flowers from far away

IMG_2001POSTCARD #110: New Delhi: The computer feels cold to touch, hands stretch out over the keyboard and the soft spaces between the fingers are exposed to the chill. Make them into fists; stay warm, too cold to type… melancholia of late winter. Sit there for a while. It takes quite a long time to realize I could just stop what I’m doing and go up to the roof terrace in the sunshine. Around this time, the shadow cast by the tall building next-door moves away and there’s a patch of sunlight where I can place my chair and sit in the warmth.

Get up from the desk, out to the hall by the back door and up the cold steps to the top; habitual handle-grab, shoulder-push on an old door that’s always stiff, squeak, it opens… bright daylight enters, birds fly across my vision in a blur of random directions. Blue sky, and clothes hanging on the line, the smells of outside, vent pipes, clay-tiled rooftops of other people’s houses, other people’s laundry.

There’s new warmth in the air – I notice it immediately, walking around our small urban garden and checking out all the plants that live here in flowerpots and containers. Everything has that dry wintery look, but there are some signs of life, shoots appearing in the crumbling earth… an innate sentience. Take a photo with my camera phone, seeing the flowers as stars and planets. Tiny white blossoms form in clusters. So small, there’s a feeling they’re arriving from far away; distant galaxies seen moving towards us in slow motion.

I didn’t know. It was here all the time, and everything that happened prior to this, everything going on unseen, below the surface of the earth… before the flower, the seed and before the seed, the flower that created the seed; a sequence of patterns that started before I arrived in this place, flowing from the past into the future, always seen from ‘here’.

I place my chair in the patch of sunlight and sit down; a fundamental response to the first signs of that easing-away from the coldness, the unique warmth of Springtime, a softening around the hardness, a release from the upset, the injured and the slow spinning wheel of seasons takes it all away. Listening to the green parakeets chattering in the Eucalyptus trees opposite, there’s only the moment in which everything appears…

“… appearances are so intimately one with Consciousness that there are in fact no appearances as such, that is, existing in their own right. Rather Consciousness is the sole substance of all experience.” [Rupert Spira] 

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Related post: A patch of sunlight

a world of things

sycamore 1“Those who float away their lives on ships or who grow old leading horses are forever journeying, and their homes are wherever their travels take them.” [Matsuo Bashō 1644 –1694]

OLD NOTEBOOKS: East Anglia: It’s the last day, I’m leaving, this is it… the end – no more departures and arrivals I’m leaving now for the very last time. The house is to be sold, the rooms are empty, all remaining things ready to be put into boxes for the recycling people to collect after I’m gone. Right now it’s all arranged in two groups: a) stuff to be given away and, b) ‘stuff that I can’t let go of YET’… still some reluctance, lingering over things I want to keep. Gazing fondly at a pile of books, a framed picture, pondering, hesitation, attachment… but how will I get all this into checked-in luggage for the flight to Thailand? Some time spent considering this but, impossible, let’s face it. In the end it’s a decision pushed along by the momentum of leaving; there’s a car coming for me in the afternoon. Out of time, ok, pack up and leave… and I move everything into a), the stuff-I’m-giving-away group. That settles it.

But I’m tugged back… did I just do that? Hands reach out to take the stuff back again. Pause for a moment to think about it and everything stops, emptiness, there’s nothing there… thought is an elaborated construct built in a landscape of no-thingness. An awareness event turns up out of nowhere, the kind of thing that couldn’t happen in any other circumstance: let someone else have these things. It’s the letting-go thing, the generosity of easing, the release of all that tight energy – giving it all away, giving it all back to the world, returning to the context of how it all arose in the first place. I stop for a moment to think about how that feels, but there’s no thought, everything is still wonderfully clear and completely empty. There’s a world of things, then there’s not.

Suddenly it feels like everything I’ve been holding on to doesn’t matter anymore, and that’s okay. The loss is only there if I ‘think’ it into being. Sit down, close my eyes and everything  becomes invisible. Feel the pressure points, lower back, seat in chair, feet on floor, elbows on the arm rests – but no body, no head – it occurs to me that sometimes the universe doesn’t exist… takes my breath away. Only a curious intensity in the place where the thought used to be contained; something that really never happened… years and years of nurturing a dream about something that wasn’t there.

Last thing to do is bless the rooms, hands held in anjali in that small dwelling: Wishing in gladness and in safety, may all beings be at ease… There’s a clear sense of closure. Going through the door… I’ve been in this house 36 years and it’s gone in a flash. Standing outside, blinking in the bright daylight, surprised to discover it’s a just a day like any other day. A last look inside, sunlight extends in from the doorway… goodbye little house! Pull the door closed, lock. Get in taxi, door slam. We’re off across the landscape…

‘When this exists, that comes to be. With the arising of this, that arises. When this does not exist, that does not come to be. With the cessation of this, that ceases.’ Samyutta Nikaya 12.6

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Many thanks to Jeff for: ‘stuff that I can’t let go of YET’ – source: Leaving Lexington. Photo: a stand-alone Sycamore tree at the top of the hill

the light of memory

12052011016eOLD NOTEBOOKS: East Anglia: [post written in New Delhi] The old house is sold. A printout of the email from the lawyer signed, enveloped, stamped and sent by DHL to England, 4000 miles away. A small packet of A4 paper folded once, bearing all the correct documentation, tucked away in a bundle, squeezed into an aircraft for a night and a day. At the other end, registered, signed-for and unlocked, unpacked, seals broken, it’s confirmed by officials, checked, stamped and placed in a folder and delivered by a guy on a motorbike to an office in East Anglia. Smoothened out in the bright white electric light of a cold January morning (by a mature female hand probably, cosmetics, manicured nails and a silver ring), and there’s my signature, exposed for all to see; idiosyncratic squiggle recognised by law as being ‘me’ saying ‘yes’ I agree to the foregoing; I relinquish, renounce, I have read and understood the above-mentioned; box ticked, it’s all yours… sayonara, goodbye little house that sheltered me for 36 years, my small cave, hollow, burrow in the side of a hill. Everything there that was ‘me’ is fading away, even as we speak, already feels like I was never there. It’s like a death… all that remains is a memory of so many comings and goings, arrivals/departures, and in the 36 years I was there I never stayed longer than 3 months. There are only the journals left; words written in old notebooks, hard-to-read writing in ball-point pen etched into the surface of old yellowed paper:

OCTOBER 10, 2012: Today is the last day. Getting ready for the flight to Thailand… that familiar feeling of departures is in the air. This time tomorrow I will not be here. I’ll not be in a room that has split floor boards stacked in a cupboard next to the fireplace in the sharp coldness before the fire is lit. Yes, at least I’ll be away from this stunningly cold house where I have to wear a coat indoors, going around with kindling, paper and matches first thing in the morning, rushing to get the fire lit, the flames going and some heat started up. I notice a certain… vigour in everything that seems to be necessary to keep warm. Words come out in steamy puffs of breath, and a kind of gasping breathlessness: haaaaah! It’s cold.

There’s a fragrance of cleaning products around the house. Yesterday was a day of hoover and broom and the place is clean now, pity I’ll not be here to appreciate it. Everything gets a major clean-up a couple of days before I go. It’s always like this; then, on the last morning, I have breakfast, wash out my coffee cup, place it on the edge of the sink; wash my breakfast plate and leave it to dry in the dish-rack – it’ll have plenty time to dry…. The house is locked up, sealed like a time capsule until I return; into the taxi and I’m gone. The house remains as I left it, exactly like this, for countless days and nights and afternoons and early mornings, sun peeps in the window, nobody at home; all through winter, all through Spring and then one day I come back, open the door, break through the spider webs, trip over the mountain of junk mail and enter into this same moment enclosed here now. Same cup sitting on the edge of the sink, same plate in the dish-rack. And the whole house says: Hello, how’ve you been?

And now I know I’ll never be back there again. Stirring the ashes of a fire gone out, a life I think I wanted but never had – maybe I should have tried harder… maybe it was meant to be the way it is. Maybe I’ll go there one day with my Thai niece M – we’ll drive down that road and I’ll show her the house where Toong-Ting used to live. Slow down and stop, look at the old place for a moment and drive on. It’ll all be ancient history by then …

“The light of memory, or rather the light that memory lends to things, is the palest light of all…. I am not quite sure whether I am dreaming or remembering, whether I have lived my life or dreamed it. Just as dreams do, memory makes me profoundly aware of the unreality, the evanescence of the world, a fleeting image in the moving water.” [Eugène Ionesco]

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snow in Thailand

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POSTCARD #107: Chiang Mai: It’s not real, of course, but quite convincing. A large display arranged next to the MAYA shopping area [maya: illusion (Sanskrit)]. MERRY CHRISTMAS BLOGSTERS! It feels like a special day. Memorable too because it was the first time I heard my 10 year-old Thai niece M use the English word ‘artificial’. M knows what real snow is, she experienced snow in Japan. This is ‘artificial’ – pronounces all four syllables: ar/ti/fic/ial – it’s not snow it’s what it looks like. I think it’s sand, bleached white by some harmless chemical process; children sit down, play with it as if they were on a pure white beach. Most people in Thailand have never seen snow, everybody here taking photos of themselves smiling against a snowy white background. A great shower of digital flashes flicker in the blindingly bright reflected sunlight; flash-click, and a small piece of the experience of snow is captured. The group hurries to look at the picture, then they quickly regroup and take another one.

IMG_1860In Eskimo languages there’s not just one word for snow, there are many (‘Smilla’s Sense of Snow’ by Peter Høeg). But it may be a linguistic characteristic (Washington Post), words are added on to the main word ‘snow’ to describe its qualities. Slushy old snow would appear like this: ‘slushyoldsnow’ or if the adjectives and modifiers of the noun are arranged differently, it could be like this: ‘snowoldslushy’ so it looks like a new word if you’re not an Eskimo. It doesn’t alter the fact that there are all kinds of snow, of course – I remember from a childhood in the North of Scotland – but I can’t find words for this kind of snow; dry, warm, and light cotton beach-wear…

IMG_1861If M was a bit older we’d be able to talk about what is real and what is not, and how ‘artificial’ is a word, a label, a concept. There isn’t anything in the world that’s artificial… everything is something. It’s only artificial when we compare it with the agreed-upon ‘real’ – another concept. You could just as well say the whole thing is artificial, and ‘nothing is real’ (strawberry fields forever). It’s all about words, doing their thing, like what HTML coding does for everything in the internet; we’re ‘linked’ to what we think is real, everything is a living representation of what it is.

M is 10 years old, speaks English as a second language, she’s a Buddhist, goes to a Christian school and the Santaclausism of Christmas is what makes it a happy event. Same for all children. I can only hope that in a couple of decades from now she will have good English and return to this posthumous blog (if it still exists) and understand some of the things I cannot discuss with her now. Also all the other things I haven’t thought of yet; all of it, both/and, neither/nor, flickering between this and that, and I don’t know why it keeps on doing that – maybe because the Oneness is also the many; everything is everything – words cannot reach that far…

‘That which has no boundaries and is unnameable has been termed the “Void,” although this is a mere code word for something that eludes any kind of description or verbalization. Being outside space-time – that is, Infinite – means that is the Whole, invulnerable, and immortal.’ [‘The Observer is the Observed’, Robert Powell, p165]

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vertigo

IMG_1794POSTCARD #106: Bangkok-Chiang Mai flight: Waves of sunlight pass through the interior of the aircraft as it banks over in the ascent; wings tilt up towards the vertical plane at an alarmingly steep angle, and for a moment it looks like we’re going to tip right over and fly upside down… but it doesn’t do that. A rich dark landscape fills the window; reminds me of the Google Maps satellite image – click the little orange man on ‘street view’ and observe any house or street I choose. The world is a simulation, what I’m seeing is a physiological function of the brain, a projected image, back-lit like the computer screen … the place where (I thought) REALITY was, is occupied with ‘what-it-looks-like’.

A deep familiarity with the analogy – confirmed by others who smile, nod their head, yes, we believe in the resemblance of things… it’s easier that way. This is our agreed-upon certainty, the world as we know it, symbols and words, systems and processes; it’s a construct – the only possible answer the mind can come up with when asked the question: what is ‘it’ actually? Language identifies, can only provide a description of the thing – not the ‘thing’ itself. Everything depends on sensory perception, the (actual) ‘thing’ may be colourless and devoid of any recognisable quality, no odour, no taste, it doesn’t feel like anything; neither hot not cold. It has no sound. It has no weight, it has no form.

A fleeting insight into the vertigo of nothingness situated at the centre of everything. The ‘me’ I live with is not a substantial thing – so flimsy, it’s sometimes not there at all. Through the tiny window of the aircraft there’s this vast immeasurable space, extending above my head through the thin fabric of the aircraft. My Chiang Mai flight is a tiny speck appearing above a sea of clouds on the surface of the planet Earth; the characteristic ‘pale blue dot’, silver-white-sky-blue planet seen from outer space. That home-sweet-home feeling; a place shining with life in a region of seemingly dead planets… is this ‘my’ reality? Or is that an illusion too? The conditions that support life as we know it end here. Maybe we are surrounded by planets teeming with living beings who, like us, also believe they’re separate and alone in this void. And the reason there’s no evidence of it is that the software which operates our sensory mechanism is not compatible with theirs.

What I used to think was an amazing technological feat now becomes just the mechanistic nature of things; the great whine of engines and immense energy that catapaulted me up here, simply another aspect of the construct. Assembled pieces form the aircraft, wing structure is under the seating aisles so that passengers are sitting on top of a sort of swept-back flying crucifix.

Then there’s the ‘ping’ sound, as the seat-belt sign is switched off. Flight time to Chiang Mai is about 1 hour, stewardesses in pretty yellow costumes serve a small meal, it’s like going upstairs to have lunch in the sky; just enough time to have it and come down again.

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“That which operates with conceptual ideas is the ordinary mind, whose characteristics include perceiver and perceived. All that is conceived in this way is false and will never touch upon the actual nature of reality. Any idea of existent, inexistent, both or neither—any such concept, however it’s conceived—is still only a concept, and whatever ideas we hold in mind, they are still within the domain of illusion.” [Ju Mipham]

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Lower image source

 

random continuity

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POSTCARD #103: Delhi: Traffic congestion at the market area and there’s this old black and yellow taxi in front, with red lettering on the back. I take a photo of the misspelling of ‘keep distence’ (distance) and ‘power break’ (brake). It’s this tradition they have here of keeping everyone informed with written messages on moving vehicles [check out Google’s image page: Horn Please]. Also the curious illusion of the ‘OK TATA’ slogan appearing in the back window of the taxi as if it were stuck on with tape. A closer look tells me it’s actually painted on the back of the yellow truck in front, seen through the windscreen of the inside of the taxi. The OK TATA’ slogan is everywhere; OK (ti-kae ठीक in Hindi), keep your distance… that’s close enough.

The car moves slowly through the market area. Delhi streets are compelling, always something going on. My view of the world is a sequence of unrelated events except that the movement of the car seems to link them together in a random continuity of space/time. A curious connectedness that seems to make sense; it’s all of a oneness [not-twoism]. The frame of reference extended so far it’s all-inclusive; everything out there is connected to ‘me’ in here; the truth of separation and the illusion of I/ you/ he/ she/ it, in the place where we appear to be.

Car moves through the crowd and there’s a woman at a bus stop; suddenly she goes into a whole complete turn of the body, graceful extending of the neck and head… completes the movement just as I pass in the car. Can’t think what she’s doing… then afterwards I realize she must have been looking to see if the bus was coming.

The elongated, ambulating long-limbed walk of a man wearing a gathered-up white cotton garment around the legs and jacket on top. Exactly at the moment I see him, he steps down from the high pavement to street level and there’s deep bounce of limbs and musculature – stretchy ligaments taking the strain.

At the traffic lights, a very thin man slows down on his big old bicycle and his naked brown foot reaches down to come to a stop; leather shoe on dusty street… pause, rearrangement of limbs; sitting on bicycle seat, allow for distribution of weight, rest in this new posture and wait for the lights to change.

There’s a deep familiarity about this… coping with human form, weight, corporeality – I know how the man on the bicycle feels. I experience it subjectively; I am a mind/body organism, inseparable part of the whole construct. It’s something mechanized, organic with articulated joints enclosed in a warm pulsating fluidity and the sensation of the breath in nasal cavities.

Seeing the events without the story like screenshots in a sequence; a few gestures and there’s a pause, taking a moment to receive the data… mind decides whether it’s important or not. It’s as if there’s a small seed of wisdom buried deep in the layers of unknowing; lying dormant, waiting for things to evolve and the right conditions to be there in order to wake up.

“What you are basically, deep deep down and far, far in, is simply the fabric and structure of existence itself.” [Alan Watts] (source openobserver.wordpress.com)

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worlds

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POSTCARD #97: Bangkok 06:00 hours: Heavy rain, the sound of it is hypnotic. M sits at the breakfast table, eyes glazed over and chewing in slow motion, falls into a dream in mid-chew and needs a gentle poke to remind her to keep going… not properly awake yet; this world emerging from the one before. Somebody says there’s no time left – got to go now. M holds up her watch to look at the time and beneath her raised elbow the plate is taken away to the kitchen sink, clink-ding, and all around there’s a kind of speeded-up blur of movement – things vanish, table top is wiped. M, still in the dream maybe, looking at her watch, unsticks it from where it’s gotten slightly adhered to skin; it’s a blue and yellow bubble-like kiddy object, I ask her if she is good at telling the time, she looks at the flower-patterned dial and thinks for a moment; I no can tell you Toong-Ting (her name for me)… meanwhile all around us, doors open and close, toilets flush and there’s a clatter of voices as the whole scene gets folded into itself and packed away… suitcases zipped up. It’s as if there are at least two versions of this particular reality running at the same time.

I ask M if she learned about telling the time in school; only the Thai way. I don’t know in English how to say… I’d forgotten about the Thai way of telling the time, of course, it’s a slightly different system [link], and I’m reminded there are other perceptions of the world that run parallel to the Western way. No time for discussion, we’re hustled out the door to the car that takes us to the airport – but unprepared for the huge puddle at the gate. M gets her feet wet as she’s climbing in the car, sits in the back with me, takes wet foot out of rubber slipper and asks me for a tissue; something to dry her feet with. I don’t have anything except for a crumpled one in my pocket; unfolding it carefully and she says, Did you sneeze in it Toong-Ting? I tell her no I didn’t; looks at it doubtfully… dries her foot.

The rest of the journey is about the car making its way through flooded areas and the sloshing sound beneath where we are sitting. M looking around wide-eyed, listening – there’s another world out there through the thin fabric of the vehicle… so near. All kinds of splashing but the rain doesn’t last long, we can see it starting to ease off and when we reach the airport there’s blue sky and sunshine, as if the rain had never happened.

Out of the car, and we have to say bye-bye to mummy who’s not coming, a hug and they’re a bit tearful. So there’s only us now but we’ve done this before, been on a few journeys together. Through the Xray, the check-in and into departures. We find two seats and M wants to use the iPad for her Minecraft… all kinds of apps with their sudden ringtones wake me up in the night reminding me they need to be upgraded. Sharing the iPad with M means I don’t get overly attached to it and when I do have access, there’s a sense of urgency; writing as in text-message minimalism. A lightness too, because being with a 10 year old who speaks English as a foreign language reduces gravity and the slow moving dinosaur of thinking about things for too long.

Shortly after that we’re boarding, the flight leaves on time and the great leap up… catapulted into the sky, 5 miles above the surface of the planet. M is quietly looking around, a discrete twirling and spinning of small head, checking out everything inside the aircraft and out through the window; fluffy clouds in a pale blue heaven realm – the world is a simulation, overlay upon overlay of illusions I feel I’m deeply familiar with…

There is no thing there. There is no real substance, no solidity, and no self-existent reality. All there is, is the quality of experience itself. No more, no less. There is just seeing, hearing, feeling, sensing, cognizing. And the mind naming it all is also just another experience.’ [Ajahn Amaro]

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prevalence of ritual

imagePOSTCARD#96: A village near Hat Yai: I’m at the wedding of my nephew in the South of Thailand, the only foreigner in the family… nothing for me to do in an event that’s complex and requires all kinds of engagement… mindfulness.  I just watch the proceedings, pleased with this sense of generosity in everybody just being here. I have M, my Thai niece with me and she corrects me if I get it wrong. We set off from the groom’s house in a long convoy of cars, a 20 minute drive, then stop on the highway and walk the last 200 yards along the path to the brides house. Musicians up front with Glong Yao drum, cymbals and reed pipe; an eerie, almost discordant kind of wailing song. I wonder how it must feel like for the bride, waiting in her childhood home, and here comes this haunting, archetypal sound of her future husband’s clan calling to her – getting nearer and nearer and louder and louder until it fills the small room she’s in. I’m thinking of tribal things, fertility rituals and magic that changes the course of karmic events. For me, there’s only this; the sense that the ceremony is heavy with meaning; perhaps too, something about belief I used to think was real a long time ago.

The sad truth is that in the West, divorce is about as common as marriage – religion got deconstructed; the story we believed in came to pieces. No myth to feel connected with, except perhaps the myth of no-myth. In a sense, we’re all married to the economy, worship the consumer god, seek refuge, gratification, fulfillment and consolation in the purchase of goods and services. What’s left over after that, in terms of ‘belief, we have to figure out any way we can.

It’s different here, divorce is rare, maybe it’s the prevalence of ritual that – come what may – locks the marriage into this unbreakable bond. The marriage date is selected by an astrologer, taking into account all of the every-day catastrophes and natural disasters, about which most Western folk are happily unaware. Any begrudged spirits are appeased so that a date can be selected which is completely surrounded by joyful blessings and good fortune – the belief that the spiritual world is real is what causes it to be so. I feel like I’m watching a different movie, maybe more meaningful than the cultural movie we watch in the West, maybe I’m drawn towards this version more, now that 30 years have gone by – or maybe it’s too restricting for me and I’m on the outside looking in. Maybe that’s okay too.

Lengthy ceremonies for many hours, Buddhist monks chanting, holy markings made by an elder’s fingertips dipped in special paste and pressed lightly on their forehead, and a sacred cord sai monkonor is placed on their heads [see below]. They kneel with their arms on a decorative pillow, palms together in the ‘wai’ position, and family members take turns to pour water over their hands.

It was a long day for me sitting outside the house under this huge pink canopy. My niece M came to join me later, and I was facing away from the main group so I make a face of bored weariness for her and she laughs. Do the face again Toong Ting and I try to do it again, but can’t get it right. Do same face you do before Toong Ting! She insists. So I try all kinds of grotesque weird faces, a whole anthology of faces that go on and on until I’m thinking I’m going slightly mad, and she laughs a lot, but obviously tired. Somebody had to take her home. It was a long day for the couple too, when I saw them eventually, they looked exhausted, although the bride was strangely wide-eyed and alert – I was astonished, something about a kind of awareness that takes place at the end of something endless….

‘The fact that we can never “fully know” reality is not a sign of the limitation of our knowledge, but the sign that reality itself is “incomplete,” open, an actualization of the underlying virtual process of Becoming.’ [Slavoj Zizek]

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The title of this post is taken from an anthogy of Romare Bearden collage artworks

loving-kindness for the critical mind

Chmai arrivalPOSTCARD#92: Chiang Mai: Writing this on the iPhone keyboard, shadowy index finger blocks out the whole letter. The letters ‘O’ and ‘P’ are difficult, I try to type ‘M’ and hit the backspace instead. Requires a certain kind of patience… it’s amazing what you can do if you have to. My computer is with the technician — went there immediately after arriving in Chiang Mai Tuesday morning. A red-eye flight from Delhi, only three and a half hours, no time to sleep – watching videos all night. Arrive in Bangkok at 5.30 am, a huge commercial project, the bright lights and glitz of 24/7 enhanced shopping experience. Passengers from all parts of the world gather at the domestic terminal lounge — we all wear a yellow transit sticker on the lapel — everybody having spent the night in an aircraft, bleary-eyed and hypnotised by inflight videos.

Then dispersed on different domestic flights North, South, East, West, and I arrive in Chiang Mai at 9.15am, a bit bewildered in the daylight of the arrival hall. Waiting for my bag… waiting, and waiting, but it doesn’t come. All the other bags have gone and now there’s just the belt itself moving round. Where’s my bag? My small volume of clothes folded flat, papers, books, computer cables zipped up tight, X-rayed and pushed into its space in the aircraft baggage. WHERE is it? My bag is ‘me’ an assembled ID, a costumed and shoed, hair-combed identikit. This is who ‘I’ am!

Man in uniform comes along, competent, in-charge attitude; looks at me over his glasses and asks to see my luggage tag number. He takes it to his desk, studies his document for a moment and makes a call (I’m watching him at his desk), comes back and informs me my bag was not loaded on the plane and it’s still in transfer at Bangkok… pause, he looks me in the eye, assessing my capacity for patience. Please write your address here and we will deliver it later today. His demeanour tells me he knows about this problem; he also knows how to handle worn-out passengers living in a video world. There’s an empathy and ease about his movements. Maybe he used to be a monk, a Maha Thera, all men in Thailand become monks for a short time. Some for a long time.

Meanwhile, I’m standing there like a satellite dish antenna pointed at the sky, receiving the signal, interpreting data – how should I respond to this devastating news? Make a huge scene? No, let’s not do that, long inhalation of in-breath, relaxed release of the out-breath. Man in uniform still waiting for a reply… there’s  something quiet and easy about him. Just looking at me… calm eyes, one eyebrow lifted slightly, as if to say, is that going to be okay with you sir? Inner well-being, and there’s a feeling that, yes, it could be okay. Even if I did get upset, it still means my bag is not here, and having to wait for it anyway.

He walks me over to his desk and holds the form in the centre of my vision, finger pointing at a space where I’m supposed to sign my name. Is this the no-responsibility waiver? Am I signing away all my rights? Everything written in Thai, do I have to get my dictionary out? Oh no, it’s in the bag. Sign it, sign it! Thank you very much, bye-bye, nice man. Walk away to the taxi area with no bag, no trolley, hands free, hands in pockets, hands swinging by my side as I walk. Get to the apartment, shower and dress up in a bizarre arrangement of light cotton beach-wear. Fall asleep on the sofa for two hours, then the doorbell goes ping-pong, it’s my bag delivered and rolling in on its wheels, just like the man said.

‘… have loving-kindness for your dislike of the way it is, so you are not even criticizing yourself for being critical… Even if you are sitting here hating yourself, thinking of yourself as selfish and critical and not a very nice person, you can have metta for that; you can have loving-kindness for the critical mind.” [Ajahn Sumedho, ‘ Liberating Emotions‘]

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enigma

Not-to-Be-Reproduced-1937POSTCARD #89: Delhi: Why is it that the back of somebody’s head is so much like a closed door? I’m standing in a line of people in the food store waiting with my purchases for my turn to pay at the check-out. It’s taking a long time and I’m wondering if I’m feeling a bit miffed about that, yes or no – anyway there’s this quiet awareness, curious and interesting. When I see the back of somebody’s head I immediately want to turn that person around with a hand on the shoulder and see who it is…. Hi there! How’re you getting on? But, can’t do that in the food store check-out line, of course, we’re all strangers and each of us isolated in this slightly tetchy discontent about having to wait… what’s happening down there? This is our predicament, looking at the backs of people’s heads in front of us, all the way down to the front. I’m moving my head from side to side, trying to see past all the other heads. But all the way down the line, other heads are doing the same thing and my line of vision is blocked by somebody else’s head moving from side to side because the head in front of them is in the way too. Funny to see all these sideways wobbling heads. I have a quick look behind me and everybody is having to do the same thing to see past me… no laughing matter, there’s a grumbling in the air.

Stand quietly, feet apart, evenly balanced and look at the back of the head of man in front. There’s a kind of frontality about the head. The face is on the front, of course, eyes look forwards, incoming data is received mostly from the front – ears are on the sides, but sideways functioning is limited. No sensory receptors on the back that have the function of sensing what’s going on in the world. Any backwards movement is blind, no rear-view mirror… trucks reversing out with that automatic beep-beep, beep-beep, beep-beep sound.

The human body is like a picture painted on a flat cardboard cutout. The whole back of my head and body is one large blind spot; a not-seeing that I know is there. Turn away, and suddenly the thing I was looking at is gone! Ignorance is a kind of ignoring – it has intelligence. I have the ability to overlook things, watch TV every day, and have ‘preferences’. I choose to be unconcerned about wars created by politicians. Prefer to be mesmerized by the reflected screen-glow of the digital device...searching for an object and never finding it. Move on, click something else, the appearance of reality holds my attention for a moment, then click on the next one. Am I really the ‘me’ I think I am? I can see that the ‘self’ is a construct, but the truth is hidden from me because there is no solid enduring self that sees it like this.

Idiosyncratic humanness caught in an unexpected circumstance. Waiting, but not that suspended state of waiting for the thing I’m waiting for; more like just waiting with the waiting. Being with the gentle in-breath/out-breath, the temperature of the air, the feel of the body standing there, and an easy observation of everything that’s happening. Balance, openness – poised between things in a place of emptiness. It’s all just moving along. There’s a gentle questioning of events as they arise… what’s this now? The moment transforms itself, observing the curiosity of it, mindfully placing one foot after the other, slowly and carefully, on stepping-stones that lead out into the river and over to the other side.

Let the water settle and you will see moon and stars mirrored in your being. [Rumi]

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Upper image, ‘Not to be Reproduced’ (La reproduction interdite), a painting by Magritte 1937. excerpts from an earlier post: a sea of people. For the insight into ‘waiting’, special thanks to Zen Doe and The Path of Waiting –  G  R  A  T  I  T  U  D  E  –