improvisation

Posted on September 5, 2015 by tiramit

POSTCARD 149: Delhi: Mall architecture, astonishingly playful buildings, concrete and steel monuments and shrines to maya (sanskrit: illusion) – in Chiang Mai they even named a shopping mall ‘MAYA’. The population welcomes the idea; step into the illusion… air-conditioned, bright and colourful. More and more of these in Bangkok, over the top – a lightweight upbeat city culture, low labour cost and construction projects are ongoing. Something hopelessly inevitable about it careering towards the relentless consumer culture of the West – except that in the East, people are more likely to ‘know’ when they’re stepping into the illusion. Cultural tradition, awareness and vestiges of spirituality; besides, everybody here knows that if somebody is in the market trying to sell you something, it means you have the option to negotiate a fair price… not so in the Mall, and that’s why so few people go there.

The Mall culture affects only a small percentage of the population (sounds like a virus) and, I have to say I’m sometimes part of that minority; the need for essential things for devices, bookshops and a good baker. To get to our mall we have to drive out of town and the three-building complex is situated in an undeveloped area – there’s a fourth building going up at the time of writing. Construction site workers’ community nearby, chickens and goats in a hot dry, dusty landscape. Come off the highway, through a great winding turn of rough unsurfaced road, potholes and puddles of water and into the short entry, manned by security – car examined, mirrors held underneath, look in the trunk, the engine. More security at the entrance, metal detector and security guards carry out a full body search before you get in the door.

It’s as if the whole concept of consumerism is subject to scrutiny; not as easy as it is in the West to simply be ‘pulled’ into the Mall like a magnet and disinclined to escape from the illusion. For many people the whole thing seems impossible to change, situated at the end of the consumerist food chain, as they are, and trapped in that predicament. No alternative, we have to purchase the product because we can’t create it ourselves – so far away from the artisan, so far away from doing things ourselves. People believe they can’t improvise… forgetting that the whole thing is improvised… language is improvised, life itself is improvised. All the systems that are in place were improvised to start with, and even though we may be subject to skillful marketing strategies, there’s still the innate ability to be creative, to improvise, to invent, to innovate, to find a way out of the illusion.

These carnivorous marketing creatures have to be gently pushed into the background in order to bring what’s really meaningful in life into focus. There’s a lightness, a floating in the air… the open-endedness of the human situation, groundlessness.

“What can we gain by sailing to the moon if we cannot cross the abyss that separates us from ourselves?” [Thomas Merton]

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photo: shopping mall Bangkok

tilt

Posted on August 28, 2015 by tiramit

POSTCARD 147: Delhi: Phone rings. It’s a message from Jiab in Mumbai… image downloading, a photo taken from her car window. Reflections in the glass make it look like the yellow-top taxi is fusing into the back of the red bus. She’s stuck in a traffic jam; same here in central Delhi (on my way to Khan Market), rivers flowing through all the urban creeks and tributaries, as one vast river and this curious thought that it’s the same time at any point along its route. Or extended through every passageway in the city, as a mass of end-to-end steel/chrome-plated metal, creaking along like the glacier I visited a long time ago in Switzerland moving so slowly, the end of its 133 kilometer length is four hundred years older than its beginning.

Placing parenthesis around a block of time creates a beginning and an end, the world seen in a particular context… ‘my’ view of reality and the actual state of things out ‘there’ appears separate from me. I live in an illusion, riding around like a passenger seated in the vehicle of the body, input from data received through sight, sound, smell, taste, touch – and a mind that creates meaning based on memory files of similar events occurring in the past. There’s this identification with the thing-ness of things, thoughts, solutions and problems, reviewing, seeking, and memories of past times.

Yet, I can see the mind as an object; I am an organism contained in and created by the ‘world’, a body made of earth, water, fire and air. And if they’ve invented something that can break up the molecular structure of solid objects, concrete and steel, I find it impossible to believe, of course, more likely to disbelieve – but, given this all-inclusive subjectivity as the nature of the world, I’m inclined to believe it is possible, and everything tilts in an unexpected way.

Traffic seized up here in the approach to Khan Market, but the signal is still good so I take a picture and send it to Jiab in Mumbai, 1400 kilometers away.

‘Things are not what they appear to be: nor are they otherwise.’ [Śūraṅgama Sūtra]

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immediacy

Posted on August 26, 2015 by tiramit

POSTCARD 146: Delhi: The early flight from Bangkok arrives in Delhi mid-morning local time. It feels like everything that brought me here has vanished; a curious missing piece of time, the four hours of travelling, and before that the Thai departures, the check-in desk, and before that the taxi that took me to the airport from my house in the darkness of very early morning, more like the middle of the night – all that has gone, the past is like a half-remembered dream.

I suddenly wake up in the middle of a Delhi traffic jam and it’s really confusing to be in this bright daylight after the darkness of the aircraft cabin. The transition into this reality so rapid, the split-second required for it to take form is… missing, yet an awareness of it having taken place remains – or the feeling that something just happened, whatever, and having to allow for the curious delay in the time it takes to recognize what’s going on. Suddenly there’s the blare of car horns from behind and vehicles overtaking as the driver adjusts to avoid a motorbike coming towards us on the nearside (why’s that man driving on the wrong side of the road?).

There’s an alertness, anticipated danger, preparedness… the car is buffeted around, rock-and-roll, accelerated, braked, jerked, vibrated and three lines of speed bumps one meter apart cause the vehicle to jolt six times. Then it stops. There’s an obstruction up front. Horns continue to blare and protest. What to do? The one-way system in Delhi is unrelenting; it can take a very long time to get back to where you want to be. So when the driver sees a gap in the flow and makes a smooth wide U-turn straight across four lanes of traffic, I feel like breaking into applause as we speed away in the opposite direction.

A few short turns through streets I’ve never been in before and we arrive at the house. Me and my suitcase of compressed, flat-pack clothing, ‘self’ assembly; get into the bathroom, shower, put on new clothes, and become someone else, an assumed identity. Step into the room: So, how was the flight? Yes okay not too crowded. Suddenly aware of having to speak in codes, chunks of language created by air forced through vocal cords squeaks like the reed of a wind instrument, and rolling articulated back throat cavities, deep volumes of sound, gasp and split bits of wet air that whistle and chirp for an instant in tongue, teeth and lip. Thought associates words which insist on naming things, integrate pieces of the jigsaw puzzle; a picture emerging as I speak, yet changing constantly according to the way the parts fit together.

Objects have that strange familiarity, rush towards me like old acquaintances… remember me? There’s a book on the desk, open it at the page where the marker was left the last time I visited. Return to that place but can’t recognize anything. The ‘now’ moment is here and in all other locations at the same time. All I can do is dig up a few artifacts from recent history before I have to go on again; the point of origin is so distant, I’d never find the way back to the beginning …

“The intimacy and immediacy of the now… is our only security. It is utterly vulnerable and completely secure. No harm can come to us in the now, no sorrow and no death. All our longing longs only for this.” [The Intimacy and Immediacy of the Now, by Rupert Spira]

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looking out and looking in

Posted on August 14, 2015 by tiramit

POSTCARD 143: Delhi-Bangkok-Chiang Mai flight: The flight from Delhi arrives at Bangkok a bit behind schedule so we have to move along quickly to the transit desk and transfer to the domestic terminal for the next flight to Chiang Mai. In-flight bags on a small trolley, and we’re zooming along on the moving walkways in this celestial structure of steel and glass. As yet, passports are unstamped, les frontaliers, the no-man’s land between country borders. We’re unregistered, no identity, invisible data.

It’s always the journey to get there… after I get to where I think is ‘there’, there’s another ‘there’ to get to, and all of it leads back to ‘here’, an ‘everywhere’ place made up of everywhere else… then it’s extending away again. It can only be the journey itself, not the destination – the Path is the goal, this is where we live. Isolated scenes from parts of the surroundings seen flashing by as we’re soaring along the high speed walkways; smooth as swans gliding on the surface of a lake. Two thousand miles of transportation corridors from Delhi to here, flight corridors connected end-to-end, through which we travel in the sensory cloud of transient ‘now’ consciousness looking out and looking in. There is nowhere that consciousness isn’t present. Consciousness is everywhere, so vast – indeed everywhere is included in consciousness, “And the deep lane insists on the direction”, an extended corridor projected out towards the designated destination where everything in the perspective it creates seems to disappear in a vanishing point.

An incidental episode of familiarity comes along… the déjà vu of cups of coffee taken at these restaurants, bars where they have wifi. Have I been here before? Must be the last time I came through, or was it the time before that? Was I going – or was I coming back, transit to New Delhi? I spoke with some people there, if I happened to meet them now, I wouldn’t remember. No time this time, we’re at immigration, passport stamp thump! through to security, take off my belt, shoes, my watch. Laptops out of bags and put them into the tray together with my phone to go through the X-ray machine.

Just then, the phone rings… reflex movement to reach for it, but it’s too far and the security officer shakes her head… let it go through. Phone ringing happily as it rumbles on its rollers into the machine. I pass through the X-ray, muffled ringtone continues then lovely ascending increased volume as it comes out the other side. I want to pick it up but people are waiting, a bit harrassed; there’s the putting-on-of-the-belt and shoes. Security officials seem unmoved by the tremendous ascending 4D heavenly ringtone, probably happens all the time… eventually I get the phone. Hello?’ It’s M, my Thai niece: Where are you now Toong Ting? I tell her we are boarding the plane in a minute and will be in Chiang Mai in about one hour. Silence for a moment, then she says: I make choc-o-late-cake. Clearly punctuated percussive articulation, she speaks English as a second language. I tell her, oh nice! and try to explain how the phone got X-rayed as she was calling me, but she can’t find anything to say to that… attempting to find a link with something else it could be related to, mind travels away with this information. No time to discuss, we have to go now, bye. Speedwalking through to the Departure gate and they’re boarding just as we get there; processed, find seats, strapped in and ready for take-off… engines roar, climbing again up into higher altitudes.

You hide me in your cloak of Nothingness
Reflect my ghost in your glass of Being
I am nothing, yet appear: transparent dream
Where your eternity briefly trembles [Rumi]

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before the beginning

Posted on August 12, 2015 by tiramit

POSTCARD 142: Delhi-Bangkok flight: We are reading the newspaper, sharing parts of the Bangkok Post. Jiab also has the Thai newspaper and other pages spread over the seats and folded into the magazine pocket. Comfortable environment; the aircraft furniture, cushions, colourful papers and books. It’s a pleasing, at-home feeling; this is our space – looks like a hotel room, not an aircraft. There’s the hmmmm sound of the engines and shhhhh of the air, not unpleasant. Soft pale daylight coming in through the window, and out there, the blue sky above the clouds stretching on and on, curvature of the planet… it all seems so strangely still.

Stewardesses come with the drinks trolley, five or ten minutes go by and the sky, the horizon of clouds remain the same. It feels like the aircraft is stationary, suspended in space, no landmarks, no indicators of time, no beginning and no end. If I say there is a beginning, I create linear time. Encapsulated inside this aircraft there’s the duration of time – there was a beginning (we got on this plane at Delhi), and there will be an end (we get off the plane at Bangkok). But outside the cabin window there’s only the vast present time – the continuing ‘now’ phenomenon enfolding and unfolding, transforming from the past into future in one continuous surging-through movement that cannot be explained. What a strange mystery it is; future time slides into present time, tomorrow becomes today, ‘now’ falls back into yesterday… something ‘remembered’ because it’s gone now.

Mind creates a structure to explain time, otherwise how could we understand the enigma of how the past has ‘gone’ and the future has not arrived yet? Hovering on the brink of the smallest pause before it gets here; the empty space of not-knowing what it is, and held like this for an instant. We are time itself – how to understand that? It’s as if I were standing at the bow of a small sailing boat floating with the current flow, the sense of moving forwards but no shoreline, nothing to judge which direction the boat is going in, or the distance from (or to) something or anything – nothing to say where we’re going or where we are.

I glance down the aisle at my fellow passengers; Japanese staff based in India, they’ll transit at Bangkok and go on to Tokyo. Wealthy Indian tourists heading for a shopping experience in Bangkok… are they aware we’re presently suspended in timelessness? Probably choosing to not think about it – never arriving, always on the way to get ‘there’ (but where are we going?). Mostly choosing to focus on whatever is happening ‘now’, and creating a story about that. Focus on my presence here in a seat contoured to fit the human body, tight squeeze, enough space for legs and knees with an inch of space from the seat in front – beyond that I can see into the business class section… always the grass is greener. I am one of perhaps 300 passengers receiving services from the staff; a baby bird, beak wide open, help… feed me, please.

Before the beginning there were no beginnings or endings; there was only the eternal Always, which is still there – and always shall be. There was only an awareness of unflawed oneness, and this oneness was so complete, so awe-striking and unlimited in its joyous extension that it would be impossible for anything to be aware of something else that was not Itself.” [Disappearance of the Universe page 122]

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Excerpts from an earlier post: flying time

mindfulness and the sound of rain

Posted on August 2, 2015 by tiramit

POSTCARD 140: New Delhi: 6.30am Sunday, wake up, turn over on my back and watch the ceiling fan spinning… waves of air movement and coolness on the surface of wet eyes blinking. There’s this rhythmical creak. The fan needs to have oil. A familiarity with the small sound; it’s been going on all night as I was sleeping – half-awake, I’ve been singing a song in my head around the rhythm of it. A curious rising tone, it’s as if it were a question: creak? And, occasionally but not always, there’s a lesser sound, in offbeat syncopation, a small ‘quack’ sound, like a duck, a flat tone, not complying with the question; quack, a response that’s sort of dismissive: quack… creak? quack… creak? creak?… quack. Sometimes the rhythm alters and the ‘quack’ comes before the ‘creak?’ – as if the creak? is asking the quack to confirm what it just said, quack… creak? (What did you say?) creak?

There’s a limit to this kind of entertainment, even in a house where there’s no TV. Time to get up, the air seems different, humid, what is it? Upright position, legs swing over the bed; mindfulness of bare feet on cold floor… switch off the fan and the creak-quack-creak? slows down, stops. I hear rain on the roof window. Go through to the front room and look out; yes, it’s raining. An unusual darkness, heavy grey clouds up there form a kind of low-ceilinged sky. Pixel-filtered light has the quality of mother-of-pearl. Jiab’s slippers are outside, small puddles of rainwater beginning to form in the hollows where her feet have shaped the rubber – we live in a house where you leave your shoes by the door, step inside and walk around barefoot… should have taken them in.

I bring my chair to sit by the open door and look out at the rain, open the glass doors, take in the slippers, warm air enters. It’s always hot… when I first experienced monsoon weather I thought the rain would make it cool, but it just makes the ‘hot’ wet. So I sit there and listen for a while. The rain is a vast sea of tiny finger-snapping sounds. Individual collisions with the concrete seem to jump out of context with a sharpness – noticable against a background of random pitter-patter sounds that are always just on the edge of hearing – as if the listening process itself chooses the sound. Mindful of the mechanisms of focusing, receiving the ‘world’ in this unknowing pre-selected form.

Somehow it answers a question I’ve been pondering over for a while, but can’t quite remember what it was… what was it? Maybe I haven’t gotten round to seeing it as a question yet… answer arrives before the question? Mindful about the fact that I can’t get to where I want to get to, but seem to be trying anyway – mindfulness of mindlessness. Mindfulness of the times when I forget to be mindful – the tendency to fall into the dream, into the fiction I’ve created; the unaware habituality. Mindfulness as a lightness, an alertness surrounding thoughts. Intermittent rain continues for the rest of the morning.

“Everything is created twice, first in the mind and then in reality.” [Robin S. Sharma]

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Source for lower image.
Note: low-ceilinged sky comes from the title of an album by stefan andersson

metaphor becomes reality

Posted on July 29, 2015 by tiramit

POSTCARD 139: New Delhi: Lights change to red just as we’re getting near and traffic comes to a standstill. On the intersecting side, cars start revving their engines as the green light shows over there, and it takes a moment to see the elegant cow standing quietly among the cars, dressed in the body given to it, held in its place by the restrictions of stationary vehicles all around. Exotic and dignified, the animal has a calm and wise bearing; just looking at the world and waiting for the lights along with everyone else.

I’m thinking I should take a photo of it… yeh, good idea, but where’s the camera? Frantic rush to find it, deep in my bag, a pen, papers and things flung out on the seat then leaning out of the car window, take a photo click as surrounding vehicles start to move with the green light. There’s the cow walking at the speed of the others – not holding anyone up, no reason for any driver to be impatient, nobody toots their horn.

Funny how the cow is simply going along there in its own lane, not attempting to overtake, just slowly making its way in the limited space and in the direction of the traffic flow moving towards the next intersection, the next set of lights. It seems to know where it’s going, has probably travelled this route many times. I can see it disappearing in the distance, head held high above the cars, bobbing along with the rhythm of its walk – a being that’s in this world but not of this world.

To me it’s an extraordinary moment. I’m the Western cultural migrant assimilated in the East (resistance is futile). I have userID, password; there’s a sense of connectedness with the East, although still carrying some weight of Western thinking and childhood conditioning from the West. Thus insisting on a preconceived reality by creating supporting statements to prove what I’ve already decided is the correct way of going about things, and convinced about this simply because my continuing engagement with it somehow pushes it over the edge, the tipping point… metaphor becomes reality (although I know there’s really nothing there).

Nobody else here is paying the slightest attention to the cow in the traffic, just waiting for the lights to change. My kind of Western reasoning seems to confirm it has objective reality and that’s tolerated here, along with all the preferences, likes and dislikes that don’t fit. It doesn’t matter because the ‘object’ is not the goal. The answer may be one of many associated answers – maybe all. And related searches are revealed in interaction with the question – more of an exploratory thing, open-ended – the observed world and the observer of it in an all-inclusive oneness….

Smaller than a grain of rice, smaller than a grain of barley, smaller than a mustard seed, smaller than a grain of millet, smaller even than the kernel of a grain of millet is the Self. This is the Self-dwelling in my heart, greater than the earth, greater than the sky, greater than all the worlds. [Chandogya Upanishad 14.3, 8th-10th century BCE]

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multiplicity

Posted on July 23, 2015 by tiramit

POSTCARD 138: London/Delhi flight: Travelling by plane at night is a directionless experience, an invisible route that leads to the destination without any sense of the journey, just the sound of the engines and hiss of the air. I fall deeply asleep and wake up to daylight coming in through the cabin windows. We’re here, missed breakfast, no time for anything, quickly gather up my things, ready to leave the plane. Next thing is I’m in the huge emptiness of Indira Gandhi airport, miles of ochre carpeting, and zooming along moving walkways towards the queue at immigration. Get in line with everyone else, get comfortable with this, it could take some time.

Hello Delhi, nice to be back here, mid-morning in a different time zone, and just the ongoing continuity of it, as if I’d never been away… familiarity of bearded men, turbans, a mysterious woman with exotic nose rings, gold bangles jangle and flick of movement that adjusts folds of sari, consoling tired children with nanny; the whole clan goes everywhere together. In this place I’m glanced at, averted gaze slips away, a foreigner travelling alone, a partially visible stranger from a place of no sunlight, colorless eyes, pale pigmentation, like those creatures who live deep below the surface at the bottom of the sea.

The uncompromisingly here-and-now of it, no disappearing from or disappearing into – a dream and yet not a dream. Letting go of the experience in the North, only the memory of that extraordinary feeling there during the retreat in Scotland. The feeling I’d connected with something specific but now I forget what it was exactly. A scrap of paper in my pocket with somebody’s email on it, remembering… there was the old house, the people who were already there and the sadness when they left before I did. Then the others who came after me – I remember them all – and how they were the ones who said goodbye when it was my turn to leave.

Each one carrying this ghostly sense of familiarity, archetypal resemblance, the uniformity of distinct types. Faces I think I’ve seen before… there was a man who looked so much like Larry King (from Larry King Live), at first I believed it was him. Others reminded me of family members – I recognized Great Aunt B. from East Anglia, passed away long ago… wonderful to ‘see’ her again. And someone exactly like my old Uncle D. Everywhere I looked I saw the elders, all dead and gone now. So good to return to the memory that they were here once like me, I was inclined to think of them as being real. “Who am I? Am I you? Him? He, she, it? We, you, they?” So much of a multiplicity, sometimes it’s just seen… we are all of a oneness.

Thump! Passport stamped, out through the crowds and sudden heat, intense light switched on like a television studio. Shym is waiting with the car, bags in and we’re off into the noise and blare of Delhi traffic, reversed mirror image of the world I just left. Changing the sim card in my phone, changing channels, watching a different movie.

As silence is not silence, but a limit of hearing.
As some strings, untouched, sound when no one is speaking.
So it was when love slipped inside us.
As this life is not a gate, but the horse plunging through it.
The heart’s actions
are neither the sentence nor its reprieve.
Salt hay and thistles, above the cold granite.
One bird singing back to another because it can’t not

[Jane Hirshfield, Come, Thief]

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Note: This post was created partly as a result of keying in the term ‘multiplicity of faces’ in Google and finding the pdf in: perceptionweb.com. Check out the exercise of flickering faces in the picture of the girl’s face at the end.
Note2: Many thanks to Mindful Balance for the poem.
Photo: light switches in a corridor at the back of a government building in New Delhi

directionality

Posted on July 20, 2015 by tiramit

POSTCARD 137: The Edinburgh Road: For a moment I’m conscious of the present moment contained inside this moving vehicle following the white line marked in the centre of the tarmac, captivated by the directionality of the journey hurtling through a kind of wormhole in space/time, and plunging towards a vanishing point that never arrives. Pieces of a picture landscape, like a giant jigsaw, fly up and pass through the windscreen of the car, through the transparency of self and a new picture is forming. Left-hand bend approaching, steer around that, attention caught by a constant continuity of looped overhead cables on the right that continually sweep upwards and fall away like waves ebb and flow. Into a right-hand curve… tilt and rising with the camber of the road on the left side then level out and down into the next one. More curves and bends, dizzy and bewildering, winding down these slopes and (ear-popping) altitude drops on the way that leads to the coast.

This must be an old drovers’ road to the markets in the town, it’s foundations laid by the hooves of herds of animals following a path through ancient forests that once were here, and finding a route around swamps and boulders; obstacles long since filled in and cleared away. Now there are just fields of sheep and grass and crops, featureless hillsides – only the road remains, it’s twists and turns carry no meaning. Land owners’ properties claimed on either side have trapped it in its original form, a skeleton from the past, a craggy old branch of a tree, its shape created by historical circumstance.

The outer world becomes neutral, non-intrusive random thought mechanisms that function at the edge of a dream pull me into the gentle whirr and flicker of thinking-about-things, just as we’re coming into Edinburgh. Drop some people here at the train station, then on to drop the rest of us at the airport. Strange to suddenly be in the centre of a town, held by the traffic lights and see people crossing over – reverse culture shock; I’m not used to seeing Europeans, dark-haired, golden, Asian faces with almond shaped eyes fill my world. Memory of a former life, strange familiarity, déjà vu… this pavement, these streetlights, have I been here before? But it’s just somewhere on the way. No, wait… was it here that an event took place, long since forgotten? But no explanation seems to fit – it’s just what’s happening – the world, doing its thing. All that is here is a reflection of me passing through. It appears in present time, and then it’s gone.

“No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.” [Heraclitus]

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lowlands

Posted on July 16, 2015 by tiramit

POSTCARD 136, Peebles, Scotland: We don’t usually wake up to the sound of birdsong at dawn, it’s too early – 4.30 am here in the room with curtains closed to keep out light that glimmers all through the night. Summer in the north means it’s nearly always day. Difficult to sleep, getting out of bed is not easy but I have to be up and ready to leave because this is the end of the retreat and the start of the long journey home.

A labyrinth of corridors and narrow staircase that leads down from the upper floors in this old mansion house converted to a Health Center. Nurses chattering together in their white coats come upstairs, pass me on the staircase going down (ghostly image of maids and housekeeping staff from a former life). I go down and down to the small chapel created in the old wine cellar at the lowest point beneath this great house. Find a place and sit in the silence. I feel humble, a Buddhist in a Christian sanctuary, examining the nature of human experience rather than its external creator – ‘a part of’, rather than ‘apart from’. The ‘hallowed’ Presence may have no name… identification creates an object in a world of subjectivity; a world of whispering Hymn books’ paper pages turning in these curious acoustics: ‘forgive us our trespasses and those who trespass against us.’ So many ‘s’ sounds the rhythm of the Prayer goes out of sync for a moment then its momentum builds up and falls into unity again. Trespasses and trespassing; acting out scenarios in the mind – letting-go and forgiveness.

Say goodbye to nurses, therapists, doctors and friends I’ve known for four weeks and will probably never see again – we shared a small lifetime. Goodbye dark stained wood panels, chandeliers suspended in high ceilings; goodbye antique furniture and carpets over oak block herring-bone flooring. Bags in car and down the long drive into the rolling hills. Sun breaks through and the sky is blue as we descend through the landscape. These are the Lowlands.

“The mind is a kind of theatre where several perceptions successively make their appearance; pass, re-pass, glide away and mingle in an infinite variety of postures and situations.” [David Hume]

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