looking out and looking in

IMG_0627POSTCARD 143: Delhi-Bangkok-Chiang Mai flight: The flight from Delhi arrives at Bangkok a bit behind schedule so we have to move along quickly to the transit desk and transfer to the domestic terminal for the next flight to Chiang Mai. In-flight bags on a small trolley, and we’re zooming along on the moving walkways in this celestial structure of steel and glass. As yet, passports are unstamped, les frontaliers, the no-man’s land between country borders. We’re unregistered, no identity, invisible data.

It’s always the journey to get there… after I get to where I think is ‘there’, there’s another ‘there’ to get to, and all of it leads back to ‘here’, an ‘everywhere’ place made up of everywhere else… then it’s extending away again. It can only be the journey itself, not the destination – the Path is the goal, this is where we live. Isolated scenes from parts of the surroundings seen flashing by as we’re soaring along the high speed walkways; smooth as swans gliding on the surface of a lake. Two thousand miles of transportation corridors from Delhi to here, flight corridors connected end-to-end, through which we travel in the sensory cloud of transient ‘now’ consciousness looking out and looking in. There is nowhere that consciousness isn’t present. Consciousness is everywhere, so vast – indeed everywhere is included in consciousness, “And the deep lane insists on the direction”, an extended corridor projected out towards the designated destination where everything in the perspective it creates seems to disappear in a vanishing point.

An incidental episode of familiarity comes along… the déjà vu of cups of coffee taken at these restaurants, bars where they have wifi. Have I been here before? Must be the last time I came through, or was it the time before that? Was I going – or was I coming back, transit to New Delhi? I spoke with some people there, if I happened to meet them now, I wouldn’t remember. No time this time, we’re at immigration, passport stamp thump! through to security, take off my belt, shoes, my watch. Laptops out of bags and put them into the tray together with my phone to go through the X-ray machine.

Just then, the phone rings… reflex movement to reach for it, but it’s too far and the security officer shakes her head… let it go through. Phone ringing happily as it rumbles on its rollers into the machine. I pass through the X-ray, muffled ringtone continues then lovely ascending increased volume as it comes out the other side. I want to pick it up but people are waiting, a bit harrassed; there’s the putting-on-of-the-belt and shoes. Security officials seem unmoved by the tremendous ascending 4D heavenly ringtone, probably happens all the time… eventually I get the phone. Hello?’ It’s M, my Thai niece: Where are you now Toong Ting? I tell her we are boarding the plane in a minute and will be in Chiang Mai in about one hour. Silence for a moment, then she says: I make choc-o-late-cake. Clearly punctuated percussive articulation, she speaks English as a second language. I tell her, oh nice! and try to explain how the phone got X-rayed as she was calling me, but she can’t find anything to say to that… attempting to find a link with something else it could be related to, mind travels away with this information. No time to discuss, we have to go now, bye. Speedwalking through to the Departure gate and they’re boarding just as we get there; processed, find seats, strapped in and ready for take-off… engines roar, climbing again up into higher altitudes.

You hide me in your cloak of Nothingness
Reflect my ghost in your glass of Being
I am nothing, yet appear: transparent dream
Where your eternity briefly trembles [Rumi]

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before the beginning

IMG_0124POSTCARD 142: Delhi-Bangkok flight: We are reading the newspaper, sharing parts of the Bangkok Post. Jiab also has the Thai newspaper and other pages spread over the seats and folded into the magazine pocket. Comfortable environment; the aircraft furniture, cushions, colourful papers and books. It’s a pleasing, at-home feeling; this is our space – looks like a hotel room, not an aircraft. There’s the hmmmm sound of the engines and shhhhh of the air, not unpleasant. Soft pale daylight coming in through the window, and out there, the blue sky above the clouds stretching on and on, curvature of the planet… it all seems so strangely still.

Stewardesses come with the drinks trolley, five or ten minutes go by and the sky, the horizon of clouds remain the same. It feels like the aircraft is stationary, suspended in space, no landmarks, no indicators of time, no beginning and no end. If I say there is a beginning, I create linear time. Encapsulated inside this aircraft there’s the duration of time – there was a beginning (we got on this plane at Delhi), and there will be an end (we get off the plane at Bangkok). But outside the cabin window there’s only the vast present time – the continuing ‘now’ phenomenon enfolding and unfolding, transforming from the past into future in one continuous surging-through movement that cannot be explained. What a strange mystery it is; future time slides into present time, tomorrow becomes today, ‘now’ falls back into yesterday… something ‘remembered’ because it’s gone now.

Mind creates a structure to explain time, otherwise how could we understand the enigma of how the past has ‘gone’ and the future has not arrived yet? Hovering on the brink of the smallest pause before it gets here; the empty space of not-knowing what it is, and held like this for an instant. We are time itself – how to understand that? It’s as if I were standing at the bow of a small sailing boat floating with the current flow, the sense of moving forwards but no shoreline, nothing to judge which direction the boat is going in, or the distance from (or to) something or anything – nothing to say where we’re going or where we are.

I glance down the aisle at my fellow passengers; Japanese staff based in India, they’ll transit at Bangkok and go on to Tokyo. Wealthy Indian tourists heading for a shopping experience in Bangkok… are they aware we’re presently suspended in timelessness? Probably choosing to not think about it – never arriving, always on the way to get ‘there’ (but where are we going?). Mostly choosing to focus on whatever is happening ‘now’, and creating a story about that. Focus on my presence here in a seat contoured to fit the human body, tight squeeze, enough space for legs and knees with an inch of space from the seat in front – beyond that I can see into the business class section… always the grass is greener. I am one of perhaps 300 passengers receiving services from the staff; a baby bird, beak wide open, help… feed me, please.

Before the beginning there were no beginnings or endings; there was only the eternal Always, which is still there – and always shall be. There was only an awareness of unflawed oneness, and this oneness was so complete, so awe-striking and unlimited in its joyous extension that it would be impossible for anything to be aware of something else that was not Itself.” [Disappearance of the Universe page 122]

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Excerpts from an earlier post: flying time

inertia of TV

inertia-001-jason-decaires-taylor-sculpturePOSTCARD 141: New Delhi: I passed a shop selling TVs, walked in and stood there for a moment in the zizzling static of huge glowing plasma screens. We don’t have a TV at home, haven’t owned one for nearly 5 years. It seems alien to me now, ‘entertainment’, compulsive Bollywood movies with high-power advertising every five minutes. I managed to kick the TV habit many years ago in the house in East Anglia. Reblogged below are some excerpts from the post I wrote about that event.

(Originally dated October 2, 2012): There used to be a TV here but I gave it away. A big old fashioned dinosaur TV, too large for this little old cottage. No room for it; limited floor space, low ceiling height, clutter and junk (jutter and clunk). I manhandled the TV upstairs but it was no good there; then downstairs again and hurt my back in the process. It was always in the way; just too big. I had it under the table for a while but it looked silly there… and I started to see that it had to go.

But I was dependent on TV watching; every other activity took second place to that, and attempting to disengage from TV was a struggle. What to do? I’d try switching it off suddenly, right in the middle of something, a chat show, whatever, just to see what the room felt and looked like without all the noise, bright lights and rewarding, congratulatory applause. But every time I did that, the absolute silence of a world without TV was devastating! The lack of colour and severity of greyness in the house was just… sad! I had to switch it on immediately. TV was like a friend, I couldn’t say goodbye to it. I kept on doing that, though, switching it off and on again, in the middle of programmes, to surprise myself. Eventually I started to get interested in the idea of the silence that remained without TV, typical of the location I was in – a house surrounded by quiet fields and nature.

But TV-cold-turkey was no fun and I was in denial for a very long time. Then one day I was watching the BBC news and noticed the newsreader pronounced his words with a weird sort of ‘smirk’… kinda disgusting, and then the whole ugly ‘self’ aspect of it was revealed. Shocking, but I was glad it happened because it was obvious then that I didn’t feel comfortable with TV in the house – it had to go. I carried it out the back door and left it in the garden; went back inside and discovered this huge space in the room where it used to be. Interesting to see the directions in the room created by a focus on TV; chairs arranged so that viewing could take place comfortably. So I rearranged the furniture, changed it all around, and that was really quite liberating.

I’d return to the kitchen window from time to time and look at the TV out there in the garden – holding my attention, still… thinking, that object should be ‘inside’, not ‘outside’. Completely out of context in the garden, but I just left it there; no longer connected to it. Later that day, it started to rain and drops were falling on the dusty black surface – the urge to take it back in… that was difficult. The neighbour dropped by and he said it’s not a good thing to leave a TV out in the rain. I told him I didn’t want it anymore, maybe he’d like to have it for his spare room? Okay thank you very much… and, you’re welcome. So I gave him the channel changer and that was it. Off he went and I watched him carry it into his house, happily bewildered by my generosity and failing to understand my joy at having escaped the inertia of TV.

‘Like a thief entering an empty house, bad thoughts cannot in any way harm an empty mind.’ [Padmasanbhava]

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Photo: Jason deCaires Taylor’s underwater sculpture, ‘Inertia’. Click here for more images.
Excerpts from an earlier post, titled The End of TV.

mindfulness and the sound of rain

170620131885POSTCARD 140: New Delhi: 6.30am Sunday, wake up, turn over on my back and watch the ceiling fan spinning… waves of air movement and coolness on the surface of wet eyes blinking. There’s this rhythmical creak. The fan needs to have oil. A familiarity with the small sound; it’s been going on all night as I was sleeping – half-awake, I’ve been singing a song in my head around the rhythm of it. A curious rising tone, it’s as if it were a question: creak? And, occasionally but not always, there’s a lesser sound, in offbeat syncopation, a small ‘quack’ sound, like a duck, a flat tone, not complying with the question; quack, a response that’s sort of dismissive: quack… creak? quack… creak? creak?… quack. Sometimes the rhythm alters and the ‘quack’ comes before the ‘creak?’ – as if the creak? is asking the quack to confirm what it just said, quack… creak? (What did you say?) creak?

There’s a limit to this kind of entertainment, even in a house where there’s no TV. Time to get up, the air seems different, humid, what is it? Upright position, legs swing over the bed; mindfulness of bare feet on cold floor… switch off the fan and the creak-quack-creak? slows down, stops. I hear rain on the roof window. Go through to the front room and look out; yes, it’s raining. An unusual darkness, heavy grey clouds up there form a kind of low-ceilinged sky. Pixel-filtered light has the quality of mother-of-pearl. Jiab’s slippers are outside, small puddles of rainwater beginning to form in the hollows where her feet have shaped the rubber – we live in a house where you leave your shoes by the door, step inside and walk around barefoot… should have taken them in.

I bring my chair to sit by the open door and look out at the rain, open the glass doors, take in the slippers, warm air enters. It’s always hot… when I first experienced monsoon weather I thought the rain would make it cool, but it just makes the ‘hot’ wet. So I sit there and listen for a while. The rain is a vast sea of tiny finger-snapping sounds. Individual collisions with the concrete seem to jump out of context with a sharpness – noticable against a background of random pitter-patter sounds that are always just on the edge of hearing – as if the listening process itself chooses the sound. Mindful of the mechanisms of focusing, receiving the ‘world’ in this unknowing pre-selected form.

Somehow it answers a question I’ve been pondering over for a while, but can’t quite remember what it was… what was it? Maybe I haven’t gotten round to seeing it as a question yet… answer arrives before the question? Mindful about the fact that I can’t get to where I want to get to, but seem to be trying anyway – mindfulness of mindlessness. Mindfulness of the times when I forget to be mindful – the tendency to fall into the dream, into the fiction I’ve created; the unaware habituality. Mindfulness as a lightness, an alertness surrounding thoughts. Intermittent rain continues for the rest of the morning.

delhi-rain-three (1)

 

 

 

 

 

“Everything is created twice, first in the mind and then in reality.” [Robin S. Sharma]

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Source for lower image.
Note: low-ceilinged sky comes from the title of an album by stefan andersson

 

metaphor becomes reality

cow in street1POSTCARD 139: New Delhi: Lights change to red just as we’re getting near and traffic comes to a standstill. On the intersecting side, cars start revving their engines as the green light shows over there, and it takes a moment to see the elegant cow standing quietly among the cars, dressed in the body given to it, held in its place by the restrictions of stationary vehicles all around. Exotic and dignified, the animal has a calm and wise bearing; just looking at the world and waiting for the lights along with everyone else.

I’m thinking I should take a photo of it… yeh, good idea, but where’s the camera? Frantic rush to find it, deep in my bag, a pen, papers and things flung out on the seat then leaning out of the car window, take a photo click as surrounding vehicles start to move with the green light. There’s the cow walking at the speed of the others – not holding anyone up, no reason for any driver to be impatient, nobody toots their horn.

Funny how the cow is simply going along there in its own lane, not attempting to overtake, just slowly making its way in the limited space and in the direction of the traffic flow moving towards the next intersection, the next set of lights. It seems to know where it’s going, has probably travelled this route many times. I can see it disappearing in the distance, head held high above the cars, bobbing along with the rhythm of its walk – a being that’s in this world but not of this world.

To me it’s an extraordinary moment. I’m the Western cultural migrant assimilated in the East (resistance is futile). I have userID, password; there’s a sense of connectedness with the East, although still carrying some weight of Western thinking and childhood conditioning from the West. Thus insisting on a preconceived reality by creating supporting statements to prove what I’ve already decided is the correct way of going about things, and convinced about this simply because my continuing engagement with it somehow pushes it over the edge, the tipping point… metaphor becomes reality (although I know there’s really nothing there).

Nobody else here is paying the slightest attention to the cow in the traffic, just waiting for the lights to change. My kind of Western reasoning seems to confirm it has objective reality and that’s tolerated here, along with all the preferences, likes and dislikes that don’t fit. It doesn’t matter because the ‘object’ is not the goal. The answer may be one of many associated answers – maybe all. And related searches are revealed in interaction with the question – more of an exploratory thing, open-ended – the observed world and the observer of it in an all-inclusive oneness….

Smaller than a grain of rice, smaller than a grain of barley, smaller than a mustard seed, smaller than a grain of millet, smaller even than the kernel of a grain of millet is the Self. This is the Self-dwelling in my heart, greater than the earth, greater than the sky, greater than all the worlds. [Chandogya Upanishad 14.3, 8th-10th century BCE]

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multiplicity

IMG_2228POSTCARD 138: London/Delhi flight: Travelling by plane at night is a directionless experience, an invisible route that leads to the destination without any sense of the journey, just the sound of the engines and hiss of the air. I fall deeply asleep and wake up to daylight coming in through the cabin windows. We’re here, missed breakfast, no time for anything, quickly gather up my things, ready to leave the plane. Next thing is I’m in the huge emptiness of Indira Gandhi airport, miles of ochre carpeting, and zooming along moving walkways towards the queue at immigration. Get in line with everyone else, get comfortable with this, it could take some time.

Hello Delhi, nice to be back here, mid-morning in a different time zone, and just the ongoing continuity of it, as if I’d never been away… familiarity of bearded men, turbans, a mysterious woman with exotic nose rings, gold bangles jangle and flick of movement that adjusts folds of sari, consoling tired children with nanny; the whole clan goes everywhere together. In this place I’m glanced at, averted gaze slips away, a foreigner travelling alone, a partially visible stranger from a place of no sunlight, colorless eyes, pale pigmentation, like those creatures who live deep below the surface at the bottom of the sea.

The uncompromisingly here-and-now of it, no disappearing from or disappearing into – a dream and yet not a dream. Letting go of the experience in the North, only the memory of that extraordinary feeling there during the retreat in Scotland. The feeling I’d connected with something specific but now I forget what it was exactly. A scrap of paper in my pocket with somebody’s email on it, remembering… there was the old house, the people who were already there and the sadness when they left before I did. Then the others who came after me – I remember them all – and how they were the ones who said goodbye when it was my turn to leave.

Each one carrying this ghostly sense of familiarity, archetypal resemblance, the uniformity of distinct types. Faces I think I’ve seen before… there was a man who looked so much like Larry King (from Larry King Live), at first I believed it was him. Others reminded me of family members – I recognized Great Aunt B. from East Anglia, passed away long ago… wonderful to ‘see’ her again. And someone exactly like my old Uncle D. Everywhere I looked I saw the elders, all dead and gone now. So good to return to the memory that they were here once like me, I was inclined to think of them as being real. “Who am I? Am I you? Him? He, she, it? We, you, they?” So much of a multiplicity, sometimes it’s just seen… we are all of a oneness.

Thump! Passport stamped, out through the crowds and sudden heat, intense light switched on like a television studio. Shym is waiting with the car, bags in and we’re off into the noise and blare of Delhi traffic, reversed mirror image of the world I just left. Changing the sim card in my phone, changing channels, watching a different movie.

As silence is not silence, but a limit of hearing.
As some strings, untouched, sound when no one is speaking.
So it was when love slipped inside us.
As this life is not a gate, but the horse plunging through it.
The heart’s actions
are neither the sentence nor its reprieve.
Salt hay and thistles, above the cold granite.
One bird singing back to another because it can’t not

[Jane Hirshfield, Come, Thief]

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Note: This post was created partly as a result of keying in the term ‘multiplicity of faces’ in Google and finding the pdf in: perceptionweb.com. Check out the exercise of flickering faces in the picture of the girl’s face at the end.
Note2: Many thanks to Mindful Balance for the poem.
Photo: light switches in a corridor at the back of a government building in New Delhi

directionality

IMG_2214bPOSTCARD 137: The Edinburgh Road: For a moment I’m conscious of the present moment contained inside this moving vehicle following the white line marked in the centre of the tarmac, captivated by the directionality of the journey hurtling through a kind of wormhole in space/time, and plunging towards a vanishing point that never arrives. Pieces of a picture landscape, like a giant jigsaw, fly up and pass through the windscreen of the car, through the transparency of self and a new picture is forming. Left-hand bend approaching, steer around that, attention caught by a constant continuity of looped overhead cables on the right that continually sweep upwards and fall away like waves ebb and flow. Into a right-hand curve… tilt and rising with the camber of the road on the left side then level out and down into the next one. More curves and bends, dizzy and bewildering, winding down these slopes and (ear-popping) altitude drops on the way that leads to the coast.

This must be an old drovers’ road to the markets in the town, it’s foundations laid by the hooves of herds of animals following a path through ancient forests that once were here, and finding a route around swamps and boulders; obstacles long since filled in and cleared away. Now there are just fields of sheep and grass and crops, featureless hillsides – only the road remains, it’s twists and turns carry no meaning. Land owners’ properties claimed on either side have trapped it in its original form, a skeleton from the past, a craggy old branch of a tree, its shape created by historical circumstance.

The outer world becomes neutral, non-intrusive random thought mechanisms that function at the edge of a dream pull me into the gentle whirr and flicker of thinking-about-things, just as we’re coming into Edinburgh. Drop some people here at the train station, then on to drop the rest of us at the airport. Strange to suddenly be in the centre of a town, held by the traffic lights and see people crossing over – reverse culture shock; I’m not used to seeing Europeans, dark-haired, golden, Asian faces with almond shaped eyes fill my world. Memory of a former life, strange familiarity, déjà vu… this pavement, these streetlights, have I been here before? But it’s just somewhere on the way. No, wait… was it here that an event took place, long since forgotten? But no explanation seems to fit – it’s just what’s happening – the world, doing its thing. All that is here is a reflection of me passing through. It appears in present time, and then it’s gone.

Ed.people1

“No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.” [Heraclitus]

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lowlands

lowlands 1POSTCARD 136, Peebles, Scotland: We don’t usually wake up to the sound of birdsong at dawn, it’s too early – 4.30 am here in the room with curtains closed to keep out light that glimmers all through the night. Summer in the north means it’s nearly always day. Difficult to sleep, getting out of bed is not easy but I have to be up and ready to leave because this is the end of the retreat and the start of the long journey home.

A labyrinth of corridors and narrow staircase that leads down from the upper floors in this old mansion house converted to a Health Center. Nurses chattering together in their white coats come upstairs, pass me on the staircase going down (ghostly image of maids and housekeeping staff from a former life). I go down and down to the small chapel created in the old wine cellar at the lowest point beneath this great house. Find a place and sit in the silence. I feel humble, a Buddhist in a Christian sanctuary, examining the nature of human experience rather than its external creator – ‘a part of’, rather than ‘apart from’. The ‘hallowed’ Presence may have no name… identification creates an object in a world of subjectivity; a world of whispering Hymn books’ paper pages turning in these curious acoustics: ‘forgive us our trespasses and those who trespass against us.’ So many ‘s’ sounds the rhythm of the Prayer goes out of sync for a moment then its momentum builds up and falls into unity again. Trespasses and trespassing; acting out scenarios in the mind – letting-go and forgiveness.

Say goodbye to nurses, therapists, doctors and friends I’ve known for four weeks and will probably never see again – we shared a small lifetime. Goodbye dark stained wood panels, chandeliers suspended in high ceilings; goodbye antique furniture and carpets over oak block herring-bone flooring. Bags in car and down the long drive into the rolling hills. Sun breaks through and the sky is blue as we descend through the landscape. These are the Lowlands.

“The mind is a kind of theatre where several perceptions successively make their appearance; pass, re-pass, glide away and mingle in an infinite variety of postures and situations.” [David Hume]

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Note: Dear fellow bloggers, I’ve been on retreat for more than a month, deep in the Scottish lowlands. One of the requirements was to stay away from social media, so I’ve been offline for all that time. Nice to be back, more posts to come…

clan

photo-9POSTCARD #135: Glasgow, Scotland: Battles lost and won and always the bagpipes have a part to play. There’s an extraordinary power about the instrument. I hear it as I’m walking down Buchanan Street, drawn towards the sound, and see the huge crowd surrounding the group outside an expensive shopping mall. Street musicians, I don’t know anything about the tartan kilt outfits they wear – the piper seems kinda clean-cut to me, respectable. Maybe he’s also a part-time piper in other bands, or one of the sons of these war-like characters beating out a furious rhythm on the drums. Somebody else going around collecting coins in an open box – there must be more than a hundred pounds in there ($150). I pour the contents of my pocket into the collection.

Jiab was here a long time ago while I was in Japan, she stopped to listen to a street musician playing the pipes and the piper happened to be standing next to an old red phone box with glass panels smashed out (those were the days before cell phones). So Jiab had a think about time zones between here and Japan, gathered all the change she had and called me up. I was in the office in Yokohama and somebody said there was a call for me. Picked up the phone and there was this skirl and blare of the pipes coming from the other side of the world. Then Thai laughter and the sound of coins being shoved into the phone slot – we couldn’t talk or anything, the sound was so loud. So after a while we ended the call. Jiab has a sense of humor.

Sound of the pipes fading into the background as I walk now through these streets back to my hotel… extraordinary that I have no home in Glasgow. I’m a tourist, even though I lived here for 5 years, and all that’s left is a strange familiarity – recognizing the streets, the buildings. Feels like I’m a member of a clan, vanquished, as if in a battle that took place in the time I was away – the Celtic sense of calamity. And today, after more than thirty years living in other people’s countries I discover I’m homeless. It feels like I don’t exist. I’m nobody, in a place where I used to be ‘somebody’. Mutuality in the illusion; clan, this is all we seem to have in the lifetime we share. In truth, it all merges into one; cycles of darkness and light, and seasons, a spinning planet around the sun, cycles of organic forms that reproduce, die and other’s take their place, continuously.

“… the moon, reflected in the water, shines brightly and within the spotless water seems to be, but the water-moon is empty, substanceless; there is no thing to grasp… ‘tis thus that all things are.” [Samadhiraja-sutra 2nd century CE]

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Note: Dear friends tomorrow I’m going offline for a couple of weeks in order to enter a retreat and receive advice on my health situation. I’ll be back again in July and catch up with your posts and comments then. Thanks for reading….

there and then, here and now

IMG_2188POSTCARD #134: Elgin, Scotland: It’s a fleeting transitory thing, sometimes so clearly seen – as now on this bus following the coastal route and scribbling down words in my notebook (almost illegible writing due to the motion of the bus). I’m visiting Uncle P who is over 80 and lives in a care-home. The photo above was taken from the bus going through these small villages, and it was shortly after that I got off at Buckie.

Then it all comes back to me, the call of seabirds and smell of the sea. Huddled in my coat in the cold wind looking down at the same street surfaces; pavement cracks I recognize from the last time I was here, years and years ago? What is it? Just a feeling, awareness precedes thought, no words for this kind of thing. Incidental people pass by on the street. I think I know them from long ago, but it’s possible I never spoke to them at all, we were always like this, seeing each other in the town and only that gentle familiarity, glance, eyes meet, strange recognition… do I know you? It’s like I never left this timeless non-objective moment – there and then is here and now.

And they would say it makes no difference if I’ve been away in foreign lands, North India and Thailand, Chiang Mai, Bangkok and living my butterfly life. Coming back here is like stepping into the same instant of existence. It’s like it was yesterday, except people are older, aging, settling into a comfortable gravity. And a feeling of how everyone is near the end – I don’t know the young folks, of course. People I used to be friends with are inexplicably gone. It’s like the estuary leads out to the sea – water from the mountains flowing through so many different circumstances, on the way to joining the oceans of the world.

I get to see Uncle P and he looks well but almost all that he says is subtly incorrect, wrong dates, gives people all the wrong names and I agree with everything he says. When it’s time to go, he takes me to the exit, but we get lost, pause at the dining room and he’s puzzled why everything has been tidied away – I ask a staff lady in the kitchen who assures me that Uncle P had his lunch already. He forgets things; she tells me out of earshot – shows me the exit. Last I see of him, he’s going back down the corridor with the kitchen lady and telling her he’s looking for his wife. But she passed away a year ago.

On the bus to Elgin I have a little weep about Uncle P, and when the bus gets there, find an Internet café to write this.

‘Wandering through realms of consciousness like a refugee, thought looks for a home. Thought thinks that perhaps by clinging to this or to that, it can find a home. In this way, thought forms attachments with names and forms, with concepts such as “is” and “is not,” “self” and “other,” “me” and “mine,” and with emotions like envy, pride, and desire. It is the mission of thought to form these attachments in hopes of finding a home. Thought wants to own its own home.’ [Thought Is Homeless/The Endless Further/ 2012 July 16]

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