the two-hundredth

Posted on April 3, 2016 by tiramit

POSTCARD #199: CHIANG MAI, THAILAND: the two hundredth postcard leaves this keyboard with a question I’m hoping will find an answer. There’s more of a familiarity with the characteristics of my perpetual headache, but the months slip by and I’m postponing the plan I had to come to terms with the dependency on the medicine I need to numb the pain. Future time slides into present time, tomorrow becomes today, and everything I was doing a moment ago has disappeared into the past again – the enhancement created by the meds masks many things. No sooner has it been seen than it’s gone. On the rebound, senses are alert, listening, feeling, searching… how can this be? But I’m caught in the conundrum of not being able to see it’s the searching for the way out that maintains the state of being lost.

After the illness came to stay (September 2015), it took a while to focus on the functioning of Mind as I’d previously known it; as the cognitive sense, the sixth sense that knows the other five senses and knows itself as the ‘self’ until attachment to that self aspect is seen through. Everything from there onwards is understood in a different way. There’s the seeing of events without the story and it all can be deconstructed carefully – indeed nowadays, there’s a fascination with this investigation, somehow believing that by taking things to pieces I’ll be able to see where the problem of dependency lies. But the investigation goes deeper and deeper, Mind changes its focus, and I discover I’m not able to find what it was I was looking for because I’ve simply forgotten the train of thought that brought me here. An uncomfortable place of attachment to something but no idea what it is. It doesn’t seem worthwhile to try to return to how things were before I started this, even if I could remember how it all fits together, which I can’t. Besides, things being as they are, putting it back together is impossible because everything has changed.

The confusion of mind like a jigsaw puzzle with pieces missing that can only be put together in chunks and not ever completed, means there’s always this dissatisfaction and returning to it again and again; this coming-back to look for the beginning of it… then, as if to remind me, and before I am properly aware of it, the parts come together as a felt pain. A thought now appears in a small window and the recognition of it as pain unfolds with ‘me’ suddenly playing the role of the person to whom this is happening – this is a story about ‘me’ and I’ve learned to take the dosage as soon as possible, and I leave the story and the window closes.

In the vast ease that follows I recognize an important piece of the puzzle; selected attention affects perception. What I think is the solution has been displaced by my attachment to searching for it. So, it just looks like it’s complete because time has moved on in the duration of thought arising, and everything now has the quality of being seen in hindsight.

In the peace and quiet ease of those moments when there is no driving urge to take the meds to correct this perceived pain, it’s possible to see that my attention to it is both the problem and the solution; trying to get what I want or to get rid of what I don’t want, but unknowingly caught in attachment to it. The desired state I’m seeking already belongs to ‘me’. Everything I have, everything I want, all of this is ‘mine.’ Even the pain, that which I consider to be the thing I hate the most, is also ‘mine’. What to do? How to learn the skill of detachment in these circumstances?

How wide are the horizons of the spinning earth! The moonlight leads the tides and the sun’s light will not be confined within the net of heaven. But in the end all things return to the One. The deaf and the dumb, the crippled and deformed are all restored to One’s perfection. [Hsu Yun]

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Photo: detail of a Wat Poh Guardian taken by P Henderson. Note: special thanks to Ellen Stockdale Wolfe who kindly sent me the link to the video below of Mooji’s remarks about pain. Go to 25.50 to bypass a lengthy introduction

http://mooji.tv/freemedia/he-sees-only-the-infinite-sky-of-your-being/

the elusive moment

Posted on March 28, 2016 by tiramit

POSTCARD #198: THAILAND: In only a few days we’ve been to Bangkok, Hua Hin, and Chiang Mai , where I am now, alone with my headache that’s always here requiring attention, so I can’t do much else. Looking through the photos taken by my Thai niece M that come to my computer through our shared network. Images of the beach that carried so much meaning at the time, seem commonplace now… sadly not interesting anymore. It’s the experience of the moment; that great rush to take a photo, to capture that elusive quality of the moment. Later we see it as a record of the event, and the actual subject matter we were attracted to is caught in too wide a lens, overwhelmed in a landscape of other things.

Reminds me of the time I had to meet the Air France flight, arriving Bangkok 06.15 hrs. I got there in time, but the flight was delayed by one hour so there was time to sit in the seats at the tour group end of Arrivals, near Gate 10 and have a cup of coffee. Gate 10 is a lonely place where diplomatic vehicles park and tour groups gather, bleary-eyed and sleepless, having just got off the plane from some distant part of the world. The people around me were speaking Russian and I could see from the Arrivals board it must be the flight from Novobirisk. I googled the name on my phone and found that Novobirisk is a large industrial city in Asian Russia.

So I start to watch these Russians who are caucasians, like Europeans, and look like they’ve probably never left the area around their home in a lifetime. Stepped out of a time warp. They gather around their Thai tour-guide and have their names ticked off the list. Half an hour is allowed to have a cup of coffee; children run around, go to the toilets most of them are getting ready to get on the coach. Those who arrived first are now busy taking photos with old fashioned digital cameras, intensely absorbing everything around them. Taking photos with arms around the tour guides and taking pictures of everything; roof structure, walls, illuminated adverts, airport signage. Photos of each other posing in front of vases of purple orchids, dressed up in their best summer frocks and smiling for the camera. It’s as if they’ve emerged from black and white, greying photos of the 1950s, remote from anything I know of and yet there’s a familiarity; they could be people I knew in my childhood in the North of Scotland.

There are so many photos being taken, it’s like a small press event; digital camera lights flashing like strobe lights in a disco. I’m dazzled by it, blinded for a moment and have to look at the floor to allow normal vision to recover. Look up again and they’re leaving, the whole place captured in pixels and taken away back to Novobirsk, at the end of the holiday, where all the views of it are reassembled to form one composite image of the waiting area at Gate 10. ‘… and here is Aleksandra and Nikolai at Bangkok airport don’t they look so bright and lively?’

The tour leader has everyone present and accounted for and shouted commands gathers them together. Off they go, cameras flashing and blue lights twinkling at everything, on through the wide passageways and happily shuffling along with their luggage and running children. The mass exodus of the group is dynamic, all following the leader in front who’s holding a coloured flag high in the air so they can see it, moving as one great lake of beings in the direction of the coaches somewhere in another part of the airport.

And it’s suddenly quiet here at Gate 10, all the seats are empty and I still have time to wait for the Air France flight. This high-ceilinged place looks different, light slowly coming up and suddenly it’s daylight same as it always is. People again start to assemble in the seating area again; trickling in like water fills a pool. I see from the arrivals board It’s a group from Beijing, same as last time but the conversations are in Chinese.

In rivers, the water that you touch is the last of what has passed and the first of that which comes; so with present time. [Leonardo da Vinci]

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Parts of an original post titled 30 minutes: https://dhammafootsteps.wordpress.com/2012/11/05/2122/

voice-over

Posted on March 25, 2016 by tiramit

POSTCARD #197: THAILAND: Arrived in Bangkok, then a small propeller plane to Hua Hin, 41 mins flight, ninety miles down the coast. Unaware of the Brussels bombings we walked on the beach, no people anywhere, where’d everybody go? Came upstairs to our room on 6th floor, switch on TV and there it was; the Brussels Bombings filling our hotel room from nearly ten thousand miles away. We were stunned by the coverage; BREAKING NEWS, coming to you live from CNN Center in Atlanta. CNN reaches the whole of the US, and as far West as Pacific Islands and Japan. Then the other way from Atlanta, all countries in South America broadcast in Spanish and Portuguese, East through Europe in all languages including Arabic and the whole continent of Africa. On through Asia to Australia who are so far down-under, the rest of the world is up-over to them. CNN facilitates this news and within minutes, the bombs in Brussels are exploding all over the world.

We wake up the next day and it’s the same thing, the assumption is that many people in the world haven’t heard the news yet. At breakfast there are developments that seemingly, we need to hear about, also in-depth analyses of what happened and why, with experts discussing it – showing the same footage with voice-over and the production beginning to take a particular form. But we can’t pay much attention to it, busy with getting ready for our walk along the beach. Understandable really, I think, being the only white guy here. Brown people over here and everywhere with black hair and dark eyes, who are not Americans but the majority of the world’s population, puzzled and a bit embarrassed by the CNN presentation. Inclined to ask what caused the extremists to do such a thing? Sorry but that’s the wrong question… CNN is broadcasting its opinion in all countries of the world, stepping into everyone’s lives and figuratively speaking blasting everyone with the aftermath of the bombings using the dismay, distress, and consternation as a vehicle to convey the consensus point of view.

My niece M who is 12, asks me ‘Why?” I have to provide a satisfactory answer, but the same ‘why?’ follows me and my explanation. Then the extended form: ‘but why?’ all the way through my reasoning as we get into the elevator and she stops asking only when we reach the bottom, running out and down to the sea. Our early morning walk along the sand, and again we are the only people there, leaving a trail of footprints and the only others are those of the birds, M running ahead stopping to take close-up photos with my phone and her ‘why?’ more concerned with why do the footprints look as if they’re embossed on the surface, relief sculptures, rather than hollowed in the sand, strange – once you see it that way it’s difficult to see it the other way.

Back up to the hotel room and the show must go on. Intense music, bright red colors and talking heads appear. They seem to ask and answer questions but the dialogue has been scripted. Frightening scenes of devastation from an on-the-spot location in the danger zone while we are in a safe place at home, made to feel like voyeurs at the battle scene: ‘This is coming to you live’ yes but it’s an act, rehearsed, decided on by an editorial team who take advice from those obscure unseen advisors making decisions, about how the facts should be portrayed.

The dialogue looks spontaneous, and informative (I’d like to be a fly on the wall of these studios and see how much of an act this really is), welcoming the invisible third party, that’s us, the part we play as passive listeners mesmerised by the act, struggling in a bewilderment of feelings, holding on to this induced attachment to TV that we’re kinda comfortable with anyway and only later realise that by passively acknowledging this version of events, we are committed to seeing it that way.

CNN is now established ‘in the danger zone’, with easy-to-understand explanations and we allow the hypnosis to deepen by passive acceptance of it entering our living rooms – George Orwell’s 1984 propaganda TV reassures the population it’s all being taken care of by those who know what to do, although the threat of it continues. We know there’s something happening, it’s as if it were orchestrated, quite obvious really, but somehow hidden. Curious why we allow it to be there, but we feel we’re already committed to the CNN point of view, and that rewarding, induced, comforting mind-state takes over as we fall into our places in front of TV.

The next day I go into Google and find it has a Wikipedia entry already. Still there’s the question: why are these Islamic extremists targeting us? Could it be that it’s the result of something we did to them? Sorry but there’s something wrong with that question. History is made by those who won the war.

I’d like to explain to M how this illusion is constructed but cannot. So I’ll just have to hope she’s has a good enough grasp of English soon so she can read this post sometime and understand it after I’m not around any more.

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Photos: view from our hotel room at the top and the others are footprints made by a bird and M’s footprints as she studied the image on the screen that made it appear to be embossed on the surface.

of this faring on

Posted on March 21, 2016 by tiramit

POSTCARD #196: DELHI: Skating along with our trolleys on the smooth floors of airport halls and passageways, all these people coming and going. That feeling of familiarity, that déjà vu… I become you, he, she or it, we, you, they. We’ve been away and on our way back, or we’ve gone away and gone is gone… surrender your documents to the immigration officer, passport examined for as long as it takes the facial recognition system to get a hit. Passport stamped thump and through to the other side. Take out computer, remove your watch, phone, belt, and shoes and stand up on the box for a full body search. Wow! By the time we’re done and getting dressed again I feel like I’m a member of the family.

The relief from officialdom, we’re through at last, and welcome to the duty-free shopping mall extravaganza. Gold, diamonds and good-looking people; Hollywood celebrities posing as themselves wearing a watch or a necklace that costs a small fortune. There’s that familiarity, I look closely, but can’t remember the name, Mark Wahlberg, Matt Damon, Leonardo DiCaprio? Trying to remember who is who, like this, and thus the idea is beginning to rise to the surface that I could get that watch and be like them, posing as myself. The three-quarter turn, they smile at me, comfortable with themselves, don’t seem to suffer from that great yawning chasm of emptiness situated in the center of everything – they become all I want to see, in my seeing of them: confident, secure happy and yes, this is how it should be….

With just the right amount of energy required to wrench myself free, the polished steel of the purchasing trap snaps shut on itself, and the ricocheted impact propels the escapee forwards in the direction we all seem to be heading anyway. You can’t miss it, the massive head sculpture in the departures hall – dramatic indeed (see photo above). I’ve walked around it a few times looking for an information plate explaining what it’s a sculpture of – the Buddha or a monument to the exaltation of self? It looks feminine, maybe somebody reading this can tell me. No time, no time. Into the queue, on to the aircraft, fasten your seatbelts, and we’re catapulted up in the air for a 3-hour flight. The hydraulics of retracting landing gear is such a reassuring sound, and audible click as it locks into place. We’re part of the sky and clouds, just this is enough.

Incalculable is the beginning of this faring on. The earliest point is not revealed of the running on, faring on, of beings cloaked in ignorance, tied to craving [Saɱyutta-Nikāya, Nidāna-vaggo]

somewhere else

Posted on March 16, 2016 by tiramit

POSTCARD #195: NEW DELHI: These easy days of gentle sunshine on the roof terrace coming to an end. The long shadow of departure is approaching again and I’m caught in the momentum of its passing, swept through airport halls, the layers and passageways of the travel network. Checked-in, identified, one self-contained unit flowing along in the great river of humanity 24/7 passing through these air-conditioned corridors within corridors connected end-to-end, telescoped into smaller passageways, and down into the low ceilinged capacity, enclosed space of an aircraft seat made to measure, reduced, restrained, tightness in the knees squeezed in. There’s a small video screen about 18 inches from my face, showing hundreds of movies. Fold-down tables upon which, small trays of food are placed, fit exactly, and inside they’re divided into even smaller dishes. Small cup, small spoon, absolutely tiny packets of salt and pepper and a toothpick…

In no time at all, the food trays are cleared away, watch videos for four hours flying time, sleep for a while, go to the bathroom, then we’re there – just beginning to feel comfortable and it’s time to go. Passengers squeeze and squidge along the aisles like one body of thick fluid bristling with hand-held luggage and jamming up the doorway. The space we’re in opens out and extends, becomes a passageway then a larger space, all of us holding a destination in mind. Eyes hardly ever meet, preoccupied with mobile devices or searching for signs. Turn left, then right, stand in the immigration queue, passport stamped thump. Out of there and I’m in a different country.

I’m going to Carolina in my mind, or is it just a continuation of the last journey? Home is an expanded concept, ‘many mansions’, memory of former lives. It has the feeling of an in-transit time; where we were after we left and before we arrived. It’s the ‘in-between’ time (when is it never the in-between’ time?) on the way to or coming back from somewhere else. There’s a Nagarjuna quote: ‘All things are impermanent, which means there is neither permanence nor impermanence…’ Change sometimes takes a very long time to happen. Usually though there’s enough time to rest, open up everything and lay out my things, then pack with fresh clothing and something new arrives; I’m swept away in the velocity of thought. These easy days of gentle sunshine on the roof terrace coming to an end…

“Just as it is known
That an image of one’s face is seen
Depending on a mirror
But does not really exist as a face,
So the conception of “I” exists
Dependent on mind and body,
But like the image of a face
The “I” does not at all exist as its own reality.”
[Nāgārjuna, c. 150 – 250 CE]

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the visitor

Posted on March 12, 2016 by tiramit

OLD NOTEBOOKS: BKK: I had a job as an illustrator many years ago, 1985 I think, part of a lifetime spent shading-in with a Rotring pen, and touching up with typewriter correction fluid, whiteout liquid. No computer enhanced imagery in those days – no computers. Cut and paste was not the metaphor it is today – it was done with a real pair of scissors and glue. But usually I’d sit for hours at the desk without much movement, only the hand holding the pen, carefully searching for form… a happy silence in the room on the top floor of a Bangkok shop house with door leading out to small roofed terrace and bougainvilleas in large old clay pots, red and pink blossoms everywhere. Very little traffic noise, blue sky, and few people came to see me there; I was happily alone in this self-contained apartment for many days at a stretch.

The small lizard (gecko) came to visit me one day and I hardly noticed it at first, a small rustle and clink sound from somewhere on my art table, covered in all kinds of drawing equipment, books and discarded papers. The clink sound again got my attention and I just sat still and waited to see what it was – so completely still, a spider could have spun a web in the spaces between my fingers. Then another rustle in the bits of papers on my desk, discarded sketches and cut paper crumpled up and trashed… and there it was!

Aiming for the cup of coffee gone cold, forgotten, but it was the spoon for the sugar, stirred into the coffee; it was that that it wanted – lying there in a tiny spill of wetness on the surface of the table. It must have come here before, it knows about the coffee spoon. I see its small head get nearer and nearer to the spoon, alert and aware of any movement. But I am a mountain, unmoving. The tongue extends out, lick, lick, and it gets into the hollow of the spoon with its tiny front feet, there’s the same clink sound, caused by the weight of the small creature.

The next day, around the same time it came back and sure enough, headed for the coffee spoon, lick, lick, lick, and it was gone. As the days went by, I got accustomed to it arriving, always around the same time. Then one day it didn’t come, in fact I couldn’t remember the last time I’d seen it. Sometimes I’d see it moving up the wall by the door and out through an open window to the roof terrace and the bougainvilleas outside. So I got up from my chair and out to the terrace also to see if the plants needed any water from the storage tank… and there it was, in the tank! Not in the water but standing ‘on’ the surface of the water!

Surface tension, amazing! I didn’t know lizards could do that. So I backed out of the terrace and left it for a while. When I went out again the lizard was still there in exactly the same place. I looked at it and there was something about the way it looked back at me: Get me out of this predicament, please? Hmmm was it not able to move because the surface tension would give way and it would sink? I went inside again and searched for the plastic mesh container for A4 paper and all kinds of junk, emptied out the contents and went out to the terrace.

Carefully sinking the plastic mesh tray into the water then over and down, under the lizard. Slowly scoop it up, out of the water and I placed it down in a shady corner on its side so my small friend could crawl out of and run away and hide. That was the last time I saw it (sad). I worried about the affect the sugar and tiny amount of caffeine had had on the lizard, and felt guilty about that. Maybe it induced a kind of lizard ‘high’ resulting in unwise decision-making and stepping out on to the surface of water. Ah well, if that was the case, I saved it in time…

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found objects

Posted on March 8, 2016 by tiramit

POSTCARD #194: NEW DELHI: Even though everything we had in the old house was numbered, labelled and the whole thing carefully folded in on itself and squeezed into a removals truck with a set of instructions on how to reassemble, when we got to the new house it came out backwards, and the assembly instructions must have gotten lost as it was going in. Thus everything had to be emptied out on the floor in the search for the instructions, and that’s how it began to look like a vast three dimensional jigsaw of an instant house-kit, abstracted. So that when the assembly instructions were found, we weren’t interested in them anymore because we’d already found the proper screwdivers and L-shaped keys that fit into these holes in furniture assembly and started to put bits of it together by eye and what looked right. More things were discovered, ‘objets trouvés’, a collage, arising from found objects carrying that strange familiarity… traces of a former life.

And that was when I remembered something from long ago and far away; I used to be an easel painter, had exhibitions, sold paintings, thought about being a rising star in the World of Art. Then something happened – I don’t know what, an insight into how things arise and pass away. Everything just turned to dust, vapourized, reduced, distilled into the elements, thoughts created by Mind and the words required to describe it started to run out. Anything still standing after the event was taken to pieces, carefully numbered, labelled and the whole thing folded in on itself, then squeezed into a large box that I’ve carried around with me ever since and never opened… until now.

I cut through the old nylon ropes and slit around the edges of the box, sealed with parcel tape and old labels saying FRAGILE and sticky stuff from years of airline stickers for check-in luggage. The lid opens with a creak and a great volume of pandora’s creative playfulness is released in a soundless explosion. Well, that’s done it… no going back now. Brushes, pallete knives, tubes of acrylic paint, acrylic medium, glue gone hard, unusable adhesive tape, bits of measuring devices. and pieces of artwork. Boxes of charcoal, ink and yellowed pencil drawings for a painting I remember I never started – wouldn’t it be fun to go back, after all these years, and pick up where I left off?

I don’t know how many years have gone by, lost in the dream. Woke up one day, look in the mirror, hair gone white; the Rip Van Winkle effect – all of the elders are dead now and I’m grateful for everything I have that belonged to them (strangely addressed in the past tense). I’ve forgotten the ‘me’ that used to hold these brushes, squeezing these tubes of vermillion, cadmium yellow, it’s been such a long time, so many journeys extended out over thousands of air-miles, hours and days maybe weeks of looking out the windows of an airplane somewhere in the clouds and the world coming in through these eyes but seeing it like it’s not ‘me’ personally that it’s happening to, more like it’s an extension of what’s out there.

A sense of the air and spaces inside things I never even thought of until now. It’s possible that this is the right time to return to it. Less words more imagery, it’ll change the direction of the blog. Let’s see, I’m going to take a look into that pandora’s box, maybe find out what it was that caused things to shift as they did and what can be retrieved from the wreckage… got to go now. Sayonara bloggers, more later….

UPDATE: CHECK OUT THE NEW PAGE OF MY ARTWORKS, GO TO HOME AND LOOK FOR THE PAGE TITLED ‘ART’ UNDER THE HEADER IMAGE

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springtime, new delhi

Posted on March 4, 2016 by tiramit

POSTCARD #193: NEW DELHI: Watering the plants upstairs on the roof terrace and there’s this small one looking so simple and symmetrical, extraordinary. I take a photo of it and zoom into the wonderful experience of a life form in a different kind of temporality. It’s springtime here and the analogy of everything waking up applies, except that there’s no snow in winter, really no winter, and there never was any time before this, or anywhere in the future when things were or will be asleep. Everything is awake, the sense of an eye like a camera aperture so wide open the edges of it creak with the strain of it trying to open wider. It’s an endless cycle of birth/rebirth, the seed contained in the fruit that falls from the tree and from there another tree grows which creates another seed. No beginning/no end, all forms intertwined with each other to the extent that they are inseparable, bound together in time. The inclination is to think what was it like before this, when things were separate and the mind tries to pull it all apart. What was it like before all this, before the Big Bang?

Another kind of reality. What happened before we came here? We were in another house in New Delhi. It had a roof terrace and seeds were planted in flowerpots there, we carried the pots and everything from there to here and these seeds are now sprouting on this roof terrace. It makes no difference to the plants if they’re moved, so long as they have the same conditions, the cycle continues; seed/ plant/ flower spinning in their own arising and falling away, an enfolding and unfolding sequence of patterns in movement, and I come along, view it from this entry-point in time, called ‘here’.

There’s the urge to create an object that could fill this perceived space, this seemingly incomplete world: the sense of a vacant place we need to fill with something held in high esteem, and that will make it whole… what is it? Christians call it God, Hindus call it Brahman and Buddhists have no name for it, because everything is integrated, nothing exists outside of this – really nothing, not even the word ‘nothing’. Subject/object together in a oneness of contemplation, in conscious experience and the path taken leads us into a realm so fragile and subtle you can never be absolutely sure you’re not just seeing it the way you want it to be, and not really how it actually is. Better not to call it anything, acknowledge its presence, awareness is all-inclusive, mindfulness, take care, and see how that goes.

The sensitivity of the mind, not held by the limitations of the body, always looking for more than what there is, searching beyond the present instance; using one thing as a springboard to get to the next, everything is driven on and on, and present time is not here at all. There’s the sense of a game, an energy, a curiosity – a desire to get involved with ‘it’. The object is the desired state. It belongs to ‘me,’ the act of possessing it requires that there has to be an ‘I’ to whom it belongs. Everything I have, everything I want, all of this is ‘mine.’ Even my enemy is mine. Thus indirectly creating an identity that is always somehow incomplete unfulfilled, searching for the truth in this and unable to see that it’s the searching that maintains the state of being lost. It’s the seeking that causes it to be formed, reformed and transformed: the world is seen, sounds are heard, food is tasted, words are spoken, things are done, but there is no do-er.

“Imagine if all things that are perishable grew still – for if we listen they are saying, “We did not make ourselves; he made us who abides forever” – imagine, then, that they should say this and fall silent, listening to the very voice of him who made them and not to that of his creation; so that we should hear not his word through the tongues of men, nor the voice of angels, nor the clouds’ thunder, nor any symbol, but the very Self which in these things we love, and go beyond ourselves to attain a flash of that eternal wisdom which abides above all things: And imagine if that moment were to go on and on, leaving behind all other sights and sounds but this one vision which ravishes and absorbs and fixes the beholder in joy; so that the rest of eternal life were like that moment of illumination which leaves us breathless: Would this not be what is bidden in the scripture, Enter thou into the joy of thy Lord?” [Saint Augustine]

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whispering winds

Posted on March 1, 2016 by tiramit

POSTCARD #192: VASANT VIHAR, NEW DELHI: An extraordinary battle with uncompromising traffic to get here on time for Head-ache’s appointment with the doctor at 5pm. Shrill penetrating, sharp horns blast, push, persist, insist on the direction we take, and suddenly we slice through the evening rush-hour, arriving at the place too early by half an hour. It’s like that sometimes; tumble into a parking slot by the park, uneven ground and the car tilts over and slightly back. Open all the doors to allow the fresh air and warm wind to blow through.

Things are suddenly rustled in the quietness here in the tilted back seat and I get loose papers weighted down or they will fly out the doors. It’s like we’ve always been here and any memory of the journey to get to this place has been somehow displaced by the wind passing through the interior of the car; a quick investigation here-and-there, then out among the trees, rustling the leaves in a great sigh of high frequency leaf-whisper sounds, masses of individual notes played in cluster upon cluster, swishing and swooshing foliage branches – a sound that seems to crash like waves on the shores of a sandy beach.

The first wind of its kind for many months comes at the end of the cold season. Its warmth enters everywhere, into every thing; blows out gusts, sucks in voids and spins everything around. Swooping down, so inquisitive, and filling up all the places and spaces, then out and up in the sky where only birds engage with it. A wind that’s present everywhere at the same time, a wind that enters into and out of all things as if it were something autonomous, an invisible entity. Where’d it go… have you seen the wind? How can that be possible, isn’t it formlessness? We know it’s here only by the sound of it, in the leaves and seeing the swaying of branches in a succession of movements, an expression of the air displacement itself; a manifestation of the wind – I can become the wind, the space where it goes.

Now this – now that, long tree branches drifting and swaying patterns of light and shade over my clothing, look up at the sun and get pleasantly blinded by it in a twinkle. This wind blows through the mind, my awareness of it rises as it rises; I become more alert when it’s very loud, feel at ease when it’s still and quiet. It becomes the thought flow, gently restless in the swooping shadows plunging deep into foliage pattern. The oneness of it all includes everything seen and unseen. Better not be late for our doctor’s-appointment, we spill out of the car, hair-whiplash on forehead, gather myself up with my companion Head-ache and together we stumble across the road to see the neurologist witch-doctor, amazed by this persistent wind. Sunlight and shadow-shapes of foliage sweeping over the roadway and path, all around…

But do not ask me where I am going,
As I travel in this limitless world,
Where every step I take is my home.
[Dogen]
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tanhã, craving

Posted on February 28, 2016 by tiramit

OLD NOTEBOOKS: Craving perpetuates the fever of unsatisfied longing, this is the state of tanhã. The opposite of a sense of well-being, tanhã is not a happy bunny. It constantly feeds the hunger of desire but the action of feeding it only sharpens the edge of appetite. Too much is never enough. It explains very well the reason why some people are committed to ‘wrong view’ with an intensity that takes your breath away. Tanhã is this deep craving for the ‘self’ we construct in fear of ‘no self’, a result of tanhã. I am ‘me’, in this world, due to tanhã, the reason for rebirth.

In the story of King Assaka and Queen Upari, Queen Upari died and became a cow dung beetle in the next life. But she felt quite at home in her lowly existence as a cow dung beetle, because of tanhã which is delighting in whatever sense object presents itself and wherever it finds rebirth. Reborn as a dog, it takes delight in a dog’s existence; reborn as a pig, as a chicken, there is always delight in each existence. [‘Thoughts Without a Thinker: Psychotherapy from a Buddhist Perspective’ by Mark Epstein].

In the causality sequence that forms the 12 step cycle of the wheel of existence (paticcasamuppada), tanhã is step 8. The way to stop tanhã arising, is to cut off the conditions that lead to its beginning; interrupt the sequence before tanhã happens, and bring the whole thing to an end. The entry point in the cycle is just before tanhã: step 7 feeling (vedana). At the vedana stage, there are three possibilities: pleasure, pain or neutral feelings. If feelings of pleasure or pain arise, then craving or aversion will take place and tanha will be the result. If, by an act of will, only the neutral feeling is allowed to arise, the 7th link will be neutralized, de-activated. That being so, tanhã cannot arise, and the next link (upadana) will fail to arise and so on. [See “Fundamentals of Mainstream Buddhism”, p214-215, Eric Cheetham]

For me, the discovery that interrupting the sequence at vedana changed the momentum of everything was awesome, to say the least. This is how I quit the tobacco habit and my whole attitude changed. By allowing the neutral response at vedana to be present for a moment, I noticed an easing in the craving, a cessation, just enough to trigger my curiosity. The cessation took place when I noticed it was the way out of the cycle of repetition, and I understood then how to be free of it. The neutral feeling didn’t register as anything, just the awareness that there’s a space, a gap that wasn’t there before; a vantage point where I could see how to change the cycle of events. It’s in the nature of tanhã (as with everything else) to be transient like this, it’s something that comes and goes. Knowing it leads to Suffering, we can stay distant from tanhã for a moment, and allow it to start the process of cessation by itself. Trying to confront or defeat tanhã will not work because willed action only causes it to arise again.

Situations that used to completely overwhelm and demolish me disappeared; other habitual behaviour began to fall away. I began to notice the wonderful emptiness, the wholeness, a peace of mind that comes about when you understand there is a way out of Suffering; everything that arises, ceases.

…there is a noble truth about the cessation of suffering. It is the complete fading away and cessation of this craving [tanha]; its abandonment and relinquishment; getting free from and being independent of it. [Dhammacakkappavattana Sutta]

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