enigma

Posted on August 26, 2014 by tiramit

POSTCARD #89: Delhi: Why is it that the back of somebody’s head is so much like a closed door? I’m standing in a line of people in the food store waiting with my purchases for my turn to pay at the check-out. It’s taking a long time and I’m wondering if I’m feeling a bit miffed about that, yes or no – anyway there’s this quiet awareness, curious and interesting. When I see the back of somebody’s head I immediately want to turn that person around with a hand on the shoulder and see who it is…. Hi there! How’re you getting on? But, can’t do that in the food store check-out line, of course, we’re all strangers and each of us isolated in this slightly tetchy discontent about having to wait… what’s happening down there? This is our predicament, looking at the backs of people’s heads in front of us, all the way down to the front. I’m moving my head from side to side, trying to see past all the other heads. But all the way down the line, other heads are doing the same thing and my line of vision is blocked by somebody else’s head moving from side to side because the head in front of them is in the way too. Funny to see all these sideways wobbling heads. I have a quick look behind me and everybody is having to do the same thing to see past me… no laughing matter, there’s a grumbling in the air.

Stand quietly, feet apart, evenly balanced and look at the back of the head of man in front. There’s a kind of frontality about the head. The face is on the front, of course, eyes look forwards, incoming data is received mostly from the front – ears are on the sides, but sideways functioning is limited. No sensory receptors on the back that have the function of sensing what’s going on in the world. Any backwards movement is blind, no rear-view mirror… trucks reversing out with that automatic beep-beep, beep-beep, beep-beep sound.

The human body is like a picture painted on a flat cardboard cutout. The whole back of my head and body is one large blind spot; a not-seeing that I know is there. Turn away, and suddenly the thing I was looking at is gone! Ignorance is a kind of ignoring – it has intelligence. I have the ability to overlook things, watch TV every day, and have ‘preferences’. I choose to be unconcerned about wars created by politicians. Prefer to be mesmerized by the reflected screen-glow of the digital device...searching for an object and never finding it. Move on, click something else, the appearance of reality holds my attention for a moment, then click on the next one. Am I really the ‘me’ I think I am? I can see that the ‘self’ is a construct, but the truth is hidden from me because there is no solid enduring self that sees it like this.

Idiosyncratic humanness caught in an unexpected circumstance. Waiting, but not that suspended state of waiting for the thing I’m waiting for; more like just waiting with the waiting. Being with the gentle in-breath/out-breath, the temperature of the air, the feel of the body standing there, and an easy observation of everything that’s happening. Balance, openness – poised between things in a place of emptiness. It’s all just moving along. There’s a gentle questioning of events as they arise… what’s this now? The moment transforms itself, observing the curiosity of it, mindfully placing one foot after the other, slowly and carefully, on stepping-stones that lead out into the river and over to the other side.

Let the water settle and you will see moon and stars mirrored in your being. [Rumi]

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Upper image, ‘Not to be Reproduced’ (La reproduction interdite), a painting by Magritte 1937. excerpts from an earlier post: a sea of people. For the insight into ‘waiting’, special thanks to Zen Doe and The Path of Waiting – G R A T I T U D E –

future in the past

Posted on August 20, 2014 by tiramit

POSTCARD #88: Delhi: In a taxi with Jiab heading out to the domestic terminal. The taxi driver said yesterday he was going to pick her up at 2.00pm – future in the past, now it’s 2.30pm and she might miss the plane. No problem, he’s intending to make up the time, he says with foot on the accelerator the whole way. We’re going so fast it’s like we’re on the edge of linear time. Everything is a blur, the “now” I experience at this moment was the future for me when I was in the past… this thought repeats over and over. Driver ignores the built-in audio system that tells us when he’s going over the speed limit; a recorded voice message can be heard in the car, which says, ‘you are going too fast!’ Innovative idea… needless to say we have to listen to this voice repeating: ‘you are going too fast!’ all the way out to the airport. Driver overtaking everything, nearside, offside, hand on the horn, and the penetrating little voice coming unexpectedly: ‘you are going too fast!’

Jiab, with her conditioning in Bangkok traffic, is maybe more used to this kind of thing than me. I’m adhered to the seat, doing my utmost to bond with the structure of the vehicle. It’s like I’m not going through these streets, these streets are going through me. There’s an alertness locked in place you could call mindfulness but it’s more like an urgency, and struggling a bit with the idea that the driver is doing all the wrong things, this shouldn’t be happening. Round a sharp corner and we swerve to avoid a small motorbike coming straight at us on our side of the road; that motorbike guy is doing all the wrong things too. Then there’s a great show of outrage at the traffic lights, because of a man on the back of a motorbike holding a vertical panel of pressboard that’s 5ft x 4ft (see photo) and the motorbike can’t go fast because of wind resistance… pedestrians running about in the traffic risking life and limb – everybody’s doing all the wrong things.

Yeh, well, it’s my perception of this that’s all wrong, of course. The people out there obviously feel they’re doing the right thing, and I’m the one who’s got it wrong. How to see it as they do when gravity seems to disappear at times? Focus on the breath, don’t look in the direction of travel, and I find a small island of calm abiding… ah yes, this is the way it is, extraordinary and exhilarating. Enjoy the show, I’m in a speedboat, everything seems fluid, things merging with other things and entering into everything else. The velocity of this vehicle rushing through the streets washes aside other vehicles as waves do in the sea; everything is like flotsam; how we normally receive experience is so near to universal unity, it’s the same thing.

Taxi arrives at the terminal, I get the bags onto trolley, Jiab jumps out, bye-bye… then I’m into the same taxi, and going back the way we came, same cacophony of noise, same breakneck speed. Get to the house and the whole journey was so quick, there and back again, it was like I’d never left. Give the driver 500 Rupees, and it’s too much I know, but I’m in a state of astonishment. Inside and crash on the sofa for an hour. A text message rouses me; it’s Jiab saying she’s in Ranchi, about 800 miles away.

“According to Vedanta, there are only two symptoms of enlightenment, just two indications that a transformation is taking place within you toward a higher consciousness. The first symptom is that you stop worrying. Things don’t bother you anymore. You become light-hearted and full of joy. The second is that you encounter more and more meaningful coincidences in your life, more and more synchronicities. And this accelerates to the point where you actually experience the miraculous.” [Deepak Chopra, ‘Synchrodestiny: Harnessing the Infinite Power of Coincidence to Create Miracles’]

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‘Future in the Past is used to express the idea that in the past you thought something would happen in the future’ For a grammatical explanation of Future in the Past, click here. ‘The “now” I experience at this moment was the future for me when I was in the past…’ developed from an idea in Silentlyheardonce. This post contains excerpts from an earlier post ‘Going Too Fast”. Special thanks to Mindfulbalance/Observing everything, for the Ajahn Amaro quote that inspired the idea: ‘I’m not going through these streets, these streets are going through me.’

arrivals – departures

Posted on July 25, 2014 by tiramit

POSTCARD #82: South East England: Somebody I know died. There was a ceremony, the monks came, chanted blessings and now she’s gone. All that remains is her absence, her empty rooms, her pictures on the walls, objects chosen, placed on shelves and now there’s no one here who made the choices. Sadness… her clock-radio still starts at 8.00 in the morning and the bedroom is suddenly full of classical music. Empty bed, bedclothes made up neat, tidy and not slept in. Nobody in the house can bear to change it. My task is to pull away the bed from the wall, find where the cable leads to the socket, and disconnect it. Orchestral music spinning around the walls and ceiling as I search for the socket. It’s next to the skirting board I can just reach it… click, the music is gone. Push the bed back in place and contemplate the silence. A nice, quiet room with morning light coming in through the windows. She was a musician who became a Buddhist, then was a Buddhist Chaplain visiting hospices and caring for dying people, until she finally reached that stage herself.

Memory is all there is… faded like an old sepia tint photo. The enigma, the empty space where that person used to be. There’s ‘nothing’ left here, it’s not ‘something’, it’s not ‘anything’. Try to see past the words, concepts in the mind and there’s nothing remaining, only the holding-on to whatever it is that was defined in words but was never really there in the first place. Language is a tool for explaining how it appears to be, what it resembles, what it’s like… a wonderful shared software that names things, identifies feelings, etc. Poets and artists are compelled to use words and there are others, spiritual advisors, who refer only to cessation. Truth is inexpressible, no words for it; a ‘nothing’ that carries the feeling of no-thingness and brings with it a great sense of release, of peace, of rest, of ease and gentleness. I no longer have the burden of my thoughts. I let it all in, let it all out and everything fades away, ‘melted into thin air … the baseless fabric of this vision… we are such stuff as dreams are made on…’ [The Tempest]

A lifetime is a story told. Details accumulate and it appears to have form and direction as it goes on, but only when the end comes near does it have a context. The route by which I arrived at this point becomes somehow, explained – it was the right way, the best way to come here and everything I did in my life seems to fit together now I’m at the end. A curious reversal… I’m on the way to get here and yet seem to be able to look back on the journey and know how it came to be as it is. Buddhist cause/effect is an illusion, sequenced in linear time. In the totality, everything is ‘now’, an ‘everywhere-shared instantaneity’ and each moment is simply a shift in focus.

Why does it have to be like this? There’s something about the question/answer relationship that’s always gently considered, without directing it too much. Trying to understand what this sort of thing might possibly be is enough to begin to know it – no need to go any further. More to do with indirect action. Death must be the true meaning of the ‘past tense’. Standing here in her room, the tidy bed, empty wardrobe, eyes move towards the window, look out at her overgrown garden. Birdsong, and the light of this particular time in the morning. Colour and images form, conscious awareness is the same for me now as it was for her then, standing as she was, in this same place….

“For life in the present there is no death. Death is not an event in life. It is not a fact in the world. Our life is endless, in just the same way that our field of vision has no boundaries.” [Wittgenstein”]

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Excerpts from an earlier post: sense of release. Also Michael’s post: Special Effects, thank you for the word: instantaneity. Upper photo: Edinburgh airport, waiting for the flight to Gatwick

– G R A T I T U D E –

the journey to get there (2)

Posted on July 10, 2014 by tiramit

POSTCARD#79: Aberdeen Scotland: Wandering through these streets and lanes looking for my childhood; searching for something that’ll tell me what it was like more than 50 years ago as I walked along the route to school in all kinds of weather. The present time as it was in the past, brought forward into the ‘now’. All the shops have gone, been demolished, rebuilt and everything has become something else. Only civic amenities and urban architecture remain, paving stones, cast iron lampposts, doorways and gates. An iron gate hinge embedded in stone but no gate – is it something I passed on my way to school? Do things like this survive at below-zero temperatures for 50 freezing winters? Not impossible, everything is made of granite here, indestructible. Following my footsteps as a child, along these same streets that were old even then. There’s an unusual shaped crack in a paving stone that looks like a tree, strange familiarity, a passing recognition – the kind of thing a child would notice, head down and leaning against the wind.

Is it the same wind now, after all these years, flowing like a river from its source to the sea estuary and every single part of it moving always in present time everywhere along its length? The scale of it is so immense, a whole lifetime can seem like a day, an hour, a moment – and did I glance down at this tree-like crack in the paving stone when I was a child and react in the same way I’m doing now, thinking… how strange, it looks like a tree! What is it that makes one thing seem to be something else? Is this the recollection of a physical feature, or a memory of the perception of it? Remembrance of things past, former lives… it feels like yesterday, the nearness of it. It feels like now – or somewhere on the journey to get there.

There’s also a feeling of far-awayness, the day before yesterday I was on a flight from Delhi, transit in London to Inverness. Jet lag and bewilderment, scanned by X-ray machines, identified, processed, held in aircraft cabin pressure for 10½ hours and transported 4000 miles to the Northern hemisphere. Then placed on the ground and having to quickly reassemble the parts of who I am in this new context. A visit to the tribal elders, then into Aberdeen to revisit these childhood days. Coastal winds, cloudy skies – and when the sun comes through, the heat is intense. Raincoat on, raincoat off again, I don’t really feel I’m connected with the pattern of things here after so long in the East, sun shines all the time and years go by but it’s just like one very long day. Thought processes are without substance, fade away, and if I don’t reach out for the next thought, there’s nothing there. There’s a memory of how it was when I was a child here in the North of Scotland, I’m holding that in mind but when I let go… it’s gone. The wind blows and a feeling comes back again that triggers a memory, then it’s carried away with the sound of seagulls and the smell of the sea…

‘… a sense of existing right now, a sense of life looking out your eyes, and life feeling through your senses into this experience, this space of the room, this place. It’s like we are a sense apparatus for raw life, raw consciousness, which feels through us as instruments with five or more senses. What is sensed registers in awareness — this knowingness of existence, this knowingness that is existence itself…’ [Mukti, adyashanti.org]

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the journey to get there (1)

Posted on July 6, 2014 by tiramit

POSTCARD#78: Delhi: I open the door and step out into the sunshine, shading my eyes from the brightness of the sun, look down for a moment, and a shadow flits across the paved stone area at my feet. What is it? Look back up quickly – it’s a squirrel running along the electric cables. I see it as it leaps into an overhanging tree branch… yaay! The branch sweeps downward with its weight and sails back up again as the squirrel leaps to the next branch and disappears in the foliage. The action suggests joyfulness, a celebration, and this is how I’m feeling right now because today, 6th July, is my birthday – 24,455 revolutions of the planet Earth since the day I was born. I’m a silver-haired old guy acting like half his age. It’s also the day I go back to UK, a happy coincidence; returning to the place I was born on the day of my birth.

Two flights to get there: Delhi/London/ London/Inverness, and 10½ hours flying time. The prodigal son archetype, you could say, but I’ve been away too long. More than 30 years living in other people’s countries. Now I’m a stranger in my own home; everything is different, just the déjà vu of it all; a familiarity I can recognise but cannot identify with. I stay in hotels and everyone thinks I’m a foreign tourist who speaks English really well. I’m astonished at being able to understand what people are saying and feel like I shouldn’t be listening. The intrusion of other people’s conversations is sometimes shocking! This must be what it feels like to be a spy – and dressed like this in these old UK clothes I’ve kept all these years in the wardrobe.

Looking through everything last night, I find an old jacket, try it on for size, it seems small, must have shrunk. Try on another one and it’s shrunk too! I ask Jiab how a jacket can shrink just hanging in the wardrobe for a few years, and she says, ah well… And these shoes! Try them on, hard enclosures seem to clutch at the feet, toes unfamiliar with the hollows in the leather they used to occupy… unwillingly they find their old places. This is who I used to be. Walk across the room, clip-clop, clip-clop, feet imprisoned in shoes, look at myself in the mirror. Who’s that? It’s me, acting the part, ‘self’ is the performance. The actor who long ago became somebody else, and forgot who he was. Inside one pocket, there’s an old plastic bag tied in a knot, difficult to undo. Inside are some British pound coins, thick, heavy and important looking. A single Pound coin looks like gold, like it came from a treasure chest and could be worth a fortune, but it’s not enough to buy a cup of coffee. We have to have handfuls of these ‘gold’ pieces just to buy ordinary things. The weight of them causes jacket pockets to go out of shape, holes in the lining.

It’s really so different from here in the East, the humble unassuming Rupee and small Thai Baht coins that jingle lightly and can buy so much. There is the Buddha’s teaching on greed, hatred and delusion, but right now I don’t want to think about anything other than standing in my Delhi doorway here, watching to see if maybe another squirrel will come running along the electric cable and jump into the trees. And somebody says the car is here to take me to the airport. This is it then, walk across to the gate, clip-clop, clip-clop, hard shoes on paving stones. My bag shoved in the back, into car and we’re off. All strength to the adventure…

“Consider the trees which allow the birds to perch and fly away without either  inviting them to stay or desiring them never to depart. If your heart can be  like this, you will be near to the way.”   [Zen Buddhist teaching]

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… to be continued (image: dreamstime.com)

the jitensha metaphor

Posted on June 24, 2014 by tiramit

POSTCARD#75: Delhi: We bought an exercise bike from a Japanese lady who was leaving Delhi. It was a surprisingly large heavy thing with horns (NOVA fitness 700u). The delivery guys carried it into the spare room and that’s where it lives now. Jiab called it the jitensha – Japanese for bicycle:じてんしゃ remembering the bicycle she used to have when we lived in Japan. It got stolen – a sad story. So this big jitensha became the reincarnation of the one that was lost long ago. We started a routine of using the exercise bike and ‘jitensha’ became a verb, ‘to jitensha’, as in: are you going to jitensha? Jiab is Thai, and English is an improvisation, she speaks the language like playing a musical instrument. Everything is fun and it is such a lovely onomatopoeic word: ji-ten-sha… jitensha-jitensha-jitensha-jitensha, like the action of pedal crank, spinning chain wheel and everything about our jitensha is metaphorical; cycling through time in the present moment, situated firmly in the here-and-now, and the real sensation of going someplace but there are no wheels.

I get on the jitensha first thing in the morning. It’s the hot season, ceiling fan spinning, sleepy in the darkness and I wake up whizzing through streets and pathways of the mind, wind in my face and my eyes closed. Always downhill, no need to balance or steer or pay attention to where I’m going, there’s only this pleasing familiarity with the bicycle state of mind. Usually a four or five mile jaunt, not too hard, upper body swinging side to side with the pedaling movement, bare feet in pedal straps. Nothing else to do or worry about, thoughts arrive and depart, leaving fragments of things that form into something new, a memory of an event that happened long ago. Ah yes, I remember that… hold it for a moment then let it go. Now this, now that, things of no consequence. Focus on each one as it appears and disappears somewhere in these great landscapes seen rushing by.

Maybe it’s the blood circulation, a pleasing rush, and slight pressure behind the eyes seems to drive the thinking process. The intensity of making things into other things and the world out there is seen from the point of view of ‘me’ in here… the metaphorical self. I am on the receiving end of all this, I am the face in the mirror – look, that’s me. I think, therefore I am… a passing view of self and the hollowness of it all. Let it go and it’s gone, “the closer you look, the more it’s not there”. And then I’m inside a curious extended, freeze-framed thought moment, the all-inclusive presence of it and a sense of immensely distant things. No reference points and nothing left to think about. I’m not aware the thoughts have gone, just know they’re not there anymore. All that remains is the activity of Mind, not familiar with the ‘unthinking’ state and trying to fill the empty space with something, anything. Then that’s seen too, it falls away, and the jitensha spins off towards the horizon…

‘Wherever you go, you carry with you the sense of here and now. This is what distinguishes any present experience from memory. It reveals that space and time are in you and not the other way around. Most people are not acquainted with the sense of their being but only with the knowledge of their doing.’ [Wu Hsin]

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The Wu Hsin quote comes from the superaalifragilistic blog/ Behind The Mind: The Lost Writings of Wu Hsin – G R A T I T U D E –

storm archetype

Posted on June 7, 2014 by tiramit

POSTCARD#71: Delhi: It came in the late afternoon, rush hour traffic was at a standstill, tree branches tumbling in the road and all kinds of things blowing around. Later somebody said it was like a whirlwind, sudden chaos for twenty minutes… the world was falling apart. Then suddenly it was over, only the devastation left behind. Earlier in the day it was obvious something was happening but I didn’t know what exactly. There’d been this strange brown coloured sky all through the morning, and I’d considered it but wasn’t paying much attention because I’d arrived in Delhi only the day before. Everything was weird, the whole thing; first day back after an absence of three months and all I could seem to focus on at the time was this incredible heat. Googled the weather later: hot and dry winds, max 46^oC today; higher than body temperature, hotter outside than it is inside…

Step out of the air-con room, into the lobby and the heat is like… a thing, a presence, a semi-liquid jello-like substance that fits exactly into every corner of the room. The ceiling fan just stirs it up, slooshes it around, slaps it off the walls. I make my way through the lobby heat to the main room where another air-con is running and into the cool again. Check the phone, and there’s a text message from Jiab saying they expect stormy weather today. That’s when I noticed the sky was this curious brown colour, an apocalyptic feeling. Never seen it like this. Go to the glass doors, take a closer look at it, open the door and step outside. The heat takes my breath away. The sky is filled with brown smoke – later I discovered it was dust, fine sand from all the dry areas surrounding Delhi. I touch the metal parts of the door and ouch! It burns my hand. Disorientated, a few seconds of panic… the heat will dry up all the fluids in my body. Eyes like slits, avoid any sudden intake of breath for fear of it drying up all the moisture in the throat. The planet Mars must be something like this. Back inside, close the door, the cool of the room again.

A couple of hours after that, the storm started. Really immense gusts of wind, tree tops swirling around like I’ve never seen them do before. Windows rattle in their frames, bang, crash. Breaking glass… the wind must have blown in a window! How can that be, what’s happening? Outside there are people running for shelter, and a large tree-branch just separates from the rest of the tree, long strip of bark left behind, tumbles over and crump lands on the roof of a parked car. Crashing noises upstairs and I run up there to see. Open the door to the roof terrace, and peep out through the gap, holding the door as it gusts against my weight. Parts of the thatched roof of our sun shelter are gone…

Sky is full of twigs, leaves and flying debris… black shapes against a brown light, and the strangest thing I’ve ever seen: there are birds everywhere – fluttering in the air, coping with it, a frantic flap of wings, bodies flung upwards suddenly – off to the side in unnatural ways. It’s like the end of the world; the air has become the sea, boats at the mercy of the waves. Pull the door shut, and go back downstairs, lie low until it settles.

“When the sensation that I am in control of my life and must make it happen ends, then life is simply lived and relaxation takes place. There is a sense of ease with whatever is the case and an end to grasping for what might be.” [Richard Sylvester]

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Upper photo source: The Hindu Newspaper. Lower photo: Parts of the sun shelter after the storm. Note: This post was created from notes made on June 1st in Delhi

melodic intervals

Posted on May 29, 2014 by tiramit

POSTCARD#69: Chiang Mai: Tuktuk gets stuck in traffic, comes to a stop, driver brakes and switches off. The large sound of the 2-stroke engine is gone with the flick of a switch. Suddenly it’s quiet, only metallic creaks and random traffic noises. The outside world enters my space – inner merged with outer – no walls, just a canvas roof supported by metal poles bolted to an engine with wheels and a seat. It’s like camping when we were kids, inside a tent, domestic activities in the open-air. Gentle winds blowing through, reflected heat from other vehicles and the slightly surprising presence of tarmac. City infrastructure – experiencing it for the first time… the world has always been here, I’ve just been busy with the concept of it and didn’t notice.

I hear my phone and search for it in the bag… listening, but it’s not mine, ringtone is totally different. It’s that kind of high frequency awareness I seem to have these days, the melody playing in the sound of air-conditioners, ceiling-fans and anything that whistles and sings. Then I hear this single word, ‘hello?’ coming from somewhere behind me in the column of stationary traffic. I turn to see; it’s a girl sitting on the back of a motorbike, holding a phone to her ear. A conversation begins, quite loud, but I can’t make sense of what she’s saying – not that I’d want to… anyway she’s speaking in Thai, which is difficult enough and also, I notice, she’s eating an ice-cream cone at the same time: “wah ee ah in ai-eem ah” no words, it seems, just incoherent mumbling. So, well I’m vaguely curious about this, thinking how can she expect anybody to know what she’s talking about with a mouthful of ice-cream going at the same time? Her boyfriend (driver of the motorbike) says something to her, and he’s eating an ice-cream too: “oo ap ai ao a-lai ab?” mouth open trying to let the coldness out. Coping with a large bite of ice-cream, he speaks with lips protruding in a singsong, bird-like way, all-vowel articulation – a kind of breathy thing. She replies, and it amazes me… they can understand each other perfectly well.

It’s like the mating dialogue of exotic animals in National Geographic. I listen and realise I can also understand some of what they’re saying (see below). No consonants in Thai, no sharp sounds like /s/ /sh/ /ch/ /t/ /d/ /k/ that require lip, teeth and tongue coordination and thus difficult (impossible) to articulate without an explosion of strawberry vanilla ice-cream from the mouth. The Thai language doesn’t have that problem; it’s mostly vowels, like an arrangement of melodic intervals, five tones: rising, falling, high, low and middle. Listen for the tones and you can always understand what’s being said (if you’re Thai). Words are not spoken, they’re sung. Thai is a tune played on the acoustic wind instrument that is the human vocal tract.

Tuktuk driver (a lady) keys the ignition; other engines start up like the clearing of throats. Gears engage and there’s movement in the column of cars, a kind of careful jostling for space as everybody gets ready to go. Things start to speed up, we’re all moving as one, then spaces open in the traffic. At some point, the motorbike roars up behind me and overtakes – girl on the back, speaking on the phone again, boyfriend in front with ice-cream cone held in his teeth, gives throttle to the machine and they accelerate away…

‘All we know of a thought is the experience of thinking, all we know of a sensation is the experience of sensing, all we know of a sight is the experiencing of seeing, all we know of a sound is the experience of hearing…. And all that is known of thinking, sensing, seeing, hearing, touching, tasting and smelling is the knowing of them. And what is it that knows this knowing? Only something that itself has the capacity to know could know anything. So it is knowing that knows knowing.’ [Rupert Spira]

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Notes on the ice-cream pronunciation: She says: “wah ee ah in ai-eem, ah” (wàt-dee kha gin ai-dtim kha: “hi, [excuse me] I’m eating ice-cream”) สวัสดีค่ะกินไอติมค่ะ And he says: “oo ap ai ao a-lai ab? (pôot gàp krai ao a-rai krab: “who are you talking to, what does he want?”) พูดกับใครเอาอะไรครับ ?

Excerpts included here from an earlier post: castles made of sand

flying away

Posted on May 26, 2014 by tiramit

POSTCARD#68: Phuket: We’re leaving today. Packing the bags takes up most of the early morning and M doesn’t say anything. Very soon we’ll check out, say goodbye to our rooms and never be back. The enigma of the hotel room, a location in time and space inhabited for a short time then it’s gone. Furniture is used; marble floor walked on – years and years of housekeeping staff have swept, swabbed and polished this floor. Such a beautiful thing ignored, M sits with me. Internet connection not good, no iPad – flying away in her mind already. Jumps up and goes over to the thin lace curtain at the window, pulls it around her narrow body, extends a leg and points her toe – looks along and down at how the folds of fabric fall like an exotic gown to the floor, then spins around in a twirl and skips away to somewhere else in the room.

The others are busy packing away bathroom things; nothing remains for me to do here. Sitting in the upholstered chair, see how that feels…. breath enters like a wind gusting in, withdraws. It comes back, blows through then it’s not there again. A great emptiness opens up, I might easily fall into a joyful state and believe that this is “it” but everything changes, anicca, everything changes. It’s about the on-going experiential response – what else could it be about? Skin, muscle, flesh, and these mysterious organs held by ligaments bonded into a skeletal structure. I am the context for the outer content. The whole investigation is one that is open to following where the mind leads, see where it goes, how it reacts. Conscious awareness of how the mind is able to concentrate and to what extent – passageways of insight open in an instant and are gone.

Then later in the breakfast room, M selecting food items from silver dishes, everything done in a dream, eyes glazed over; watching a movie in her head, a story about what’s going on around her. Holding her big white plate so it’s level, places it with mindfulness on the table, descending like a UFO landing. Sits next to me – I feel her presence/absence. She likes the hotel silverware flashing like swords. Takes the large fork and stabs a sausage as if it were trying to escape – that wriggling sausage can’t get away. Begins a vigorous sawing motion with knife held in the right hand, breakfast table moves with the vibration, coffee nearly spills from the cup. Cuts off less than 1/4 inch, lays down knife, fork transferred to the right hand like a weapon in battle… stabs the tiny portion of sausage and the trapped morsel travels up to the mouth. I count more than 20 chewing movements, up/down up/down, masticated beyond belief. She’s lost interest, forgotten about it. A few other nibbles and the rest of it is left untouched.

Wait in the hotel lobby, look at people we don’t know, will never see again, then into the van and away to the airport. Through the crowds, check-in, departure gate, boarding and we’re in our seats. The takeoff sends me to sleep, I have a short dream: gentle voices of friends talking, I hear my name mentioned with loving-kindness… it occurs to me that I’m dead. Wake up suddenly and ask M, beside me, did she say something? No answer, playing with her prince and princess dolls on the fold-down table. Silence, one held in each hand – relationships, a dialogue, events taking place in the mind…

‘The world outside is our consciousness…. It is not something separate and distinct. The object and the subject of perception inter-are. Without subject, there is no object; without object, there is no subject. They manifest at the same time. To see means to see something. The seer does not exist separately from the seen; they manifest at the same time. If you imagine that the seer is independent and goes out in order to see the seen, that is a mistaken perception.’ [Thich Nhat Hanh, “The Buddhist Understanding of Reality”]

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Upper image: Phuket island seen from the Southern viewpoint. Lower image: Chiang Mai seen from the air.

Notes from Ajahn Munindo’s talks included here.

– G R A T I T U D E –

now here & nowhere

Posted on April 25, 2014 by tiramit

POSTCARD#63: Chiang Mai: Going home in a tuk-tuk with M sitting beside me, small body-mass pressed against my side. The urgency of speed, kinda scary, canvas roof, no walls and immense sound of 2-stroke engine fills our space. Impossible to hear what she’s saying, M indicates that she wants to borrow my phone. I pull it out of my pocket, hesitate. Is it okay to play with a slippery glass-like instrument like this in a speeding tuk-tuk? It might fly away into the great-rushing-past-outside world, anicca, necessity of mindfulness – she should hold it tight. Small face looks at me silently… don’t make a thing out of this Toong-Ting. I press it into her small hands. Hot, prehensile fingers grab, grasp and clasp the phone. Go to settings, clear away unwanted windows with the swipe of a tiny finger and launch multiplayer Minecraft.

So fast! I’m kinda surprised she’s managing to get Internet, 3G signal reaching us here in a tuk-tuk racing through the streets of Chiang Mai – or maybe we’re in it, like a fish is in an ocean of water. Everything out-there passing by in a blur, feels like a totally crazy speed, why all this rush? I can see over the driver’s shoulder, through his windscreen and it’s like travelling through a wormhole in space-time; the actual here-and-now – everything outside of this is in a different reality. Everything on the ‘in’ side of it locked down tight, my arm around the slight presence of M, taking up such a small amount of the space on the seat, legs sticking out, and Minecraft’s digitally created landscapes of mountains and seascapes appear in the little window of the phone in her hands. She’s now in player-hosted servers with visiting players from all countries in the world. How do you say this Toong-Ting? She spells out: G-A-V-I-N. I tell her it’s a boy’s name, ‘Gavin’, probably English (who’s this Gavin guy, I wonder). I see name labels moving around the landscapes, Japanese and Italian names; Spanish, German, Norwegian – players I assume are about the same age as M. I see boy’s names and girl’s names, all here at this very moment – and, where is ‘here’? Good question: now here and nowhere, depends on the context… spatial and temporal qualities. Space and time are not separate, I read in a post recently [See note 2, below]. This is (always) where we are at.

Looking down at the top of her head, hair combed from a parting in the middle, pulled out in two separate directions, woven into tight plaits on either side, and it’s as if she knows I’m looking at her: Remember this number Toong-Ting: 19122, she says. I consciously remember the number, repeating it to myself… In a moment she asks me what the number was. I tell her, 19122 and ask what it was for, by the way, but she doesn’t answer… having to have things explained to me by a 9 year-old girl who speaks English as a second language – must be a password or login name. Sad really, these days there’s not the dialogue there used to be, ‘I’ am not here, anatta, a suspended state, waiting for the next question. What’s this mean, Toong-Ting? M spells out: B-R-O-S and I tell her it’s a boy’s server, he’s American probably, he’s black and I think she knew the word ’bro’ already. Obviously interested in this and next thing she’s in with the BROS, their mountains and volcanic lava, burning fires.

Then there’s a little wail – she gets disconnected. It feels to me like a catastrophe, but for M it’s no big deal, she changes to a different player-hosted server with new players – or maybe some of them are they same ones who just got here from the same sites we were all in earlier. And while that’s loading, a quick glance at the blur of what’s out there rushing by us, then she starts to sing a song from the movie: Frozen: ‘Let it go, let it go….’ I join her in the song. We sing together, Tuk-tuk driver laughing with his eyes in the rear-view mirror….

‘Time is in the mind, space is in the mind. The law of cause and effect is also a way of thinking. In reality all is here and now and all is one. Multiplicity and diversity are in the mind only’. [Nisargadatta]

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