diwali: an inner light

DharmaPOSTCARD #21: Delhi: This year’s 5 day Diwali festival begins on Sunday 03 November. Diwali is about celebrating the awareness of the inner light; that which is beyond the physical body and mind – pure, infinite and eternal. The light of higher knowledge that dispels the ignorance masking one’s true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things. This ‘higher knowledge’ brings bliss, ananda. In the same way we celebrate the birth of a child – the birth of our physical being – Diwali is the celebration of this Inner Light. The story may vary from region to region, but the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).

The name Diwali, a contraction of deepavali (row of lamps), involves the lighting of small clay lamps which are placed outside the house and kept lit all through the night. It’s about the triumph of good over evil; there are fireworks to drive away evil spirits going off all through the night – not possible to get much sleep – any lingering old thoughts of attachment are blasted out of their dusty little corners. You can’t really pretend it’s not happening… it’s a social event, parties going on until late at night

KevalajnanaFor Jains, Diwali marks the attainment of moksha (nirvana) by Mahavira (a reformer of Jainism) in 527 BC. Interesting to note that the Buddha and Mahavira were contemporaries, and there’s an odd similarity between Mahavira and Buddha; google their names and you’ll get all kinds of info. Both were princes and renounced their kingdoms at the age of 30. Mahavira’s father’s name was Siddhartha (Buddha’s name), and both attained enlightenment. They both practiced extreme asceticism, but the Buddha went on from there to develop the Middle Way. Jains believe in a soul, but for Buddhists there is no self, no creator of the Universe, it has no beginning and no end. There are many other similarities and I’ll write a separate post about that one day.

Dayananda_SaraswatiDiwali is also celebrated by the Arya Samajists as the death anniversary of Swami Dayanand Saraswati. They also celebrate this day as Shardiya Nav-Shasyeshti. Diwali begins on the thirteenth lunar day of Krishna paksha (dark fortnight) of the Hindu calendar month Ashwin and ends on Bhaubeej. The Indian business community begins the financial year on the first day of Diwali (Dhanteras). Diwali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore and Fiji. Diwali was given official status by the United States Congress in 2007 by former president George W. Bush. Barack Obama became the first president to personally attend Diwali at the White House in 2009.

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Note: this post was created with excerpts from the wikipedia page. Upper image by Manish Jain  spiritualartwork.wordpress.com. Middle image: illustration of Mahvira, a reformer of Jainism. Lower image: Swami Dayanand Saraswati

where I’m calling from

IMG_0213POSTCARD #19: Chiang Mai: M came to visit for the day, my Thai niece aged 9yrs, and her mum brought a bag of pa tong ko (Thai donuts) she got in the Saturday market. And just before we ate them all I remembered to take a photo [click this link for recipe]. But I’m getting ahead of myself, it began quite early this morning. I open my eyes and there’s a sound, a Skype call – where’s the phone? Stumble out of bed, follow the sound… phone has slid down the side cushion on the sofa, singing and buzzing in there; hello? It’s M, hello? Her video appears – hello, hello? I can see the top of her head, she’s watching a YouTube video at the same time as skyping me.

Where are you now Toong Ting? She calls me Toong Ting, a remnant of her baby-talk days. I tell her I’m in the condo, arrived last night from Bangkok; this is what it looks like, where I’m calling from, then slowly move the camera-phone around so she can see the interior of the room.

What you do there? She speaks English like text messaging – maybe social media is how she learned? I tell her I’m not properly awake yet and that’s why my hair is all mussed up.

What’s mussed-up mean? I tell her that I was sleeping, just woke. But it’s difficult to hear what she’s saying, I need to adjust the volume control. Where’s the clicker? Can’t see well with these glasses, I’ll have to hold the phone so I’m able to see her face on the screen then put it to my ear to hear her voice – she’s laughing because there’s my big ear in close-up, filling her screen. Laughter…

Why you do that Toong Ting? The conversation lasts about a minute. She asks me, Can I come stay with you today, mummy go out, OK? I say yes; see you soon, bye-bye.

Shower, dressed, wash dishes, tidy up and in 1 hour, ping-pong! door opens, M is scooting down the corridor, running around the rooms and jumping on the sofa: yaaaaay! Her mum gives me the pa tong ko and some of M’s items in a bag and other food things, asks if I’m sure it’s okay… yes, of course, and there’s the handing over of responsibility with a few last words of caution to M and bye! Mummy is gone.

We put everything on the breakfast table, and taking the photo of the pa tong ko reminds me about the problem with the phone-camera earlier, with the sound – not finding the volume control and I tell her about this – can she fix it for me? M holds the phone in her small hands then clicks the little button with a tiny pointed finger.

I feel heavy and clumsy by comparison. She tells me I need to change the ringtone… so let’s choose one together, okay? There’s a long list, the names read like a poem; apex, beacon, by the seaside, chimes, crystals, night owl, playtime, presto, radar, radiate, stargaze, summit, twinkle, waves and we go through them all, one after another, like a strange inter-related melody; a breathtaking journey through the diverse world of heavenly and celestial, twinkling ringtones.

Which one you like Toong Ting? I’d like to make a choice but it’s like a kind of hilarious madness to me, they’re all good… M makes her choice and I’m wearing my glasses to see how she’s doing it. It’s this that causes her to quit the ringtone selection as the discussion moves round to my recent eye operation.

What the doctor do? M comes close to my face and looks at my left eye, carefully, then looks at my right eye. She’s a bit scared of the thought of it, yet kinda fascinated when I tell her about making a hole in the eye and sucking out the lens shloooorp! then putting in the new lens folded over to get it into the hole and it’s made of plastic, so it opens out flap when it’s inside and lies down flat.

I see her small face and almond-shaped eyes absorbing the story into consciousness. It’s a mirror I can see myself in. The ‘I am’ feeling – the sense of ‘I-Amness’. All the way through one’s life, the constant. It’s the same today as it was when I was 9 years old. Absolute subjectivity.

‘Consciousness veils itself from itself by pretending to limit itself to a separate entity and then forgets that it is pretending.’ [‘The Transparency of Things’, Rupert Spira]

We take other photos of the rest of the food things brought by M’s mum and here they are:

1. (below) Kao nyaow: glutinous rice cooked in banana leaves

IMG_02152. (below) Ground nuts, the original version of the salted peanuts we buy in a can. They’re actually a purplish-green colour.

IMG_02163. (below) Thai kanom: a glutinous rice paste flavoured with panyan

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References to Absolute Subjectivity taken from a Ken Wilbur video: Subject becomes object.
The title of this post: ‘where I’m calling from’ is taken from a collection of short stories by Raymond Carver

constructed reality

sun image2POSTCARD06: Bangkok: Standing outside the house in the shade of a large tree, waiting for the taxi to the airport. The brightness of the sun is tremendous, colours are vivid, the world is a high resolution Photoshop enhancement. After the eye surgery I feel like a nocturnal creature, squinting in the daylight, a quiet presence behind sunglasses. I have an attachment to darkness, I’d like it to be dark, dull and rainy today but instead it feels like I’m in a television studio. The light penetrates everything. There are no real seasons in Thailand, no markers in the calendar to say where we are in the annual cycle. The weather is the same every day. Night comes at 6pm, instant darkness, then at 6am, instant daylight and each day is pretty much like the one before. The days become weeks, weeks become months, months become years. The whole thing is just one very long, continuous day, and night is the blink of an eye.

Time disappears, people are startled to discover they have aged… wake up one day to discover they’re old – life has gone. Rip Van Winkle fell asleep and woke up with a very long beard. The story is based on an Orkney folktale about an inebriated fiddler, late one night on his way home, hears some wonderful music and discovers a group of magical beings dancing in a circle. He plays his fiddle with them for a while and continues on his way home. When he arrives he discovers fifty years have passed; people have died, his daughter is middle-aged, her children are grown up. We don’t see the true nature of the world. Reality is thought to be what is out ‘there’, perceptions based on received sensory data input: what we see, hear, touch, taste, smell – and what we ‘think’ it is. What we recognize as a particular colour, is seen by an insect as ultra-violet, by a snake as infra-red. Who are we to say our view of the world is exactly what it is? The ground appears to be solid, terra firma even though the planet is spinning around, hurtling through outer space at thousands of miles an hour. Things are not what they seem to be.

A bright pink and white taxi approaches the house, enters the driveway and fills my vision. Bags inside, door slam, reverse out and we’re gone.

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‘… there are no colors in the real world… there are no textures in the real world. There are no fragrances in the real world. There is no beauty; there is no ugliness… Out there is a chaos of energy soup and energy fields. Literally. We take that and somewhere inside ourselves we create a world. Somewhere inside ourselves it all happens.’ [Sir John Eckles, Nobel Prize winner in physiology and medicine 1963]

a small island

050POSTCARD #03: London: Writing this on the new iPhone I bought in Apple Store, Covent Garden. Takes some getting used to. The keyboard is tiny; index finger placed on the letter key blocks out the whole letter – fingers too thick. The letters ‘O’ and ‘P’ are difficult, and when I type ‘M’, I hit the backspace instead. Jiab can do it okay, she has fingers as thin as flower stalks. Maybe I’ll give it to her…? A friend fixed me up with a blue-tooth keyboard and small projector (Optima). I’m using the image on the wall like a screen. Uploading the post to WordPress is possible with wordpress mobile but only with a good Wi-Fi connection. Interesting to work in miniature like this – there’s something about the smallness of it that suits things here in UK.

We’re in a tiny hotel room, just enough space for everything. The streets outside accommodate pedestrians on the pavement, and a narrow road allows the big black taxicabs to rush by. Could be a claustrophobic feeling if you think about it too much, compressed, economy of space provision. Don’t think about it. Japan is the same, squeezed into a little country. It is a small island, travel across from East to West and you come to the sea again – I am marooned. Geographical aloneness. The world is out ‘there’. I remember the separateness; the belief in a ‘self’ but seeing only the lack of it, and nearly a lifetime is taken up with looking for the answer to this conundrum – seeking. Now coming back from Thailand where I’m living in somebody else’s country, an outsider, and finding that it’s been so long since I was in the UK, where I was born, I’ve become an outsider here too. Can’t relate to this culture; holding on to a UK identity and there’s really not anything to support it, just my attachment. Most people I knew then are gone, I’m a homeless person, staying in hotels, staying with people I met in Buddhist groups, friends, and at Buddhist monasteries on the way.

Pretty nearly everyone here is an outsider, a visitor. So many different languages: Italian, Japanese, French, South American and others – where are the English people? It’s the holiday season, maybe they’re in someone else’s country too, being outsiders there? All the staff in hotels, restaurants and shops are East Europeans. Visitors come here and what they see is a system run by other visitors to England. A picture of England; a picture of reality – when was it not like this? Buildings and statues of eminent Victorians, a solitary man standing alone, high up there on a plinth, pigeons sit on his head. Splendid isolation, tourists take pictures of each other standing next to the man’s name carved in the stone of the base of the statue’s plinth and up above he’s there, looking out at other statues. I feel I should know who he is, I’m British, I should know… but you’d have to have studied history to know that. I can’t remember, it couldn’t have been important to me. All I see here is a monument to ‘self’, the grandeur of it escapes me. But it was important to the people of that time; statues, ornate buildings, the opulence and wealth of the Empire recorded in history. Such a great achievement, such a small country. This was. Can’t help reflecting on the fact that it’s all a fiction created by the storytellers of the day about a reality somewhere else, far away – samsara, stories from a small island.

‘There is a path to walk on, walking is being done but there is no traveller. There are deeds but there is no doer. There is no self. The thought of a self is an error and all existences are as empty as whirling water bubbles, as hollow as the plantain tree. There’s a blowing of the air but no wind that does the blowing. There is no self, there is no transmigration of a self; there are deeds and the continued effect of deeds…’ [Ramesh S. Balsekar, ‘Advaita, the Buddha and the Unbroken Whole’]

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Optoma projector on gorilla tripod keyboard and iPhone

before the story begins

270420131799Delhi/Bangkok flight: People don’t normally go to Thailand for their holiday in the middle of the hot season – highs of 40°C –  mad dogs and Englishmen… No passengers, plane is nearly empty, fortunate for me with this back pain I’ve had for more than a week now. I set off on this journey knowing that really the last thing I’d want to be doing is getting into the overcrowded economy class section with no room to move. But the good kamma of plenty room today, I can position myself in the chair so there’s no discomfort and able to quietly contemplate the clouds in the sky. Everything seems so still, not really comprehending the phenomenon of travelling at 500 mph – 1 mile in seven seconds? I count to seven: 1-2-3-4-5-6-7 and one mile further on. Hmmm, it feels like everything is stable and down-to-earth; stewardess smiles sweetly: something to drink sir?… I feel I’m a bunch of time-stretched-out spaghetti strings, going most of the way back to the point of departure.

Consciously watch the breathing and the mind settles. Soon there’s the quiet space of no thinking. Watch the breath for a while but then, after a moment, something triggers thought again. A story starts up and I remember Lisa’s post, Doing Nothing Out of Anger: ‘…we have to get the story of it going in our head’. Without the story, it doesn’t happen. Usually you fall into it and it’s more to do with convincing yourself it’s like this, rather than it actually really being ‘this’. But there’s the small space just before it locks in and I can see that this is the last opportunity to consciously let go of the story-building, and be aware of the unchecked habituality that’s there for no good reason.

I read something about this in Rory’s blog/Tao Te Ching 12: The Inner World: ‘It’s been estimated that we think around 60,000 thoughts each day… probably over 90% of them are simply recycled from yesterday and the day before…’ Thoughts about absolutely everything – most of the world is inside your head. No wonder the space of no-thought is such a novelty to discover, no stories unfolding. Training the mind to consciously monitor the randomness, yoniso manasikara, contemplate the act of thinking with focus and concentration.

Mind settles again in the space of no thought, no end, no beginning, everything is always in present time, no past, no future… then, in the mind’s eye, I’m with my mother in the Care Home, holding her hand and she stops breathing, I see the moment she dies and it’s like her last teaching to me: this is how you die son, just watch me… and I see her move from the present into the past – forever.

A long time spent coming to terms with the fact that all of that is now irretrievably in the past; there are memories but if I don’t start the thinking process, there’s nothing there. Sometimes finding myself cast away on a small island of thought with stories like this, then the peace returns, sound of the aircraft. No thought, not trying to find it, not engaging with the story of it. We’re all just seeing ‘the seeing of it’. There’s something about the human reaction to the world, sensory organs mostly positioned around the face, so the head moves in response to functions of eye, ear, nose, tongue, skin and mind – the mind and stories, the ubiquity of the story.

The story is everywhere and it’s necessary to see the input clearly and the habituality. As far as possible let there be no reason for Mind to step in and take control, create the story of ‘me’; someone at the receiving end and the whole subject/object duality starts up. Without that there’s just the sensory receptors and our shared world. There isn’t anything else to be done; only to ‘see’ the reality – seeing the seeing; awareness of the awareness; knowing the knowing. ‘I’ am not creating it. Awareness has somehow sidestepped that. Seeing the events without the story.

On a journey like this, you somehow think that, at the destination, that’ll be the end – no more stories. But you arrive and there’s just another set of stories going on and we’re always only part the way through whatever story it is – same as what’s going on with everyone, everywhere else in the world, all at the same time.

Landing at Bangkok, yawn and swivel the lower jaw to release trapped air in the cranial passages; ears go ‘pop’ and a whole new 3D sound enters…. didn’t realize how cotton-wooly it was before. Ah well, so which gate are we coming in at? There’s a long walk to the domestic terminal and the next flight to Ch’mai…

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inevitability of circumstances

the-fool-300A LONG TIME AGO I had the idea to write a book. It was 1983, I’d just started travelling around Asia and all this colourful, exotic stuff around me, I’d never seen before. So I started making notes. That was okay but I got stuck with it; no story-line, no plot and, for a while, I thought the story could be a kind of unfolding of events as they went along… but this was too wide, I needed to narrow things down a bit. Too complex, it’d give me a headache. I kept on making notes, anyway, believing that a story would reveal itself in the course of time, but it never did and I never figured it out. Years went by and I just carried on with more and more notes. Now I’ve got five A4-sized ring folders of typed notes I managed to print out from an old hard drive just before it finally crashed about 10 years ago, and I’m scanning these back into text files bit by bit. Also there are all these little old notebooks full of scribbles I have difficulty deciphering today – it’s like they were written by somebody else. I’m telling you this because this is how the blog came into being. The posts are developed from these old notes; you could say, altogether, this is the book I never wrote.

The difference is there’s a distance now that wasn’t there then. There’s no obvious author, thoughts without a thinker, it’s very much more indirect than it was. There are these faded old notes written by the younger me, on yellowing paper, etched into the surface with a dried-out ball-point pen and I don’t remember half of it. Now they seem to be a bit reckless, stepping into that magical world of heightened feelings that generates a kind of gripping intensity: the experience itself… what’s this? what’s that? Things had to be written down quickly before they’d disappear and I’d not be able to remember, suddenly –  wow! gone, they’d vanish and all I’d have were the fragments of their being there.

Of course, it was stress all the way; trying to hold on when holding-on wasn’t needed. The urgency of it going past too fast, whole scenarios flashing by like buildings seen through the windows of a moving vehicle and you see this shadowy reflection of yourself in glazed shop windows, looking out from a taxi or bus or car and always in the same position: the point of reference… Then I started to slow down, one thought-moment, then another thought-moment – we can’t have two thoughts at the same time – thinking is the linking thing. And eventually I arrived at an understanding that this is what the process is; a mindful effort to experience consciousness of the real live situation as it’s going along. Haphazard things that before just seemed to fit in as happy coincidences, came to be more like a recognition that all things are related anyway; similarities that link parts of the story together in a kind of inevitability of circumstances.

Jean_Dodal_Tarot_trump_Fool

So there’s now this quiet familiarity, and it’s more relaxed. Being free of the great rush that lasted all these years, I reckon I’ve arrived… yes, that’s it, the purpose in life has been achieved. I can see, though, there’s also something here that tells me it could be that I’m just experiencing normality. Isn’t this just ordinary reality? Isn’t this, in fact, the place where ‘normal’ people abide all their days, and what’s been happening is I’ve been practising brinkmanship, acting slightly mad all these years and have only returned to ordinariness? Ah well, whatever… I’m pleased because how could you not be? How much better and more mindful it is now compared to how it was then. And, okay, the transformation from that to this maybe makes it seem like something more than it is. Well, ho hum, it could be that the release from that samsara is all that can be achieved in one lifetime and just being happy with small miracles is all there is – nothing else needs to be done. So I go on here in this quiet place with the pleasantness of simple things and every day seems quite wonderful.

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Upper Tarot image of the Fool: http://tarot-lovers.com/the-fool-detail.shtml
Lower Tarot image of the Fool: http://en.wikipedia.org/wiki/File:Jean_Dodal_Tarot_trump_Fool.jpg

one in five hundred

dreamstimefree_198297

Suvarnabhumi airport: 05.30 hours, enter the check-in hall, and I’m one in a great sea of people, all pushing trolleys with luggage… amazing; takes my breath away. It seems to be divided equally over two check-in areas: H on the left, and J on the right. Quick decision, go right – I’m at the end of the line, I’m the last… I’ll miss the plane! Everybody is stumbling along, dismayed: how could it be like this? The slow-shuffle, steadily moving down a very long, snake-like line, doubling back on itself, for five rows – looks like about 100 persons in each line, 500 people in front? The paranoia of individuals acting-out in wild queue-jumping behaviour arises (protecting my place in the line…) then that ceases. Relax, watch the breath, and observe reactions: a narrative of events in the mind. Seeing it happening as I’m going along; emotions rising and falling like sailing over these large waves on the sea. Stormy thoughts rise up and activate the red light: stop thinking! There’s the experience of intense contraction in the mind and immediately there’s the insight into letting go of it, drop that one now. Back to watching the breath again.

Lose track of time and later I check my watch and realize it has taken about an hour to reach the check-in desk where I have to show my passport and get the space on the plane I paid for. Then it’s done, I’m processed, got boarding pass, making my way through the multitudes, contemplating thoughts on an archetype of Asian migrations and, always, there are 500 people in front. At the toilets 500 people ahead of me, into immigration and the continuing capacity flow of 500 people is passing through. In the larger departure areas there’s an ocean of people as far as the eye can see, and at my gate, again 500. Flight is boarding and the capacity of the plane is around 500. Take off and all 500 of us mind/body units are airborne…

Airline staff serves the meal, feeding the five hundred – sounds biblical. Through the window, sky, clouds, and the surface of the planet. It makes me feel like a tiny speck of life, a microscopic cell. The body is allotted a space in a chair moulded to fit, takes up volume and weight. The body composed of the four elements: earth, water, fire and air, is something like a car battery, positive and negative poles, chemical reactions, and the mind is the energy that comes from that, the nama-rupa compound. Who ‘I’ am is not important, and the idea that it is ‘something’ (it is ‘me’) is a concept, a digital display that comes with the software. The whole thing is more like ‘process’, a connectedness on every level. Origin unknown, just believing in an external creator doesn’t seem to be it – the only reason that comes to mind is my own Christian conditioning as a child. I need to investigate this. The metaphor helps me to transcend my existing situation, figures of speech; other than that it’s all speculative conjecture. How can I see it in any other way? Anything else beyond this present conscious state must be so remote from what I presently know that none of the rules I’m familiar with apply. I’m in awe – I simply don’t know….

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‘… radiant emptiness should not be mistaken for the pure emptiness of Nibbana. The two are as different as night and day. The radiant mind is the original mind of the cycle of constant becoming; but it is not the essence of mind which is fully pure and free from birth and death. Radiance is a very subtle, natural condition whose uniform brightness and clarity make it appear empty. This is your original nature beyond name and form. But it is not yet Nibbana. It is the very substance of mind that has been well-cleansed to the point where a mesmerizing and majestic quality of knowing is its outstanding feature. When the mind finally relinquishes all attachment to forms and concepts, the knowing essence assumes exceedingly refined qualities. It has let go of everything – except itself. It remains permeated by a fundamental delusion about its own true nature. Because of that, the radiant essence has turned into a subtle form of self without you realizing it. You end up believing that the subtle feelings of happiness and the shining radiance are the unconditioned essence of mind. Oblivious to your delusion, you accept this majestic mind as the finished product. You believe it to be Nibbana, the transcendent emptiness of pure mind.’ [Luangta Maha Boowa]

photo image, dreamstime: http://www.dreamstime.com/pier-free-stock-photography-imagefree198297

seemingly continuous

BtnBuddha2Chiang Mai: 05.00 hours. Darkness of early morning. I can hear a motorbike some way off, coming nearer, and voices talking loudly. They’re shouting to be heard over the sound of the engine. The motorbike passes below my balcony on the third floor, sound fills the room, and I realize it’s the driver with a friend on the back having a converstation as they are going along. Curious acoustics here in this narrow street; concrete and glass buildings face each other. The sound of the two voices disappears quickly past my windows and moves on further down the street, contained in the little capsule of their moving world. I hear it again, faintly now, and fading into the distance.

Strange dream-like event; receiving pieces of an animated conversation moving past me at 30 mph. Then it’s gone from my auditory awareness and (I assume) is being heard by other people further along the street. There’s something here about consciousness creating a sense of continuity; like how you string beads on a necklace and it appears to be one whole piece. A continuous stream of individual events taking place and, in the context of the body, it appears to be one, on-going connected reality – an illusion. When I wake up in the morning, it takes a moment, and everything is a development of the night before.

It must have been the motorbike that woke me up; windows wide open all night in the hot air, with just the mosquito mesh separating me from the world outside. Only 20 miles to go, straight up in the sky, before you reach outer space; no gravity, the universe (where did I read that?). Wow! outer space is so near, half an hour’s drive to get there, if there’s no traffic problem. So, what does that feel like? I suppose it feels pretty… precarious, balanced on the end of a flagpole fixed on top of a monument – the absolute verticality of it… quite scary. The only thing that gives me any sense of stability is the ‘self’ I’m inclined to depend on sometimes? No wonder there’s this tremendous attachment to it; can’t let it go, irretrievably lost in thought; I am contained in this body, stumbling around in this small area I inhabit, on the surface of the planet. I am a bit uncomfortable with the reality of what exists only 20 miles above my head. And go through life assuming that all there ever is, or all there ever can be, is ‘me’; the experience of a created self.

I hear a sound, and think: if that sound is out ‘there’ then I must be hearing it in ‘here’: the subject/object duality: ‘I’ am my body, I am my feelings, I am my consciousness and everything else (that’s not ‘me’) is out ‘there.’ In here, I’m me, I have a personality, it’s myself. And Bert0001 refers to it as: the ‘my’ in ‘myself.’ A distinct feeling of focus that disincludes other evidence – it’s all about me. Fortunately, I can understand and know that the idea of a self just seems to be there, seemingly continuous – a kind of mirage. Delete the ‘my’ from ‘myself’ and I’m free of all the tugs and pulls of likes and dislikes, emotions are not ‘my’ emotions, they’re just emotions; things that happen – liberated from the papañca, proliferating concepts, and concocted thought trying to make something real that’s just not real at all.

I’m glad to be awake early, leaving this place tomorrow and I’ll have to pack bags and get ready. Why can’t I just walk on to the plane not check in any bags at all, only passport, ticket and the contents of my pockets? Why bother with luggage? Ah… if only life were so simple.

Some time after this I hear the Tuk-kae lizard chuckling in a corner somewhere: tuk-kae-tuk-kae tuk-kae. And the Coucal, (whoop-whoop bird) (centropus sinensis) clambering around in the branches; whoop-whoop-whoop-whoop-whoop…

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‘Just as a monkey moving through the forest or the woods holds on to a branch, lets it go and holds on to another; in the same way what we call viññāṇa (consciousness) arises as one thing and ceases as another, by day and by night.’ [SN.II.95]

References in this post: Sue Hamilton: ‘Identity and Experience’
Photo: Buddhist shrine in Bhutan, collection Khun Pornchai

applied knowing

tukt18Mar5‘Either you look at the universe as a very poor creation out of which no one can make anything, or you look at your own life and your own part in the universe as infinitely rich, full of inexhaustible interest, opening out into the infinite further possibilities for study and contemplation and interest and praise. Beyond all and in all is God.’ [Thomas Merton, from: ‘The Intimate Merton’]

Chiang Mai: Standing by the main road facing traffic going into town, looking for the small red bus songthaew /song-tae-oo/. I see one coming in the distance. This time of day there’s always one nearby. It’ll go anywhere you want, the driver will fit you in, depending on the itinerary of the passengers already on board – so the journey may take a different route every time. That’s how it works; 20 baht (US: 69 cents) for a ride to nearly anywhere. There’s no designated route, no schedule, the songthaew just comes along and it’s a bit like jumping into a flowing river, holding on to a lifebelt and somehow it gets you there. I see the indicator light flashing, the songthaew stops, I tell the (lady) driver where I’m going, she says ok. I climb up two steps and get into the vehicle. Low headroom, sit down on the bench, smile at the other passengers, and fall into the mind-state of being taken away.

The outside world rushes by, seen through the open rear door of the vehicle and side windows with no glass; warm air rushes through. The way it unfolds is the way it is and everything is integrated, including my perception of it. The ‘world’ is the metal structure of this small vehicle enclosing the space I’m in; contained in the greater space all around and permeating through. Moving with the traffic next to the canal, water fountains, huge ancient trees and the remains of a 700 year-old wall that encloses the old city in a square. Same ‘now’ as it was then; being in the present moment at that time is as it is now, seven hundred years further on; or just a few seconds later, more-or-less the same. Conscious experience appears like a series of screen shots, holding the movement for a moment and it stays like that, then it changes slightly and becomes something else. Difficult to say how or when it alters but I notice it has changed only afterwards – like, that’s different from what it was a moment ago, isn’t it? It must have happened and I didn’t see it. Present time transforms itself. Seven hundred years in the past, it wasn’t any different for the people who lived then, returning, as I do, to this same reference point every time and seeing the situation from the perspective of ‘self.’

songthaew2It’s not anything, the only reason it’s there is that I linger with the idea of it. I can enter knowingly; I can consciously apply ‘knowing’ to the ‘self’ construct, applied knowing (not the theoretical kind), and the knowingness clears away the habituality. Thoughts that just wander for no reason are brought to an end by knowing that this is what it comes down to. ‘Every time I close the door on Reality, it comes in through the window.’ [Ashleigh Brilliant] All that remains is the emptiness of the moment; the sound of the engine, the vibration and the pressure of the bench I’m sitting on. There’s skin, hair; there are arms, legs, a head and eyes, ears, nose and tongue. I am a sensory-receptive organism. Just the warm air in my face and things rushing by. There’s identity but it’s nothing other than what it is; the personality flutters like a piece of cloth in the wind; coloured plumage of a bird and a sense of immensity occupies the entire background.

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 ‘Perception… can easily be seized on as having a self-reality or as one’s self. The average villager likes to say that when we fall asleep, something that he calls the soul departs from the body. The body is, then, like a log of wood, receiving no sensation by way of eye, ear, nose, tongue, or body. As soon as that something has returned to the body, awareness and wakefulness are restored. A great many people have this naive belief that consciousness is the self. But, as the Buddha taught, consciousness is not a self in this sense. Consciousness is simply sensation and memory, that is, knowing, and is bound to be present as long as the body continues to function normally. As soon as the bodily functions become disrupted, the thing we call consciousness changes or ceases to function. For this reason true Buddhists refuse to accept consciousness as a self, even though the average person does accept it as such, clinging to it as “myself.” Close examination along Buddhist lines reveals that quite the opposite is the case. Consciousness is nobody’s self at all. It is simply a result of natural processes and nothing more.’ [Ajahn Buddhadasa, ‘The Things We Cling To’]

Upper photo: Chiang Mai tuktuk, lower photo: Songthaew

memories and the wind

stonefootCropNew Delhi: Gusty warm winds blow through the trees in the park, rustling the leaves and swishing the branches like the sound of waves breaking on the shore. The pigeons are exhilarated by it, flying over at tremendous speeds past me here sitting on the roof terrace, watching them now swoop up above my head – so actively engaged with the mechanism of flight, it’s as if the movements of their wings and the movement of the air are one and the same thing. A wind like this is energy to the birds; it’s a dance. Flight is an expression of the air displacement itself – flying and the wind – ground level is not the reference point; ‘up’ is not necessarily up and neither is down. I see them caught in rapid flight; a stationary moment in the air, suspended in time and space, then an audible flap of wingtip and change in direction.

This wind buffeting me around, hair whiplash on the forehead and the pages of my notebook suddenly leap and turn over on the spiral binding, fluttering through all my various handwritten notes over the last month. In this way, the wind blows through ‘mind’, stirring memories and things from the past, held for years, and released, they come flooding into present time. Each memory stays as long as it takes to examine, and the fullest extent remembered, like meeting an old friend. Time disappears for how long it takes to tell the story and, towards the end of the memory stream, the space behind is seen shining through, the images become transparent and vanish.

The next memory arrives after a moment, I examine that and it disappears like the others. It goes on like this, a collection of things from long ago and far away. Allowing thoughts to go by, unheld, uncaught – the opposite of catching fish; consciously unhooking fish-thoughts caught in the mind at some earlier time; letting them go free and they swim away. Memory stream moves from one moment to the next and I can’t actually see these moments… is this it? Is this the next moment? Is this it, now? Can’t be measured like that; just the circumstance itself; the situations and occurrences follow one another – not a sequence in time, it’s dependent on the nature of the events, there’s a linking that groups them together like coloured beads strung on a necklace.

Going back to Thailand tomorrow where it’ll be hotter than a locked laundromat dryer. Ah well, better go pack my bag now and… has the next moment arrived yet? The mental images and fragments have reformed themselves in the endless stream of things? Can we say, possibly, yes, this is, actually  the next moment? If so, I must have missed it, everything seems like it’s in the past again…

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[Includes excerpts from: Birds on the Balcony 4]

‘Unhooking fish’ taken from an original idea by TJH
Photo image: dreamstime