the journey to get there (2)

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POSTCARD#79: Aberdeen Scotland: Wandering through these streets and lanes looking for my childhood; searching for something that’ll tell me what it was like more than 50 years ago as I walked along the route to school in all kinds of weather. The present time as it was in the past, brought forward into the ‘now’. All the shops have gone, been demolished, rebuilt and everything has become something else. Only civic amenities and urban architecture remain, paving stones, cast iron lampposts, doorways and gates. An iron gate hinge embedded in stone but no gate – is it something I passed on my way to school? Do things like this survive at below-zero temperatures for 50 freezing winters? Not impossible, everything is made of granite here, indestructible. Following my footsteps as a child, along these same streets that were old even then. There’s an unusual shaped crack in a paving stone that looks like a tree, strange familiarity, a passing recognition – the kind of thing a child would notice, head down and leaning against the wind.

Is it the same wind now, after all these years, flowing like a river from its source to the sea estuary and every single part of it moving always in present time everywhere along its length? The scale of it is so immense, a whole lifetime can seem like a day, an hour, a moment – and did I glance down at this tree-like crack in the paving stone when I was a child and react in the same way I’m doing now, thinking… how strange, it looks like a tree! What is it that makes one thing seem to be something else? Is this the recollection of a physical feature, or a memory of the perception of it? Remembrance of things past, former lives… it feels like yesterday, the nearness of it. It feels like now – or somewhere on the journey to get there.

There’s also a feeling of far-awayness, the day before yesterday I was on a flight from Delhi, transit in London to Inverness. Jet lag and bewilderment, scanned by X-ray machines, identified, processed, held in aircraft cabin pressure for 10½ hours and transported 4000 miles to the Northern hemisphere. Then placed on the ground and having to quickly reassemble the parts of who I am in this new context. A visit to the tribal elders, then into Aberdeen to revisit these childhood days. Coastal winds, cloudy skies – and when the sun comes through, the heat is intense. Raincoat on, raincoat off again, I don’t really feel I’m connected with the pattern of things here after so long in the East, sun shines all the time and years go by but it’s just like one very long day. Thought processes are without substance, fade away, and if I don’t reach out for the next thought, there’s nothing there. There’s a memory of how it was when I was a child here in the North of Scotland, I’m holding that in mind but when I let go… it’s gone. The wind blows and a feeling comes back again that triggers a memory, then it’s carried away with the sound of seagulls and the smell of the sea…

 ‘… a sense of existing right now, a sense of life looking out your eyes, and life feeling through your senses into this experience, this space of the room, this place. It’s like we are a sense apparatus for raw life, raw consciousness, which feels through us as instruments with five or more senses. What is sensed registers in awareness — this knowingness of existence, this knowingness that is existence itself…’ [Mukti, adyashanti.org]

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the journey to get there (1)

dreamstime_xs_31350075 POSTCARD#78: Delhi: I open the door and step out into the sunshine, shading my eyes from the brightness of the sun, look down for a moment, and a shadow flits across the paved stone area at my feet. What is it? Look back up quickly – it’s a squirrel running along the electric cables. I see it as it leaps into an overhanging tree branch… yaay! The branch sweeps downward with its weight and sails back up again as the squirrel leaps to the next branch and disappears in the foliage. The action suggests joyfulness, a celebration, and this is how I’m feeling right now because today, 6th July, is my birthday – 24,455 revolutions of the planet Earth since the day I was born. I’m a silver-haired old guy acting like half his age. It’s also the day I go back to UK, a happy coincidence; returning to the place I was born on the day of my birth.

Two flights to get there: Delhi/London/ London/Inverness, and 10½ hours flying time. The prodigal son archetype, you could say, but I’ve been away too long. More than 30 years living in other people’s countries. Now I’m a stranger in my own home; everything is different, just the déjà vu of it all; a familiarity I can recognise but cannot identify with. I stay in hotels and everyone thinks I’m a foreign tourist who speaks English really well. I’m astonished at being able to understand what people are saying and feel like I shouldn’t be listening. The intrusion of other people’s conversations is sometimes shocking! This must be what it feels like to be a spy – and dressed like this in these old UK clothes I’ve kept all these years in the wardrobe.

Looking through everything last night, I find an old jacket, try it on for size, it seems small, must have shrunk. Try on another one and it’s shrunk too! I ask Jiab how a jacket can shrink just hanging in the wardrobe for a few years, and she says, ah well… And these shoes! Try them on, hard enclosures seem to clutch at the feet, toes unfamiliar with the hollows in the leather they used to occupy… unwillingly they find their old places. This is who I used to be. Walk across the room, clip-clop, clip-clop, feet imprisoned in shoes, look at myself in the mirror. Who’s that? It’s me, acting the part, ‘self’ is the performance. The actor who long ago became somebody else, and forgot who he was. Inside one pocket, there’s an old plastic bag tied in a knot, difficult to undo. Inside are some British pound coins, thick, heavy and important looking. A single Pound coin looks like gold, like it came from a treasure chest and could be worth a fortune, but it’s not enough to buy a cup of coffee. We have to have handfuls of these ‘gold’ pieces just to buy ordinary things. The weight of them causes jacket pockets to go out of shape, holes in the lining.

It’s really so different from here in the East, the humble unassuming Rupee and small Thai Baht coins that jingle lightly and can buy so much. There is the Buddha’s teaching on greed, hatred and delusion, but right now I don’t want to think about anything other than standing in my Delhi doorway here, watching to see if maybe another squirrel will come running along the electric cable and jump into the trees. And somebody says the car is here to take me to the airport. This is it then, walk across to the gate, clip-clop, clip-clop, hard shoes on paving stones. My bag shoved in the back, into car and we’re off. All strength to the adventure…

“Consider the trees which allow the birds to perch and fly away without either
 inviting them to stay or desiring them never to depart. If your heart can be 
like this, you will be near to the way.”

 [Zen Buddhist teaching]

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… to be continued (image: dreamstime.com)

the jitensha metaphor

penny_farthing_bike_grand_bi-999pxPOSTCARD#75: Delhi: We bought an exercise bike from a Japanese lady who was leaving Delhi. It was a surprisingly large heavy thing with horns (NOVA fitness 700u). The delivery guys carried it into the spare room and that’s where it lives now. Jiab called it the jitensha – Japanese for bicycle:じてんしゃ remembering the bicycle she used to have when we lived in Japan. It got stolen – a sad story. So this big jitensha became the reincarnation of the one that was lost long ago. We started a routine of using the exercise bike and ‘jitensha’ became a verb, ‘to jitensha’, as in: are you going to jitensha? Jiab is Thai, and English is an improvisation, she speaks the language like playing a musical instrument. Everything is fun and it is such a lovely onomatopoeic word: ji-ten-sha… jitensha-jitensha-jitensha-jitensha, like the action of pedal crank, spinning chain wheel and everything about our jitensha is metaphorical; cycling through time in the present moment, situated firmly in the here-and-now, and the real sensation of going someplace but there are no wheels.

I get on the jitensha first thing in the morning. It’s the hot season, ceiling fan spinning, sleepy in the darkness and I wake up whizzing through streets and pathways of the mind, wind in my face and my eyes closed. Always downhill, no need to balance or steer or pay attention to where I’m going, there’s only this pleasing familiarity with the bicycle state of mind. Usually a four or five mile jaunt, not too hard, upper body swinging side to side with the pedaling movement, bare feet in pedal straps. Nothing else to do or worry about, thoughts arrive and depart, leaving fragments of things that form into something new, a memory of an event that happened long ago. Ah yes, I remember that… hold it for a moment then let it go. Now this, now that, things of no consequence. Focus on each one as it appears and disappears somewhere in these great landscapes seen rushing by.

Maybe it’s the blood circulation, a pleasing rush, and slight pressure behind the eyes seems to drive the thinking process. The intensity of making things into other things and the world out there is seen from the point of view of ‘me’ in here… the metaphorical self. I am on the receiving end of all this, I am the face in the mirror – look, that’s me. I think, therefore I am… a passing view of self and the hollowness of it all. Let it go and it’s gone, “the closer you look, the more it’s not there”. And then I’m inside a curious extended, freeze-framed thought moment, the all-inclusive presence of it and a sense of immensely distant things. No reference points and nothing left to think about. I’m not aware the thoughts have gone, just know they’re not there anymore. All that remains is the activity of Mind, not familiar with the ‘unthinking’ state and trying to fill the empty space with something, anything. Then that’s seen too, it falls away, and the jitensha spins off towards the horizon…

‘Wherever you go, you carry with you the sense of here and now. This is what distinguishes any present experience from memory. It reveals that space and time are in you and not the other way around. Most people are not acquainted with the sense of their being but only with the knowledge of their doing.’ [Wu Hsin]

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The Wu Hsin quote comes from the superaalifragilistic blog/ Behind The Mind: The Lost Writings of Wu Hsin –   G   R   A   T   I   T   U   D   E   –

 

storm archetype

DE31_PG1_4-COL_WEA_1924668gPOSTCARD#71: Delhi: It came in the late afternoon, rush hour traffic was at a standstill, tree branches tumbling in the road and all kinds of things blowing around. Later somebody said it was like a whirlwind, sudden chaos for twenty minutes… the world was falling apart. Then suddenly it was over, only the devastation left behind. Earlier in the day it was obvious something was happening but I didn’t know what exactly. There’d been this strange brown coloured sky all through the morning, and I’d considered it but wasn’t paying much attention because I’d arrived in Delhi only the day before. Everything was weird, the whole thing; first day back after an absence of three months and all I could seem to focus on at the time was this incredible heat. Googled the weather later: hot and dry winds, max 46oC today; higher than body temperature, hotter outside than it is inside…

Step out of the air-con room, into the lobby and the heat is like… a thing, a presence, a semi-liquid jello-like substance that fits exactly into every corner of the room. The ceiling fan just stirs it up, slooshes it around, slaps it off the walls. I make my way through the lobby heat to the main room where another air-con is running and into the cool again. Check the phone, and there’s a text message from Jiab saying they expect stormy weather today. That’s when I noticed the sky was this curious brown colour, an apocalyptic feeling. Never seen it like this. Go to the glass doors, take a closer look at it, open the door and step outside. The heat takes my breath away. The sky is filled with brown smoke – later I discovered it was dust, fine sand from all the dry areas surrounding Delhi. I touch the metal parts of the door and ouch! It burns my hand. Disorientated, a few seconds of panic… the heat will dry up all the fluids in my body. Eyes like slits, avoid any sudden intake of breath for fear of it drying up all the moisture in the throat. The planet Mars must be something like this. Back inside, close the door, the cool of the room again.

A couple of hours after that, the storm started. Really immense gusts of wind, tree tops swirling around like I’ve never seen them do before. Windows rattle in their frames, bang, crash. Breaking glass… the wind must have blown in a window! How can that be, what’s happening? Outside there are people running for shelter, and a large tree-branch just separates from the rest of the tree, long strip of bark left behind, tumbles over and crump lands on the roof of a parked car. Crashing noises upstairs and I run up there to see. Open the door to the roof terrace, and peep out through the gap, holding the door as it gusts against my weight. Parts of the thatched roof of our sun shelter are gone…

Sky is full of twigs, leaves and flying debris… black shapes against a brown light, and the strangest thing I’ve ever seen: there are birds everywhere – fluttering in the air, coping with it, a frantic flap of wings, bodies flung upwards suddenly – off to the side in unnatural ways. It’s like the end of the world; the air has become the sea, boats at the mercy of the waves. Pull the door shut, and go back downstairs, lie low until it settles.

IMG_1051“When the sensation that I am in control of my life and must make it happen ends, then life is simply lived and relaxation takes place. There is a sense of ease with whatever is the case and an end to grasping for what might be.” [Richard Sylvester]

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Upper photo source: The Hindu Newspaper. Lower photo: Parts of the sun shelter after the storm. Note: This post was created from notes made on June 1st in Delhi

melodic intervals

IMG_1030bPOSTCARD#69: Chiang Mai: Tuktuk gets stuck in traffic, comes to a stop, driver brakes and switches off. The large sound of the 2-stroke engine is gone with the flick of a switch. Suddenly it’s quiet, only metallic creaks and random traffic noises. The outside world enters my space – inner merged with outer – no walls, just a canvas roof supported by metal poles bolted to an engine with wheels and a seat. It’s like camping when we were kids, inside a tent, domestic activities in the open-air. Gentle winds blowing through, reflected heat from other vehicles and the slightly surprising presence of tarmac. City infrastructure – experiencing it for the first time… the world has always been here, I’ve just been busy with the concept of it and didn’t notice.

I hear my phone and search for it in the bag… listening, but it’s not mine, ringtone is totally different. It’s that kind of high frequency awareness I seem to have these days, the melody playing in the sound of air-conditioners, ceiling-fans and anything that whistles and sings. Then I hear this single word, ‘hello?’ coming from somewhere behind me in the column of stationary traffic. I turn to see; it’s a girl sitting on the back of a motorbike, holding a phone to her ear. A conversation begins, quite loud, but I can’t make sense of what she’s saying – not that I’d want to… anyway she’s speaking in Thai, which is difficult enough and also, I notice, she’s eating an ice-cream cone at the same time: “wah ee ah in ai-eem ah” no words, it seems, just incoherent mumbling. So, well I’m vaguely curious about this, thinking how can she expect anybody to know what she’s talking about with a mouthful of ice-cream going at the same time? Her boyfriend (driver of the motorbike) says something to her, and he’s eating an ice-cream too: “oo ap ai ao a-lai ab?” mouth open trying to let the coldness out. Coping with a large bite of ice-cream, he speaks with lips protruding in a singsong, bird-like way, all-vowel articulation – a kind of breathy thing. She replies, and it amazes me… they can understand each other perfectly well.

It’s like the mating dialogue of exotic animals in National Geographic. I listen and realise I can also understand some of what they’re saying (see below). No consonants in Thai, no sharp sounds like /s/ /sh/ /ch/ /t/ /d/ /k/ that require lip, teeth and tongue coordination and thus difficult (impossible) to articulate without an explosion of strawberry vanilla ice-cream from the mouth. The Thai language doesn’t have that problem; it’s mostly vowels, like an arrangement of melodic intervals, five tones: rising, falling, high, low and middle. Listen for the tones and you can always understand what’s being said (if you’re Thai). Words are not spoken, they’re sung. Thai is a tune played on the acoustic wind instrument that is the human vocal tract.

Tuktuk driver (a lady) keys the ignition; other engines start up like the clearing of throats. Gears engage and there’s movement in the column of cars, a kind of careful jostling for space as everybody gets ready to go. Things start to speed up, we’re all moving as one, then spaces open in the traffic. At some point, the motorbike roars up behind me and overtakes – girl on the back, speaking on the phone again, boyfriend in front with ice-cream cone held in his teeth, gives throttle to the machine and they accelerate away…

‘All we know of a thought is the experience of thinking, all we know of a sensation is the experience of sensing, all we know of a sight is the experiencing of seeing, all we know of a sound is the experience of hearing…. And all that is known of thinking, sensing, seeing, hearing, touching, tasting and smelling is the knowing of them. And what is it that knows this knowing? Only something that itself has the capacity to know could know anything. So it is knowing that knows knowing.’ [Rupert Spira]

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 Notes on the ice-cream pronunciation: She says: “wah ee ah in ai-eem, ah” (wàt-dee kha gin ai-dtim kha: “hi, [excuse me] I’m eating ice-cream”) สวัสดีค่ะกินไอติมค่ะ And he says: “oo ap ai ao a-lai ab? (pôot gàp krai ao a-rai krab: “who are you talking to, what does he want?”) พูดกับใครเอาอะไรครับ ?
Excerpts included here from an earlier post: castles made of sand

flying away

Phkt2POSTCARD#68: Phuket: We’re leaving today. Packing the bags takes up most of the early morning and M doesn’t say anything. Very soon we’ll check out, say goodbye to our rooms and never be back. The enigma of the hotel room, a location in time and space inhabited for a short time then it’s gone. Furniture is used; marble floor walked on – years and years of housekeeping staff have swept, swabbed and polished this floor. Such a beautiful thing ignored, M sits with me. Internet connection not good, no iPad – flying away in her mind already. Jumps up and goes over to the thin lace curtain at the window, pulls it around her narrow body, extends a leg and points her toe – looks along and down at how the folds of fabric fall like an exotic gown to the floor, then spins around in a twirl and skips away to somewhere else in the room.

The others are busy packing away bathroom things; nothing remains for me to do here. Sitting in the upholstered chair, see how that feels…. breath enters like a wind gusting in, withdraws. It comes back, blows through then it’s not there again. A great emptiness opens up, I might easily fall into a joyful state and believe that this is “it” but everything changes, anicca, everything changes. It’s about the on-going experiential response – what else could it be about? Skin, muscle, flesh, and these mysterious organs held by ligaments bonded into a skeletal structure. I am the context for the outer content. The whole investigation is one that is open to following where the mind leads, see where it goes, how it reacts. Conscious awareness of how the mind is able to concentrate and to what extent – passageways of insight open in an instant and are gone.

Then later in the breakfast room, M selecting food items from silver dishes, everything done in a dream, eyes glazed over; watching a movie in her head, a story about what’s going on around her. Holding her big white plate so it’s level, places it with mindfulness on the table, descending like a UFO landing. Sits next to me – I feel her presence/absence. She likes the hotel silverware flashing like swords. Takes the large fork and stabs a sausage as if it were trying to escape – that wriggling sausage can’t get away. Begins a vigorous sawing motion with knife held in the right hand, breakfast table moves with the vibration, coffee nearly spills from the cup. Cuts off less than 1/4 inch, lays down knife, fork transferred to the right hand like a weapon in battle… stabs the tiny portion of sausage and the trapped morsel travels up to the mouth. I count more than 20 chewing movements, up/down up/down, masticated beyond belief. She’s lost interest, forgotten about it. A few other nibbles and the rest of it is left untouched.

IMG_1004Wait in the hotel lobby, look at people we don’t know, will never see again, then into the van and away to the airport. Through the crowds, check-in, departure gate, boarding and we’re in our seats. The takeoff sends me to sleep, I have a short dream: gentle voices of friends talking, I hear my name mentioned with loving-kindness… it occurs to me that I’m dead. Wake up suddenly and ask M, beside me, did she say something? No answer, playing with her prince and princess dolls on the fold-down table. Silence, one held in each hand – relationships, a dialogue, events taking place in the mind…

‘The world outside is our consciousness…. It is not something separate and distinct. The object and the subject of perception inter-are. Without subject, there is no object; without object, there is no subject. They manifest at the same time. To see means to see something. The seer does not exist separately from the seen; they manifest at the same time. If you imagine that the seer is independent and goes out in order to see the seen, that is a mistaken perception.’ [Thich Nhat Hanh, “The Buddhist Understanding of Reality”]

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Upper image: Phuket island seen from the Southern viewpoint. Lower image: Chiang Mai seen from the air.
Notes from Ajahn Munindo’s talks included here.
– G  R  A  T  I  T  U  D  E –

now here & nowhere

HuayKaewTuktukPOSTCARD#63: Chiang Mai: Going home in a tuk-tuk with M sitting beside me, small body-mass pressed against my side. The urgency of speed, kinda scary, canvas roof, no walls and immense sound of 2-stroke engine fills our space. Impossible to hear what she’s saying, M indicates that she wants to borrow my phone. I pull it out of my pocket, hesitate. Is it okay to play with a slippery glass-like instrument like this in a speeding tuk-tuk?  It might fly away into the great-rushing-past-outside world, anicca, necessity of mindfulness – she should hold it tight. Small face looks at me silently… don’t make a thing out of this Toong-Ting. I press it into her small hands. Hot, prehensile fingers grab, grasp and clasp the phone. Go to settings, clear away unwanted windows with the swipe of a tiny finger and launch multiplayer Minecraft.

So fast! I’m kinda surprised she’s managing to get Internet, 3G signal reaching us here in a tuk-tuk racing through the streets of Chiang Mai – or maybe we’re in it, like a fish is in an ocean of water. Everything out-there passing by in a blur, feels like a totally crazy speed, why all this rush? I can see over the driver’s shoulder, through his windscreen and it’s like travelling through a wormhole in space-time; the actual here-and-now – everything outside of this is in a different reality. Everything on the ‘in’ side of it locked down tight, my arm around the slight presence of M, taking up such a small amount of the space on the seat, legs sticking out, and Minecraft’s digitally created landscapes of mountains and seascapes appear in the little window of the phone in her hands. She’s now in player-hosted servers with visiting players from all countries in the world. How do you say this Toong-Ting? She spells out: G-A-V-I-N. I tell her it’s a boy’s name, ‘Gavin’, probably English (who’s this Gavin guy, I wonder). I see name labels moving around the landscapes, Japanese and Italian names; Spanish, German, Norwegian – players I assume are about the same age as M. I see boy’s names and girl’s names, all here at this very moment – and, where is ‘here’? Good question: now here and nowhere, depends on the context… spatial and temporal qualities. Space and time are not separate, I read in a post recently [See note 2, below]. This is (always) where we are at.

Looking down at the top of her head, hair combed from a parting in the middle, pulled out in two separate directions, woven into tight plaits on either side, and it’s as if she knows I’m looking at her: Remember this number Toong-Ting: 19122, she says. I consciously remember the number, repeating it to myself… In a moment she asks me what the number was. I tell her, 19122 and ask what it was for, by the way, but she doesn’t answer… having to have things explained to me by a 9 year-old girl who speaks English as a second language – must be a password or login name. Sad really, these days there’s not the dialogue there used to be, ‘I’ am not here, anatta, a suspended state, waiting for the next question. What’s this mean, Toong-Ting? M spells out: B-R-O-S and I tell her it’s a boy’s server, he’s American probably, he’s black and I think she knew the word ’bro’ already. Obviously interested in this and next thing she’s in with the BROS, their mountains and volcanic lava, burning fires.

Then there’s a little wail – she gets disconnected. It feels to me like a catastrophe, but for M it’s no big deal, she changes to a different player-hosted server with new players – or maybe some of them are they same ones who just got here from the same sites we were all in earlier. And while that’s loading, a quick glance at the blur of what’s out there rushing by us, then she starts to sing a song from the movie: Frozen: ‘Let it go, let it go….’ I join her in the song. We sing together, Tuk-tuk driver laughing with his eyes in the rear-view mirror….

‘Time is in the mind, space is in the mind. The law of cause and effect is also a way of thinking. In reality all is here and now and all is one. Multiplicity and diversity are in the mind only’. [Nisargadatta]

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Notes: 1) The Nisargadatta quote above comes from a post I read recently but cannot find now. If you happen to know which one it is, please let me know – thank you! 2) Gratitude to: KM Huber for her post: No separation of Space and Time Here and the space-time observation. 3) Mr. Tawat the tuk-tuk driver usually waits at the same place at the end of my road every day. He has taken me on other journeys, you can see other pics of his tuk-tuk here and here and also below

tuktuk mirror

 

mourning the loss of spring

yellow blossom2POSTCARD#61: Chiang Mai: Looking at all these posts written by my blogger friends about springtime in the Northern hemisphere and something stirs in me… that urge for seasonal change, I want to be there. No seasons in Thailand, every day is pretty much like the day before. Time disappears, days become weeks, weeks become months, months become years. The whole thing is one very, very long day – night interrupts the flow, hardly noticed, and goes unremembered like the blink of an eye.

New leaves bud, grow, turn brown, fall and get swept away all through the year. There’s no autumn, no winter, no snow, no hibernation, no spring returning. The same bright light day after day, everything is awake all the time, and there’s an exhaustion about it. Necessary to take a rest in the afternoons, find my place bookmarked in the dream… I remember the silence of no ceiling fans. Natural AC, always a chill in the air and the sky a curious indistinct grey, sometimes, neither one thing nor another. It suits the transitory way of things, anicca.

I am a hoarder of old notes and among these there are references to spring in Switzerland, enthusiastic words written by a younger ‘me’ about buds beginning to appear on that yellow shrub that’s always the first to have colour around lac de Genève. Birdsong and smells of growth or greenness, leafy fragrances, moss and pebbles and the presence of the lake, lying there on its side like some vast mysterious being.

Date: 26 March 2001. Spring has sprung and just yesterday morning around 6am I suddenly noticed there wasn’t any birdsong and how could that be, what happened and why so dark? But it was because it’s all one hour earlier than the clock says (daylight saving time) and birds don’t change their watches.’

And another note about going to teach an English class in zone industrielle, Date: 10 April 2001. Yesterday was a bright sunny day and about 11 am, in the garden outside the building, I noticed the cherry trees with buds and tiny bits of bright pink. At 12.30pm, class was over and when I came past the same cherry trees, the buds were totally open and blossoms everywhere. It’s like Spring suddenly happened in just over an hour…

In the same way, it can disappear in an hour and I’m mourning the loss of spring… then that changes too. Everything is impermanent, including the idea that everything is impermanent – steel embedded in concrete, seemingly permanent, demolished by a man with a jackhammer in a single afternoon. But we don’t want to believe it, reluctant to accept that the world is so fragile, touch it and it falls to pieces – almost as if it’s not there.

Seen from the apartment here on the third floor, level with the tree tops, these exotic yellow and black squirrels jump around as if they had wings. Tremendous long leaps and landing: crish-crash! Branches spring back, rise up with the weight like uncontrollable laughter, high in the tops of slender trees, boughs bending to take the mass of one small body chased by another. Always having to catch up, never getting there, I follow them dashing through the foliage, my eye leaps in the field of vision – where are they now? The “now” moment slips from my grasp, I focus on it and it escapes. A new moment arrives, or is it the same one continuing from before? World without end….

‘…linear time melts in the now, self-dissolving, fading into space; 
days and dates fade away; months, years and eons dissolve; 
the one and the many vanished, sacred and profane both clarified;
 the delusive ground of samsara and nirvana clarified in its innate spaciousness. Even “spaciousness”, as an intellectually contrived entity, dissolves.
 Whatever we have practiced, however we strive, is useless now,
 and intellectual gall exhausted, what a great marvel is the sky.’ [Longchenpa] source

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Photo: View from 3rd floor window and the trees where the squirrels play, yellow blossom appearing now it’s the hot season

 

fragments

tuktuk1aPOSTCARD #41: Chiang Mai: Awake with the sound of birdsong and the first signs of daylight. A kinship with all beings. We breathe the same air, experience the same kind of heart beat – the tastes, the smells, light, sound, body sensations and consciousness. Suddenly a thought arrives, a memory of something that happened a long time ago; not important, like an aspect of another thought that got overlooked somehow – now seen in a different way, simple and easy to be with. I’m sitting on the edge of the bed, bare feet on cold floor; not completely awake, contemplating the start of the day and it takes a moment to notice this thought is still here. I have the feeling that I understand more about it now than ever before. Quickly! Get up, search around for a pen, I’ll have to write it down in my notebook before I forget.

In the next few minutes, the thought seems to expand, occupies my whole attention. It’s as if I’m seeing it all for the first time. Even as I’m going around doing early morning things, the thought remains – like a stationary object. A feeling of meaningfulness, a sense of amazement with the functioning of the mind; watching to see what it’ll do next, where’ll it’ll go after this. What’s it like? Getting to know it, like a child understands a thing directly. Got keys, wallet and down in the elevator, still thinking about it. Out on the street and walk to the main road. Aware of mind phenomena and looking at that thought in particular; the fragility of non-grasping and allowing things to be un-held. Where did it come from, where was it before it arrived here? Somewhere in The Great Space, fragments of it dispersed in actions not yet taken… am I creating the thought by noticing it?

A tuktuk stops, I get in, we accelerate along the road; wind in the face, noise all around. The present moment is an accumulation of pieced-together thought-items; bits of language imagery from environmental-input and memories of past-time brought into present-time, projected into future-time. Time is a human measurement: applied time. Reminds me of something I read in a book written by somebody wise, saying that TIME is just God’s way of preventing everything happening in the same instant. In one microsecond, the entire history of the world, up to the present and off into the future… watch it as it flies past.

Pause for a moment. Traffic lights at the intersection and everything stops; a curious extended, stretched-out moment – just the circumstance itself. It takes a conscious effort to get it started again. Is conscious awareness moving from one moment to the next? If so, is this the next moment yet? Are all the fragments of the next moment combined sufficiently in the endless stream of things so that I can now say definitively, THIS IS THE NEXT MOMENT? And all of a sudden it’s the past again. There’s only one moment, always has been. One long moment that includes immensely distant things. A single passing thought lasts a thousand years. Its parts so remotely scattered, a great ocean of nothingness invades the space between things. No easily seen reference points, objects get forgotten about eventually and all that remains is the idea that, a long time ago, I think I was searching for something but I can’t really remember. Anyway, I was never able to find it – still distracted sometimes by the idea that I might stumble upon it by chance one day, but otherwise at peace with everything the way it is.

IMG_0221b‘The fact that we can never “fully know” reality is not a sign of the limitation of our knowledge, but the sign that reality itself is “incomplete,” open, an actualization of the underlying virtual process of Becoming.’ [Slavoj Žižek]

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the ‘now’ moment

IMG_0246bPOSTCARD #25 Delhi: Traffic stops. A great noise of beeping horns and eventually we can see it’s caused by cows crossing the road. Unusual to see cows being herded in the middle of the city – there must be a cowherder at the end of the column driving them, and others to clear the path through the traffic. The cows do seem a little anxious now, hurrying along. Usually they’re relaxed – placid is the word. I see them sometimes, sitting at the side of the road, cars moving around them, or they’re at rest on a traffic roundabout, ruminating, gazing out at the world.

The presence of the bovine mother, with its horns and all its wet-nose, smooth-hide, cowness, creates a kind of out-of-context NOW moment for me, a foreigner in this part of the world – although really, it’s ‘now’ all the time. ‘Now’ is not located anywhere in particular in time or space, it is always ‘now’ – the whole thing is ‘now’. The cow with its long eyelashes and good-looking face, just uncompromisingly ‘there’, is part of the environment and events taking place in the flow of occurrences, always in the present moment. I’m kinda blown-away by the immediate here-and-now reality of traffic flow around a seated cow, like a river moves round the boulders in a stream of tiny moments linked together, a seamless whole; cause becomes effect, what happened before it becomes what happened after that, and out into every available space in the city. It’s everywhere at the same time.

Usually I don’t see it; caught up in the thinking process; watching a movie in my head, driven by the requirements of a constructed ‘me’ and seeing the world in these terms. THINKING ABOUT THINGS so much, I don’t pay attention to the ‘now’ moment, the small period of pause that occurs… that empty space where nothing is happening, just before the next thought arises – a kind of non-event. Focus on it and everything stops shifting around, gradually settles down; time begins to stretch out in a vastness, reaching out over the horizon on all sides. Surrounding traffic is somewhere down below, locked-in, waiting for the cows to pass through.

This lasts as long as it takes for me to forget what I’m doing, attention wanders, and a passing wave of thought spins me off in the thinking process, the automatic default that brings me back to the functioning of the mind-body organism. The “self” getting in the way, feeling it didn’t quite have what it should have had, wanting this, happy with that, glad there are signs of movement at last and the ‘now’ moment is changed to something else. We’re on the road again, the cow obstruction has gone. Revving car engines, horns beep-beep, jostling for space. Car bodies like brightly coloured Lego pieces fit together to create a form, then immediately separate themselves and become a different form; join with other forms and larger constructs fit together with surrounding pieces. Traffic roars, screaming horns, it all begins to spread out, moving as one, then it’s quickly dispersed into separate units, more acceleration, and we’re away like a wave rushing back out to sea. The speed is breathtaking….

hornpleaseRedFort

‘The human body is not a frozen sculpture fixed in space and time. The human body is a dynamic bundle of energy, information and intelligence that constantly is renewing itself and is in exchange with the larger field of energy, information and intelligence that we call the universe. In fact if we could really see the human body as it is, not through the artifact of sensory experience, you would see it to be much more exciting.’ [Deepak Chopra, ‘The Basics of Quantum Healing’]

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Source for lower image: Martin S. Gotfrit