hypothesis

Posted on December 26, 2015 by tiramit

POSTCARD #181: Chiang Mai/Bangkok flight: Here today and gone tomorrow or here today, next week tomorrow, time warp in an itinerary that is only continuous interchanges. Shrill announcements in Chinese, nine tones, so much air needed to get it all to sound clear, they’re almost shouting. Pain in the head, swallow medicine with a glass of water. Small tables seem to leap up and strike me with food, stabbed by cutlery and glass in the mouth, at night soft pillows try to smother me. Now sitting in an airport coffee shop with M my niece and she says, Look Toong-Ting there’s a mosquito on my chocolate brownie! And I need a moment to figure out what she just said, M looking into my disbelieving face, almond shaped eyes, black pupil almost fills the space. So I lean over to her small plate and M points cautiously with her little finger and there is a mosquito sitting there, or standing there (do they have knees?) on the edge of her brownie. I look at it closely. Do you see it Toong-ting? It’s a boy mosquito. This intrigues me… so small, the genetalia would be hypothetical – how can she tell? Where is this conversation going? Girl mosquitos drink the blood, she says. I shoo away this rude boy mosquito, and ask M if she would like me to go buy her a new chocolate brownie instead of that one that’s been walked upon by a boy mosquito? No she’ll just not eat the bit where the boy mosquito was standing. And she’s eating with a spoon so that looks possible; yes she carves away that chocolate brownie so what’s left is the tiniest cliff teetering on its own in a sea of white porcelain plate with crumbs of its relatives scattered around.

The whole world is a hypothesis – that’s the hypothesis. I’m reminded of something I think I heard somebody tell me about already, it’s only the females who go for the blood, hmmmm, typical, the males hang out in coffee shops and eat chocolate brownies. Then it’s boarding and we’re passing through apertures in walls, holes in the fuselage and sitting in 43H&J. I stow away the hand-carry bags in the locker above, a volume inside a volume, and M selects the aisle seat, sits quietly and perfectly straight, long-necked and graceful, looks around to the back with a fleeting glance that scans for detail all around the inside of the plane, right down to the front, her small eye beams flash through the interior between seats and all through the crowd unnoticed, absorb all data, processed to the brain to see if anybody looks interesting.

Meanwhile I’m sitting with my knees squashed up against the seat in front trying to find the optimum position of comfort – Thai planes are made for little people – ask M if I can put my leg in the space on her side and she agrees and seems pleased to have it there, a fallen tree trunk occupies part of her space. Asks me if I want to put the other one in as well, so I do that, one leg folded on the other and she’s fascinated by the size anomaly, but it’s too much. People will think I’m taking advantage so I take one out and fold it up against the seat in front like the mattress on a bed settee when it’s closed… it’s only a 50 minute flight

She continues looking around, stands up to look at where her seat belt is at, with head spinning nearly 360 degrees, long black hair sweeps around like curtains, then settles into her seat with the thump of her small weight and ‘click’ goes the fastener of her seat belt. These days, M is being an individual, self-contained ‘self’. She’s nearly twelve – and at that age you’ve got to know what you’re doing … I’m thinking it’s a bit sad that the crazy playfulness is gone. There’s just this beauty and sweetness and I don’t know where it comes from. M tells me to fasten my seat belt. I feel that soon it’ll be M taking care of me on these flights.

“A king heard the sound of a lute and it delighted him, so he ordered them to bring that sound. The servants brought him the lute, not the sound, and they had to explain to the king that the sound has no independent existence, but is created by the separate strings, box and arch, all elements acting simultaneously. Just as the king cannot find the sound of the lute, we can not find our self. “ [Buddha, Samyutta Nikaya]

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With thanks to to inaendelea @ the closed room for the end-quote
~ G R A T I T U D E ~
Merry Christmas and Happy New Year to all in the blogosphere

words

Posted on December 19, 2015 by tiramit

POSTCARD #179: Delhi/Bangkok/ChiangMai flight: It’s four hours flying time overnight, travelling West/East, same direction as the rotation of the planet. Arriving in a different time zone, and it’ll be morning when we get there but still night at the point of origin – flying away from something that’s not happened yet, a directionless experience, darkness, an invisible route that leads to its destination without any sense of getting there. Falling into occasional sleep with the sound of the engines, the hiss of the air… it feels like we could be flying sideways or in a slow rotating movement. Wake up with no time for anything, gather up my things and leave the plane.

Transit time at Bangkok for Chiang Mai is precise, speeding along moving walkways. Standing people coming towards me or going along with me, behind and in front. We’re all in transit to or from the domestic terminal; entering-into, and getting-lost-in long halls of steel and glass mirrors, holding on to signs as indicators in the mind. Noticeably more Chinese than Indians, the geographical switchover…

This is where the road takes two directions. Instead of the Hindi I’m used to all around me, there’s Standard Chinese (Hànyǔ), spoken by Southern Chinese tourists on their way to or coming back from Chiang Mai. A language of soft syllables and unexpected melodic intervals, a kind of tumbling down of words scattered on the floor. And blending through it all is the unobtrusive birdsong that is Thai, a language that sometimes enters a different frequency of intonation; sounds are simply known to be there and barely pronounced.

Through the gate and boarding the Chiang Mai plane, passengers already here in transit from Singapore. Find my seat and Chinese Singaporeans mostly Mandarin speakers (Singdarin) all around. They can get along reasonably well with the Chinese tourists from Southern China visiting Chiang Mai – listening and watching, interested in their shared roots, aware of the ancestors and historical meanings contained in language. Words cling to things, insist on their identity.

Indian Sanskrit is found all the way through Thai. Spiritual meanings found in Chinese are mostly assimilated and they’ve called it their own. In English we lost most of our conscious history but words are like acrobats, they name, describe, improvise; a metaphor just falls into place quite often, or like glass beads of different colours on a tablecloth gathered up, strung together with a little rethreading of the sequence and it’s a necklace.

All we have are words; there are no actual people here in our WordPress blogging world. No ‘you’, no ‘me’, just words and a dialogue. Friendships that go on for years. There are times when I hear something in the words, a familiarity in a voice I recognize. I can’t see you or hear you. I can’t touch you and will never meet you in the normal sense of the word. I just know you’re there (or ‘here’), or somewhere nearby and coming back later. Whatever language is yours, words are the same, arise from and return to a shared, received consciousness. Wherever you are it’s ‘here’ for you, and I’m ‘here’ too. Greetings, it’s the season of good will. Fare well, go with a clear, easy composure and abide peacefully.

Everything that’s created comes out of silence. Your thoughts emerge from the nothingness of silence. Your words come out of this void. Your very essence emerged from emptiness. All creativity requires some stillness. [Wayne Dyer]

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enfold/unfold

Posted on December 15, 2015 by tiramit

POSTCARD #178: Delhi: The way things are in the new place is still unfolding, and the memory of the old place, sadly enfolded, objects wrapped up, tucked away in boxes and closed, sealed with lengths of parcel tape in rolls… prrrrrp-stick! The sound of it went on and on: prrrrrp-stick! prrrrrp-stick! I had to get out of there; the prrrrrp-stick was giving me a headache. When I came back, the rooms were emptying fast; a change in acoustics, the sound of a handclap creates an echo… household objects vanishing at the same rate as large sealed boxes appear – rooms starting to vanish, the void begins to emerge through the windows, floor gives way and everything falls in, turns inside out and soon, every single thing is gone, floors swept… nothing remained at all. Our world, enfolded in packaging and placed in a truck, driven away and we left from the empty house… never saw it again.

Sad to leave that place. I was not there when it happened. When I got back, the new setting began to have a familiarity; I expected it would. The same thing in a different context, but something entirely new was starting to unfold, a ‘holomovement, indefinable and immeasurable’ (David Bohm). The world as we see it, is only part of a movement enfolding and unfolding. And there’s the paper-folding exercise with a sheet of paper, folding it many times and marking it in some way, making holes in it, cutting the corners off and opening it out, unfolding the whole pattern. ‘Enfolding and unfolding is the primary reality, and the pattern is secondary’*. Moving to a new house with a complete set of household items means the same characteristics are seen in a new arrangement and this strange familiarity, a transition, continues unfolding until you start to re-cognize it. This becomes the place where you are now, the place where you wake up every morning and gradually it becomes home.

The whole nature and appearance of things transforming, evolving, taking new shape, and the metamorphosis that moving-house entails, everything we might think it is or think it’s not, or could have been, might have been, or would have been nice if it weren’t for that something else that’s always impossibly difficult… all that is simply part of it too and contributes to the whole transfiguration. The extent of it would seem like it could break me to pieces if I tried to comprehend it in all its parts, and there’s a dependence on a subjective ‘self’ constructed out there in the world of objects, like a chess piece you can have control over, move around, and say, ‘this’ is mine, this is ‘me’, cushioned against the immensity which is held in awe.

I am infinite like space, and the natural world is like a jar
I am like the ocean, and the multiplicity of objects is comparable to a wave
I am like the mother of pearl, and the imagined world is like the silver
… I am in all beings, and all beings are in me. To know this is knowledge, and then there is neither renunciation, acceptance, or cessation of it.’ [Ashtavakra Gita 6.1 – 6.4]

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*Excerpted from “Unfolding Meaning”

sunlight on a rooftop

Posted on December 9, 2015 by tiramit

POSTCARD #176: Delhi: Senses interact with the world outside and brain functions create a range of colors inside, as well as sounds, smells, tastes and feelings to fill the dreamscape of the mind – watching a movie in my head about sunlight on a rooftop in an urban area in North India, and this pale tangerine bougainvillea plant so clear and so much in focus it almost hurts. I have to take a photo of it.

The pain in my head that’s part of me now is somehow more at ease in these reflected surroundings, completely warm and comfortable, temperature today max: 26°C and min: 12°C. The rooftop is a place of ordinary things, unexceptional, like the one in the other house, but it’s got a smooth concrete floor, I place my palm on it… warm in the sunshine.

Through sensory awareness it’s possible to know something about how sensations are experienced by everyone, everywhere, how they understand their surroundings. Their responses to the objects of the senses, how they feel about what they look at, what they hear, or smell, taste, touch and mind (emotional) responses.

All of that is the same for me here and now, in the sunlight on a rooftop in India, as it is for everyone else. It’ll be the same for people in the near future, as far as we know, and those who lived in the past. I’m connected with the outer world in consciousness, in the same way all other beings are. As I look at this bougainvillea plant, the conscious experience of what is seen is the same for me as it is for everyone.

Consciousness that’s beyond words, so neutral and at peace that we aren’t aware it’s there. The attention given to any part of it is the karma of that event in time; the observer becomes actively engaged and it becomes a ‘thing’, part of the whole flow of everything passing through that includes the karma of how it came to be there, along with everything else.

All life is a single event: one moment flowing into the next, naturally. Nothing causing everything. Everything causing everything. [Wu Hsin]

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somewhere in a former life

Posted on November 30, 2015 by tiramit

POSTCARD #174: Geneva, Switzerland: People, hovering around the exit door on the 18 tram to Carouge, faces look at me incidentally, I sometimes see one I think I know from times gone by in the metallic click over smooth rail joints, and the gentle jigging motion of the tram as it is now, and so it was then, travelling under an assumed identity, peripatetic teacher of English, here and there on trams every day, passing through security, a practiced conversationalist, and into rooms in banks behind closed and thickly felted huge metal soundproofed doors, gold taps in old bathrooms. Are these the same francophone faces now? Not those emerging from soundproofed rooms and stepping into their black tinted screen limos with drivers holding the door, no, just the ordinary folk you see every day now and then but never talk to, maybe a passing gesture, a nod of recognition?

Now I’m back here nearly two decades later. Do I see those same individuals looking at me with a nod of recognition held in a moment paused, seeing me looking at them in the same kind of way… a hesitation almost: hmm, est-ce que je vous connais monsieur ? (do I know you sir?) Look into these eyes for a penetrating instant with the flickering expectation of acquaintanceship… and in the midst of finding maybe I can’t quite recall what it is exactly, realise with some shock that it’s the awareness of – what is it? The nearness of death? Is this what I see looking back at me? Death, the answer to that question about what didn’t happen here? The past tense disappeared; everything I did in the 8 years I lived here was/is unfinished, and cannot and will not ever continue. It died?

I was in a life here. Now I come back from the dead, the Ghost of Christmas Present, not to ungracefully haunt all these innocent bystanders with more foreign talk and raconteur. Not to upset these slightly-known people with faces turned toward me, stepping onto or getting down from the 18 tram to Carouge two decades ago, and even now turned to glance at me a second time with their elegance of wispy threads of golden hair combed carefully over a bronzed skull with large dark brown skin spots, vapourised and paperised faces, traces of soft skin held nicely like curtain folds at the corners, beneath which these old eyes look out like an unfinished sentence… Je m’excuse mesdames et messieurs, I’m not here to disturb you with things that never took place, but to close those thick soundproofed doors that seem to swing open by themselves somewhere in a former life.

Thus there’s always something about the question that’s gently pondered, not posed, but poised, considered…it has to be the right question, forever not quite decided upon; what might it be? The moment spent in contemplation of what form this sort of thing could possibly take is enough to begin to know it… or it begins to be known. A kind of indirect position so carefully arranged; or maybe it was like that as it fell into place, who can tell? Induced then deduced. Words don’t hold meaning for very long, the question gets forgotten about in the end (they usually do), or possibly it’s still there in the detached state, just not functioning as a specific inquiry now, more like a wide-openness that’s waiting for an answer in the same way as there are answers, lying in their own wide-openness waiting to be discovered. A kind of non-verbal alertness, a strange familiarity, a passing recognition that seems to go on opening and opening, and opening; déjà vu revisited. It was always here….

But if, transcending petty ego, all the world is known as life – as only living energy – then how can death arise at all? For one who knows the world like this, as only life, there is no death. In truth, there’s only deathlessness. [Upanishads]

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Photo: Watching the sun setting from the room on the 8th floor of the building at Pont-d’Arve, near Carouge

something lost regained

Posted on November 21, 2015 by tiramit

POSTCARD #171: Zurich airport hotel: Hard to believe that, as I write this, everything in our old house in Delhi is being folded up, layered, packed, sealed into boxes and labeled with a number. When I return, all our possessions will be cubed, diced up, chopped into boxes and stacked on top of each other inside the waiting truck. Larger items will retain some of their shape; a chair will be recognizably ‘chair’, swathed in corrugated cardboard and bubble-wrap. Upside down table will be recognizable by its legs sticking up, wrapped to protect corners but its upside-down-ness, disconcerting… tables shouldn’t be seen like that. A bit strange, but we’ve moved so many times and it’s always like this; as if a surgeon removes a part of the mind/body organism, it’s taken away and never seen again, then strangely a new organ grows in its place, exactly like the old one but different… after that there’s no memory of it happening.

Except, of course, if something is broken or lost during the move and this thing, this object, is mourned and held in the memory for a long time. It must have been something like this that happened to me when we moved from the house in Japan to the new place in Bangkok. I was still working when the movers were boxing up everything and Jiab reminded me that if I wanted to get the bus leaving at 16.40 I could run down the hill and probably get it – if I left right now, She called out as I went that we’d all meet afterwards at the station. So I rushed out the door, ran downstairs and off down the path. Suddenly I remembered something, stopped, turned around and looked up at the house; top floor of a small 2 storey house – I’d stayed there for 3 years, and this would be the last time I’d ever see the house… how could it be so sudden like this? I would never be back here. Tears sprouted from the eyes, what to do? Just look and try to remember it… at the same time, turn my head away, a wrench, something torn – no time, against my will I continue running down the hill, almost as if I’m running away from the house… but focused on getting the 16.40 bus. The last image of the house clear in my mind for a moment then dissolving away and forgotten. Next day I was on the plane to Bangkok and that’s the last time I was ever in Japan.

In Bangkok a few weeks later, I was telling a friend about this, Curtis Cairns – his name was, and sadly I lost track of Curtis in the end… so if you’re reading this Curtis, please get in touch old friend! Anyway I was telling the story about the house to Curtis and he was just listening. When I finished, he nodded and looked at me, felt my loss. Asked me where the house was, and what was the address. It happened he was going to Japan the following week and when he got there, unknown to me, he took a few trains from Tokyo and got on the bus up the hill, walked the last bit and came up to my old house, took a photo of it (before the days of digital images) had the film processed and put the photo of the house in an envelope, stamped it and addressed to me in Thailand. A week later the post came to the house in Bangkok, there’s the slim, letter from Japan, opened it up and pull out the photo of the house, no accompanying note, just the photo. I still have it, pasted in an album – something lost regained.

Our own life is the instrument with which we experiment with truth. [Thich Nhat Hanh]

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Photo: The last pic taken of the rooftop in the Delhi house

familiarity of places I’ve been

Posted on November 5, 2015 by tiramit

POSTCARD #164: New Delhi: The rental agent calls to say she’ll pick me up at 11am to look at a few houses. I’m glad to be going out because packing for the move is difficult; the attachment to possessions is so strong it’s like they’re being pulled from my grasp by the sheer force of having to move from here – I hold on tight, fingertips clutching the surfaces but it’s slipping away… no choice. It’s a last minute thing, there’s a moment of familiarity, remembering this in other places I’ve been, doorbell rings, put much-loved object into the box marked ‘Give Away’ and get up from the cluttered room. That’s the letting-go, the final goodbye… walking away, the rental agent is here, get keys, step outside, close door behind me. Into the car, chatting with the agent, and we’re off.

I visit a house in a popular area… crowded. Walk up the path, open the door, go in and there’s a feeling of the previous tenant everywhere. In my state of recent relinquishment it’s like this is still their surroundings and it’s me that’s the potential new owner of their life … walk into the living room – the ‘living’ room? Suddenly I’m in someone else’s life – feel like I stepped out of my own life and into someone else’s by mistake – who am I? The world is how I/you perceive it, he/she, perceives it. We/you/they look into each other’s lives. A window opens into another realm inhabited by someone else in the network of interconnected lives. It’s just a slightly different angle on a world that’s seen, felt and understood, but through the same sensory awareness mechanism we all have.. a kaleidoscope of different coloured lights. The only difference is the ME that feels it, thinks it’s different from all the other ‘MEs’ walking around thinking they’re different too

Now there’s this feeling I’m looking for a place to ‘be’, the sense of a presence interlacing with the transparency of the presence of others. Observing the motion of the body in a sort of surprised way seeing that it can do it by itself. Gently stumbling around these empty rooms – looking for a place to sit down but can’t find anywhere because there’s no furniture. Well, isn’t this nice, says the agent, and I’m thinking, I’m tired, maybe this’ll do, maybe here I can invent another life I’ll be happy with.

‘Pretending you’re not “it” is exactly the same as “it”‘ [Alan Watts]

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post inspired in part as a result of a dialogue with Sonnische
~ G R A T I T U D E ~

the way it unfolds

Posted on October 21, 2015 by tiramit

POSTCARD #158: Chiang Mai: The tuk-tuk driver outside the Shangri-La Hotel charges me too much – he thinks I’m tourist staying at the hotel but I’m not, I’m visiting the tailor in the lobby. So I agree to the tuk-tuk price, not overly concerned, and he starts up the 2-stroke engine; key-turn ignition, a few revs of the throttle and I climb in. He edges out into the road, and in a flash of passing vehicles makes a fortuitous U-turn in fast-moving traffic so suddenly it takes a moment to see we’re facing the opposite direction, speeding away in a swirl of noise, vibration and acceleration. The outside world invades my space, rushes through a hot wind, no walls, no windows, no glass, except the driver’s windscreen up front and for a moment I’m drawn to that. But the accelerating jolts as he overtakes vehicles in front throws me back into a kind of La-Z-Boy sprawl across the double seat where it’s more comfortable, holding on to my possessions in case they get blown away in the gusts of air. And, at least, this way I can see out, under the overhanging flaps of the stretched canvas roof, blowing in the wind.

Everywhere you go in central Chiang Mai the old canal is on your right side. It forms a square, and to go from south to north the one-way traffic has to go round three sides of the square. Water fountains, huge ancient trees and the remains of a 700 year-old wall that encloses the old city inside the square. It all looks the same, all these journeys connected end-to-end, thinking of it as a repeat pattern, the total itinerary, past lives spent here and there, divided and subdivided into periods and instants of looking out at the world flying by thinking: ‘where are we now?’ But not recognising anything and in the blink of an eye back to being busy with thinking. Everything fits together, including my perception of it – the way it unfolds is the way it is.

The tuk-tuk stops at the traffic light and driver switches off the engine to save gas. All of a sudden it’s quiet; the tick-tick and creak of hot metal, smell of tarmac. Here I am in this laid-back position as if lounging in a fifteenth century market stall waiting for customers. Bamboo poles and the roof is thatch, enclosing the space I’m in; contained in the greater space all around. People walking by the wall, fifteenth century bricks sagging and curved like a slow moving wave that’s formed with the gradual sinking of foundations.

Same ‘now’ as it was then; seven hundred years in the past, it wasn’t any different for the people who lived then, returning, as I do, to this same reference point; ‘me’ the human being, eyes looking out ‘there’ at the world. All that remains is the emptiness of the moment; the sound of the engine, the vibration and the pressure of the bench I’m sitting on. There’s skin, hair; there are arms, legs, a head and eyes, ears, nose and tongue. I am a sensory-receptive organism. Just the warm air in my face and things rushing by.

‘… impossible to be aware of an experiencer because it is always the experience itself that momentarily occupies that space.’ [Alan Watts, ‘The Wisdom of Insecurity’]

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Note: excerpts from an earlier post titled ‘applied Knowing’

changing the past

Posted on October 10, 2015 by tiramit

[This post is written in response to a Time Machine Challenge from Linda, at Litebeing Chronicles.] October 10, 2015, Chiang Mai, Thailand: I’ve had this intense headache and neck pain since the beginning of September. Postherpetic Neuralgia (PHN), nerve damage caused by herpes zoster, and trying to come terms with the fact that it could be like this for the rest of my life – what does that mean? Now the pain is cushioned, I’m on Neurontin 100mg x 3 per day and they say this drug changes my attitude to pain. But at the beginning there were intervals when homeopathic remedies had an effect and the pain was gone for a time. The relief was overwhelming; how could the pain just disappear like that? I needed to know. The inclination was to turn towards it, questioning – rather than turning away in defence… finding some relief in switching off the default sense of: this pain is happening to ‘me’… and suddenly finding there’s no ‘me’ the pain is happening to.

In that heightened state of mind I’d get on to my meditation cushion, carefully… any slight movement and the headache returns. And it’s as if I’m sitting at the edge of the sea, beach sand beneath my folded legs. An incoming wave of thought enters, swirls around for a while then spins away with the outgoing tide – nothing remains. There’s not anyone engaging with these thoughts. Shortly after that another wave comes crashing in; incidental mental conversations scatter on the beach sand… things of no consequence, attention-seeking chatter of the mind dwindles away as it recedes, and it’s gone; returning to the silence of no thinker, falling into a landscape of pain-free, ease and gentleness.

What strange karma could have led to this? Present time conditioned by past experience, yet there’s also the possibility that the past can change according to how it is perceived in present time. Returning to old memories with such vivid clarity that it all seems quite different – I recreate an object in memory according to present circumstances. Reopen a remembered event that’s troubled me for decades and, for the first time I see it in a kindly way. Either it was ‘me’ that got in the way and that’s what caused the problem, or it was somebody else’s ‘me’ that obscured the issue. Forgiveness and compassion for the way we’re all caught (everyone is), trapped in thought and driven by the suffering of ‘self’ wanting things to be different, other than what they are. I’m aware of circumstances I’d not noticed at the time and that past event becomes redefined in the process of reviewing the situation.

The past is a remembered ‘now’. There’s the scary familiarity of bad memories – but it’s not as it was before; same story but somehow seen clearly and portrayed differently… a new production of an old movie, there in the altered past, seeing the present moment as a kind of back-to-the-future thing. Kindnesses and sorrows over the denial and avoidance – how could it be like this? It’s an acceptance in a no-choice situation, a giving-way-to-it action; passive understanding that there’s got to be a willingness to relax the resistance and allow everything to pass through, unheld…

“If we could read the secret history of our enemies, we should see sorrow and suffering enough to disarm all hostility.” [Henry Wadsworth Longfellow]

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Thanks Linda! Look out for the next Litebeing Chronicles entry in this series October 11 by Sue. Note: excerpts from earlier posts included here. Photo: The moving walkway to the domestic terminal Suvarnabhumi Airport (Bangkok)

space and far-away things

Posted on September 1, 2015 by tiramit

POSTCARD 148: Delhi: bare feet on marble floor surface, pad-pad-pad, darkness in the front room, no daylight coming in through the glass patio door. What’s the time? Blinding light of my phone left on the desk: 5.15 am. I know my way by feel, through between furniture, mindful not to stub my toe on chair legs, and unwilling to switch on the light that hurts the eyes. Gentle with the mind/body organism waking up after having been parked, horizontalised in sleep mode for 8 hours. I know where the ceiling fan switch is… ting-ting-ting and I can depend on the laptop screen to illuminate the room – switch on the machine and it’s like a car headlight in the room, I need to turn my head away to avoid the glare.

There’s a pair of prescription sunglasses I use for this harsh brightness. Peer at the screen, scroll down through Word Press Reader and discover: Zen Flash: Tibetan Singing Bowl Meditation: Session 2 (27:30), click on the link. Plug in my ear buds and enter a huge, wonderful landscape of sound, space and far-away things – an entire panorama inside my head. But is that some conversation in the background or people chatting outside the house? Here in New Delhi there’s something going on 24/7. Is there a dog barking in the distance or is that on the sound track too? It seems at first that I need to differentiate, the ting-ting-ting sound is not the sound track, it’s the ceiling fan. At first I feel I have to be able to know what’s happening inside and outside of the listening zone, which is which? Then it doesn’t matter, it’s okay, accept it all as a oneness.

Back to the screen, open iPhoto library, and there’s the pic taken at Khan Market, a popular area; bicycle propped up on its stand in an alleyway. Left in the middle of the road, why? The owner must be somewhere nearby. Tibetan Singing Bowl sounds swirl around this bicycle, empty sack tied on the back, with a box on the front. There’s a presence of the owner – choosing to leave the bicycle in plain sight… he must know that everyone knows it’s his. It’s like the whole world is one large room; domestic life without walls, centuries of open-air living. There’s this quality about India – if you’ve ever been here you’ll know what I’m talking about. It’s not about visiting ancient sites or jaw-dropping experiences that fill you with awe, it can be simply the fragrance of incense, candlewax, ironed cotton clothes; an aura arising from something olfactory, the strange familiarity of cooking smells.

Fragments of people’s lives; a hugeness of ordinary things, a sense of loving-kindness and well being in the millions of every-day events taking place inside homes. Inside my home where we’ve lived for nearly five years, the Tibetan Singing Bowl Meditation track has birdsong, a sound like an aircraft passing overhead, voices outside quietly whispering. I look up to find the music has stopped, sounds from the world enter the room, faint daylight coming in through the glass patio doors. What’s the time? 6.00 am.

I am restless. I am athirst for far-away things.
My soul goes out in a longing to touch the skirt of the dim distance.
O Great Beyond, O the keen call of thy flute!
I forget, I ever forget, that I have no wings to fly,
that I am bound in this spot evermore.
[Rabindranath Tagore]

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