camouflage

Posted on January 9, 2016 by tiramit

POSTCARD #185: Bangkok: It might look like a small heap of dirt stuck in a ceiling fan, but it’s a bird’s nest and the tiny bird, hatched out, is just sitting there, not moving… camouflaged, trying to look like a small heap of dirt stuck in a ceiling fan.

Almost impossible to see, but there’s a shape of a head there, and a small body. I can see it sometimes when it appears from under the wing of the parent bird but whenever I lift the camera, parent bird glares at me with this slightly fierce stare.

As soon as the parent bird leaves the nest, the other one gets in… unless I’m standing on top of a chair wobbling around with a phone camera and not getting anywhere. So I’m looking for an opportunity to get a better pic but that’s the best I can do without disturbing things too much.

Yep, some familiarity with this kind of situation because this is the second time around. We used to have doves on the balcony in an apartment on the seventh floor, 70-80 feet up, well above street level, above the treetops, just clouds and sky. I was surprised the birds would fly as high as seven floors. They’d come in the evening, stay the night and fly away each day at dawn – I should say they flew down each day because there really wasn’t any up. Following is a section of notes made at that time:

old notebooks: The birds have decided to roost on that big old artist’s easel on the balcony we have no room for in the apartment; somehow sculptural, artistic in a puzzling conceptual way, birds perched on the cross-piece and silhouetted against the evening sky. I’ll have to try to get them not to roost there; the smears of paint on the easel are becoming more of an ochre/white/grey smearing and dropping off onto the floor.

I spent the whole day today building a structure of bird perches made from bamboo canes bound with string, glue, duct tape and screwed to the wall. Then I waited until evening when the birds came back… but they didn’t seem to notice it at all and continued to perch on the artist’s easel. It must be about having your own place and your own identity, ‘self’, this is ‘my’ territory; this is me, myself, and this is where I am. None of the birds moved from where they were, and my elaborate new perch remains unoccupied.

Two days later: new birds have arrived and assembled on it, checking out the situation with this nearly 360 degrees sweep of vision they have, and thinking, well, it looks like this fine perch must be for us! But the old birds on the easel don’t like the new ones on the perch. There’s some upset-wing-flap and the deliberate pushy invasion of each other’s space with puffed-out, chest and assertive walk thus forcing the unwanted bird off its perch. Gained some understanding of the term: “the pecking order”.

About 15 birds now on the balcony, too much noise every night, small feathers blowing around and coming into the house. My wife Jiab really doesn’t like the idea of it and has spoken wise words about how it is getting quite crowded out there and how this is getting to be a problem. So I have to persuade the birds, I invited to stay, to go away… that’s a whole story in itself and I’ll write about it later.

LATE NEWS: I managed to get a very blurred pic of the nest and I think there are two hatchlings, not one.

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ceiling-fan-nest, 1 egg

Posted on January 6, 2016 by tiramit

POSTCARD #184: Bangkok: The ceiling fan is situated in the open air of the balcony and hasn’t been used in years – the on/off switch sealed with Scotch tape now the birds have claimed the space. When the nesting bird left this morning, I took the photo, standing on a chair with arms stretched up, hands holding the phone-camera at a slight angle pointing downwards at where I thought the nest would be: click… a few tries and I got the picture showing the egg in a fragile little nest, then got down and quickly put the chair away. A very small nest, temporary structure made from stalks of grass individually placed. There’s lightness, like the wind and the air about it.

Shortly after that, the parent bird comes back, sees me watching (it knew I had been up there), looks around with an almost 180° sweep of vision that brings the cranium all the way round as far as it’ll go, then back the other way to where it started and there’s just that little bit of vision obscured by the back of the head. Also some movement on the vertical plane looking up and down with eyes on each side so, somehow choosing which eye to focus with. The head appears to spin around over the top in and in absolutely any direction… it makes me quite dizzy to watch. Bird gets back on nest by sliding through the upper bar of the ceiling fan guard and shuffling in.

Now I’m pacing around the room wondering if this is what it feels like to be expecting a child? The womb is placed outside the body; parent bird feels pecks from a small beak. Tiny beings find there is a way out of their enclosed shell. They learn how to fly quickly and abandon the nest to the monsoon winds, which will demolish it immediately.

Our own life is the instrument with which we experiment with truth. [Thich Nhat Hanh]

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birds nest update

Posted on December 31, 2015 by tiramit

POSTCARD #183: Bangkok: I have to say that there’s not a lot happening here. One bird is tucked away down inside the ceiling fan wire guard and the other bird flies in with two or three longish springy lengths of leaf growth I can’t really identify. The seated bird inside takes the nest-building material in its beak, pulls it inside the enclosure and tucks it in around the space. The other bird watches for a while then flies away. In the photo you can see the long tail of the seated bird sticking up. The bird is inside the wire cage of the ceiling fan and the other one perched on top watching me take the photo.

Most of the day I’m sitting next to the glass doors of the patio, reading my book and a small flicker against the sky tells me when a bird is either coming or going. Strange how this whole thing is happening a second time… some years ago in Switzerland a couple of birds built a nest on the balcony and I encouraged this in the same way I’m doing now; next thing we had a whole colony of pigeons and doves, creatures of the air perched out there on the balcony among old discarded objects and summer furniture. I wrote a few posts about the experience, excerpts follow:

Switzerland, August 29, 2012: Awake at 4:00 AM this morning, came through and switched on the kitchen light; old style fluorescent neon tube-light, flicker-flicker flick. And a bluish white light everywhere with electronic buzz you don’t notice after a while. The light shines through the windows illuminating the balcony of this 7th floor apartment and the pigeons wake up. A very loud sound: croo-croo, croo-croo, croo-croo, croo-croo! So I switch off the light again and they’re quiet as soon as I do that. Now I’m sitting in the darkness, held back in my domestic activities by the wildlife on the balcony. What to do now? Can’t read my book. Stand there in the darkness, and it takes a moment to notice the silence the birds are in. I sit in my chair and fall into meditation state… first thing I’m aware of is entering the quiet space of the perched birds – so silent here, 7 floors above street level. There’s a presence around these birds in roost mode; it takes my breath away, winged animals, so close to me… metta loving-kindness to all beings. I can’t see them but I know I’m very close to a small family group inhabiting the balcony. Two adults and two young birds and there’s another one – the mysterious ‘other’ … the alpha male has taken a second wife? I’m saying this because in the evenings there’s often some extended flapping of wings as they get their places in the hierarchy settled for the night – it’s like who gets to be next to whom. I can’t imagine… return to mindfulness mode.

After a while, and maybe I’ve fallen asleep, the wing-flutter, flap gets my attention, in the light of very early morning. Then there’s an odd silence in the bird group out there; no wing-flap. I get up quietly and go over to see. They’re poised on the balcony handrail; all looking out, little necks extended, heads focused downwards on the space below; the great swimming pool of sky. Still no movement. Then simultaneously they burst into an instant wing-flutter-flap-flick of feather tip flip of flight, and they’re gone. As one unit they drop over the balcony and down. A moment later I see them swoop and swirl in a great arc in the sky then on eye level with this 7th floor and in a direct line away from me, they vanish in the distance.

‘… so with a boundless heart should one cherish all living beings; radiating kindness over the entire world: spreading upwards to the skies, and downwards to the depths; outwards and unbounded, freed from hatred and ill-will. Whether standing or walking, seated or lying down free from drowsiness, one should sustain this recollection.’ [from: Karaniya Metta Sutta]

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Happy New Year Everyone all the best for 2016

hypothesis

Posted on December 26, 2015 by tiramit

POSTCARD #181: Chiang Mai/Bangkok flight: Here today and gone tomorrow or here today, next week tomorrow, time warp in an itinerary that is only continuous interchanges. Shrill announcements in Chinese, nine tones, so much air needed to get it all to sound clear, they’re almost shouting. Pain in the head, swallow medicine with a glass of water. Small tables seem to leap up and strike me with food, stabbed by cutlery and glass in the mouth, at night soft pillows try to smother me. Now sitting in an airport coffee shop with M my niece and she says, Look Toong-Ting there’s a mosquito on my chocolate brownie! And I need a moment to figure out what she just said, M looking into my disbelieving face, almond shaped eyes, black pupil almost fills the space. So I lean over to her small plate and M points cautiously with her little finger and there is a mosquito sitting there, or standing there (do they have knees?) on the edge of her brownie. I look at it closely. Do you see it Toong-ting? It’s a boy mosquito. This intrigues me… so small, the genetalia would be hypothetical – how can she tell? Where is this conversation going? Girl mosquitos drink the blood, she says. I shoo away this rude boy mosquito, and ask M if she would like me to go buy her a new chocolate brownie instead of that one that’s been walked upon by a boy mosquito? No she’ll just not eat the bit where the boy mosquito was standing. And she’s eating with a spoon so that looks possible; yes she carves away that chocolate brownie so what’s left is the tiniest cliff teetering on its own in a sea of white porcelain plate with crumbs of its relatives scattered around.

The whole world is a hypothesis – that’s the hypothesis. I’m reminded of something I think I heard somebody tell me about already, it’s only the females who go for the blood, hmmmm, typical, the males hang out in coffee shops and eat chocolate brownies. Then it’s boarding and we’re passing through apertures in walls, holes in the fuselage and sitting in 43H&J. I stow away the hand-carry bags in the locker above, a volume inside a volume, and M selects the aisle seat, sits quietly and perfectly straight, long-necked and graceful, looks around to the back with a fleeting glance that scans for detail all around the inside of the plane, right down to the front, her small eye beams flash through the interior between seats and all through the crowd unnoticed, absorb all data, processed to the brain to see if anybody looks interesting.

Meanwhile I’m sitting with my knees squashed up against the seat in front trying to find the optimum position of comfort – Thai planes are made for little people – ask M if I can put my leg in the space on her side and she agrees and seems pleased to have it there, a fallen tree trunk occupies part of her space. Asks me if I want to put the other one in as well, so I do that, one leg folded on the other and she’s fascinated by the size anomaly, but it’s too much. People will think I’m taking advantage so I take one out and fold it up against the seat in front like the mattress on a bed settee when it’s closed… it’s only a 50 minute flight

She continues looking around, stands up to look at where her seat belt is at, with head spinning nearly 360 degrees, long black hair sweeps around like curtains, then settles into her seat with the thump of her small weight and ‘click’ goes the fastener of her seat belt. These days, M is being an individual, self-contained ‘self’. She’s nearly twelve – and at that age you’ve got to know what you’re doing … I’m thinking it’s a bit sad that the crazy playfulness is gone. There’s just this beauty and sweetness and I don’t know where it comes from. M tells me to fasten my seat belt. I feel that soon it’ll be M taking care of me on these flights.

“A king heard the sound of a lute and it delighted him, so he ordered them to bring that sound. The servants brought him the lute, not the sound, and they had to explain to the king that the sound has no independent existence, but is created by the separate strings, box and arch, all elements acting simultaneously. Just as the king cannot find the sound of the lute, we can not find our self. “ [Buddha, Samyutta Nikaya]

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With thanks to to inaendelea @ the closed room for the end-quote
~ G R A T I T U D E ~
Merry Christmas and Happy New Year to all in the blogosphere

words

Posted on December 19, 2015 by tiramit

POSTCARD #179: Delhi/Bangkok/ChiangMai flight: It’s four hours flying time overnight, travelling West/East, same direction as the rotation of the planet. Arriving in a different time zone, and it’ll be morning when we get there but still night at the point of origin – flying away from something that’s not happened yet, a directionless experience, darkness, an invisible route that leads to its destination without any sense of getting there. Falling into occasional sleep with the sound of the engines, the hiss of the air… it feels like we could be flying sideways or in a slow rotating movement. Wake up with no time for anything, gather up my things and leave the plane.

Transit time at Bangkok for Chiang Mai is precise, speeding along moving walkways. Standing people coming towards me or going along with me, behind and in front. We’re all in transit to or from the domestic terminal; entering-into, and getting-lost-in long halls of steel and glass mirrors, holding on to signs as indicators in the mind. Noticeably more Chinese than Indians, the geographical switchover…

This is where the road takes two directions. Instead of the Hindi I’m used to all around me, there’s Standard Chinese (Hànyǔ), spoken by Southern Chinese tourists on their way to or coming back from Chiang Mai. A language of soft syllables and unexpected melodic intervals, a kind of tumbling down of words scattered on the floor. And blending through it all is the unobtrusive birdsong that is Thai, a language that sometimes enters a different frequency of intonation; sounds are simply known to be there and barely pronounced.

Through the gate and boarding the Chiang Mai plane, passengers already here in transit from Singapore. Find my seat and Chinese Singaporeans mostly Mandarin speakers (Singdarin) all around. They can get along reasonably well with the Chinese tourists from Southern China visiting Chiang Mai – listening and watching, interested in their shared roots, aware of the ancestors and historical meanings contained in language. Words cling to things, insist on their identity.

Indian Sanskrit is found all the way through Thai. Spiritual meanings found in Chinese are mostly assimilated and they’ve called it their own. In English we lost most of our conscious history but words are like acrobats, they name, describe, improvise; a metaphor just falls into place quite often, or like glass beads of different colours on a tablecloth gathered up, strung together with a little rethreading of the sequence and it’s a necklace.

All we have are words; there are no actual people here in our WordPress blogging world. No ‘you’, no ‘me’, just words and a dialogue. Friendships that go on for years. There are times when I hear something in the words, a familiarity in a voice I recognize. I can’t see you or hear you. I can’t touch you and will never meet you in the normal sense of the word. I just know you’re there (or ‘here’), or somewhere nearby and coming back later. Whatever language is yours, words are the same, arise from and return to a shared, received consciousness. Wherever you are it’s ‘here’ for you, and I’m ‘here’ too. Greetings, it’s the season of good will. Fare well, go with a clear, easy composure and abide peacefully.

Everything that’s created comes out of silence. Your thoughts emerge from the nothingness of silence. Your words come out of this void. Your very essence emerged from emptiness. All creativity requires some stillness. [Wayne Dyer]

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enfold/unfold

Posted on December 15, 2015 by tiramit

POSTCARD #178: Delhi: The way things are in the new place is still unfolding, and the memory of the old place, sadly enfolded, objects wrapped up, tucked away in boxes and closed, sealed with lengths of parcel tape in rolls… prrrrrp-stick! The sound of it went on and on: prrrrrp-stick! prrrrrp-stick! I had to get out of there; the prrrrrp-stick was giving me a headache. When I came back, the rooms were emptying fast; a change in acoustics, the sound of a handclap creates an echo… household objects vanishing at the same rate as large sealed boxes appear – rooms starting to vanish, the void begins to emerge through the windows, floor gives way and everything falls in, turns inside out and soon, every single thing is gone, floors swept… nothing remained at all. Our world, enfolded in packaging and placed in a truck, driven away and we left from the empty house… never saw it again.

Sad to leave that place. I was not there when it happened. When I got back, the new setting began to have a familiarity; I expected it would. The same thing in a different context, but something entirely new was starting to unfold, a ‘holomovement, indefinable and immeasurable’ (David Bohm). The world as we see it, is only part of a movement enfolding and unfolding. And there’s the paper-folding exercise with a sheet of paper, folding it many times and marking it in some way, making holes in it, cutting the corners off and opening it out, unfolding the whole pattern. ‘Enfolding and unfolding is the primary reality, and the pattern is secondary’*. Moving to a new house with a complete set of household items means the same characteristics are seen in a new arrangement and this strange familiarity, a transition, continues unfolding until you start to re-cognize it. This becomes the place where you are now, the place where you wake up every morning and gradually it becomes home.

The whole nature and appearance of things transforming, evolving, taking new shape, and the metamorphosis that moving-house entails, everything we might think it is or think it’s not, or could have been, might have been, or would have been nice if it weren’t for that something else that’s always impossibly difficult… all that is simply part of it too and contributes to the whole transfiguration. The extent of it would seem like it could break me to pieces if I tried to comprehend it in all its parts, and there’s a dependence on a subjective ‘self’ constructed out there in the world of objects, like a chess piece you can have control over, move around, and say, ‘this’ is mine, this is ‘me’, cushioned against the immensity which is held in awe.

I am infinite like space, and the natural world is like a jar
I am like the ocean, and the multiplicity of objects is comparable to a wave
I am like the mother of pearl, and the imagined world is like the silver
… I am in all beings, and all beings are in me. To know this is knowledge, and then there is neither renunciation, acceptance, or cessation of it.’ [Ashtavakra Gita 6.1 – 6.4]

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*Excerpted from “Unfolding Meaning”

sunlight on a rooftop

Posted on December 9, 2015 by tiramit

POSTCARD #176: Delhi: Senses interact with the world outside and brain functions create a range of colors inside, as well as sounds, smells, tastes and feelings to fill the dreamscape of the mind – watching a movie in my head about sunlight on a rooftop in an urban area in North India, and this pale tangerine bougainvillea plant so clear and so much in focus it almost hurts. I have to take a photo of it.

The pain in my head that’s part of me now is somehow more at ease in these reflected surroundings, completely warm and comfortable, temperature today max: 26°C and min: 12°C. The rooftop is a place of ordinary things, unexceptional, like the one in the other house, but it’s got a smooth concrete floor, I place my palm on it… warm in the sunshine.

Through sensory awareness it’s possible to know something about how sensations are experienced by everyone, everywhere, how they understand their surroundings. Their responses to the objects of the senses, how they feel about what they look at, what they hear, or smell, taste, touch and mind (emotional) responses.

All of that is the same for me here and now, in the sunlight on a rooftop in India, as it is for everyone else. It’ll be the same for people in the near future, as far as we know, and those who lived in the past. I’m connected with the outer world in consciousness, in the same way all other beings are. As I look at this bougainvillea plant, the conscious experience of what is seen is the same for me as it is for everyone.

Consciousness that’s beyond words, so neutral and at peace that we aren’t aware it’s there. The attention given to any part of it is the karma of that event in time; the observer becomes actively engaged and it becomes a ‘thing’, part of the whole flow of everything passing through that includes the karma of how it came to be there, along with everything else.

All life is a single event: one moment flowing into the next, naturally. Nothing causing everything. Everything causing everything. [Wu Hsin]

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somewhere in a former life

Posted on November 30, 2015 by tiramit

POSTCARD #174: Geneva, Switzerland: People, hovering around the exit door on the 18 tram to Carouge, faces look at me incidentally, I sometimes see one I think I know from times gone by in the metallic click over smooth rail joints, and the gentle jigging motion of the tram as it is now, and so it was then, travelling under an assumed identity, peripatetic teacher of English, here and there on trams every day, passing through security, a practiced conversationalist, and into rooms in banks behind closed and thickly felted huge metal soundproofed doors, gold taps in old bathrooms. Are these the same francophone faces now? Not those emerging from soundproofed rooms and stepping into their black tinted screen limos with drivers holding the door, no, just the ordinary folk you see every day now and then but never talk to, maybe a passing gesture, a nod of recognition?

Now I’m back here nearly two decades later. Do I see those same individuals looking at me with a nod of recognition held in a moment paused, seeing me looking at them in the same kind of way… a hesitation almost: hmm, est-ce que je vous connais monsieur ? (do I know you sir?) Look into these eyes for a penetrating instant with the flickering expectation of acquaintanceship… and in the midst of finding maybe I can’t quite recall what it is exactly, realise with some shock that it’s the awareness of – what is it? The nearness of death? Is this what I see looking back at me? Death, the answer to that question about what didn’t happen here? The past tense disappeared; everything I did in the 8 years I lived here was/is unfinished, and cannot and will not ever continue. It died?

I was in a life here. Now I come back from the dead, the Ghost of Christmas Present, not to ungracefully haunt all these innocent bystanders with more foreign talk and raconteur. Not to upset these slightly-known people with faces turned toward me, stepping onto or getting down from the 18 tram to Carouge two decades ago, and even now turned to glance at me a second time with their elegance of wispy threads of golden hair combed carefully over a bronzed skull with large dark brown skin spots, vapourised and paperised faces, traces of soft skin held nicely like curtain folds at the corners, beneath which these old eyes look out like an unfinished sentence… Je m’excuse mesdames et messieurs, I’m not here to disturb you with things that never took place, but to close those thick soundproofed doors that seem to swing open by themselves somewhere in a former life.

Thus there’s always something about the question that’s gently pondered, not posed, but poised, considered…it has to be the right question, forever not quite decided upon; what might it be? The moment spent in contemplation of what form this sort of thing could possibly take is enough to begin to know it… or it begins to be known. A kind of indirect position so carefully arranged; or maybe it was like that as it fell into place, who can tell? Induced then deduced. Words don’t hold meaning for very long, the question gets forgotten about in the end (they usually do), or possibly it’s still there in the detached state, just not functioning as a specific inquiry now, more like a wide-openness that’s waiting for an answer in the same way as there are answers, lying in their own wide-openness waiting to be discovered. A kind of non-verbal alertness, a strange familiarity, a passing recognition that seems to go on opening and opening, and opening; déjà vu revisited. It was always here….

But if, transcending petty ego, all the world is known as life – as only living energy – then how can death arise at all? For one who knows the world like this, as only life, there is no death. In truth, there’s only deathlessness. [Upanishads]

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Photo: Watching the sun setting from the room on the 8th floor of the building at Pont-d’Arve, near Carouge

something lost regained

Posted on November 21, 2015 by tiramit

POSTCARD #171: Zurich airport hotel: Hard to believe that, as I write this, everything in our old house in Delhi is being folded up, layered, packed, sealed into boxes and labeled with a number. When I return, all our possessions will be cubed, diced up, chopped into boxes and stacked on top of each other inside the waiting truck. Larger items will retain some of their shape; a chair will be recognizably ‘chair’, swathed in corrugated cardboard and bubble-wrap. Upside down table will be recognizable by its legs sticking up, wrapped to protect corners but its upside-down-ness, disconcerting… tables shouldn’t be seen like that. A bit strange, but we’ve moved so many times and it’s always like this; as if a surgeon removes a part of the mind/body organism, it’s taken away and never seen again, then strangely a new organ grows in its place, exactly like the old one but different… after that there’s no memory of it happening.

Except, of course, if something is broken or lost during the move and this thing, this object, is mourned and held in the memory for a long time. It must have been something like this that happened to me when we moved from the house in Japan to the new place in Bangkok. I was still working when the movers were boxing up everything and Jiab reminded me that if I wanted to get the bus leaving at 16.40 I could run down the hill and probably get it – if I left right now, She called out as I went that we’d all meet afterwards at the station. So I rushed out the door, ran downstairs and off down the path. Suddenly I remembered something, stopped, turned around and looked up at the house; top floor of a small 2 storey house – I’d stayed there for 3 years, and this would be the last time I’d ever see the house… how could it be so sudden like this? I would never be back here. Tears sprouted from the eyes, what to do? Just look and try to remember it… at the same time, turn my head away, a wrench, something torn – no time, against my will I continue running down the hill, almost as if I’m running away from the house… but focused on getting the 16.40 bus. The last image of the house clear in my mind for a moment then dissolving away and forgotten. Next day I was on the plane to Bangkok and that’s the last time I was ever in Japan.

In Bangkok a few weeks later, I was telling a friend about this, Curtis Cairns – his name was, and sadly I lost track of Curtis in the end… so if you’re reading this Curtis, please get in touch old friend! Anyway I was telling the story about the house to Curtis and he was just listening. When I finished, he nodded and looked at me, felt my loss. Asked me where the house was, and what was the address. It happened he was going to Japan the following week and when he got there, unknown to me, he took a few trains from Tokyo and got on the bus up the hill, walked the last bit and came up to my old house, took a photo of it (before the days of digital images) had the film processed and put the photo of the house in an envelope, stamped it and addressed to me in Thailand. A week later the post came to the house in Bangkok, there’s the slim, letter from Japan, opened it up and pull out the photo of the house, no accompanying note, just the photo. I still have it, pasted in an album – something lost regained.

Our own life is the instrument with which we experiment with truth. [Thich Nhat Hanh]

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Photo: The last pic taken of the rooftop in the Delhi house

familiarity of places I’ve been

Posted on November 5, 2015 by tiramit

POSTCARD #164: New Delhi: The rental agent calls to say she’ll pick me up at 11am to look at a few houses. I’m glad to be going out because packing for the move is difficult; the attachment to possessions is so strong it’s like they’re being pulled from my grasp by the sheer force of having to move from here – I hold on tight, fingertips clutching the surfaces but it’s slipping away… no choice. It’s a last minute thing, there’s a moment of familiarity, remembering this in other places I’ve been, doorbell rings, put much-loved object into the box marked ‘Give Away’ and get up from the cluttered room. That’s the letting-go, the final goodbye… walking away, the rental agent is here, get keys, step outside, close door behind me. Into the car, chatting with the agent, and we’re off.

I visit a house in a popular area… crowded. Walk up the path, open the door, go in and there’s a feeling of the previous tenant everywhere. In my state of recent relinquishment it’s like this is still their surroundings and it’s me that’s the potential new owner of their life … walk into the living room – the ‘living’ room? Suddenly I’m in someone else’s life – feel like I stepped out of my own life and into someone else’s by mistake – who am I? The world is how I/you perceive it, he/she, perceives it. We/you/they look into each other’s lives. A window opens into another realm inhabited by someone else in the network of interconnected lives. It’s just a slightly different angle on a world that’s seen, felt and understood, but through the same sensory awareness mechanism we all have.. a kaleidoscope of different coloured lights. The only difference is the ME that feels it, thinks it’s different from all the other ‘MEs’ walking around thinking they’re different too

Now there’s this feeling I’m looking for a place to ‘be’, the sense of a presence interlacing with the transparency of the presence of others. Observing the motion of the body in a sort of surprised way seeing that it can do it by itself. Gently stumbling around these empty rooms – looking for a place to sit down but can’t find anywhere because there’s no furniture. Well, isn’t this nice, says the agent, and I’m thinking, I’m tired, maybe this’ll do, maybe here I can invent another life I’ll be happy with.

‘Pretending you’re not “it” is exactly the same as “it”‘ [Alan Watts]

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