now here & nowhere

Posted on April 25, 2014 by tiramit

POSTCARD#63: Chiang Mai: Going home in a tuk-tuk with M sitting beside me, small body-mass pressed against my side. The urgency of speed, kinda scary, canvas roof, no walls and immense sound of 2-stroke engine fills our space. Impossible to hear what she’s saying, M indicates that she wants to borrow my phone. I pull it out of my pocket, hesitate. Is it okay to play with a slippery glass-like instrument like this in a speeding tuk-tuk? It might fly away into the great-rushing-past-outside world, anicca, necessity of mindfulness – she should hold it tight. Small face looks at me silently… don’t make a thing out of this Toong-Ting. I press it into her small hands. Hot, prehensile fingers grab, grasp and clasp the phone. Go to settings, clear away unwanted windows with the swipe of a tiny finger and launch multiplayer Minecraft.

So fast! I’m kinda surprised she’s managing to get Internet, 3G signal reaching us here in a tuk-tuk racing through the streets of Chiang Mai – or maybe we’re in it, like a fish is in an ocean of water. Everything out-there passing by in a blur, feels like a totally crazy speed, why all this rush? I can see over the driver’s shoulder, through his windscreen and it’s like travelling through a wormhole in space-time; the actual here-and-now – everything outside of this is in a different reality. Everything on the ‘in’ side of it locked down tight, my arm around the slight presence of M, taking up such a small amount of the space on the seat, legs sticking out, and Minecraft’s digitally created landscapes of mountains and seascapes appear in the little window of the phone in her hands. She’s now in player-hosted servers with visiting players from all countries in the world. How do you say this Toong-Ting? She spells out: G-A-V-I-N. I tell her it’s a boy’s name, ‘Gavin’, probably English (who’s this Gavin guy, I wonder). I see name labels moving around the landscapes, Japanese and Italian names; Spanish, German, Norwegian – players I assume are about the same age as M. I see boy’s names and girl’s names, all here at this very moment – and, where is ‘here’? Good question: now here and nowhere, depends on the context… spatial and temporal qualities. Space and time are not separate, I read in a post recently [See note 2, below]. This is (always) where we are at.

Looking down at the top of her head, hair combed from a parting in the middle, pulled out in two separate directions, woven into tight plaits on either side, and it’s as if she knows I’m looking at her: Remember this number Toong-Ting: 19122, she says. I consciously remember the number, repeating it to myself… In a moment she asks me what the number was. I tell her, 19122 and ask what it was for, by the way, but she doesn’t answer… having to have things explained to me by a 9 year-old girl who speaks English as a second language – must be a password or login name. Sad really, these days there’s not the dialogue there used to be, ‘I’ am not here, anatta, a suspended state, waiting for the next question. What’s this mean, Toong-Ting? M spells out: B-R-O-S and I tell her it’s a boy’s server, he’s American probably, he’s black and I think she knew the word ’bro’ already. Obviously interested in this and next thing she’s in with the BROS, their mountains and volcanic lava, burning fires.

Then there’s a little wail – she gets disconnected. It feels to me like a catastrophe, but for M it’s no big deal, she changes to a different player-hosted server with new players – or maybe some of them are they same ones who just got here from the same sites we were all in earlier. And while that’s loading, a quick glance at the blur of what’s out there rushing by us, then she starts to sing a song from the movie: Frozen: ‘Let it go, let it go….’ I join her in the song. We sing together, Tuk-tuk driver laughing with his eyes in the rear-view mirror….

‘Time is in the mind, space is in the mind. The law of cause and effect is also a way of thinking. In reality all is here and now and all is one. Multiplicity and diversity are in the mind only’. [Nisargadatta]

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Notes: 1) The Nisargadatta quote above comes from a post I read recently but cannot find now. If you happen to know which one it is, please let me know – thank you! 2) Gratitude to: KM Huber for her post: No separation of Space and Time Here and the space-time observation. 3) Mr. Tawat the tuk-tuk driver usually waits at the same place at the end of my road every day. He has taken me on other journeys, you can see other pics of his tuk-tuk here and here and also below

unsung song

Posted on April 2, 2014 by tiramit

POSTCARD#59: Chiang Mai: I’m awake before it’s light, start the computer and there’s a link to a music file of Gregorian Chant [Zen Flash/Gregorian Chant]. Click on that? Do I really need to have this kind of thing at 5 o’clock in the morning? Is it too early for the mystical voices and rustle of ecclesiastical robes of 10th Century Churchianity? Naw… go for it. The darkness of the rooms here and glow of the screen suit the dramatic nature of the performance – a world ‘created’ by God (the power of the church), manipulated, some would say, and thinking about it gives me the willies… but the breathlessness of the chant, itself, wow! The phenomenon of exhaled air pushing through partly closed vocal cords, opening for the next breath then closing, and it does it again and again. The absolute physiological miracle of it. Forget the applied ‘meaning’ of Christianity or Islam or Hindu – it’s just the ‘voice’ that’s in it. Tone quality created in volume of throat, in void of mouth, intricate cranial cavities generate high frequencies, and the whole head is resonating like a fantastical musical horn, or a trumpet-like whistling wind-instrument, or acoustic device fixed at the top of the vocalist’s body. The performing ‘harmonic’ of human voice (and gasp of inbreath that follows it), echoing in stone walls of old Europe and holy places a thousand years old – listening to it blows me away…

After a while, there’s some light in the sky and the birds have started their dawn chorus all around me here in tropical South East Asia, third floor, level with the treetops – open all the windows and let the sound in. Allow the intermingling Gregorian Chant to overlay on the flow of random exotic birdsong. An extraordinary mix. Birdsong is unstructured, uncreated, unmade – a song ‘unsung’ like the sound that water makes rushing over and through the pebbles in a stream, a myriad of small collisions, the incidental harmony of it. I have to go and hear this birdsong performance in natural surroundings. Get dressed, out the door, along to the elevator and down three floors to street level. There’s an old tree with large root formation not far away. Streets are quiet, I get there quickly, take a photo as the sun peeps through the buildings [see image above]. Then stand under the tree and listen.

Birdsong is on-going. It is as it is, and stops when we forget about it. Same every day, a story told in a multitude of voices about something that’s always there; an event presented for its own sake. The sky is full of it, an abundance floods everything, devastates the scarcity of small mindedness. There is one bird nearby, it pauses to take a bird-size breath of air… a small interval of silence, then it continues. The regular pace of all these incidental pauses sprinkled through the pattern of groupings of sound, forms an almost discernible construct but not really a melody. There’s no beginning or middle, and no end. It’s more like a huge chord played on an instrument with a great number of strings. An event that’s there all the time, as the planet spins towards the sun, daylight invading national boundaries, mountains and lakes, the narrow line between night and day moves out of darkness into light, the constant herald of birdsong always and forever on the edge of global night.

Chuang Tzu and Hui Tzu were crossing the Hao river by the dam. Chuang said: “See how free the fishes leap and dart: that is their happiness.” Hui replied: “Since you are not a fish, how do you know what makes fishes happy?” Chuang said: “Since you are not I, how can you possibly know that I do not know what makes fishes happy?” Hui argued: “If I, not being you, cannot know what you know, it follows that you, not being a fish, cannot know what they know.” Chuang said: “Wait a minute! Let us get back to the original question. What you asked me was ‘How do you know what makes fishes happy?’ from the terms of your question you evidently know I know what makes fishes happy. “I know the joy of fishes in the river through my own joy as I go walking along the same river.” [xvii. 13] [The Way of Chuang Tzu, page 97, ‘The Joy of Fishes’, Thomas Merton]

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Many thanks to zenflash.wordpress.com for providing these wonderful posts I read every day

Includes excerpts from an older post: Listening 1

the forever window

Posted on March 25, 2014 by tiramit

POSTCARD#57: Bangkok: Early evening, M asks what kind of walls I’d like to have in the house she’s building for me. It’s the Minecraft game, everything created from virtual terrain, mountains, sea, sky and a square sun. She looks up from the iPad window and turns to me with enquiring lift of the eyebrow (a nine-year-old veteran). I say well, how about stone – walls are made of stone, aren’t they? It’s an unimaginative answer lacking in conviction – not paying attention properly. I ask what the choices are. She taps the screen to show me: gold, lapis, and you could have diamonds. Generosity. But I’ll just have the stone, please – keep it simple (thinking to myself is she going to come out soon from this digital dream she’s fallen into? Come out, it’s late and you have to do your homework. Be mindful and attend to things in the real world?) But there’s no ‘real’ world here. M says, what kind of roof you want in your house, Toong-Ting? (It’s her name for me) and I’m drawn into the discussion again. You like floor tiles Toong-Ting? I say what I’d like, and that looks nice (trying to reach her by telepathy, please, please emerge from the iPad window soon and think about the homework always in arrears!) For a moment it seems like she’s going to close the iPad but no, it goes on: why do you want that one? This other one looks nicer, does it look nice to you Toong-Ting?

I find answers that fit each question, but there’s no end to it; I know now the point of the exercise is to indulge expansively in this great wealth of choices. We have to try them all. No such thing as a final choice. The iPad is a forever window, a deep lake of astoundingly rich colours that’s difficult to surface from after you’ve fallen in – everything else in ‘real’ life is sadly dull. M dives into the forever window simply because it’s there. The containment of it is the context. The question answers itself, no need even to ask, cause becomes effect, timelessness without end.

Then for a moment she emerges from the dream, a flicker of alertness in her eye. Quickly, grab the opportunity! Act out a continuation of playfulness and joy, extend the interest to our surroundings and she decides to follow. Good, yes! It’s like guiding someone dismayed by sensory overload. Now let’s close the forever window for a while, shall we? Life is the same as it was but it’s quite nice out here. Fetch the school bag, heavy with stuff, reach inside and pull out a scrumfled homework book from the tangle of scraps of food wrappers in there, bits of tissue, and an overall blueness from a pen that flooded its ink inside the bag, a long time ago. My fingers are always slightly blue after visiting M’s bag; I go wash my hands while she considers her homework.

They have to make a simplified pop-up book page; the double page you open and a whole scene pops up. Wow, we never had homework like this when I was a kid! The teacher has given her a model of the folded-out paper mechanism she has to copy. A small spark of interest. Can do by myself now, Toong-Ting, she says, goes over to the sofa and pulls a large cushion over her head: but I have to think it first… stays under the cushion for quite a long time and I’m beginning to think I should ask if she’s okay under there. But next time I look M has cut and formed the folded-out bit with a scissors, glued on the picture that’s supposed to ‘pop up’ and it works – yaay! Well, not brilliant, but homework is not supposed to be a fun thing, it just gets ‘finished’. It’s done, put it away, now where were we? A voice says: may I borrow your iPhone, Toong-Ting?

‘We have a duty to befriend those aspects of obedience that stand outside of our house and shout to our reason, “O please, O please, come out and play.” For we have not come here to take prisoners or to confine our wondrous spirits. But to explore ever and ever more deeply our divine courage, freedom, and light.’ [Hafiz: ‘We Have Not Come To Take Prisoners’]

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a kind of subjectivity

Posted on March 20, 2014 by tiramit

POSTCARD#56: Bangkok: I’m the one that got away, the escapee, the spiritual refugee. I followed the road that led away from the place I was born and never went back. The link with ‘home’ is broken and even if I could get it reset there’s no connection now. Somehow it fits with the history of where I came from; of war and battles lost and won, victory, defeat, the pibroch, the dirge lament, death like a flood sweeps away a sleeping village; the kamma of immense grieving, Celtic calamity, the catastrophe, the ruins, the mourning, s’affliger, generations of the dispossessed, and all the elders are gone.

Is integration the opposite of disintegration? If so, I came from a world in disintegration, I stowed away on a ship, sailed over many horizons and by happenstance got shipwrecked on a strip of land in the South China Sea. I am the Western urban migrant, assimilated, integrated here, got the password, userID and blessed to find the Buddhists in Thailand. A sense of connectedness, although it hasn’t been easy these 30 years, carrying the weight of Western thinking, causes and conditions from early times, likes and dislikes. And, being the only foreigner in the family, I’ve learned to go along with the preferences of others when it comes to food. As it was this morning, for example, faced with Korean kimchi at 10.30 AM because somebody thought it was a good idea to go to the Korean food buffet downtown, and if it were up to me I’d have chosen something less exotic so early in the day, but Jiab thinks our niece, we call M, needs to eat something substantial so maybe she’ll like this. Okay go for it.

M tries the kimchi and tells me: not spicy, Toong-Ting, her name for me (see the M posts). She’s waiting for a response… I taste it, blood red and trailing strands of human skin and tissue – a vampire thing? But there’s nothing wrong with kimchi really, I’ve had things far more out-of-this-world than that. I nod with approval and give her a smile I think is convincing. But M can see kimchi doesn’t quite hit the spot. She comes over and tells me quietly they have ice-cream here too. Yeh… well, ice-cream at 10.30 AM? If I said I didn’t like that either I’d lose all credibility. So I say, Nice! Do they have caramel/toffee? Thirty years further on in the journey and I’m eating ice-cream with a nine-year-old. I’m amazed that she likes me… maybe she responds to this quality of improvised simplicity I’ve developed, anyway it’s a privilige and quite wonderful how things have gotten very much easier since M came into the world. She corrects my Thai pronunciation (the tones), has a continuous chattering bird-like dialogue with me and discovers useful-to-know things about my phone I never knew were there. M is an empath – no words for it, it’s a kind subjectivity. Maybe because she’s a child in a bilingual situation and has to find the easiest route to understanding others, or maybe all children are like this and because I never had any children of my own, it seems special to me.

Being part of her world means there’s less of the holding on to ‘self’. Anyway, there’s less of an emphasis on individuality here in Thailand, things are shared, a largely Buddhist population. And my ‘self’ is so totally different from everyone else’s self, it’s not appropriate to be imposing my ‘standards’ here, creating supporting statements to prove what I’ve already decided is the correct way of going about things, and convinced about this simply because my continuing engagement with it somehow seems to confirm it has objective reality. In the East, the ‘object’ is not the goal. The starting point and the answer are revealed in the interaction with the context of the question – inductive reasoning, it takes longer, it’s more revelatory, exploratory, open-ended.

M runs off to look at what kind of drinks they have. Comes back and tells me about one she thinks I like but can’t pronounce the name, I ask her how do you spell it? Never mind she says, can she borrow my phone? I give her the phone, she’s always ‘borrowing’ my phone. M runs off to the drinks section again and comes back immediately; she’s taken a photo of the drink, shows me: Chrysanthemum tea, wow! A difficult one to pronounce. Nice, I’ll have that. M is gone for a moment then returns with a glass of iced tea held in both hands, places it on my table without spilling a drop; loving-kindness, she steals my heart away…

‘There is ultimately no individual self or soul (jiva), only the atman (universal soul), in which individuals may be temporarily delineated just as the space in a jar delineates a part of main space: when the jar is broken, the individual space becomes once more part of the main space.’ [Gaudapada] source: Non-Duality America (Link to original)

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Lower photo: M‘s Pic of the Chrysanthemum Tea dispenser

windows

Posted on March 14, 2014 by tiramit

POSTCARD#55: Bangkok: Coming in from the airport in a taxi with my Thai niece. I call her M, nine years old (soon be 10) and playing Minecraft on my iPhone all day. Glass window opens into another reality, digital trees, cubed terrain, oceans and snowscapes in a gravity reduced space. ‘Look, Look, Toong-Ting’, she says. Since she was an infant, M has called me Toong-Ting; holding on to her baby talk of the past and now it’s somehow cool to call me that. I lean over to see what’s going on in her window: building an ice palace with Lapis and Gold entranceway while playing the ‘Let it Go’ soundtrack from the movie, ‘Frozen’. I listen, ask questions, sing along and we exchange views – limited because English is a second language. When there’s nothing left to talk about, she returns to the Minecraft world and I hover in space waiting for the next question to arrive.

I am the support system, resource person, back-up plan. We came by plane from Chiang Mai this morning and the day has passed us by like this; M absorbed in her Minecraft software and the outside world seen from a sequence of moving vehicles we’re in, time and space transforms around the moment. Clouds in high altitude sky of 30,000 feet, mountains of buildings in the urban landscape and M emerges from the dream from time to time to pull me into the depths of the inner world she’s in – let’s see what she’s doing there… we dialogue about it, laugh, and she disappears further into subterranean caves, while I swim up to the surface again. There’s only a short time for me to look at the page I’m reading… sometimes only a few seconds before the next request arrives: “Look Toong-Ting, look, look…” I take a deep breath and dive into the water again. In the intervals between these visits to M’s world, I’m having to be mindful and speed-read my text like pieces clipped from a larger flow of words; one piece jumps out more than anything else:

A man is searching for God but gets frustrated in his effort, throws a stone into the water and a fish sticks its head out, says: ‘You think you’ve got problems? I’ve been swimming in this river my whole life looking for water, dying of thirst and cannot find any water to drink.’ The man says, ‘But the river is filled with water, there’s not a spot in the river where there is no water. Just open your eyes and you’ll see.’ And the fish says, ‘same with you; you’re surrounded by God. God is all around you and within you. Yet you say you can’t find God…’ [Sant Rajinder Singh: “The Love of God Is All Around Us”] (Click here for the original source: Holy Notion/ God and the Self)

Our taxi arrives at the house, get inside and M runs around discovering the familiarity of the last time we were here. Later in the day we’re in a corner of the room where she has her playthings scattered around. Everything lying in disarray after a particularly large creative frenzy of cutting out and the sticking of things with glue, scotch tape, adhesive coloured paper and bits of old Christmas decorations, recycled. And when every additional use these items might be put to is thoroughly exhausted, M moves to Minecraft videos on my laptop: “Look Toong-Ting, look…” she says.

I position myself so I can see the screen, participate when I’m needed, and otherwise pleasantly distracted by the surroundings; the world suddenly thrust into a clear, enhanced three-dimensional presence. Objects become somehow… known? All our bags and things just lying where they got dropped, extensions and extrapolations of the environment of rooms, the furniture, the plants and trees outside. A momentary happiness, bien-être, no words for it…

‘… the Truth and the way leading to it are often indicated by what they are not rather than what they are… in the Upanishads, ‘neti… neti’, meaning ‘not this… not this’, the reality of appearances is rejected. In Christian theological language, referring to what things are not is called the ‘apophatic method’, also known as the via negativa.’[Ajahn Pasanno & Ajahn Amaro: The Island – An Anthology of the Buddha’s Teaching on Nibbana]

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passing through 1

Posted on March 9, 2014 by tiramit

POSTCARD#54: Chiang Mai: Situated at the top of a column of words (at the time of writing), light and easy, a feeling of no-thingness, the world is here but no serious attachment to anything. Emptiness of space in the place where “I” have not yet arrived and the sensory mechanisms that give the world meaning for me are still offline. Look at the altitude app, it says 1043 ft. above sea level, add 180 feet for the height of a 7 floor building and my location is identified. I am standing with my bag here on the top floor of said building, waiting for the elevator down… everything goes down from here. Doors open, step in with my bag on its little wheels, doors close, and down we go. It’s a small elevator space with large mirror. Is this good or bad; the witchcraft of mirrors. Study my reflection, hmmm… look into my eyes and see my eyes looking back out at me – slightly scary, stop doing that. Elevator stops at the 3rd floor, doors open, nobody there… a volume of 3rd floor air enters, doors close. We go down again, floor numbers on the indicator decrease as we descend further. Look at my reflection like a friend standing next to me. Examine the teeth in a large wide grin; watch myself holding this grimace, weird guy. Try to be normal; this is how I’m seen in public. Elevator reaches the ground level.

The people in the lobby are engaged in a conversational event that started before I got here and there’s a pause in the dialogue as I step into their space. Eyes look… do we know you? Smile, show teeth, no cause for alarm folks, just passing through. Walk out the main door and lift my bag down the steps. Street restaurants, the smell of exotic cooking, noise and clatter, a child cries, bicycles creak, rubber wheels on hot tarmac, a motorbike fills the place with sound. I have the feeling that I’m now situated at the top of a column of bones, ligaments, tissue, fluidity, and looking out of two holes in the skull that bond together into a single screen monitor – just the edges seen and the side of the nose. If I focus on something in the environment, through sight, sound, smell, taste, touch, there’s a curious ‘entering’ takes place… the outside world invades totally, no boundaries, and my whole head disappears* (funny how it does that) and there’s only the world, with me in it, headless. Everything switches back to normal view, when I want it to, and back to watching my feet appear and disappear on the ground below, one at a time: left, right, left, right. My bag following behind, rumbling along on its little wheels, slippers flip-flop on soles of feet…

Looking for a passing tuk-tuk or some means of public transportation that’ll take me to the airport. Reality check: am I at peace with myself? Is there an easefulness or am I busy thinking about things? How am I feeling? Allow the software to do its job; the facility of reflecting on how all this is going so far. Outer noise and heat find a way through the senses and have an effect on the mind/body organism in its ambling walk down the road – that stumbling gait, typical of lanky Western folk. Pleased to know how it feels and I can be aware of the sensation without making it into something I love or hate. Letting the events of the mind go unheld; give it all away, the great generosity of relinquishment. Be kind to myself, the ongoing practice of learning how to live my life. Tuk-tuk arrives, get in, wind in my face….

‘Human beings have a reflective quality that steps back from experience and says: “I don’t like this. It shouldn’t be this way. Stop it!” The aim of the spiritual path is to fully understand that the main problem of life is not that the government is unfair, that one isn’t getting enough money, that there is hunger, violence, pain or sickness, not even that one isn’t loved – but the feeling in the reflective mind of being bound down by these circumstances. Once we have clearly understood the mind, we can experience patience, equanimity, and release – even in predicaments that can be difficult or unpleasant.’ [Ajahn Sucitto, ‘Making Peace With Despair’, from the volume: ‘Peace and Kindness’]

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*Reference to: ‘On Having No Head’ by Douglas Harding

– G R A T I T U D E –

over there

Posted on February 21, 2014 by tiramit

POSTCARD#51: Delhi: Jiab left for Bangkok this morning and in the afternoon I get a text message saying she’s over there now; it’s a 4 hour flight, no jet-lag and it’s warm and nice. Later I’m up on the roof terrace and she calls me on Skype, laughing and talking… checking out, meanwhile, how she looks in the little window in the Skype frame; eyes anchored in the same position as she’s turning her head from side to side. I’m holding my phone screen like I’m inside a mirror looking at her sitting in that same room I was in just a week ago. What time is it there? 1½ hours ahead, so I’m in another time zone, one I know quite well, a kind of back-to-the-future thing. I have to think about it for a moment… the ‘now’ I experience at this moment was the future for me when I was there in the past. Pause for a moment, let’s see… there is always only ‘now’, past-time and future-time swirling around it in a vortex. I need to get some distance from it, so I think in these terms: I, as the subject, see ‘it’ as the object over there somewhere. The world is ‘seen’ and the one who sees it, curiously absent at the actual moment of seeing, is currently processing the image, and trying to locate the ‘now’, which by this time, seems to be lost somewhere in the past (or the future).

Senses interact with the outer environment, the brain conjures up the colours, sounds, smells, tastes, feelings; these inner landscapes of the mind, and I don’t usually even consider that the reality behind the dreamscapes of the senses is in any way different from what I think it is. The 7 basic colours in the spectrum created by the human brain may be sourced in a field of colours nobody has ever seen; all the subtleties between a white opalescence that’s nearly turquoise, and black that’s not a colour in itself but an iridescent purple.

I’m thinking of these exotic birds up here on the roof terrace, perched on the electric cables at eye-level and looking at me – outrageously coloured, orange, black purple, way off the scale of normality. What is it with these birds? Do they fly in and out of this unseen world we’re talking about here; into that reality where ordinary speech frequencies sound the same as the arbitrary shrill whistles, trills and pings of birdsong; an ocean of intoxicating tastes and fragrances, and a vast range of tactile sensations? You could say it’s totally out of this ‘world’.

We have to filter all this exotic disorder or we’d go insane, get it into a simple format so we’re all watching the same movie: ‘oh, I see what you mean.’ It’s an objectified reality; the world is a concept understood by the mechanism I call ‘me’. The snag is though, the constructed ‘self’ has it’s own momentum and I need to be mindful about engaging with whatever it is that’s invading sensory awareness at the time. Let it pass through like a river in a landscape, and be mindful of the tendency to fall into the dream, into the fiction I’ve created; a pleasing kind of hypnosis or an exhausted state where I find I’m subject to conditions seemingly situated in the reality I created ‘over there’. I need to be mindful that, to become me, I have to think ‘me’. The ‘me’ that I think I am depends on me ‘thinking-it’ into being. Be able to release from this tendency and mindful of the times when I forget to be mindful…

Our objective experience consists of thoughts and images, which we call the mind; sensations, which we call the body; and sense perceptions, which we call the world. In fact we do not experience a mind, a body or a world as such. We experience thinking, sensing and perceiving. In fact all that we perceive are our perceptions. We have no evidence that a world exists outside our perception of it. We do not perceive a world ‘out there.’ We perceive our perception of the world and all perception takes places in Consciousness.’ [‘The Transparency of Things’, Rupert Spira

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Photo image by KP: Chaopraya River at Nontaburi, seen from the Tree House Restaurant

‘now’

Posted on February 8, 2014 by tiramit

POSTCARD#47: Bangkok: So profoundly stuck in this traffic jam it feels like time has stopped. It’s not today; it’s yesterday – same taxi, same traffic jam. I raise my head from the book I’m reading and look out at the world. No sense of having moved further on, the back ends of vehicles and bits of buildings. This is a continuation of the same day and the interval that happened in between, dinner, 8 hours sleep; it was a daydream. Look at my watch, same time, same place I was in yesterday. The same people (probably) all headed in the direction they go in every day. Look down at my book again, eyes scan the text… where was I? Remembering my place by association with events taking place around me. The sounds of the gear stick shifting through its worn engagings and the accelerator pedal, the brake, then the gear stick again… parts of the story seem related to parts of the journey. The words I’m reading are flickering around the interior of this cab. Parts of sentences and interesting phrases get wrapped around the objects in this small space.

It feels good in here, inside this metal shell that’s holding me cushioned in a womb-like environment, bent over the book in my lap and looking outside from time to time. The experience of the ‘now’ moment is the same ‘now’ moment everybody else is experiencing… a hesitant, preoccupied ‘now’, maybe, for many of us; teetering on the brink of wanting things to be different from what they are. The traffic is hard to believe. Skillful avoidance of the tendency to hold on to the thought it ‘shouldn’t be like this.’ Look around the interior of the taxi, devotional flowers hanging up front in the windscreen and up above I see the painted marks of a holy person’s blessing on the underside of the roof. Grey/blue seating, a public space, registration numbers for the driver and the vehicle. A photo of the driver with his name in English.

We don’t have a conversation. I say: rod tid… (bad traffic eh?). And he says: yeu! (too much). We’re comfortable with the silence after that. For him, it’s a pointless journey to nowhere in particular – no problem; it’s often like this. Pause for a moment and watch the in-breath, the out-breath; mindfulness. A moment’s reflection and meditative contemplation in a Bangkok taxi… this is how it is for him. After I get out, somebody else will get in and off to the next place. When he gets there it’s the same as the place he just left. Where are we now? There’s a huge map in his head. City traffic is like a river, it gets into all the corners and any place where there’s space for it, finding its own level and passing through the hundreds of miles of its landscapes as it makes its way to the sea.

Like a boat on the river going with the current, the ‘now’ feels like it’s not moving. Only when the trees on the riverbank are seen is there a sense of movement, of moving through time. The ‘now’ is experienced in this present time as it has been for millions of years. I can imagine a time in what I would call the ancient past, but a moment experienced then happened in present time; it was ‘now’. A prehistoric being may have been sitting on a rock or a branch, exactly where I’m sitting, inside this cab… looking around – just as I’m doing now – and the ‘now’ experienced then would have been no different from the ‘now’ experienced at this moment.

‘The river is everywhere at the same time, at the source and at the mouth…in the ocean and in the mountains, everywhere, and the present only exists for it, not the shadow of the past, nor the shadow of the future… Nothing was, nothing will be, everything has reality and presence.’ [Hermann Hesse: ‘Siddhartha’, Chapter 9]

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connectedness

Posted on February 5, 2014 by tiramit

POSTCARD#46: Bangkok: Sitting in a taxi that’s stuck in traffic and I see these buildings through the window, take the photo thinking, wow! I can write a post about that. The floating staircases look like they were put in as an afterthought. Somebody came up with the idea and sketched it out on the back of a beer mat. Creativity. Things are linked in the mind – the symbol of a bridge, everything is connected. It all fits. Taxi still stuck and I’m searching around in the memory for something, through the staircases and corridors of no-words-to-describe-it, looking for a starting point. How to begin? A small insight comes along; it’s the karma of circumstances.

That’s why, who, where, what, which, when and how I came to be here in Bangkok, strange as it may seem, having started off in such a far-away place over the mountains, over the sea… the Northern part of the world, near to the Arctic region. Up there, the polarities of shady darkness and never-ending light inspire one thing above all: the desire to get on a plane to a sunny place in the Southern Seas and never come back. So that’s what I did.

When I came back I discovered thirty years had passed, the Rip Van Winkle effect – look in the mirror, hair gone white. Most of the people I knew are dead. It had been so long I’d forgotten the ‘me’ that used to be there. I gave some thought to the ‘me’ left behind in the sunny place in the Southern Seas, went back over to check on that but it wasn’t there either. All these hours and days over the years, looking out the windows of an airplane and the world coming in through these eyes but seeing it like it’s not ‘me’ personally that it’s happening to, more like it’s an extension of what’s out there.

There’s a connectedness. No ‘me’. The temporary self-construct that used to be ‘in here’, a tentative sort of half-existence, has gone. Gone is gone. No ‘self’, anatta, nobody at home. Elvis has left the building. I am a metaphor of ‘me’ looking out of the window of a moving vehicle going away to, or coming back from a place called ‘home’ in Bangkok at the present time but next week I’ll be in Delhi again and looking at ‘home’ from that location. I know that three weeks from now I’ll be in Chiang Mai in that place there called ‘home’, hang out for a while, contemplate the space I’m in, then after that, no plans…

Is there anything I can call a real home? (hold that thought)… there’s a memory of something being ‘home’ when I was a kid. I remember long nights and short days, aunties and grannies wearing comfortable wooly cardigans, porridge in a cracked bowl, coal and wood fires, a black-and-white sheepdog – and incidentally, the rural/urban thing about Asian cities, cows sitting on the pavement, goats nibbling and chickens pecking around, the sound of a cockerel in the distance; all this reminds me of the farmyard scene where I was brought up. There’s a familiarity about it

Fond memories, pictures in the gallery of the mind, and yes I’d like there to be a real home, but for a very long time now there’s been only a series of temporary homes – all good, I share my life with Jiab and we’ve gotten used to the way things are. In each place I have my favourite chair, books, and all the things I need. It works okay except sometimes I might spend a long time searching the bookshelves for a book I’m sure is there then realise it’s not in these bookshelves, it’s the other bookshelves, about 2000 miles away. So I have to let that one go, although I can see it there in the mind’s eye…

I feel dispersed, an okay sort of feeling. It suits me well to follow the Buddha’s Teachings: homelessness, non-attachment, no-self. Whether there is a ‘self’, yes/no, is best not thought about too much because saying ‘yes’ or ‘no’ to it is, in itself, identifying ‘self’’. Words identify things, language has a default mechanism that allows me to select what ‘I’ want it to be (also what I don’t want it to be) and the resulting attachment to all that I love and hate. I see it happening, stay mindful about where the exit is located, and open the heart/mind citta to the world as wide as possible.

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‘I place the word “Jesus” into my heart, and in a magical instant all those wordless, intangible sensations I have come to recognize as His Presence fill the room, as if that word was a seed dropped into the planter of my heart, which took root, and produced an entire orchard.’ [Excerpt from the post: Trending Towards Holiness]

– G R A T I T U D E –

leaving

Posted on January 27, 2014 by tiramit

POSTCARD#44: Chiang Mai: Time to close this chapter of the story. I’m leaving soon for New Delhi, transit in Bangkok for some days. The flight departs at 16.20 and before that there are things to do in the apartment: a basket of laundry to iron; ironing table set up and I’m standing there. Pointed end of the iron smoothens its way among the creases, sailing through mountains and valleys of fragrant laundered cloth, leaving a warm, flat plain of patterned textile in its wake. Place the heavy iron on its metal stand and there’s that pleasing little sound: clink-clink… then pick it up again to do another part of the garment. Doing the front, the back, the shoulders, the collar – place it on its stand again: clink-clink. Ironing is such a peaceful thing, the hot smoothness of it, all these landscapes of wrinkled cotton eased away.

Pictures unfold in the mind, a memory appears, the story begins. It’s wintertime, I’m in Kamakura, Japan, snow everywhere and the colourless luminosity of reflected light inside the dark interior of my cute little house (everything is small in Japan) high up on the slope of a hill, in the precincts of Zuisenji temple. The ironing table set up by the window; just enough room if I move carefully, laundry basket placed at hand and on the corner of a small table, a pile of folded ironed things. The brightness of reflected light outside illuminates what I’m doing. A time of sleepy afternoon days, the clink-clink sound of the iron at intervals intrudes gently into this comfortable silence.

There’s a small slooshing sound of someone walking through the snow – look out the window; a blinding whiteness, a photographic negative. Black tracks of footsteps on the path leading to the steps to the temple. It’s a lady walking with great care, taking smaller steps than Japanese ladies usually take. She is dressed in a long dark maroon coat and indigo coloured costume down to the ankles, feet in wooden geta slippers secured by a small V-shaped thong passing between the first and second toe over tabi, white stockings specially stitched for the purpose, and the entire foot encased in transparent galoshes with pretty floral designs. Holding her hand is a little girl about 8 years old, and it just happens that as I’m looking at the girl and her small white face, alert eyes, she turns to look at me… a faint smile, a moment of intelligent understanding; she sees me, a gaijin, framed in my window at eye level with the street: a foreigner lives there, in a house the same as ours… or maybe there are no words for it, just some kind of recognition, an enigma suddenly cleared away and knowing this.

How did life turn out for her? I feel sad that we only had the shared experience for that instant. Maybe it’s the remembering of events like these, returning many years later; a moment recalled, a thing that was puzzling for a long time suddenly understood, somehow – beyond words. These small moments of understanding, overlapping each other and it could be the more I’m aware of it, the more conscious experience includes the possibility of revelation. And this is the reason why there’s always a fascination with the remembered moment; an event or an accumulation of events that make sense… somehow. Language doesn’t stretch that far; the whole thing just carries meaning.

Ironing along the seams, the waistband, how good these garments look, just as they are, stitched art objects – clink-clink goes the iron. Pictures unfolding in the mind, a memory of an event is a story with a beginning, a middle, an end – although I might arrive in the middle and have to work it out from that entry point; searching for the ending of it so that I have some idea of what the beginning could have been – then re-order it so the story starts as it should (“… once upon a time….”). Language insists on a structure, I have to ‘story’ it (verb: to story), think about how to get it to work; what happened after that? Create a sequence of events. Listening to a story I’m telling myself as if it were being told to me by someone else.

Getting this place cleared up and ready now so that it can enfold itself quietly in hibernation while I’m away living in another world. Soon it’ll be time to jump into the taxi and off…

‘We are forever telling stories about ourselves. In telling these self-stories to others we may, for most purposes, be said to be performing straightforward narrative actions. In saying that we also tell them to ourselves, however, we are enclosing one story within another. This is the story that there is a self to tell something to, a someone else serving as an audience who is oneself or one’s self…. On this view the self is a telling.’ [Roy Schafer]

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