improvisation

Posted on September 5, 2015 by tiramit

POSTCARD 149: Delhi: Mall architecture, astonishingly playful buildings, concrete and steel monuments and shrines to maya (sanskrit: illusion) – in Chiang Mai they even named a shopping mall ‘MAYA’. The population welcomes the idea; step into the illusion… air-conditioned, bright and colourful. More and more of these in Bangkok, over the top – a lightweight upbeat city culture, low labour cost and construction projects are ongoing. Something hopelessly inevitable about it careering towards the relentless consumer culture of the West – except that in the East, people are more likely to ‘know’ when they’re stepping into the illusion. Cultural tradition, awareness and vestiges of spirituality; besides, everybody here knows that if somebody is in the market trying to sell you something, it means you have the option to negotiate a fair price… not so in the Mall, and that’s why so few people go there.

The Mall culture affects only a small percentage of the population (sounds like a virus) and, I have to say I’m sometimes part of that minority; the need for essential things for devices, bookshops and a good baker. To get to our mall we have to drive out of town and the three-building complex is situated in an undeveloped area – there’s a fourth building going up at the time of writing. Construction site workers’ community nearby, chickens and goats in a hot dry, dusty landscape. Come off the highway, through a great winding turn of rough unsurfaced road, potholes and puddles of water and into the short entry, manned by security – car examined, mirrors held underneath, look in the trunk, the engine. More security at the entrance, metal detector and security guards carry out a full body search before you get in the door.

It’s as if the whole concept of consumerism is subject to scrutiny; not as easy as it is in the West to simply be ‘pulled’ into the Mall like a magnet and disinclined to escape from the illusion. For many people the whole thing seems impossible to change, situated at the end of the consumerist food chain, as they are, and trapped in that predicament. No alternative, we have to purchase the product because we can’t create it ourselves – so far away from the artisan, so far away from doing things ourselves. People believe they can’t improvise… forgetting that the whole thing is improvised… language is improvised, life itself is improvised. All the systems that are in place were improvised to start with, and even though we may be subject to skillful marketing strategies, there’s still the innate ability to be creative, to improvise, to invent, to innovate, to find a way out of the illusion.

These carnivorous marketing creatures have to be gently pushed into the background in order to bring what’s really meaningful in life into focus. There’s a lightness, a floating in the air… the open-endedness of the human situation, groundlessness.

“What can we gain by sailing to the moon if we cannot cross the abyss that separates us from ourselves?” [Thomas Merton]

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photo: shopping mall Bangkok

space and far-away things

Posted on September 1, 2015 by tiramit

POSTCARD 148: Delhi: bare feet on marble floor surface, pad-pad-pad, darkness in the front room, no daylight coming in through the glass patio door. What’s the time? Blinding light of my phone left on the desk: 5.15 am. I know my way by feel, through between furniture, mindful not to stub my toe on chair legs, and unwilling to switch on the light that hurts the eyes. Gentle with the mind/body organism waking up after having been parked, horizontalised in sleep mode for 8 hours. I know where the ceiling fan switch is… ting-ting-ting and I can depend on the laptop screen to illuminate the room – switch on the machine and it’s like a car headlight in the room, I need to turn my head away to avoid the glare.

There’s a pair of prescription sunglasses I use for this harsh brightness. Peer at the screen, scroll down through Word Press Reader and discover: Zen Flash: Tibetan Singing Bowl Meditation: Session 2 (27:30), click on the link. Plug in my ear buds and enter a huge, wonderful landscape of sound, space and far-away things – an entire panorama inside my head. But is that some conversation in the background or people chatting outside the house? Here in New Delhi there’s something going on 24/7. Is there a dog barking in the distance or is that on the sound track too? It seems at first that I need to differentiate, the ting-ting-ting sound is not the sound track, it’s the ceiling fan. At first I feel I have to be able to know what’s happening inside and outside of the listening zone, which is which? Then it doesn’t matter, it’s okay, accept it all as a oneness.

Back to the screen, open iPhoto library, and there’s the pic taken at Khan Market, a popular area; bicycle propped up on its stand in an alleyway. Left in the middle of the road, why? The owner must be somewhere nearby. Tibetan Singing Bowl sounds swirl around this bicycle, empty sack tied on the back, with a box on the front. There’s a presence of the owner – choosing to leave the bicycle in plain sight… he must know that everyone knows it’s his. It’s like the whole world is one large room; domestic life without walls, centuries of open-air living. There’s this quality about India – if you’ve ever been here you’ll know what I’m talking about. It’s not about visiting ancient sites or jaw-dropping experiences that fill you with awe, it can be simply the fragrance of incense, candlewax, ironed cotton clothes; an aura arising from something olfactory, the strange familiarity of cooking smells.

Fragments of people’s lives; a hugeness of ordinary things, a sense of loving-kindness and well being in the millions of every-day events taking place inside homes. Inside my home where we’ve lived for nearly five years, the Tibetan Singing Bowl Meditation track has birdsong, a sound like an aircraft passing overhead, voices outside quietly whispering. I look up to find the music has stopped, sounds from the world enter the room, faint daylight coming in through the glass patio doors. What’s the time? 6.00 am.

I am restless. I am athirst for far-away things.
My soul goes out in a longing to touch the skirt of the dim distance.
O Great Beyond, O the keen call of thy flute!
I forget, I ever forget, that I have no wings to fly,
that I am bound in this spot evermore.
[Rabindranath Tagore]

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Special thanks to Zen Flash for the soundtrack mentioned in this post
~ g r a t i t u d e ~

tilt

Posted on August 28, 2015 by tiramit

POSTCARD 147: Delhi: Phone rings. It’s a message from Jiab in Mumbai… image downloading, a photo taken from her car window. Reflections in the glass make it look like the yellow-top taxi is fusing into the back of the red bus. She’s stuck in a traffic jam; same here in central Delhi (on my way to Khan Market), rivers flowing through all the urban creeks and tributaries, as one vast river and this curious thought that it’s the same time at any point along its route. Or extended through every passageway in the city, as a mass of end-to-end steel/chrome-plated metal, creaking along like the glacier I visited a long time ago in Switzerland moving so slowly, the end of its 133 kilometer length is four hundred years older than its beginning.

Placing parenthesis around a block of time creates a beginning and an end, the world seen in a particular context… ‘my’ view of reality and the actual state of things out ‘there’ appears separate from me. I live in an illusion, riding around like a passenger seated in the vehicle of the body, input from data received through sight, sound, smell, taste, touch – and a mind that creates meaning based on memory files of similar events occurring in the past. There’s this identification with the thing-ness of things, thoughts, solutions and problems, reviewing, seeking, and memories of past times.

Yet, I can see the mind as an object; I am an organism contained in and created by the ‘world’, a body made of earth, water, fire and air. And if they’ve invented something that can break up the molecular structure of solid objects, concrete and steel, I find it impossible to believe, of course, more likely to disbelieve – but, given this all-inclusive subjectivity as the nature of the world, I’m inclined to believe it is possible, and everything tilts in an unexpected way.

Traffic seized up here in the approach to Khan Market, but the signal is still good so I take a picture and send it to Jiab in Mumbai, 1400 kilometers away.

‘Things are not what they appear to be: nor are they otherwise.’ [Śūraṅgama Sūtra]

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immediacy

Posted on August 26, 2015 by tiramit

POSTCARD 146: Delhi: The early flight from Bangkok arrives in Delhi mid-morning local time. It feels like everything that brought me here has vanished; a curious missing piece of time, the four hours of travelling, and before that the Thai departures, the check-in desk, and before that the taxi that took me to the airport from my house in the darkness of very early morning, more like the middle of the night – all that has gone, the past is like a half-remembered dream.

I suddenly wake up in the middle of a Delhi traffic jam and it’s really confusing to be in this bright daylight after the darkness of the aircraft cabin. The transition into this reality so rapid, the split-second required for it to take form is… missing, yet an awareness of it having taken place remains – or the feeling that something just happened, whatever, and having to allow for the curious delay in the time it takes to recognize what’s going on. Suddenly there’s the blare of car horns from behind and vehicles overtaking as the driver adjusts to avoid a motorbike coming towards us on the nearside (why’s that man driving on the wrong side of the road?).

There’s an alertness, anticipated danger, preparedness… the car is buffeted around, rock-and-roll, accelerated, braked, jerked, vibrated and three lines of speed bumps one meter apart cause the vehicle to jolt six times. Then it stops. There’s an obstruction up front. Horns continue to blare and protest. What to do? The one-way system in Delhi is unrelenting; it can take a very long time to get back to where you want to be. So when the driver sees a gap in the flow and makes a smooth wide U-turn straight across four lanes of traffic, I feel like breaking into applause as we speed away in the opposite direction.

A few short turns through streets I’ve never been in before and we arrive at the house. Me and my suitcase of compressed, flat-pack clothing, ‘self’ assembly; get into the bathroom, shower, put on new clothes, and become someone else, an assumed identity. Step into the room: So, how was the flight? Yes okay not too crowded. Suddenly aware of having to speak in codes, chunks of language created by air forced through vocal cords squeaks like the reed of a wind instrument, and rolling articulated back throat cavities, deep volumes of sound, gasp and split bits of wet air that whistle and chirp for an instant in tongue, teeth and lip. Thought associates words which insist on naming things, integrate pieces of the jigsaw puzzle; a picture emerging as I speak, yet changing constantly according to the way the parts fit together.

Objects have that strange familiarity, rush towards me like old acquaintances… remember me? There’s a book on the desk, open it at the page where the marker was left the last time I visited. Return to that place but can’t recognize anything. The ‘now’ moment is here and in all other locations at the same time. All I can do is dig up a few artifacts from recent history before I have to go on again; the point of origin is so distant, I’d never find the way back to the beginning …

“The intimacy and immediacy of the now… is our only security. It is utterly vulnerable and completely secure. No harm can come to us in the now, no sorrow and no death. All our longing longs only for this.” [The Intimacy and Immediacy of the Now, by Rupert Spira]

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why?

Posted on August 22, 2015 by tiramit

POSTCARD 145: Bangkok: The front cover of the Matichon newspaper weekly supplement shows pictures of the Erawan Shrine with the headline: ‘why’, ทำไม (tham mai). Whoever is responsible for the bomb would have been aware of the damage to relationships with China, and aware of the damage to the Thai government for failing to protect the public. Seems strange to me that even though it’s a four-headed Hindu, Brahmin shrine, worshippers are mostly Chinese Thais and it’s popular with Chinese tourists from Hong Kong, Singapore, and the new wealth of mainland China, group-tours of families and young people mostly. Maybe it’s not political, an act of madness – the shrine has a curious history. Inevitable, though, that everyone assumes it’s political; the small cartoon character in the lower right appears in every edition of the Matichon weekly. In this one the character wears a black armband and is saying: “So now we have finally come to this!” A provocative statement – a comment about anti-government groups, trying to harm the Thai economy.

It’s a mystery. I visited the shrine yesterday, most of the barriers are moved away now, some repairs still to be done to the roof where the explosion blew off roof tiles. The pedestrian bridge is cordoned off with tape to stop people leaning over to take photos. The same great cloud of incence hangs in the air above a continuing throng of hundreds of people visiting throughout the day and night with their offerings and countless bowings of head and hands, burning incence sticks held in hands, and palms together as if in prayer (anjali). I’m amazed by the passion of the ritual, there’s always been some intensity of thought here – not an open free mind, it’s not meditative… it’s something ‘willed’. There’s an undercurrent of some sort of unknown energy, people cling to the idea of it, the deity can save us if we believe in Him; we worship somebody else ‘doing it’ on our behalf – we are subject to that.

Strange to see this, because Thailand is a Buddhist country and Buddhism is about not engaging with the ‘story’, it’s about understanding the constructed nature of what has been handed down to us and stepping outside of that to see the non-duality between ourselves and the world. Like the original Jesus Teachings, you simply ‘see’ the Truth of it; the reality that surrounds us all the time; like the Hindu Brahman, the Oneness, the God-state that’s here and now.

The people who visit here every day must be sincerely involved in mindfully finding their way through the busyness of their lives. Others may visit when they have an extreme situation they’re worrying about, they come for help; a desperate prayer for what ‘I’ want, what I think I need. I can’t imagine what they receive from this, only more of a focus on situations that are absent of that thing that is desired. Why? What can I learn from this? Is there a Teaching here? Or maybe there’s something wrong with the question. It could be superstition, misguided intentions, living in illusion; ‘the futile pursuit of happiness’ it’s always disatisying because it doesn’t do enough, I want more of it – the fleeting happiness found in consumerism doesn’t hit the spot.

Traffic noise echoes off the concrete structures all around. Heat and incence smoke rising…

‘The ego’s attachment to power of any kind is linked inextricably to the fear of losing that power and thus becomes a source of suffering.” (Ramdas)

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History: In 1956, an astrologer advised building the The Erawan Shrine to counter negative influences and the bad karma believed caused by laying the foundations of the Erawan Hotel on the wrong date. Furthermore, the Ratchaprasong Intersection had once been used to put criminals on public display. The hotel’s construction was delayed by a series of mishaps, including cost overruns, injuries to laborers, and the loss of a shipload of Italian marble intended for the building. In 2006, the shrine was vandalised by a Thai man believed to be mentally ill. After smashing the statue with a hammer, he was himself beaten to death by angry bystanders.

gentle ways

Posted on August 18, 2015 by tiramit

POSTCARD 144: Bangkok: Impossible to write about Thailand without reference to the car bomb last night in downtown Bangkok, the Thai word for it is ‘baa’ (insanity), was it a madman or was it a politically motivated act intended to provoke retaliation? There’ll be a long investigation and what it means is ordinary people will endure the traffic jams as roads are blocked off; life will go on as usual. Extremists give Thailand a bad reputation; it’s a story we know all too well these days – a created enemy.

I wasn’t able to discuss it with M my Thai niece in Chiang Mai, who’s thinking of things much more important than crazy people with bombs and anyway I’d left for Bangkok the day before, and had no idea there was a bomb because my place there is nowhere near the disaster area and I don’t watch TV. M told me when I called her about the pictures of the chocolate tart she sent me that we made when I was in Chiang Mai. She got the recipe from a YouTube video; created from a packet of Oreo cookies and 2 bars of good quality dark chocolate and one bar of milk chocolate. Open up the cookies and discard the pasty yucky bit in the middle. Smash the Oreo itself to a fine powder and mix with butter to make the base. Then break up the chocolate and melt in milk in a bowl inside a larger bowl of hot water. Pour on top of the Oreo base and put in the freezer overnight.

It’s a kinda reconstituted thing, I thought, yeh nice! Fun thing to do with M and she liked the idea that we are engaged in this activity together, impressed that I was able to scrunch up the Oreo with a spoon really well because of large strong fingers. I was rushing to get it finished though and M was holding things up with her attention to detail, The sequence is important, you have to do properly Toong-Ting, its work like that, she says. I correct her because, well, it’s natural to do that: ‘it works like that,’ I say. She looks at me, then goes back to her scrunching of Oreo: Why he, she and it have ‘s’, and the others don’t? And I say it’s because it’s Third Person Singular, you know? (knowing I’ll have to think up an explanation fast). But… Why? So I decide to try this: it’s just the way words relate to each other, the way things fit together, and the he-she-it one is different from the others. Just different, that’s all. M accepts this explanation and I’m relieved. We go on scrunching…

The Thai culture values peaceful, gentle ways. The Buddhist teachings guide people through the delusion arising from hot emotions like confusion, anger; the mindfulness of knowing that whatever arises, falls away. Thais have this deeply felt jai-yen (keep a cool heart) attitude that’ll hopefully allow things to remain calm in the years to come. Everyone is quite well aware of the danger. It’ll take more than a single bomb at Erawan Shrine to cause a reaction.
(Note: At the time of writing a second bomb has exploded in the river at Sathorn Bridge)

“Security is mostly superstition. It does not exist in nature, nor do children as a whole experience it. Avoiding danger is no safer in the long run than outright exposure. Life is either a daring adventure or nothing.” [Helen Keller]

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Note about Helen Keller: Helen was frustrated, at first, because she did not understand that every object had a word uniquely identifying it. [The] big breakthrough in communication came when she realized that the motions her teacher was making on the palm of her hand, while running cool water over her other hand, symbolized the idea of “water”.

Photo: Flower seller Phuket

looking out and looking in

Posted on August 14, 2015 by tiramit

POSTCARD 143: Delhi-Bangkok-Chiang Mai flight: The flight from Delhi arrives at Bangkok a bit behind schedule so we have to move along quickly to the transit desk and transfer to the domestic terminal for the next flight to Chiang Mai. In-flight bags on a small trolley, and we’re zooming along on the moving walkways in this celestial structure of steel and glass. As yet, passports are unstamped, les frontaliers, the no-man’s land between country borders. We’re unregistered, no identity, invisible data.

It’s always the journey to get there… after I get to where I think is ‘there’, there’s another ‘there’ to get to, and all of it leads back to ‘here’, an ‘everywhere’ place made up of everywhere else… then it’s extending away again. It can only be the journey itself, not the destination – the Path is the goal, this is where we live. Isolated scenes from parts of the surroundings seen flashing by as we’re soaring along the high speed walkways; smooth as swans gliding on the surface of a lake. Two thousand miles of transportation corridors from Delhi to here, flight corridors connected end-to-end, through which we travel in the sensory cloud of transient ‘now’ consciousness looking out and looking in. There is nowhere that consciousness isn’t present. Consciousness is everywhere, so vast – indeed everywhere is included in consciousness, “And the deep lane insists on the direction”, an extended corridor projected out towards the designated destination where everything in the perspective it creates seems to disappear in a vanishing point.

An incidental episode of familiarity comes along… the déjà vu of cups of coffee taken at these restaurants, bars where they have wifi. Have I been here before? Must be the last time I came through, or was it the time before that? Was I going – or was I coming back, transit to New Delhi? I spoke with some people there, if I happened to meet them now, I wouldn’t remember. No time this time, we’re at immigration, passport stamp thump! through to security, take off my belt, shoes, my watch. Laptops out of bags and put them into the tray together with my phone to go through the X-ray machine.

Just then, the phone rings… reflex movement to reach for it, but it’s too far and the security officer shakes her head… let it go through. Phone ringing happily as it rumbles on its rollers into the machine. I pass through the X-ray, muffled ringtone continues then lovely ascending increased volume as it comes out the other side. I want to pick it up but people are waiting, a bit harrassed; there’s the putting-on-of-the-belt and shoes. Security officials seem unmoved by the tremendous ascending 4D heavenly ringtone, probably happens all the time… eventually I get the phone. Hello?’ It’s M, my Thai niece: Where are you now Toong Ting? I tell her we are boarding the plane in a minute and will be in Chiang Mai in about one hour. Silence for a moment, then she says: I make choc-o-late-cake. Clearly punctuated percussive articulation, she speaks English as a second language. I tell her, oh nice! and try to explain how the phone got X-rayed as she was calling me, but she can’t find anything to say to that… attempting to find a link with something else it could be related to, mind travels away with this information. No time to discuss, we have to go now, bye. Speedwalking through to the Departure gate and they’re boarding just as we get there; processed, find seats, strapped in and ready for take-off… engines roar, climbing again up into higher altitudes.

You hide me in your cloak of Nothingness
Reflect my ghost in your glass of Being
I am nothing, yet appear: transparent dream
Where your eternity briefly trembles [Rumi]

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before the beginning

Posted on August 12, 2015 by tiramit

POSTCARD 142: Delhi-Bangkok flight: We are reading the newspaper, sharing parts of the Bangkok Post. Jiab also has the Thai newspaper and other pages spread over the seats and folded into the magazine pocket. Comfortable environment; the aircraft furniture, cushions, colourful papers and books. It’s a pleasing, at-home feeling; this is our space – looks like a hotel room, not an aircraft. There’s the hmmmm sound of the engines and shhhhh of the air, not unpleasant. Soft pale daylight coming in through the window, and out there, the blue sky above the clouds stretching on and on, curvature of the planet… it all seems so strangely still.

Stewardesses come with the drinks trolley, five or ten minutes go by and the sky, the horizon of clouds remain the same. It feels like the aircraft is stationary, suspended in space, no landmarks, no indicators of time, no beginning and no end. If I say there is a beginning, I create linear time. Encapsulated inside this aircraft there’s the duration of time – there was a beginning (we got on this plane at Delhi), and there will be an end (we get off the plane at Bangkok). But outside the cabin window there’s only the vast present time – the continuing ‘now’ phenomenon enfolding and unfolding, transforming from the past into future in one continuous surging-through movement that cannot be explained. What a strange mystery it is; future time slides into present time, tomorrow becomes today, ‘now’ falls back into yesterday… something ‘remembered’ because it’s gone now.

Mind creates a structure to explain time, otherwise how could we understand the enigma of how the past has ‘gone’ and the future has not arrived yet? Hovering on the brink of the smallest pause before it gets here; the empty space of not-knowing what it is, and held like this for an instant. We are time itself – how to understand that? It’s as if I were standing at the bow of a small sailing boat floating with the current flow, the sense of moving forwards but no shoreline, nothing to judge which direction the boat is going in, or the distance from (or to) something or anything – nothing to say where we’re going or where we are.

I glance down the aisle at my fellow passengers; Japanese staff based in India, they’ll transit at Bangkok and go on to Tokyo. Wealthy Indian tourists heading for a shopping experience in Bangkok… are they aware we’re presently suspended in timelessness? Probably choosing to not think about it – never arriving, always on the way to get ‘there’ (but where are we going?). Mostly choosing to focus on whatever is happening ‘now’, and creating a story about that. Focus on my presence here in a seat contoured to fit the human body, tight squeeze, enough space for legs and knees with an inch of space from the seat in front – beyond that I can see into the business class section… always the grass is greener. I am one of perhaps 300 passengers receiving services from the staff; a baby bird, beak wide open, help… feed me, please.

Before the beginning there were no beginnings or endings; there was only the eternal Always, which is still there – and always shall be. There was only an awareness of unflawed oneness, and this oneness was so complete, so awe-striking and unlimited in its joyous extension that it would be impossible for anything to be aware of something else that was not Itself.” [Disappearance of the Universe page 122]

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Excerpts from an earlier post: flying time

inertia of TV

Posted on August 8, 2015 by tiramit

POSTCARD 141: New Delhi: I passed a shop selling TVs, walked in and stood there for a moment in the zizzling static of huge glowing plasma screens. We don’t have a TV at home, haven’t owned one for nearly 5 years. It seems alien to me now, ‘entertainment’, compulsive Bollywood movies with high-power advertising every five minutes. I managed to kick the TV habit many years ago in the house in East Anglia. Reblogged below are some excerpts from the post I wrote about that event.

(Originally dated October 2, 2012): There used to be a TV here but I gave it away. A big old fashioned dinosaur TV, too large for this little old cottage. No room for it; limited floor space, low ceiling height, clutter and junk (jutter and clunk). I manhandled the TV upstairs but it was no good there; then downstairs again and hurt my back in the process. It was always in the way; just too big. I had it under the table for a while but it looked silly there… and I started to see that it had to go.

But I was dependent on TV watching; every other activity took second place to that, and attempting to disengage from TV was a struggle. What to do? I’d try switching it off suddenly, right in the middle of something, a chat show, whatever, just to see what the room felt and looked like without all the noise, bright lights and rewarding, congratulatory applause. But every time I did that, the absolute silence of a world without TV was devastating! The lack of colour and severity of greyness in the house was just… sad! I had to switch it on immediately. TV was like a friend, I couldn’t say goodbye to it. I kept on doing that, though, switching it off and on again, in the middle of programmes, to surprise myself. Eventually I started to get interested in the idea of the silence that remained without TV, typical of the location I was in – a house surrounded by quiet fields and nature.

But TV-cold-turkey was no fun and I was in denial for a very long time. Then one day I was watching the BBC news and noticed the newsreader pronounced his words with a weird sort of ‘smirk’… kinda disgusting, and then the whole ugly ‘self’ aspect of it was revealed. Shocking, but I was glad it happened because it was obvious then that I didn’t feel comfortable with TV in the house – it had to go. I carried it out the back door and left it in the garden; went back inside and discovered this huge space in the room where it used to be. Interesting to see the directions in the room created by a focus on TV; chairs arranged so that viewing could take place comfortably. So I rearranged the furniture, changed it all around, and that was really quite liberating.

I’d return to the kitchen window from time to time and look at the TV out there in the garden – holding my attention, still… thinking, that object should be ‘inside’, not ‘outside’. Completely out of context in the garden, but I just left it there; no longer connected to it. Later that day, it started to rain and drops were falling on the dusty black surface – the urge to take it back in… that was difficult. The neighbour dropped by and he said it’s not a good thing to leave a TV out in the rain. I told him I didn’t want it anymore, maybe he’d like to have it for his spare room? Okay thank you very much… and, you’re welcome. So I gave him the channel changer and that was it. Off he went and I watched him carry it into his house, happily bewildered by my generosity and failing to understand my joy at having escaped the inertia of TV.

‘Like a thief entering an empty house, bad thoughts cannot in any way harm an empty mind.’ [Padmasanbhava]

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Photo: Jason deCaires Taylor’s underwater sculpture, ‘Inertia’. Click here for more images.
Excerpts from an earlier post, titled The End of TV.

mindfulness and the sound of rain

Posted on August 2, 2015 by tiramit

POSTCARD 140: New Delhi: 6.30am Sunday, wake up, turn over on my back and watch the ceiling fan spinning… waves of air movement and coolness on the surface of wet eyes blinking. There’s this rhythmical creak. The fan needs to have oil. A familiarity with the small sound; it’s been going on all night as I was sleeping – half-awake, I’ve been singing a song in my head around the rhythm of it. A curious rising tone, it’s as if it were a question: creak? And, occasionally but not always, there’s a lesser sound, in offbeat syncopation, a small ‘quack’ sound, like a duck, a flat tone, not complying with the question; quack, a response that’s sort of dismissive: quack… creak? quack… creak? creak?… quack. Sometimes the rhythm alters and the ‘quack’ comes before the ‘creak?’ – as if the creak? is asking the quack to confirm what it just said, quack… creak? (What did you say?) creak?

There’s a limit to this kind of entertainment, even in a house where there’s no TV. Time to get up, the air seems different, humid, what is it? Upright position, legs swing over the bed; mindfulness of bare feet on cold floor… switch off the fan and the creak-quack-creak? slows down, stops. I hear rain on the roof window. Go through to the front room and look out; yes, it’s raining. An unusual darkness, heavy grey clouds up there form a kind of low-ceilinged sky. Pixel-filtered light has the quality of mother-of-pearl. Jiab’s slippers are outside, small puddles of rainwater beginning to form in the hollows where her feet have shaped the rubber – we live in a house where you leave your shoes by the door, step inside and walk around barefoot… should have taken them in.

I bring my chair to sit by the open door and look out at the rain, open the glass doors, take in the slippers, warm air enters. It’s always hot… when I first experienced monsoon weather I thought the rain would make it cool, but it just makes the ‘hot’ wet. So I sit there and listen for a while. The rain is a vast sea of tiny finger-snapping sounds. Individual collisions with the concrete seem to jump out of context with a sharpness – noticable against a background of random pitter-patter sounds that are always just on the edge of hearing – as if the listening process itself chooses the sound. Mindful of the mechanisms of focusing, receiving the ‘world’ in this unknowing pre-selected form.

Somehow it answers a question I’ve been pondering over for a while, but can’t quite remember what it was… what was it? Maybe I haven’t gotten round to seeing it as a question yet… answer arrives before the question? Mindful about the fact that I can’t get to where I want to get to, but seem to be trying anyway – mindfulness of mindlessness. Mindfulness of the times when I forget to be mindful – the tendency to fall into the dream, into the fiction I’ve created; the unaware habituality. Mindfulness as a lightness, an alertness surrounding thoughts. Intermittent rain continues for the rest of the morning.