transfiguration

IMG_2388POSTCARD #162: New Delhi: November in North India is the best time. The heat has gone and our orange tree is heavy with fruit. When the first basketful is picked we have to keep it with loving kindness for a few days in a place that’s separate from the tree. This is to allow the tree to forget about its lost fruit. Our curious seasonal change is like a brief springtime that occurs as we’re heading towards winter. It’s suddenly pleasantly warm like an early English summer, plants flower, and the bougainvillea on the roof terrace (Jiab calls them ‘bookend-villas’) transforming with more and more new blossoms.

I go up to the roof terrace and the yoghurt bowl is sitting on the table in the shade because the kitchen is too cold for it now – yoghurt is made without any artificial warmth, just room temperature itself. The milk is boiled, allowed to cool to about 45°C (113°F). The bacterial culture is added, and the warm temperature has to be maintained for 4 to 7 hours. I sit at the table next to the small bowl, feeling I ought to be quiet as this liquid is changing its form, bacteria active, fermentation. It needs some respect and privacy… I shall not look at it. Maybe it’ll work, maybe not, because after November it’s too cold for yoghurt – except that a Japanese friend said she’d managed to make it by placing the bowl on the Wi-Fi router (horizontal type), covered with a plastic box all night, and ready in the morning. Interesting idea, yoghurt made with Internet signal.

As it happens, seasonal change for us coincides with a change in accommodation. We’re moving to a different part of Delhi. It happens once every three or four years, living in rented houses for intervals of time, watching the paint slowly peeling off in the heat and letting it all be as it is. No agitation about anything that needs fixing because, just at the edge of vision, household items are ready for the next move, poised… the choreography of the dance step/transfiguration, the great leap, percussive scatter of objects landing. Wake up in somebody else’s house with all your own things looking out of context… everything that’s old has been forgotten in the confrontation with the new, that’s not yet been gotten used to. Perception takes it all in, files it away in a new folder, a new reference point: ‘this’ is what we shall call reality for now… before that happens there’s the transition, looking for things:
‘Where’s the coffee filter cone?’
‘In the box.’
‘Which box?’
‘The one in the room.’
‘Which room?’
(no answer)
sound of footsteps walking off in search of it…

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The separate self is not an entity; it is an activity: the activity of thinking and feeling that our essential nature of pure Awareness shares the limits and the destiny of the body and mind. [Rupert Spira]

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Thanks to Non-Duality America for the Rupert Spira quote
~   G   R   A   T   I   T   U   D   E   ~

not giving god a name

IMG_3405The Buddha taught us that there is positive thinking and there is negative thinking. The most important thing is to stay above thinking.” [Phra Ajahn Jayasaro]
(Thai text translation)
POSTCARD #160: New Delhi: I feel sad that most children in the West don’t receive the same structured guidance or instruction, as they do in the East, about experiential truths in the lineage of Zoroaster, Moses, Buddha, Krishna, Jesus, Muhammad – some of whom are called Gods and some prophets. I remember, years ago, asking an old Anglican priest in East London how to find God and he said: ‘are you going?’ Just left it at that. What he meant was: are you going to church? I wasn’t. When I was a kid we didn’t ‘go’, nobody ever ‘went’… there were weddings, funerals, and ‘God’ was never a topic of discussion. I’d had some spiritual insight in this godless condition and was asking the question because I couldn’t understand what the loud hymn singing and dressed-up-in-smart-clothes thing was about; what lay beyond the ‘thou-shalt-nots’ and instruction on the fundamentals of social behaviour. Later I began to see that what the priest meant was, ‘are you actively doing something about this?’ But where to begin? I felt slightly excluded and defensive; ‘going’, was something known only to those who ‘go’… an enigma I didn’t feel equipped to tackle. It didn’t compel me to go back and follow up the conversation with the old priest, and it’s possible he was waiting for me to come back… I feel quite sad that I never saw him again.

I was searching for a context for this state of Godlessness for a long time before I discovered Buddhism in Thailand and became immersed in those detailed behavioural teachings. That was more than 20 years ago, so all this is seen in hindsight. What I understood then, was what the old priest was referring to as ‘going’. The focus is on the immediacy of the here-and-now reality – what’s happening? Where’s it at, this mind/body organism, in relation to ‘the present moment’? What are the tendencies, habitualities in thought that cause me to wander off in my own and others’ suffering and unhappiness? What are the practicalities of the sequence? How can I train myself to break the chain of consequences – to not do whatever it is that causes stress or distress?

There isn’t a creator god in Buddhism, it’s an all-inclusive thing – in the same way there isn’t a ‘self’ outside of consciousness. There’s the operating system, Sila (virtue) Samadhi (focus) Panya (wisdom) and some might say this is God – for Buddhists, it’s better not to call it anything. By not giving god a name, I’m not inclined to develop an attachment to an idea of God according to what I’d like it to be. Better to think of it as nothingness – no-thingness, there’s not any ‘thingness’ about it… I’ve read how it’s a wisdom, a gnosis so completely at one with the thing it knows, there’s an absorption into it. No words for it. Maybe that’s what the old priest was thinking…

Since you cannot do good to all, you are to pay special attention to those who, by the accidents of time, or place, or circumstances, are brought into closer connection with you. [Saint Augustine]
Link to: Publications by Ajahn Jayasaro

the way it unfolds

IMG_2356POSTCARD #158: Chiang Mai: The tuk-tuk driver outside the Shangri-La Hotel charges me too much – he thinks I’m tourist staying at the hotel but I’m not, I’m visiting the tailor in the lobby. So I agree to the tuk-tuk price, not overly concerned, and he starts up the 2-stroke engine; key-turn ignition, a few revs of the throttle and I climb in. He edges out into the road, and in a flash of passing vehicles makes a fortuitous U-turn in fast-moving traffic so suddenly it takes a moment to see we’re facing the opposite direction, speeding away in a swirl of noise, vibration and acceleration. The outside world invades my space, rushes through a hot wind, no walls, no windows, no glass, except the driver’s windscreen up front and for a moment I’m drawn to that. But the accelerating jolts as he overtakes vehicles in front throws me back into a kind of La-Z-Boy sprawl across the double seat where it’s more comfortable, holding on to my possessions in case they get blown away in the gusts of air. And, at least, this way I can see out, under the overhanging flaps of the stretched canvas roof, blowing in the wind.

Everywhere you go in central Chiang Mai the old canal is on your right side. It forms a square, and to go from south to north the one-way traffic has to go round three sides of the square. Water fountains, huge ancient trees and the remains of a 700 year-old wall that encloses the old city inside the square. It all looks the same, all these journeys connected end-to-end, thinking of it as a repeat pattern, the total itinerary, past lives spent here and there, divided and subdivided into periods and instants of looking out at the world flying by thinking: ‘where are we now?’ But not recognising anything and in the blink of an eye back to being busy with thinking. Everything fits together, including my perception of it – the way it unfolds is the way it is.

The tuk-tuk stops at the traffic light and driver switches off the engine to save gas. All of a sudden it’s quiet; the tick-tick and creak of hot metal, smell of tarmac. Here I am in this laid-back position as if lounging in a fifteenth century market stall waiting for customers. Bamboo poles and the roof is thatch, enclosing the space I’m in; contained in the greater space all around. People walking by the wall, fifteenth century bricks sagging and curved like a slow moving wave that’s formed with the gradual sinking of foundations.

Same ‘now’ as it was then; seven hundred years in the past, it wasn’t any different for the people who lived then, returning, as I do, to this same reference point; ‘me’ the human being, eyes looking out ‘there’ at the world. All that remains is the emptiness of the moment; the sound of the engine, the vibration and the pressure of the bench I’m sitting on. There’s skin, hair; there are arms, legs, a head and eyes, ears, nose and tongue. I am a sensory-receptive organism. Just the warm air in my face and things rushing by.

‘… impossible to be aware of an experiencer because it is always the experience itself that momentarily occupies that space.’ [Alan Watts, ‘The Wisdom of Insecurity’]

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Note: excerpts from an earlier post titled ‘applied Knowing’

not alone

IMG_2346POSTCARD #157: Hat Yai: The 15th day of the 10th lunar month, October 12th, was the annual Respect for the Dead day in Thailand. Facebook busy with the exchange of photos showing the preparation of food offerings to the Dead and the large social events that took place in the temple grounds afterwards. Communities sharing the food they made in their own homes and ‘offered’ to the boowa in the temple’s cemetery area where the ashes and remains of the ancestors are kept. The people of the old world built a narrative around the enigma of death, life and the whole question of why we are here. It explains the mystery in a way everyone in the community can understand, something consciously shared. It also explains it to me, a westerner, 30 years in Asia, having one foot in both worlds – maybe I’m more asianized these days. With this awareness of death, I find I’m not alone anymore, all of a sudden… wow! In the West we somehow forgot there was anything we were supposed to know about life and death so we stopped looking. Forgot about the subjective world and spent most of the time browsing internet pages about quantum mechanics instead.

It’s not that we just don’t talk about death, we pretend it’s not there. Death is what happens to other people… something obscure, like spirituality; words cloned from an ancient artefact wrapped in the strangeness of another age. Jesus, Mohammed, Shiva, Buddha discovered the truth was inside, a seed germinating from ancient beginnings. They and all the revered persons in the history of the world were teaching people to find it for themselves (comes with the software). It’s not about having somebody else do it on our behalf.

But conjurors, alchemists, science developed and the Object elbowed its way into our lives, shoved Subjectivity out of the way, and we started to focus on what’s inside, thinking it’s out ‘there’. Instead of the actual experience, I’m listening to a story about what’s happening, watching a movie in my head; inventing a self that’s satisfied sometimes, or dissatisfied other times, a self that is incomplete, unfulfilled, searching for the truth and what’s real, and failing to see that it’s the searching that maintains the state of being lost. Thinking I am the only one that’s me, or is that just a thought thinking it’s me? And when, in the peace and quiet emptiness of the moment, there is no hungry ‘self’, no driving urge to have, to possess, to be… it’s possible to see that this world of suffering can be brought to an end.

“… death is as near to him as drying up is to rivulets in the summer heat, as falling is to the fruits of the trees when the sap reaches their attachments in the morning, as breaking is to clay pots tapped by a mallet, as vanishing is to dewdrops touched by the sun’s rays …” [Visuddhimagga, Mindfullness of Death]

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Photo: Jiab’s community in the shared meal after the ceremony

rooms

IMG_2081bPOSTCARD #155: Chiang Mai: Home is three rooms on the third floor in a condominium. Arrived in the evening, up in the elevator, unlock the door and enter. Lights on, blinded for a moment, drop everything, close door. It’s airless, windows closed – how long was I away? Must have been the end of August? A scatter of things left at the doorway as I stumble around absorbing the environment, trying to recreate the last time I was here, searching for familiarity in the furniture… things, objects which carry meaning. Anjali to the Buddha statue, books on shelves… and I find the memory of it all is displaced by present experience, as I step into a new time. Sensory data, the smell of detergent products (the cleaners came). It’s so quiet here, open curtains with a great sweep, sliding back screens, open the windows with a bang (unintentional), birds outside flutter and chirp and there’s the mountain air. Crash around the apartment, disturbing the space held by these rooms, what is contained is squeezed outside and new air enters. My shoes are lying in the hallway as if the owner has flown away, bathroom door flung open. It’s like a catastrophe in reverse – everything is suddenly peopled, inhabited, okay, this is where I live.

Router is flickering green lights, switch on laptop, available networks… okay I’m online. What else is here? Clothes hanging in the closet, whose are these? Looks like they fit me, must have been ‘me’ in a former life. Case lying on the bed, its cover open so wide it looks like the extended mouth of an opera singer reaching the high note… the emotionality of arriving at the final destination. All my clothes coming out, folded to a flatness like envelopes and layered, they feel cold from the aircraft. Flat-pack systems, I have to reassemble according to numbered diagrams and the hologram arises like magic; a sense of ‘self’ in these surroundings, clothed and cloaked in suitable disguise; everything needed for this temporary mode of being.

Head spinning with the varying ear-popping air pressures and momentum of the great storm that brought me here, the travel industry, largest network in the world. Taxis, escalators, miles of corridors, two planes, Delhi/ Bangkok/ Chiang Mai, everything is linked with everything else. Who runs it all? … is there a God? Inappropriate question right now, the spinning flow of it is just moving along by itself, I jump on as it’s going past, join the other passengers already there, get my seat, fasten seat belts and we’re all swept away like flotsam and jestam taken by river currents.

So now I’m here, j’arrive! Let’s see now, what’s in the fridge? Onions with long shoots growing in the darkness. Soy milk not yet past its sell-by-date and some dry oats that seem to be okay. Plenty coffee. Good! I can do grocery shopping tomorrow. Time to reverse in, switch off engine, lights flash in acknowledgement, and be horizontal for 8 hours…

“As wave is driven by wave
And each, pursued, pursues the wave ahead,
So time flies on and follows, flies, and follows,
Always, for ever and new. What was before
Is left behind; what never was is now;
And every passing moment is renewed.”
[Ovid, Metamorphoses]

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stowaway

IMG_1376bPOSTCARD #154: Delhi: For a few days now my bag has been lying on the bed while I search around for the clothes I’m taking with me on the trip to Thailand. The lid is hinged back, wide open like the beak of a baby bird in the nest. When the bag is filled to capacity (cases are always filled to capacity) it’ll close its mouth turn over on to its upright position and be wheeled away to the car, off to the airport, the check-in desk and into the cargo of the plane… a capacity inside a capacity.

At this time though, the case is still unpacked and maybe I should not leave the cover of it open like this in case there are small creatures in the air that decide to fly into the bag and come with me to Thailand – like the time we were living in Switzerland and Jiab came back from a long trip to South America and the last stop was Peru. From Jorge Chávez Airport in Lima, she had three connecting flights, many delays and more than 24 hours travelling before she was back in Switzerland in the evening. Totally exhausted, she opened her in-flight bag to take a few things out and went to sleep immediately. I didn’t move the bag, left there lying open and went to sleep too – if I had closed the bag, then the stowaway wouldn’t have escaped into the room, or when it did, there’s a chance we’d have seen it….

In the morning I woke up to this blat-blat-blat sound coming from the mezzanine upstairs, so I went up to have a look. Step by step and cautiously, there was a table light that had been on all night. Something was inside the shade – a very strange winged insect banging itself against the light bulb. When it stopped and lay resting on the inside of the shade I could see it was a hard shelled beetle-like creature that folded its wings up inside its shell… hmmm this thing didn’t come from Europe, I’d seen something like it in India. I went down to the kitchen and found an empty glass jar with a screw lid and came back upstairs; it was flying at the light bulb again, blat-blat-blat. When it stopped for a rest, I manouvered it into the jar, got the lid on and took it downstairs. A kind of greenish square-shaped thing with a pointy end, about three quarters of an inch in size and sort of flat, like a spade.

I tried to get Jiab to wake up to look at it, but she was not interested in that, totally asleep and it wasn’t easy. A very bleary-eyed, jetlagged look at what I held up in the jar for her to see brought only puzzled silence. After some consideration she said: Insects should not be in the house, and collapsed back on the pillow. So that was it, much later we discussed how it could have got here and decided it must have come in through an open window on her last day in the hotel in Lima and landed on the contents of the open bag. She closed the lid on it unknowingly, went to the airport and thus it stowed away on the flight to Europe.

I studied the insect in the jar for a while then took it to the balcony, unscrewed the lid and gave it its freedom in the warm spring air. Watched it fly off down to the bushes and grass below. Who knows? Maybe it found distant members of a species once related, twice removed, reproduced and now there’s a hybrid genus developing in that part of Europe waiting to be discovered.

“The present changes the past. Looking back you do not find what you left behind.” [Kiran Desai, The Inheritance of Loss]

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Photo by M, showing her bag (upper left, light blue with pattern) being loaded on a domestic flight from Chiang Mai to Bangkok

before already

IMG_0574bPOSTCARD #153: Delhi: Getting things organized for the flight to Thailand, I go through my files and find this photo taken at Delhi Airport Departures last time I was there. Unfamiliar with this kind of airport signage: STOP/ LOOK/ GO, I’m lost for a moment in the what-came-first directionality, then I see it’s meant to be for vehicles approaching from the left. The driver is supposed to stop at the word STOP, then drive to the word LOOK, then he is ready to GO. Curious incongruities for me, an observer at the window on the third floor of the passenger terminal, I feel like a tiny speck in a huge transparent glass and steel building. A time/space anomaly, I’m reminded of something somebody said; part of a conversation with a married couple I know, in Chiang Mai. German husband and Thai wife – she doesn’t speak German, he doesn’t speak Thai. They use English to communicate, husband speaks it with traces of Thai pronunciation, and wife has a slightly German accent. We’re having tea together and I’m the only native speaker in the room so I naturally start to facilitate their searching for words, then realise I don’t have to do that, of course – English is their link language and over the years they’ve worked out their own system.

Their dialogue is a hybrid of grammar forms improvised as they go along. We’re getting ready to go out and husband says to wife, Where my blue socks. Wife tells husband: in the ironing basket… (mumbling quietly to herself in Thai: he can’t find anything because he doesn’t look properly). As he’s walking off to the laundry basket husband says, why you can move things without telling to me, and she follows it up with, I tell you before already.  I lose track of the conversation then, thinking… before already, huh? Is it a point in time somewhere before ‘already’ happened? Or is it that she already told him about the socks, and that was before something happened that’s not referred to here.

You can say it in Thai (bok gon laew*) but in English it suggests there’s an instant in time we are searching for but haven’t discovered yet. Miniscule shavings of time, events that last for 100 attoseconds, or 100 quintillionths of a second (note: 100 attoseconds is to one second as a second is to 300 million years). The illusion of duration, I’m experiencing a before/already disorientation, the present moment constantly updating itself in an attempt to find out where we are now. Cause and effect are parts of the same event; ‘before already’ is a screenshot capture of karma particles (cittas) in the time construct we inhabit. Lost in translation, so vast it doesn’t matter any more.

One moon shows in every pool;
in every pool, the one moon.
[Zen Forest Saying]

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*bok gon laew: บอกก่อนแล้ว say before already

the orange tree

IMG_2323bPOSTCARD 151: Delhi: Wake up in the morning and it takes a moment before I remember who I am. There’s a sense of having to press START to get it going, then the pieces fall into place… some parts of the jigsaw are late in arriving, fit into position as the image appears; it’s somehow reassembling to become a different picture as the moments pass… becoming another new picture, and more and more pictures. Then there’s the remembered pain – head turning on the pillow, stare at the ceiling; must have had it all through the night, but… not as bad as it was? Gently sit up and see how that goes, balance the cranium on top of spinal column, get up from the bed and gently walk through to the front room as if tight-rope walking… start the day.

Years go by, living on received sensory data and just taking it all for granted. Tiny molecules of experience passing through the organism in great rivers, and all of it goes unnoticed… until it malfunctions in some way. The buildings collapse, a natural disaster, illness – herpes zoster virus, shingles; permanent headaches. Through necessity I develop more of an investigative attitude to actions and reactions, monitoring the mind-body-world situation I am in, we are all, always, in… consciousness. Then the remedy, the simple homeopathic miracle and immediately some easing, enough to make the return to ordinary things seem possible.

Birdsong outside. A dog barks. Voices in the street. I go up to walk on the roof terrace. Look over the edge, the orange tree encroaching on our roof – see the first ripening orange this year. It looks out of focus because it’s arising out of the green it was before. Curious magic, the orange is changing colour as I stand here watching it in the early morning sunlight; object of consciousness becomes who I am – the ongoing transformation…

Beyond the mind there is no such thing as experience. Experience is a dual state. You cannot talk of reality as an experience. Once this is understood, you will no longer look for being and becoming as separate and opposite. In reality they are one and inseparable like roots and branches of the same tree. Both can exist only in the light of consciousness, which again, arises in the wake of the sense ‘I am’. This is the primary fact. If you miss it, you miss all. [Sri Nisargadatta Maharaj]

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Lower photo: last year’s oranges
Sri Nisargadatta Maharaj quote source: This Unlit Light
~   G   R   A   T   I   T   U   D   E   ~

 

space and far-away things

IMG_2298POSTCARD 148: Delhi: bare feet on marble floor surface, pad-pad-pad, darkness in the front room, no daylight coming in through the glass patio door. What’s the time? Blinding light of my phone left on the desk: 5.15 am. I know my way by feel, through between furniture, mindful not to stub my toe on chair legs, and unwilling to switch on the light that hurts the eyes. Gentle with the mind/body organism waking up after having been parked, horizontalised in sleep mode for 8 hours. I know where the ceiling fan switch is… ting-ting-ting and I can depend on the laptop screen to illuminate the room – switch on the machine and it’s like a car headlight in the room, I need to turn my head away to avoid the glare.

There’s a pair of prescription sunglasses I use for this harsh brightness. Peer at the screen, scroll down through Word Press Reader and discover: Zen Flash: Tibetan Singing Bowl Meditation: Session 2 (27:30), click on the link. Plug in my ear buds and enter a huge, wonderful landscape of sound, space and far-away things – an entire panorama inside my head. But is that some conversation in the background or people chatting outside the house? Here in New Delhi there’s something going on 24/7. Is there a dog barking in the distance or is that on the sound track too? It seems at first that I need to differentiate, the ting-ting-ting sound is not the sound track, it’s the ceiling fan. At first I feel I have to be able to know what’s happening inside and outside of the listening zone, which is which? Then it doesn’t matter, it’s okay, accept it all as a oneness.

Back to the screen, open iPhoto library, and there’s the pic taken at Khan Market, a popular area; bicycle propped up on its stand in an alleyway. Left in the middle of the road, why? The owner must be somewhere nearby. Tibetan Singing Bowl sounds swirl around this bicycle, empty sack tied on the back, with a box on the front. There’s a presence of the owner – choosing to leave the bicycle in plain sight… he must know that everyone knows it’s his. It’s like the whole world is one large room; domestic life without walls, centuries of open-air living. There’s this quality about India – if you’ve ever been here you’ll know what I’m talking about. It’s not about visiting ancient sites or jaw-dropping experiences that fill you with awe, it can be simply the fragrance of incense, candlewax, ironed cotton clothes; an aura arising from something olfactory, the strange familiarity of cooking smells.

Fragments of people’s lives; a hugeness of ordinary things, a sense of loving-kindness and well being in the millions of every-day events taking place inside homes. Inside my home where we’ve lived for nearly five years, the Tibetan Singing Bowl Meditation track has birdsong, a sound like an aircraft passing overhead, voices outside quietly whispering. I look up to find the music has stopped, sounds from the world enter the room, faint daylight coming in through the glass patio doors. What’s the time? 6.00 am.

I am restless. I am athirst for far-away things.
My soul goes out in a longing to touch the skirt of the dim distance.
O Great Beyond, O the keen call of thy flute!
I forget, I ever forget, that I have no wings to fly,
that I am bound in this spot evermore.
[Rabindranath Tagore]

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Special thanks to Zen Flash for the soundtrack mentioned in this post
~   g   r   a   t   i   t   u   d   e   ~

tilt

Photo 1-2POSTCARD 147: Delhi: Phone rings. It’s a message from Jiab in Mumbai… image downloading, a photo taken from her car window. Reflections in the glass make it look like the yellow-top taxi is fusing into the back of the red bus. She’s stuck in a traffic jam; same here in central Delhi (on my way to Khan Market), rivers flowing through all the urban creeks and tributaries, as one vast river and this curious thought that it’s the same time at any point along its route. Or extended through every passageway in the city, as a mass of end-to-end steel/chrome-plated metal, creaking along like the glacier I visited a long time ago in Switzerland moving so slowly, the end of its 133 kilometer length is four hundred years older than its beginning.

Placing parenthesis around a block of time creates a beginning and an end, the world seen in a particular context… ‘my’ view of reality and the actual state of things out ‘there’ appears separate from me. I live in an illusion, riding around like a passenger seated in the vehicle of the body, input from data received through sight, sound, smell, taste, touch – and a mind that creates meaning based on memory files of similar events occurring in the past. There’s this identification with the thing-ness of things, thoughts, solutions and problems, reviewing, seeking, and memories of past times.

Yet, I can see the mind as an object; I am an organism contained in and created by the ‘world’, a body made of earth, water, fire and air. And if they’ve invented something that can break up the molecular structure of solid objects, concrete and steel, I find it impossible to believe, of course, more likely to disbelieve – but, given this all-inclusive subjectivity as the nature of the world, I’m inclined to believe it is possible, and everything tilts in an unexpected way.

Traffic seized up here in the approach to Khan Market, but the signal is still good so I take a picture and send it to Jiab in Mumbai, 1400 kilometers away.

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‘Things are not what they appear to be: nor are they otherwise.’ [Śūraṅgama Sūtra]

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