clash

img_0164POSTCARD #236: Bangkok: The impact of arriving deletes the memory of how I got here. Random thoughts hop from one thing to the next, no connection, doing it for its own sake – processed, passport stamped, thump, and through to arrivals. Welcome to the Kingdom. TV monitors show news readers wearing black, the backdrop is a curtain-fold with grey wreathes and shades of black in respect for the late King. Taxi drivers wear black jackets – well, yes this is the cold season, but everyone, everywhere wears black. Everything is extraordinarily formal and sad.

Traffic comes to a standstill. I’m in a yellow-green taxi looking out the window; a clash of pink, red, blue and white-like-peppermint taxis on all sides – I see them in rear-view mirror, on the left, the right, and all around. Bizarre vehicles like four-legged creatures standing in silence, looking at each other sideways, waiting to see who makes the first move. Green light is go, urgency of speed and slices of landscape pass through the car. Scraps of thinking and bits of another journey recalled, brought into present time.

A pause, window opens in the mind… a fascination with the remembered moment; an event or an accumulation of events … just makes sense, by itself. Yes, I remember now, thinking the Bali people look like characters from the Hobbit; beings who exist on a smaller scale than the rest of us, and live in a smaller world – small houses, small everything. There’s a hint of comedy and laughter in Indonesia… hmmm, but not here, not now that the Thai King is gone.

Impossible to not be affected by the scale of bereavement and absolute reality of death as far as the eye can see. Public mourning for one year… there’s a lesson to be learned here in this small country.

“…We are concerned with our daily life, not some exotic, fanciful religious concept but actual daily life of conflict, the confusion we live in, the uncertainty, the search for security. We have been through all that, it is part of our life. And also death is part of our life, though we may not acknowledge that fact. We may try to avoid it, slur over it, or only be concerned at the last minute, as most people are. So we should together enquire into the nature, into that extraordinary fact, as life is an extraordinary fact, we ought to consider that also.” [J. Krishnamurti, The Beauty of Death as Part of Life Fourth Public Talk at Brockwood Park September 1982]
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artifact

createimageprop-aspxPOSTCARD #230: New Delhi: From somewhere deep in Antiquity (2nd-1st century BC) the Indo-Greek created a likeness of the Buddha saying, okay, this is who he was, and this is what he was like. Before that there was nothing; a stupa marked a place where he had been and what he had said there, but no actual identity, no story of how it began, what the cause of it was – always the echo of ‘and what was the cause of that?’ (repeated endlessly) prevented the writer from saying, ‘it was something like this, you know?’ because, even before it begins, the story requires the listener to gently comply with the constraints of a starting point… “Once upon a time” (and this is as good a place to begin as any), so we fall into the story, become the story – we believe in the story because we are ‘the story’, we are ‘personified’, we are assimilated, a simulation, without even thinking about it.

Immersed in the commonly held belief in personification (‘I’ have to believe in it to get it to work), it seems to me that even God is a personification, I believe, I believe in “It”. The model of ‘the creator’ applied in multiple forms (everything is invented), based on a frame of reference inherited from artisans in generations past who built it, shaped it, fashioned it based on an earlier model they’d had then, dating back to well-before-that-time and everything so distant that even the words seem to get smaller and smaller in a perspective vanishing point location, and this, we can say, was the point where it disappeared completely.

Then, from a faraway place beyond the place where it was last ‘seen’, somehow brought back across the centuries into the bright light of modern times, eyes blinking in the dazzled befuddlement of it; historical and ancient – the meaning contained in words cloned from an ancient artifact, cloaked in strangeness, dynamic and eloquent.

134003511_14241612739041nThen examined, agreed-upon, regarded-as, and said-to-be the original, correct, true and embedded thus: the wisdom of the East meets the modern Western world. Immediately becomes ‘history’ and seen to be an accurate rendering, handed down from mother to daughter, father to son, identical to, or as near-to-as-possible the same as it was then and always had been since as long ago as anyone can remember (by word of mouth) the actual archetype.

So immensely detailed and complex that, even today, it is impossible to engage in any kind of discussion about anything, without the correct intermediary being present (or, if not, sent for), the structure of class/caste/social behavior being as it is; an unquestionable system of who does what, where, when, why and with whom, and how it’s all being done is supervised by somebody wearing a suit, or a long-sleeved shirt and shiny shoes, seated on a chair (while everyone else is standing), and he’s carefully copying everything down in a notebook.

No beginning, no end… the skill was, and always had been, to discover the answer formed as a question, and nobody thought it was necessary to create a likeness, besides, what’d he look like? There was nothing to go on…


Upper image: painting by Jill Lewis
Lower image: photo taken on Feb. 17, 2015 shows a Buddha statue on display at the National Museum of Afghanistan in Kabul, Afghanistan. The museum, founded in 1919, has survived three decades of war and now opens to the public after refurbishing. (Xinhua/Ahmad Massoud)

remainderless fading

SunrisePOSTCARD #215: New Delhi: The mind forgets. All the months of headache gone overnight. These days I wake up in the morning feeling normal again and I have to consciously remember what it was like before this, the billiard ball crashing around inside the skull whenever I moved. I understand how it works of course; an injection of anesthetizing agent into the root of the nerve and there’s no pain. It’s almost like it was never there, but the reprieve is for a limited time only. Two or three months then it’ll not be effective anymore and I have to go for the next injection.

This is the interval, the interim, a breathing space, and a time to reflect on how, for the most part, the body/mind organism has the capacity to heal itself. That built-in elasticity comes as a surprise, a kind of awakening. The true meaning of recovery. The Buddha’s Third Noble Truth (nirodha); the realization we don’t have to remain stuck in this unsatisfactory state. Suffering (dukkha) can be overcome when we let go the craving (tanha) that feeds it.

It is an easing of the suffering of mind caused by holding on to things that seemingly reinforces the belief in a small self inside ‘here’ directed by how the ego interprets sensory data received from the world out ‘there’ through the eye, ear, nose, tastes, feelings: nice or not nice, and how I feel about all of the above. Thus ‘I’ am this, or ‘I’ am that, according to what I like and what I don’t like. Neutrality is an option but it usually swings one way or the other in this state of duality.

Wanting things to be different, other than what they are, is the cause of endless dissatisfaction and profiteers’ goods and services have created an opening; phones, tablets and adult toys that hold the mind in this unhappy state. After the newness wears off there’s the seeking for this or that, not included in the current model. Clever advertising creates the perception of ‘me’ in a world of other beings preoccupied with devices that can render the ‘self’ as an actor ‘I’ choose to project to others; mind reflects upon itself in its own sense of being, is aware of its perception of itself as subject in its own blissful states. Other times seeking an escape from that world when things that were blissful turn bad with the same intensity, and the truth arises that all this is not real. How to get out?

It’s here that people wake up to the recognition it’s a dependency, but there is a way out of the sickness, no matter how much the marketeers pull us towards it. There is the natural elasticity in the knowledge it doesn’t have to be like this, true happiness and contentment are possible. Let go of that craving for more, allow for the far reaching concept of renunciation, relinquishment and release, the remainderless fading & cessation of suffering. Let it go and it all comes to an end, the way out of suffering and the Noble Eightfold Path.

“The main affliction of our modern civilization is that we don’t know how to handle the suffering inside us and we try to cover it up with all kinds of consumption.” [Thich Nhat Hanh]

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Header image: the library of Ajahn Vajiro
source of the quote above: Lou @ Zen Flash, “We don’t know how to suffer”
~ G R A T I T U D E ~

lemon-yellow chiaroscuro

palm1POSTCARD #214: New Delhi: Light falling almost directly overhead at 12 noon here, also something reflected it seems. Really there are so many surfaces in this densely populated place in the city, half open windows high up and on the same level, all of which contribute to this curious quality of light. And there’s a moment around noon when I leaned out of the back window and clicked these potted palms under a tall tree for shelter in the fierce heat softened slightly by the rain they’ve been having. Don’t ask me how the weather has been, I only got here the other night, and feel like a visitor in my own place, but that’s just how it is for me most of the time; getting used to the feeling I’m not really ‘here’, so often in Thailand taking care of my Thai niece M who is 12. And she didn’t want to let me go away from her on the day I went to the airport because today is a special day, the Facebook mechanism reminds us all saying it’s tiramit’s birthday, wish him happy birthday.

M has a thing about birthdays, I should have rescheduled and stayed, but not possible. A bit sad and slightly affected by the thought of it, but yep folks it’s true, today is my Birthday. All this letting-go we hear about if you’re a Buddhist or whatever but “My” birthday is something I feel I can hold on to. It’s “mine”. The body reminds me, gravity holds me, this is where I was born – not here in North India but here on the planet Earth spinning in its orbit around the sun. It’s the same for all of us this is our home. Also reminding me of my presence here, is the lack of headache, still, fingers-crossed. And that’s a good enough reason to celebrate – wiser from the experience. Next time it comes, I know there’s a way out.

Really, it’s a good place to have a birthday in. This is India, and you can never really feel alone in India. Other people’s lives are intertwined with your own, full body contact with a stranger sometimes in a big crowd. No big surprise, in and out of shopping malls means a full body search by an officer entering completely into your space as if he were a brother.

Another example of this is the return journey to Delhi, economy class, every seat taken and the passengers mostly tall, large men bearded and turbans and women well endowed with folds of clothing, cloth so soft and expensive. But the air is somehow felt to be too near, atmosphere claustrophic, seats too narrow, tight space when the fold-down tables fold down there’s not enough knee space and that pushes them up slightly. The food tray when placed there has to be prevented from sliding off.

grasspic1Then we somehow get into short-sleeve-shirt skin sharing contact on a narrow arm rest, some friendly shoulder slapping as complete strangers squeeze past me and stewardesses squeeze through with their tessellated silk costumes: so soree sir, ex-scu-me me, pleese… and it’s a homogeneous group, even in its diversity; we share our own personal space with everyone. I soon got to like it, “make me one with everything.”  A little humour here and there, including this light Thai cuteness, that is loving and lovable, something that helps us get through  our difficult days.

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the sky is falling

ChMaiSkyM2POSTCARD #212: Chiang Mai: The sound of the alarm tone is in the dream I’m having… which came first, the event or my comprehension of it? Time-sequence resolves itself when I reach around to switch it off and life as it’s lived in ‘me’ returns to a familiarity I recognize as reasonably normal.

Five thirty in the morning, another Chiang Mai day in the rainy season, caution, check, the headache is still gone… yep it’s still gone. The only disabling thing now is the result of the body’s reaction to the headache – backache in the wake of hurricane-headache. I can lie here for a moment and get ready for the pain as I haul myself into the upright position… not too bad; the osteopath said it would get better. Okay hobble off to the shower looking for handholds on the way.

Remembering now how the osteopath looked at me standing there, and after a moment said it’s the body’s response to the last 10 months of 24/7 headache. Mind has pulled the body into a walking crouch – a kind of protective posture; shrinking into itself, slightly bended knees, bent-over back, and head sticking out like a turtle looking at the sky… the sky is falling, oh no the sky is falling, and that’s what Henny Penny said. (US: Chicken Little)

I couldn’t feel the pain of it then because of the super-pain meds I was taking. Now I don’t need the meds, the pain in the body is felt. It’ll take time for the vertebrae to ease back into where they are supposed to be. Square pegs do not fit in round holes, exactly, and I’m truly amazed by the elasticity of everything.

So much has happened in the last few days all that can be accurately said is that nothing is fixed, permanent, unchanging. This knowledge I simply stumbled upon, how the body reacts, responds, and the mind or is it circumstances (?) reveal there’s a deeper awareness in here, dormant until something like the correct password is entered then it’s activated.

Now there’s the sense of just waiting to see, no urgency, no problem about how long it takes. Something I can return to time after time and it’s not hard to understand that this embodied identity I call ‘me’ is just not important at all.

There are no words to say properly what it is. Language is inadequate. My 12 year-old Thai niece, M, has temporarily lost the ability to speak, transfixed as she is in the digital screen. I leaned over and asked what she was doing and she just sent the picture of the sky above (the header image) to my email… ting!

“Thus there is, in a certain sense, nothing that is directly experienced except the mind itself. Everything is mediated through the mind, translated, filtered, allegorized, twisted, even falsified by it. We are . . . enveloped in a cloud of changing and endlessly shifting images.” [C.G. Jung]


Header image: M’s pic of the evening sun seen from the apartment window yesterday

as the crow flies

IMG_2982POSTCARD #210: Delhi/Bangkok flight: I arrived at the place and couldn’t remember how exactly I came to be there except for the journey returning to me in flashes; scanned by X-ray machines, identified, processed, held in aircraft cabin pressure for 4 hours… then look out the window and see small green rice fields with water everywhere; 1800 miles southeast on the Asia map as the crow flies.

Placed on the ground and I have to get my things quickly, put together the parts of who I think I am in this new context of a day I missed the beginning of, and things out there are just happening anyway. Extraordinary, even so – catching up on the rebound, the momentum of the journey, the sense of something recharged, action endowed with purpose because I’ve arrived in what remains of a day that belongs to other people, those who have been here since early morning… Sorry I’m late, dropped out of the sky unnoticed – the Fall of Icarus in a painting by Pieter Bruegel.

Look at the camera please, click, passport page, thump, you have entered the Kingdom… exotic creatures made of gold. The world seen in flashes from an airport taxi in the fast lane, everything designed to get us there with the urgency of speed. It feels like the whole outside is entering the inside in large jigsaw pieces of landscape partly remembered, connected familiarity, but no time to think where, when, or who with. Glimpses of other people’s traffic congestion at the paytolls, shadowy drivers and their tinted glass and steel glint, chromium shine of new cars in pastel shades sliding slowly along in the golden light of their early-evening lives.

In here everything is locked down tight, attention captivated by the directionality of the journey I see through the front windscreen how we’re hurtling into a wormhole in space/time, plunging towards a vanishing point that never arrives. The outer world becomes neutral, non-intrusive random thought mechanisms that function at the edge of a dream pull me into the gentle whirr and flicker of thinking-about-things, and it seems like what’s happening here just could not be any more ordinary.

I find relief in that… can unwind in the Thai sense of normality, thammada, ธรรมดา, mind still buzzing as it is with the energy, the immediacy of the experience. Just fall into focus on the neutrality of no-thinking, looking for the space that’s between things. Deep in-breath and extended outbreath; the long and forever road extending deep into the horizon with great dome of sky above. Everything looks like a picture of what it is, a composition, a story told by a storyteller long since disappeared and I can’t remember how I came to be here, only parts of the journey now coming back to me in flashes, shining in my darkness at the edge of sleep in a different time zone.

“You are not in the universe, you are the universe, an intrinsic part of it. Ultimately, you are not a person, but a focal point where the universe is becoming conscious of itself.” [Eckhart Tolle]


Photo: Departures walkway at Delhi.  New… pls chk out the latest art page post

passing through 2

IMG_3448POSTCARD #209: Delhi, North India: There are times when the whole thing just gets stuck in the traffic jam of Mind – objects in movement screech to a halt, metallic creaks stretch out the momentum, jerk back and come to a standstill. Eyes blink in the silence and falling specks of dust, the world is seen as if it were a screenshot of the present moment. I focus on the long deep in-breath, the forever long out-breath… it is as it is in this instant, a fusion of everything seen, heard, touched, the taste, the smell, and all this held in thought, in words unspoken.

I’m falling into this familiarity again, having been far away from here, the first time in four years. Returning now and I’ve forgotten how to write, how to shape it so it fits, how to allow it to take form of its own accord. Surprised to discover that when I engage with it, that action seems to trigger remembering, opening up a gallery of recollections unfolding and integrated pieces of imagery like massive Lego constructs of long-term memory files (patisandha, if we can call it rebirth), fit together as in a 3D jigsaw, and the whole thing gathers speed like a long straight highway cuts through the landscape, large chunks of it seen rising up and falling away on either side, then the engine noise, a rolling and a tumbling along.

Many thanks for the Voice from blogging friends that reminds me of the connection that’s out there. I’ve got more of an understanding of Indie Publishing now than I had a few months ago, the first section of the book is completed as preliminary draft and the wind in its hair. I know at some point it’ll shout out that it’s complete. Nothing else to say at this time, everything that relates to this swept away in the doppler effect, sounds flatten off and it’s gone….

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Photo: autorickshaws in Mumbai

the desire to believe in

IMG_2511POSTCARD #207: CHIANG MAI: Before my Thai niece M runs out the door to spend the day with her friends, she comes over to where I’m sitting and says: Toong Ting? I am going now. Bye bye! And she’s gone. I sit there for a while being Toong Ting, her pet name for me, part of her baby talk that remains because it’s thought to be cute when applied in a grandfatherly way. I feel like I don’t deserve it… the Judeo-Christian sense of guilt that doesn’t fit in this Buddhist country (I need to remind myself always). M is courteous and respectful as she’s been taught, a learned thing which reinforces the natural world-view children have. But I wonder if I’m worthy of it – am I simply taking advantage of people’s natural desire to believe in, to trust?

More than thirty years of living with other people’s preferences, adopting them as my own… how it is for the migrant in his/her host country. North Americans must have a deep familiarity with this. There’s a slight doubt that enters sometimes, it’s as if everything that’s done or said is a form of compliance, has the quality of procurement – how can I be as committed to being here as everyone else is when I know I could get on a plane any time and disappear? Moving from one ‘safe house’ to the next, the leave-taking between is sudden and children may forget me completely, or think about it for a lifetime and never understand why I went away. It’s something unknown, unthought in the Thai world. They’re so kind here. I feel I don’t deserve it.

The silence of the room comes as a surprise, birdsong in the trees opposite the window, and I wake up from this prolonged moment in search of the memory of who I am. The same as it always is; I’ve arrived here by the same route I’m accustomed to when reviewing the image of who I want to be and who I think I am. It happens in a tiny fraction of a second, so fast it feels like the process of trying to figure it out is in slow motion.

Objects scattered on the desk in the position they were in, unmoved, a pen, papers – a cup with a curious handle that appears to stick out further and wider than it should, waiting for my fingers to come and hold it… I’d be that person I think I am if I were to I reach for the cup. Alice in Wonderland, Drink Me says the label on the bottle… but I don’t and it doesn’t happen. Everything on the desk and the sofa and the floor remains as a quiet presence of M, these are her unclaimed, unidentified objects that come alive when she’s here. Maybe it’s easier for me than for the native inhabitant to choose to stay with the emptiness and silence of inanimate things, the motionless space where everything is situated, aware of context and content, and seeing that which normally passes unseen.

It’s a perception, and only seems real by comparison with other things that are thought to be not real… falling into the delusion it’s not delusion, or knowing it’s reality – we do it knowingly, we go with the illusion. For a moment it’s seen and this is how we escape from it. Sometimes it’s a familiarity displaced and we’re tricked into staying there believing it’s really real but we’ve only convinced ourselves that it is, and it can take years, a lifetime. A pattern found in the itinerary of former lives, all these journeys connected end-to-end, divided and subdivided into periods of looking out the twin windows of the upper front face of the skull as if it were a moving vehicle, and looking out and thinking: ‘are we there yet?’ Then back to the conundrum of being busy with thought, and never arriving.

Later in the day a message on my phone goes ding! A picture of somebody’s lunch. It’s from M they’re all in a restaurant I’ve been in before and I can imagine how that is right now…

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Photo: a carefully created pavement repair in Chiang Mai.

an end to journey toward

BKKairportPOSTCARD #205: DELHI CHIANG MAI FLIGHT: Hop, skip, jump and I’m back in Thailand; arrival on the Delhi flight; four hours flying time and transit at Bangkok for the Chiang Mai flight, one hour flying time. It’s only been two weeks since I was last here, the memory I have of it replaced by what it is now as if it were just a moment ago. I step into present time with a sweeping recognition of everything in the surroundings of the straight route taken in the direction of Transit Desk East – perspective effect down the very long passageway leading to a vanishing point. Boarding time for the Chiang Mai flight 30 mins from now. Speed walking along the same moving walkway I walked along only two weeks ago. Same high frequency sound piercing and resonating in my head. Same flashing red light: “end of the walkway”, as we change from one walkway to the next.

Same rush to get there; swept along in the urgency of the crowd and caught up in thinking it’s necessary to jump ahead of perceived obstructions in the mind; typically the group tours from Southern China, huddled together, first time away from home, the young and the old holding on to each other and blocking the passageway leading to the transit desk. I hear an official voice calling out in Chinese while I’m experiencing push-and-shove collisions with small rucksacks, elbows and full body contact with these small beings from a different planet; unfamiliar toothpaste smells.

I feel like I’m in someone else’s life; I’ve stepped out of my own life and into someone else’s, having to squeeze through the gaps in the crush, thrust, force, push and stretch-through long-arm reach to the desk – passport held in fingertips… and the Thai ground-staff member takes it just before the Chinese group leader pushes in front of me and slaps down two handfuls of passports. How lucky is that! The ground-staff member standing on a box above eye level facing the crowd, dressed in Chinese costume and is speaking Chinese at extraordinary high volume, splitting my headache in pieces. Necessary, to help the surging crowd, who are having difficulty filling in their landing form, and she’s holding up a sample; the blue form, and pointing to it so the people in the back can see and know what to look for.

She stops and looks down at me, the odd man out, sits down, opens my passport, sees the landing form is complete and then a very strange thing happens: elbows on the table, she lowers her head and starts massaging her long ear lobes between the thumb and forefinger of each hand. I simply don’t recognize this gesture; the first time I’ve ever seen it. Then I know what it is; I see the tiny hole puncture in one stretched out earlobe as the finger/thumb combination wriggles the soft worm-like ear appendage flesh piece around and a small grimace as she looks at me with one eye, asking to confirm my name, gives me the in-transit passenger C.I.Q status sticker. Below on the desk before her are the heavy Chinese earrings that go with the costume.

I’m through and into the single lane then the two yellow footprints on the floor where I have to stand and look at the camera, click. Passport pages turning then thump and just in time, Chiang Mai flight boarding now. I get through to the head of the queue and show my 4 years out-of-date gold card which still works. I don’t want to ask them about validity… back into a flying machine, find my seat and deep breathing exercise to slow down the fast forward momentum of the mind playing out the stories, and fading away.

Library - 1 (2)

It’s good to have an end to journey toward;
but it’s the journey that matters, in the end.
[Ursula K. Le Guin]

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knowing knows knowing

IMG_2910bPOSTCARD #204: DELHI: … like suddenly waking from a dream, an unfinished story and something just happened – so fast that everything is out of sync, skips a beat. It’s because I’ve been unknowingly holding this pain in my head that’s now breaking through and the holding is not as important as the getting away from it… this is not happening to me! With that recognition, suddenly there’s no ‘me’ to whom this pain is happening just the velocity of it, like a wind storm and I’m lying flat in the grass as it passes over.

Some time after that, having taken my meds and the pain is now walled off in a corner of the head, I’m sitting in a straight-backed chair, just to see how that feels. Breath enters the body like a wind gusting in, withdraws, comes back, blows through everything then it’s not there again. Focus shifts to a great emptiness opening up – opening and opening… I might easily believe this will never end, but moving along with it to see what the next thing is. The purpose of my life is the on-going experiential response to the impact of sensory contact – what else could it be about? Skin, muscle, flesh, and these mysterious organs held by ligaments bonded into a skeletal structure. It’s as if there’s an electrical charge in there, sparks flying out. I am the context for the outer content. The whole investigation is one that is open to following where the knowing of it leads, see where it’s going, how it reacts. Conscious awareness of how the mind is able to concentrate and to what extent – passageways of insight open in an instant and a great flood of things to think about pours in.

Thought sequences and memories become apparent when they reach the point of “being”… before that they’re in the uncreated state – arbitrary, disassociated. Things don’t exist at all, until I observe them. There’s the Observer Effect in quantum physics, the experiment showing that when one is observing the movement of electrons it changes their behavior. In Buddhist thought, the ‘observer’ is not the ‘self’ but the self-construct arising from responses to sensory input via the Five Khandas. Received data is formed according to the mechanisms of the human sensory process – including cognition, which is a sense like all the others, and the great dome of sky above. Mindfulness is a returning to that place where I see how things change through my engagement with them…

‘All we know of a thought is the experience of thinking, all we know of a sensation is the experience of sensing, all we know of a sight is the experiencing of seeing, all we know of a sound is the experience of hearing…. And all that is known of thinking, sensing, seeing, hearing, touching, tasting and smelling is the knowing of them. And what is it that knows this knowing? Only something that itself has the capacity to know could know anything. So it is knowing that knows knowing.’ [Rupert Spira]

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Note: excerpts from an earlier post titled: ‘it’. Photo: Buddha rupa on the my working desk and the view of the garden