population it’s all being taken care of by those who know what to do, although the threat of it continues. We know there’s something happening, it’s as if it were orchestrated, quite obvious really, but somehow hidden. Curious why we allow it to be there, but we feel we’re already committed to the CNN point of view, and that rewarding, induced, comforting mind-state takes over as we fall into our places in front of TV.

IMG_2852The next day I go into Google and find it has a Wikipedia entry already. Still there’s the question: why are these Islamic extremists targeting us? Could it be that it’s the result of something we did to them? Sorry but there’s something wrong with that question. History is made by those who won the war.

I’d like to explain to M how this illusion is constructed but cannot. So I’ll just have to hope she’s has a good enough grasp of English soon so she can read this post sometime and understand it after I’m not around any more.

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Photos:  view from our hotel room at the top and the others are footprints made by a bird and M’s footprints as she studied the image on the screen that made it appear to be embossed on the surface.

the visitor

img_8129OLD NOTEBOOKS: BKK: I had a job as an illustrator many years ago, 1985 I think, part of a lifetime spent shading-in with a Rotring pen, and touching up with typewriter correction fluid, whiteout liquid. No computer enhanced imagery in those days – no computers. Cut and paste was not the metaphor it is today – it was done with a real pair of scissors and glue. But usually I’d sit for hours at the desk without much movement, only the hand holding the pen, carefully searching for form… a happy silence in the room on the top floor of a Bangkok shop house with door leading out to small roofed terrace and bougainvilleas in large old clay pots, red and pink blossoms everywhere. Very little traffic noise, blue  sky, and few people came to see me there; I was happily alone in this self-contained apartment for many days at a stretch.

The small lizard (gecko) came to visit me one day and I hardly noticed it at first, a small rustle and clink sound from somewhere on my art table, covered in all kinds of drawing equipment, books and discarded papers. The clink sound again got my attention and I just sat still and waited to see what it was – so completely still, a spider could have spun a web in the spaces between my fingers. Then another rustle in the bits of papers on my desk, discarded sketches and cut paper crumpled up and trashed… and there it was!

Aiming for the cup of coffee gone cold, forgotten, but it was the spoon for the sugar, stirred into the coffee; it was that that it wanted – lying there in a tiny spill of wetness on the surface of the table. It must have come here before, it knows about the coffee spoon. I see its small head get nearer and nearer to the spoon, alert and aware of any movement. But I am a mountain, unmoving. The tongue extends out, lick, lick, and it gets into the hollow of the spoon with its tiny front feet, there’s the same clink sound, caused by the weight of the small creature.

The next day, around the same time it came back and sure enough, headed for the coffee spoon, lick, lick, lick, and it was gone. As the days went by, I got accustomed to it arriving, always around the same time. Then one day it didn’t come, in fact I couldn’t remember the last time I’d seen it. Sometimes I’d see it moving up the wall by the door and out through an open window to the roof terrace and the bougainvilleas outside. So I got up from my chair and out to the terrace also to see if the plants needed any water from the storage tank… and there it was, in the tank! Not in the water but standing ‘on’ the surface of the water!

Surface tension, amazing! I didn’t know lizards could do that. So I backed out of the terrace and left it for a while. When I went out again the lizard was still there in exactly the same place. I looked at it and there was something about the way it looked back at me: Get me out of this predicament, please? Hmmm was it not able to move because the surface tension would give way and it would sink? I went inside again and searched for the plastic mesh container for A4 paper and all kinds of junk, emptied out the contents and went out to the terrace.

Carefully sinking the plastic mesh tray into the water then over and down, under the lizard. Slowly scoop it up, out of the water and I placed it down in a shady corner on its side so my small friend could crawl out of and run away and hide. That was the last time I saw it (sad). I worried about the affect the sugar and tiny amount of caffeine had had on the lizard, and felt guilty about that. Maybe it induced a kind of lizard ‘high’ resulting in unwise decision-making and stepping out on to the surface of water. Ah well, if that was the case, I saved it in time…

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