artifact

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createimageprop-aspxPOSTCARD #230: New Delhi: From somewhere deep in Antiquity (2nd-1st century BC) the Indo-Greek created a likeness of the Buddha saying, okay, this is who he was, and this is what he was like. Before that there was nothing; a stupa marked a place where he had been and what he had said there, but no actual identity, no story of how it began, what the cause of it was – always the echo of ‘and what was the cause of that?’ (repeated endlessly) prevented the writer from saying, ‘it was something like this, you know?’ because, even before it begins, the story requires the listener to gently comply with the constraints of a starting point… “Once upon a time” (and this is as good a place to begin as any), so we fall into the story, become the story – we believe in the story because we are ‘the story’, we are ‘personified’, we are assimilated, a simulation, without even thinking about it.

Immersed in the commonly held belief in personification (‘I’ have to believe in it to get it to work), it seems to me that even God is a personification, I believe, I believe in “It”. The model of ‘the creator’ applied in multiple forms (everything is invented), based on a frame of reference inherited from artisans in generations past who built it, shaped it, fashioned it based on an earlier model they’d had then, dating back to well-before-that-time and everything so distant that even the words seem to get smaller and smaller in a perspective vanishing point location, and this, we can say, was the point where it disappeared completely.

Then, from a faraway place beyond the place where it was last ‘seen’, somehow brought back across the centuries into the bright light of modern times, eyes blinking in the dazzled befuddlement of it; historical and ancient – the meaning contained in words cloned from an ancient artifact, cloaked in strangeness, dynamic and eloquent.

134003511_14241612739041nThen examined, agreed-upon, regarded-as, and said-to-be the original, correct, true and embedded thus: the wisdom of the East meets the modern Western world. Immediately becomes ‘history’ and seen to be an accurate rendering, handed down from mother to daughter, father to son, identical to, or as near-to-as-possible the same as it was then and always had been since as long ago as anyone can remember (by word of mouth) the actual archetype.

So immensely detailed and complex that, even today, it is impossible to engage in any kind of discussion about anything, without the correct intermediary being present (or, if not, sent for), the structure of class/caste/social behavior being as it is; an unquestionable system of who does what, where, when, why and with whom, and how it’s all being done is supervised by somebody wearing a suit, or a long-sleeved shirt and shiny shoes, seated on a chair (while everyone else is standing), and he’s carefully copying everything down in a notebook.

No beginning, no end… the skill was, and always had been, to discover the answer formed as a question, and nobody thought it was necessary to create a likeness, besides, what’d he look like? There was nothing to go on…

Upper image: painting by Jill Lewis
Lower image: photo taken on Feb. 17, 2015 shows a Buddha statue on display at the National Museum of Afghanistan in Kabul, Afghanistan. The museum, founded in 1919, has survived three decades of war and now opens to the public after refurbishing. (Xinhua/Ahmad Massoud)

light in the darkness

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img_0050POSTCARD #229: New Delhi: The photo on the left is from our Thai social network, continuing sad imagery mourning the death of the King. The allegory of light in the darkness is significant in many countries in the world. Here in India at this time of year there’s the festival of Diwali – the date is calculated according to the position of the moon and the Hindu lunar calendar. This year (2016) Diwali occurs on 30 October, one day before Halloween on 31 October which would have had the same lunar date in ancient times.

The Diwali festival is observed by Hindus, Sikhs and Jains, celebrating the triumph of light over darkness, good over evil, knowledge over ignorance and hope over despair. In the days prior to the festival, it is traditional for business contracts to be completed, homes to be cleaned and anything unfinished must be brought to a satisfactory close.

The Halloween festival in 21st century Western society marks this lunar event with a playful portrayal of the spirits of darkness and evil coming back to life. At a glance, it would seem to be the opposite of the Diwali festival. Halloween is about dressing up like the dead who wander the streets, knocking on doors and seeking hospitality from the living. Whereas, Diwali is about lighting up your home with candles, color and brightness, exchanging gifts, wearing new clothes and receiving guests.

In both cases, however there is this imagery of a light in the darkness. For the Halloween festival (Celtic Samhain), the dead emerge from darkness into the light and remain here for 24 hours then disappear, a time of great significance in pagan religions of the West. Similar mythology for Diwali surrounding Amāvāsyā, and the dark moon lunar phase, the period when the moon is invisible against the backdrop of the Sun in the sky.

Diwali and Halloween both take place on a ‘cross-quarter day’, the halfway point between a solstice and equinox – a time of seasonal change marked by the end of the harvest season and the beginning of the darker half of the year. For the ancients in both East and West, the invisible moon became part of a spiritual teaching; the unity of opposites, life and death, and why things are the way they are. Spirits were (are?) a tangible presence, benign or hostile, and gather at this time of year when food and drink are shared among the living and offered as a gesture of appeasement for the dead.

Here in New Delhi on Diwali night, people light up diyas (lamps and candles) inside and outside their home, and participate in family puja (prayers). There are also huge firework displays, which recall the celebrations believed to have taken place in the legend of Lord Rama and his wife Sita returning to their kingdom in northern India after defeating the demon king Ravanna in 15th century BC.

Significant also for all Thais, although Diwali is not celebrated there, this lunar event marks the passing away of the much loved monarch Bhumibol Adulyadej at the age of 88, the world’s longest-serving head of state and the longest-reigning monarch in Thai history, serving for 70 years, 126 days.

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silence

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img_0042cPOSTCARD #228: New Delhi: I have developed prehensile palms and soles of feet to walk like a gecko upside down on the ceiling. Vertigo of spiral staircase (going up is easier than coming down), and up to the room at the top of the stairs where I’ve put into action a plan, carefully considered all through these months since February. This will be my quiet place, doorway open to the sunlit terrace, the roof is the sky, birds fly through, inhabit my world.

Climbing down again and up with more boxes and bags, an electric kettle, cups and teaspoons. Playing a sound track on speakers, it sounds so different here, in the new acoustics. Sit in the doorway to listen, intervals of birdsong, voices of neighbours below in their homes, windows open to the world we all are contained in. Wash floor, wipe windows, boxes of acryllic paint, Cadmium Red, Bleached Titanium.

I shall be an Easel Painter, energised by how much the weather has changed here, suddenly it’s cool like an English summer. Air con shut down, ceiling fans switched off, and windows open wide. The hearing mechanism dulled by the usual hum and click of background noise 24/7 we live with in order to have our artificial temperature. But the hot season is over, ears strain to receive the sound of these machines, and it’s not there… only this shocking and shocked silence.

Surprised how everything that’s outside the dwelling comes inside; in through the windows, the doors and apertures of the skull, into our rooms and down through our corridors, into our corners, arriving in these enclosed spaces where only the Hoover has recharged the air these months of heat. A cool breeze moves the curtains as if an unseen presence just passed by.

Somebody’s ring tone somewhere; pause… voice says hello? Dialogue in a language I don’t know – the quietness of not having to be being pulled into it. Stillness of mind, ease of breath, calm and sitting on floor cushion with folded legs

“How much better is silence; the coffee cup, the table. How much better to sit by myself like the solitary sea-bird that opens its wings on the stake. Let me sit here for ever with bare things, this coffee cup, this knife, this fork, things in themselves, myself being myself.” [Virginia Woolf, The Waves]

 

images of mourning

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POSTCARD #227: New Delhi: Seen from the air, mourners gather and take their positions to form the Thai numeral 9. The formal title of the Thai King, Rama IX. Found on our Thai social network page, dated 19 October.

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Source of the Thai song: https://ilovethaisong.wordpress.com/2015/10/16/homage-to-the-buddha-the-buddhists-song/

 

passing away

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POSTCARD #226: New Delhi: October 13 2016, at the end of that day, I came downstairs and Jiab looked up from her Thai friends fb page and said: the king is dead. Jiab has this minimalist way of communicating. I checked on the internet and got the necessary information and for the rest of the evening there was no discussion, silence, clink of cutlery on dinner plate.

Next morning a Thai friend came to see us and she was wearing black. All through the weekend I could hear Jiab’s fb videos of the mourning, I looked from time to time and people were distressed, in tears, the entire population wearing black now for one year, newsreaders on TV wear black, any unnecessary colour is avoided. Many Thais change their fb profile image to black and white for the duration of breavement.

I’ve seen it before when Galyani Vadhana, Princess of Naradhiwas, the sister of the king passed away. Click on the link and have some idea of the scale of the funeral event. The same wearing of black for one year leading up to the funeral itself and in this case we can expect it to be a much larger event lasting for many hours.

After it all comes to an end, Thailand will be a different place, in a sense it’s the end of the monarchy, there will never be another king to take his place. Without the much-loved figurehead, who knows how Thai society will cope.

But before that there is this long period of mourning, the King has not yet passed away, he is passing away – held still in the hearts and minds of the Thai population who are unwilling to let him go. It’ll take all that time and more for everyone to adjust to the loss and be able to face what’s to come…

“It is proper for you, Kalamas, to doubt, to be uncertain; uncertainty has arisen in you about what is doubtful. Come, Kalamas. Do not go upon what has been acquired by repeated hearing; nor upon tradition; nor upon rumor; nor upon what is in a scripture; nor upon surmise; nor upon an axiom; nor upon specious reasoning; nor upon a bias towards a notion that has been pondered over; nor upon another’s seeming ability; nor upon the consideration, ‘The monk is our teacher.’ Kalamas, when you yourselves know: ‘These things are bad; these things are blamable; these things are censured by the wise; undertaken and observed, these things lead to harm and ill,’ abandon them.” [The Buddha’s words: Anguttara Nikaya, Tika Nipata, Mahavagga, Sutta No. 65]

today is every day

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img_0072bPOSTCARD #225: New Delhi: All these highways, routes, directions connected end-to-end. My itinerary links up in a network that reaches all parts and locations in time and space, everywhere in the world – no end, no beginning. Here-and-now awareness, or wandering in fabricated thought, a game of hide-and-seek where the flip-side of concealment is revelation and returning to the familiarity of present time, it becomes ‘now’ again.

Or I’m thinking about the concept of ‘now’ seated here in the backseat of a taxi to the airport, looking out my window at a landscape of connecting routes flashing by, and engine noise, vibration, bumps and jolts of road surface. Or trying to get emails on my phone but there’s no Internet right now. Try again later… where are we now? Glance at the taxi’s GPS, our point of present location on the map moving in tiny increments across the screen.

Time divided, subdivided and sliced into multi-channel TV programs, compartmentalized, locked down tight – the totality of it impossible to define. The impossibility of finding a way out of constructs framed in words: who, what, where, when, and why. Language gives everything names, Monday, Tuesday, Wednesday… different ways of describing present time. It’s always today, no matter if I call it yesterday, tomorrow or next week – today is every day. And even if I’m living in a make-believe world where it’s always ‘somewhere else’, all of that is included in present time too, ‘today’ occurring forever and always in rotations of the planet Earth. More than 1000 miles per hour of yesterdays, todays and tomorrows experienced in countless generations of endless time.

The illusion of solidity and grounded-ness created in awareness, the conscious state experienced in a soft body-mind organism that can process data. The feeling of I, me, and my, is the ‘I’ of everything that has ever been. A connectedness with all that is outside and all that is inside. A ‘world’ shared with all living beings as if it were a meal for a great number of guests at a huge table. Talking about all that we all love and all that we hate. All they create, all they destroy and all the words of politicians vanish into thin air, all conflicts are resolved eventually and it’s our mutuality, the fundamental sense of the feel of the air. Just holding in mind the scale of how vast this kind of love might possibly be… is enough to begin to know it.

Looking back again at my screen, still no Internet – a spinning cursor in a frozen background space, the unstated presence, the ‘is-ness’. An easefulness spreading through the face, the scalp, the head, the neck, shoulders and arms. A whole-body experience contained in this small space; metal, plastic, electric-spark-gasoline-fueled internal-combustion engine on rubber wheels, and blur of unseen things in window light passing through the interior of the taxi, small red light showing the fare so far. Time to pause, take a deep breath in, filling the chest cavity from top to bottom, then the long breath out, unfolding like a long ribbon of road in a landscape, reaching out there to a vanishing point on the horizon.

“Time is the longest distance between two places.” [Tennessee Williams, The Glass Menagerie]

Note: excerpts from Eclipse by Pink Floyd

the world disappears

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img_0019POSTCARD #224: New Delhi: Learning how to sleep without the pain meds and all those chemicals that used to help me so much before, but I’m just left there thinking about things in the darkness. Stories come and go, pondering over this and that, and the awareness of being caught up in the thinking thing gets included in the wandering. Searching for a way out, but if I think about how to stop thinking, the mind gets busy looking for a solution; finding something and comparing it with other reasons why I can’t stop thinking. Thinking has its own momentum, takes time for it to slow down, there’s the opportunity to allow it all to fizzle out. Everything evaporates for a moment.

In that instant there’s a no-thinking state, a great space opens up – an awareness of being aware. Silence and emptiness, held on pause. Then, somewhere on a different screen, the mind is alerted, there’s the desire to be actively thinking again, and an invitation to be engaged with it, but that fizzles out too. “Footfalls echo in the memory, down the passage we did not take, towards the door we never opened, into the rose garden.”*

The outbreath from the nostrils, so faint and light, stirs only the tiniest thing; the movement of a single strand of hair could wake me. No other sensory input the mind needs to be engaged with, no sense object activates the chain of events and all that remains is the mind’s cognitive function. A curiosity about this stirs; ‘self’ is a sensory experience. The experiencer is an experience – there is only experiencing.

Another wave of thoughts comes rushing in, stays for a moment and goes out again. I see it as if there’s an watcher seeing it from some hidden place, aware of it. Then the watcher disappears and it seems like only the awareness itself is left there. Then the awareness disappears and in its place, a sequence of half-seen obscure mental events, each one linking with the next. Some time later sleep comes and the whole world disappears.

‘The range of what we think and do is limited by what we fail to notice. And because we fail to notice that we fail to notice, there is little we can do to change; until we notice how failing to notice shapes our thoughts and deeds.’ [R. D. Laing]

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Photo: Dhammakaya monk collecting alms by boat.
*Excerpt from Four Quartets T. S. Eliot
This post was rewritten from earlier posts

 

first light

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img_3224bPOSTCARD #223: New Delhi: Awake at 3.30 am here in our place next to the park, soft warm air oxygenated by trees, and the silence of birds asleep among the branches. Then breakfast with Jiab who is leaving on an early flight to Odisha, ceiling fans, coffee and bagels in the electric light of night, darkness filling the wide-open windows facing the park. Mosquito mesh screens are all there is to prevent the outside world from entering the inside world where we are engaged in the normal breakfasting activity. It’s as if it were a dream, ‘clink’ of knife on plate, coffee spoon in cup… ‘ting’.

In a huge noise of arrival, the taxi is suddenly here; a great blaze of color and light. Back door unhinges, bags inside, bye-bye, door slam, sound of engine and Jiab is gone into the blackness… sound receding and I’m left alone to contemplate the silence.

Feeling more at ease these days, due to improved pain meds, able to move with some comfort but getting up and sitting down again is a problem so I stay in the same position pretty much, and think about what I’m going to do before doing it.

I return to the breakfast table, fall into a kind of passive reflective awareness of the body and its fractured structure. The default is to equate blackness with negativity, pain with guilt – but watching the breath entering and leaving, I find I can be focused quite easily on the alarming ‘clunk’ sound of bone halfway through the in-breath as the broken ribs adjust with the swelling of lungs… slowly coming to terms with the small panic that arises sometimes.

The X-ray clearly showed two ribs broken and dislocated, frightening enough and yet a comfort to know the reason for the disquiet – the things-not-being-quite-right feeling. Human beings are such enduringly fragile creatures, held together with sinews joining muscle to bone that just calcifies and mends itself. The contemplation of it fits with everything I’ve come to accept here, resident in Asia more than thirty years – innovative ideas held together with bamboo, string and rubber bands. Nothing is permanent, exists for as long as needed then relinquished and gone…

The ghosts that rise out of the night are always the crows, unseen and heard before first light – they must have night vision – fearsome unloved creatures present in the last vestiges of night. For this short time, the crows own the world, and then light breaks through. A few twitters and it comes into consciousness like a wave floods everything. A birdsong extravaganza, surfing on the edge of dawn – the totality of it may be a sound-realm on a frequency only birds are aware of.

A few hours later, ‘ping’ a text message from Jiab in Odisha, nearly a thousand miles away. Daylight is established and it is undeniably day. Everything that went before is forgotten.

“Temporality temporalizes as a future which makes present in the process of having been.” [Martin Heidegger]

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gone, gone, and gone

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img_4482POSTCARD #222: Bangkok/New Delhi flight: An awareness of things as they are. The main event was the injection in the head and the constant (PHN) headache gone instantly. Wake up next day and it was still gone, gone as I write this, and it remains gone. So reassuring to know the transformation to ordinary things is possible, the car is back from the garage and out on the road again.

The release from head pain is still held back due to the pain of broken rib but so much easier to cope with now the headache has gone. Walking the miles in airports was thought to be a problem though, so Jiab convinced me to request a wheelchair. Wheelchair from check-in to the lounge then wheelchair to the plane, straight in and the first seat in C class section of the plane. Stewardess puts my bag away in overhead luggage space. Wonderful, I’d never been a wheelchair passenger on an aircraft before, my first time. Plenty of space in this expensive seat, a meal with endless courses, and I slept the rest of the way; so comfortable since these recent days of sudden pain, tossing and turning at night and discovering the only way to try to sleep is sitting up on an inclined wall of pillows.

The odd thing about being in a wheelchair is you approach silently, moving along very smooth floor surface feeling the vibration of small jolts of joints between tiles below, crowds part immediately. If anybody is still standing in the way friends will pull him away or the wheelchair guy says excuse me please? and they move straightaway. A few sideways glances and I resist the temptation to say Hi, how’re you doing? And sometimes feel I should try to look really sick, to provide a reason for being like this, problem is having a broken rib is not a noticable thing. But I keep looking ahead exercising the right to be in a wheelchair and humbled by the generosity of everyone giving way. Astonished by the experience of sitting on wheels in a public place, the great perspective of long airport walkways ahead and seeing the surroundings move towards and go through me. Also the thing about travelling long distances while seeing the world from a lower eye level – a familiarity, déjà vu, the memory of being a child again.

The wheelchair experience means an understanding of what helplessness is, understanding vulnerability, aging… it’s all coming unglued, bits dropping off, but the revelation comes along too there’s no point in feeling bad about yourself because you are simply incapable and that’s all there is to it. At the same time, being (temporarily) disabled gives some insight into the existential plight; the realization that most of us are held prisoner in a trance-like state, incultured into the ‘self’ fiction through the mirror of society’s fear of the unknown, living with a sense of purposelessness and not able to see it.

Not able to cope with pain, tragedy, loss; unable to see the awareness that accompanies our ordinary joys and sorrows – there’s more than one kind of awareness, this provides some relief from pain, ease and understanding; I can step back from the trauma and see it as coming from somewhere else. I can be engaged in clinging and at the same time be in a position to see that this is what’s happening. Letting go, it’s not ‘mine’ anymore.

Then we’re in New Delhi, into the Indian wheelchair and out onto the miles of ochre coloured carpet. At the end of a long time of sitting, I’m looking up at the immigration official; passport thump and wheeled in, permitted to enter the country.

“How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.” [Rainer Maria Rilke]
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Photo: Jiab’s collection from Ladakh

patterns in a cloudscape

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IMG_4196POSTCARD #221: Bangkok: Looking through these amazing photos from Jiab, now in Bhutan; mountain peaks disappear among the clouds. In the process of editing, I discover a curious arrow shape in the clouds, just to the right of the place where the sun is breaking through. Also to the left of the arrow point there’s the same form of another arrow shape breaking up into formlessness. It reminds me of the great wheeling patterns, above and over your head, seen in the cloudscapes of the North of Scotland where they have so much rain. It’s a small example of this kind of clockwork of interconnecting wheels created by vast and compex air currents that is seen here.

Something revealed when you crop the original, and attention is focused on the smaller elements contained in the image. Like discovering a window within a window and things are revealed that weren’t obvious at first glance. A small perceptual jump, the process of (eye + the object seen) is not a fixed thing, it’s flexible. I can say, yes I’ve seen it and yes I know what that’s about but that’s just the memory deciding what it’s going remember, what it’s going to recreate in the mind – there is no memory, just the act of remembering [Nyanaponika Thera]. What’s needed is the investigation, the motivated enquiry that just falls into shape when things are examined in more detail.

IMG_4145Also seen in Jiab’s next picture here; a group of people sitting on the steps of a public building. Photo taken because of the colourful costumes and painted building features. Zoom into a curiously emphatic conversation between two men; the man on the right seems to be interrupting the man on the left and somehow dismissing what he is is saying. There was something about this that seemed meaningful… then I suddenly saw it: they are deaf. What we are seeing is the language of the deaf, a visual system of facial expressions accompanying ‘signing’. How do I know this? I was a teacher of the deaf in a former life; seven years in London schools and adult evening classes. I used to know all this and how to fix hearing aids – a closer look at the photo reveals a man in profile in the background wearing a hearing aid. So this must be a group of signing deaf people waiting for the building to open and chatting among themselves.

These days I seem to pause in between things and fall into a contemplation of images like these with their connected meanings (yoniso manasikara). Pictures appear in the mind that have no words, just fall into a sequence. A story unfolds…

Right attitude allows you to accept, acknowledge, and observe whatever is happening – whether pleasant or unpleasant – in a relaxed and alert way. […] You are not trying to make things turn out the way you want them to happen. You are trying to know what is happening as it is. [Sayadaw U Tejaniya]
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