the buddha today

Posted on January 28, 2016 by tiramit

OLD NOTEBOOKS: The images of Gautama the Buddha we have today portray him as a person from the educated class, someone we might recognize as not unlike many of us who have the ability to see ordinary life at a distance, without any immediate financial concern about things in general because we live in a society that takes care of itself (as it was for Gautama before he left the palace). Or maybe we’re desperadoes, adventurers with a special genius and exceptional skill and energy that creates equanimity in times of brinkmanship and it’s the sheer confidence in our ability that allows us to see this truth; the suffering of the ordinary worldling is caused by wanting things to be different from (other than) what they are, and never managing to reach the desired state.

There is another a form of Buddhism that reaches the ordinary people of India through the Ambedkar conversion from the socially oppressed Dalit caste to Buddhist, in the hope of a better life. This has become a political issue and some would say the Buddha was an activist attempting to create social change – I think most would agree that, sadly the politics of the situation has confused the Buddha’s original teaching. The Ambedkar Buddhists are the fifth largest religion in India. The Dalit Buddhists I have met, those with university degrees at doctorate level, are actively searching for a way of integrating those parts of the Buddha’s original teaching.

In the West, people have to structure their lives around employment. Their innate ability to be happy is exploited by commercial strategies and a fleeting, temporary happiness has come to be built-in to the system. People can’t escape from that unless they step out of the social momentum they’re in and this means there’s the risk of losing everything. So they’re trapped in the system.

As Pankaj Mishra says: “Buddhism has always attracted the elite of whatever society it has traveled to, partly because you need to have traveled through a certain experience of materialism in order to arrive at the sense that there is something problematic about desire and longing, how they don’t lead to happiness, and more often than not lead to unhappiness. If you are still struggling to fulfill your fantasies of wealth, power, status, Buddhism is less likely to appeal to you.” [‘An End to Suffering’ Pankaj Mishra‘]

Maybe we are seeing some similarities here reading this while stretched out on the sofa with an iPad at this very moment, giving some thought to the situation of Gautama leaving his comfortable home and stepping into the unknown, in search of a spiritual life. In Thailand there’s the option of living in the monastery for a period of time in order to follow the spiritual path. In fact you can spend your whole life there. This kind of choice is held in high regard by Thai society. In the West we are in one way or another committed to our earning capacity. There is virtually no spiritual option of this kind in the system – other than self-study and the support from nearby Buddhist monasteries. A Google search for Theravada monasteries in USA and other parts of the world will explain that anyone is welcome to share in the one meal of the day, free of charge, the activities, Dhamma talks in the monastery and accommodation can be arranged.

“You should live as islands unto yourselves, being your own refuge, seeking no other refuge; with the dharma as an island, with the dharma as your refuge, seeking no other refuge.” [selected from the Buddha’s final words]

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Note: some parts of an earlier post included here: https://dhammafootsteps.wordpress.com/2012/08/22/the-way-out/

high altitude pain

Posted on January 15, 2016 by tiramit

POSTCARD #187: Bangkok/Delhi flight: The journey is by way of a series of crowded corridors connected like tubes in a telescope, one inside the other, becoming smaller and smaller, reduced to squeeze us into the self construct; the way we are and the lifetimes lived with it. The ‘me’ in the body, the voice in my head, the narrator telling the story. This is how it is… and already there’s a sense of distance from the world (‘this’ was). Keep moving, we pass through security as if it were the eyepiece of the telescope, examined through a lens; cameras watch us standing in line. We are subject to causes and conditions… shoes off, gentlemen remove belt, anything in your pockets Sir? Take off watch please. Enter the X-ray cubicle, stand with legs apart, arms extended, wind blows clothes aside and hair ruffled. I’m suddenly aware the viewer behind the lens can see everything underneath clothing. Shoes on, thread belt through loops, pick up watch and things. Collect computer from tray put it back inside bag and get organised. Step out of there, aware, balanced, easy breathing and it’s okay right now (except piercing high frequency air-conditioning sound, waiting for pain to arrive but it doesn’t come), sensory mechanisms function without my involvement. Continue with the slow foot shuffle (high pitched voices, mysterious kerfuffle), but we’re all moving along here. I’m like an antenna receiving data; seeing, hearing, smelling, tasting, touching and cognitive functioning receptor, waiting for things to happen.

Hand passport to officer, look at the camera, facial recognition, the self I inhabit… this is who I ‘am’ (the same as everyone else ‘is’). The officer stamps twice, thump… thump (the sound of it), walk through and out to the duty-free extravaganza (piercing light enters neural pathways), suddenly blinded for a moment in the reflected glow of gold watches, jewelry, the made-up lips and eyes in vivid, max-pixel pictures, videos of popular celebrities, cosmetic dentistry, facial alterations, images in unflawed focus and good-looking lighting; commonplace works of art, masterpieces of trivialities. I could use the television analogy; I’m watching this channel and all the other people are watching their channels – and if there were separate channels for every single being in the world, that would be the correct analogy.

We’re in another tunnel sloping downwards, becoming smaller at the end where painted ladies wait, show me where I have to go; turn right into an even smaller tube with seats on either side of a corridor, and I’m in my numbered seat. It’s made to measure, low ceiling, knees touch the seat in front, elbows touching the guy next to me, hairy arms. It’s like being on a bus at night, except less space. No view from the window, can see only the blank video screen at eye level, 18 inches in front of me… everything is too near and a feeling of blackness. Try to read my book on the Kindle but the words appear strange, three-dimensional, as if embossed on the screen, the lines of text are not straight; flowing in a gentle curve. Then I feel the pain behind my right eye like a sharp steel knife entering my head, and pushed right up to the hilt. Gasp! The painted ladies bring me a plastic glass of water. Searching in my pockets for the meds…the huge pain has reached its max, the steel blade withdraws; a devastation of everything, catastrophic, frantic looking for something to hold on to, or let go of, and it all tips over like a building falls on its face in slow motion, desolation, wreckage and some relief as I see it’s not happening to ‘me’ – it’s not ‘my’ pain, too big for that, much too big. It’s the force of pain on its own, like the huge wind blows, the vast rain falls, a storm at sea. Swallow two capsules, lie back, close my eyes and the curve I was seeing earlier becomes the curve of a thick dark smoke rising up from my head, swirling up through the paper-thin structure of the plane, the sky above and space all around.

Relaxed with the seat back, pain gone and all that remains is the sound of the engines at 600 mph and altitude 38,000 feet. The mind makes a ‘story’ out of it, a stretched sense of reality that includes the video I’m watching in the darkness. Memory allows all kinds of out-of-context events to be there and acceptably part of it.

Landing, bump… bump, long lumpy runway to get to the airport buildings, then the clamber and struggle for overhead baggage, push, shove. Intrude, squeeze as they do here, full body contact with total strangers, and out into a tunnel again, more tunnels becoming wider, wider then a corridor and out onto the miles of ochre coloured carpet with patterns of planets and stars. High speed moving walkways and we’re in India.

“God is a mythical word, a mumbo-jumbo word that is the invention of the priesthood. Actually, to ask whether God exists is absurd. God is existence, the very isness. When we say God exists we create something out of the word God, then God becomes a thing. But God is not a thing, nor is God a person, he is pure existence. The word is misleading because the word personifies. It is better to use the word existence. The totality of existence is God.” [Osho]

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Photo: Free internet image
Quote: Source, God is Existence itself – Osho

October 31 and the Aos Sìth

Posted on October 31, 2015 by tiramit

POSTCARD #161: New Delhi: Ghosts are pretty convincing in Thai culture – not overly dramatic or garish, very realistic and intense. Thais take care to appease these invisible entities so that they will bless them with good fortune (save them from ill-fortune). Every home or building has a dollhouse-sized shrine on its premises, called a Spirit House. The shrine serves as an altar for gifts to appease guardian spirits of the land. There are offerings of fruit, flowers, bowls of rice, beverages and figurines of people and animals. It’s widely known that accidents or bad luck afflict those who fail to acknowledge the rights of the supernatural beings who rightfully dwell on the grounds.

There’s no Halloween in Thailand maybe because the seasonal change is not so clearly defined, no harvest coming to an end in October/November. But spirits are everywhere, in the same way, the ancient Aos Sí (usually spelled Sìth), in Celtic countries would appear, and offerings of food and drink were left outside for them. The souls of the dead were also thought to revisit their old homes at this time, seeking hospitality. Feasts were had, at which the souls of dead kin were beckoned to attend and a place set at the table for them. These Aos Sí, were the supernatural race who were said to live underground, across the western sea, or in an invisible world that coexists with the world of humans. They would be able to cross the boundary between this world and the Otherworld during the Gaelic festival of Samhain celebrated from sunset on 31st October to sunset on 1st November, marking the end of the harvest season and the beginning of winter or the “darker half” of the year – halfway between the autumn equinox and the winter solstice.

Samhain was observed in Ireland, Scotland the Isle of Man and in other Celtic lands; the Brythonic Calan Gaeaf (in Wales), Kalan Gwav (in Cornwall), and Kalan Goañv (in Brittany, North of France). There is evidence of Samhain since ancient times; the Mound of the Hostages, a Neolithic passage tomb at the Hill of Tara, is aligned with the Samhain sunrise. It is mentioned in some of the earliest Irish literature and many important events in Irish mythology happen or begin on Samhain.

October 31st was the time when cattle were brought back down from the summer pastures and when livestock were slaughtered for the winter. There were rituals involving special bonfires, deemed to have protective and cleansing powers. It was believed that the Aos Sí needed to be propitiated at Samhain, to ensure that the people and their livestock survived the winter. Performers were part of the festival, and people going door-to-door in costumed disguise, reciting verses in exchange for food. Divination rituals and games were also a big part of the festival and often involved nuts and apples.

Halloween suits the East very well where animist beliefs and superstitions are a part of everyday life for Thais. My Thai niece M (aged 11 years) sent me pics of her halloween party, there’s one where she’s staring at the camera with an intensity that’s a bit scary and hair all spiked out. Also this pic of a halloween pumpkin lamp carved out of a pineapple, something I’d never seen before.

You hide me in your cloak of Nothingness
Reflect my ghost in your glass of Being
I am nothing, yet appear: transparent dream
Where your eternity briefly trembles [Rumi]

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Upper photo source

deities in the hall of mirrors

Posted on October 6, 2015 by tiramit

POSTCARD #156: Chiang Mai: I arrive in the hospital waiting area with the pain, this intrusive stabbing pain in the head and neck, postherpetic neuralgia, a permanent headache; sounds worse than it is – could be I’m getting used to it. There’s a flat screen TV and a coffee place, maybe I should order something? I have the iPhone to fiddle with, get busy with that… not interesting. Okay so try thinking about something else, but at this particular moment, there’s nothing else to think about – only the pain all around the right side of my head and neck. Think of something… thought itself is a free app I have the option to download on the mind/body device (namarupa) but even though I don’t have to download it, some of it seems to be here already, appears involuntarily. I hear the thoughts, the ‘voice’ inside the machine shouting out: Hey! the pain is happening to ‘me!’ It’s not happening to you, or them, or him, or her, it’s happening to me! The pain is ‘mine’, I am ‘possessed’ by it. Everything I love and hate, everything I love to hate – it belongs to ‘me’… it’s ‘my’ enemy!

With the pain swirling like a dense, dark cloud around my head and neck, I step carefully over to the TV that nobody is watching. There’s a remote, so I can flip through the channels and see where that gets me. Bend down to get the remote and the storm of pain happening to ‘me’ is there again, overwhelms everything, too much, for a moment I give way to it… and it’s then I notice there’s a space of somehow being detached from the pain, it’s something that’s not felt anymore, enough of an easing back from it to see the pain is an appearance, like everything else.

Sit down in front of the TV. Focus on the remote, press the buttons… so many channels. Some channels I recognise, then up into higher and higher numbers; places I’ve never been in before. Almost all of the channels are hazy or white-noise then I break through into a place that’s loud, clear and colourful. A Korean game-show, dubbed in Thai. It’s as if the storm of pain is all around but outside of this curious place – I’m safe in here. The scene unfolds, all the characters are lipsticked and painted with cosmetics like grotesque clowns, with amazing hair and impossible teeth, an embodiment of consciousness deeply obscured in layers of ‘self’. Man created God in his own image; a mirror reflection of the ego.

It’s a serious competition about trivialities; guests make appearances, have to tell anecdotes related to the question to gain points. They gaze at each other and see themselves as their own reflections; deities in the hall of mirrors – adults dressed to look like ‘cute’, children (kawaii), a real live dream-world; and the winning of the prize! Lights, colours music, the reward, congratulations, created laughter, spontaneous and heartening applause…

Just then, the nurse calls my name, I have to go and see the doctor. I get up from the chair slowly and take my pain away from the transparency of this kind of joyful TV state that’s doing its best to cultivate a desire for everything that is pleasing and a loathing dislike of everything that’s displeasing, perhaps unintentionally encouraging the hating of it, the not-wanting-it-to-be-there inverted craving, that contributes to the intensity of driving the economic machine… a kind of mental captivity; never seeing that the business of the actor is in the nature of appearances. The art of the illusionist, the politician…

Quiet minds cannot be perplexed or frightened, but go on in fortune or misfortune at their own private pace, like a clock during a thunderstorm. [Robert Louis Stevenson]

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Photo showing a product that creates a lower eyelid bulge. Source

why?

Posted on August 22, 2015 by tiramit

POSTCARD 145: Bangkok: The front cover of the Matichon newspaper weekly supplement shows pictures of the Erawan Shrine with the headline: ‘why’, ทำไม (tham mai). Whoever is responsible for the bomb would have been aware of the damage to relationships with China, and aware of the damage to the Thai government for failing to protect the public. Seems strange to me that even though it’s a four-headed Hindu, Brahmin shrine, worshippers are mostly Chinese Thais and it’s popular with Chinese tourists from Hong Kong, Singapore, and the new wealth of mainland China, group-tours of families and young people mostly. Maybe it’s not political, an act of madness – the shrine has a curious history. Inevitable, though, that everyone assumes it’s political; the small cartoon character in the lower right appears in every edition of the Matichon weekly. In this one the character wears a black armband and is saying: “So now we have finally come to this!” A provocative statement – a comment about anti-government groups, trying to harm the Thai economy.

It’s a mystery. I visited the shrine yesterday, most of the barriers are moved away now, some repairs still to be done to the roof where the explosion blew off roof tiles. The pedestrian bridge is cordoned off with tape to stop people leaning over to take photos. The same great cloud of incence hangs in the air above a continuing throng of hundreds of people visiting throughout the day and night with their offerings and countless bowings of head and hands, burning incence sticks held in hands, and palms together as if in prayer (anjali). I’m amazed by the passion of the ritual, there’s always been some intensity of thought here – not an open free mind, it’s not meditative… it’s something ‘willed’. There’s an undercurrent of some sort of unknown energy, people cling to the idea of it, the deity can save us if we believe in Him; we worship somebody else ‘doing it’ on our behalf – we are subject to that.

Strange to see this, because Thailand is a Buddhist country and Buddhism is about not engaging with the ‘story’, it’s about understanding the constructed nature of what has been handed down to us and stepping outside of that to see the non-duality between ourselves and the world. Like the original Jesus Teachings, you simply ‘see’ the Truth of it; the reality that surrounds us all the time; like the Hindu Brahman, the Oneness, the God-state that’s here and now.

The people who visit here every day must be sincerely involved in mindfully finding their way through the busyness of their lives. Others may visit when they have an extreme situation they’re worrying about, they come for help; a desperate prayer for what ‘I’ want, what I think I need. I can’t imagine what they receive from this, only more of a focus on situations that are absent of that thing that is desired. Why? What can I learn from this? Is there a Teaching here? Or maybe there’s something wrong with the question. It could be superstition, misguided intentions, living in illusion; ‘the futile pursuit of happiness’ it’s always disatisying because it doesn’t do enough, I want more of it – the fleeting happiness found in consumerism doesn’t hit the spot.

Traffic noise echoes off the concrete structures all around. Heat and incence smoke rising…

‘The ego’s attachment to power of any kind is linked inextricably to the fear of losing that power and thus becomes a source of suffering.” (Ramdas)

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History: In 1956, an astrologer advised building the The Erawan Shrine to counter negative influences and the bad karma believed caused by laying the foundations of the Erawan Hotel on the wrong date. Furthermore, the Ratchaprasong Intersection had once been used to put criminals on public display. The hotel’s construction was delayed by a series of mishaps, including cost overruns, injuries to laborers, and the loss of a shipload of Italian marble intended for the building. In 2006, the shrine was vandalised by a Thai man believed to be mentally ill. After smashing the statue with a hammer, he was himself beaten to death by angry bystanders.

inertia of TV

Posted on August 8, 2015 by tiramit

POSTCARD 141: New Delhi: I passed a shop selling TVs, walked in and stood there for a moment in the zizzling static of huge glowing plasma screens. We don’t have a TV at home, haven’t owned one for nearly 5 years. It seems alien to me now, ‘entertainment’, compulsive Bollywood movies with high-power advertising every five minutes. I managed to kick the TV habit many years ago in the house in East Anglia. Reblogged below are some excerpts from the post I wrote about that event.

(Originally dated October 2, 2012): There used to be a TV here but I gave it away. A big old fashioned dinosaur TV, too large for this little old cottage. No room for it; limited floor space, low ceiling height, clutter and junk (jutter and clunk). I manhandled the TV upstairs but it was no good there; then downstairs again and hurt my back in the process. It was always in the way; just too big. I had it under the table for a while but it looked silly there… and I started to see that it had to go.

But I was dependent on TV watching; every other activity took second place to that, and attempting to disengage from TV was a struggle. What to do? I’d try switching it off suddenly, right in the middle of something, a chat show, whatever, just to see what the room felt and looked like without all the noise, bright lights and rewarding, congratulatory applause. But every time I did that, the absolute silence of a world without TV was devastating! The lack of colour and severity of greyness in the house was just… sad! I had to switch it on immediately. TV was like a friend, I couldn’t say goodbye to it. I kept on doing that, though, switching it off and on again, in the middle of programmes, to surprise myself. Eventually I started to get interested in the idea of the silence that remained without TV, typical of the location I was in – a house surrounded by quiet fields and nature.

But TV-cold-turkey was no fun and I was in denial for a very long time. Then one day I was watching the BBC news and noticed the newsreader pronounced his words with a weird sort of ‘smirk’… kinda disgusting, and then the whole ugly ‘self’ aspect of it was revealed. Shocking, but I was glad it happened because it was obvious then that I didn’t feel comfortable with TV in the house – it had to go. I carried it out the back door and left it in the garden; went back inside and discovered this huge space in the room where it used to be. Interesting to see the directions in the room created by a focus on TV; chairs arranged so that viewing could take place comfortably. So I rearranged the furniture, changed it all around, and that was really quite liberating.

I’d return to the kitchen window from time to time and look at the TV out there in the garden – holding my attention, still… thinking, that object should be ‘inside’, not ‘outside’. Completely out of context in the garden, but I just left it there; no longer connected to it. Later that day, it started to rain and drops were falling on the dusty black surface – the urge to take it back in… that was difficult. The neighbour dropped by and he said it’s not a good thing to leave a TV out in the rain. I told him I didn’t want it anymore, maybe he’d like to have it for his spare room? Okay thank you very much… and, you’re welcome. So I gave him the channel changer and that was it. Off he went and I watched him carry it into his house, happily bewildered by my generosity and failing to understand my joy at having escaped the inertia of TV.

‘Like a thief entering an empty house, bad thoughts cannot in any way harm an empty mind.’ [Padmasanbhava]

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Photo: Jason deCaires Taylor’s underwater sculpture, ‘Inertia’. Click here for more images.
Excerpts from an earlier post, titled The End of TV.

a world of lost passwords

Posted on November 16, 2014 by tiramit

POSTCARD #102: Delhi: I’ve forgotten my password… fearing my papers might be stolen, password discovered and, of course this is how the whole paranoia of Identity Theft unfolds, I dreamed up some devious way of encrypting it then forgot how I did that. Now it’s gone… this elusive quality passwords have, they slip away secretly if you’re not holding on to them or buying into the created anxiety scenario that sells the product; insurance to cover the insurance to cover the unforeseen event; an imagined disaster. Rearrange the furniture of the mind; if you’re a Buddhist, having your identity stolen is no big deal because it’s an assumed identity anyway. There never was an actual ‘self’ in here, anatta, selflessness, and spiritual generosity. I’m pretty sure there’ll come a time when banks don’t offer loans to Buddhists anymore; they don’t meet the criteria, don’t have the credentials; that tenacity of clinging to ‘me’ and ‘mine’ is noticeably absent… Buddhists are not a safe bet, at any time they may close the agreement and happily give everything away. Banks don’t like freedom from suffering; enslavement to sensory input keeps them in business.

So I feel reasonably okay about losing my password, what’s gone is gone. It’s my Thai account and they will fix it up for me – I’ll be there in 2 weeks so I’ll be able to explain the situation; go and see the same bank teller lady I’ve been visiting over the years, who will look up when I come to her desk with my queue number ticket and a recognition comes into her face: You’ve forgotten your password again, right? It did bother me at first; aging, memory loss, an inability to retain passwords, and also that she might think it’s all a made-up story… how could anyone forget their password so often? And the real reason for coming to see her again and again is that I’d like it if we could get to know each other better… we can’t go on meeting like this.

But there’s a sadness in her eyes…. it’s been so long now, years pass between our meetings, I go away, forget my password and come back and see her again, she gives me a new password and we observe each other silently. She looks well, but older. It must be this job she does; working in a bank, selling security for finance that may or may not bring wealth or ruin, manipulating a hypothetical danger… unwholesome livelihood, hovering always on the edge of anxiety. Even now I can see the lock-down procedures starting in my head – falling into the trap of believing it’s real. Let it go, let it go.

It’s a death, it’s gone, my password dwells now in the world of lost passwords where there’s no urgency about who is who or what or which object belongs to who or whom and the things we cling to, the clings we thing to, have no adherence, glue dissolves, unsticks – structures collapse, fall… form and formlessness

“… like a circle in a spiral, like a wheel within a wheel, never ending or beginning on an ever spinning reel. Like a snowball down a mountain, or a carnival balloon, like a carousel that’s turning, running rings around the moon. Like a clock whose hands are sweeping past the minutes of its face, and the world is like an apple whirling silently in space – like the circles that you find in the windmills of your mind.” [The Windmills of Your Mind, 1968]

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Photo: Jiab’s visit to the Southernmost tip of Kerala looking out towards Sri Lanka

grounded

Posted on September 13, 2014 by tiramit

POSTCARD #91: Delhi: The laptop crashed. Not once, many times. I had to take it to the technician and he said he wasn’t sure if he could fix it but anyway it would take a few days. Doesn’t speak English well, confusion, then there was the weekend too, another two days to wait and see, catastrophic feeling arising: Oh no! There’s something wrong, it feels like an illness, a kind of death; ‘All that is mine, beloved and pleasing, will become separated from me.’ I’m offline, the blogging world goes sailing by and I’m marooned on a desert island. Standing on the beach waving, shouting, jumping up and down, trying to get the attention of passing ships but they don’t see me. What to do? Sit at the desk among all the unplugged cables where the computer used to be. Write with a pen on a pad of paper – doodle and draw pictures instead. No focus in my life, no screen to look at. No need to be at the desk… why am I sitting here?

Get up and walk around; phone in pocket, go upstairs and walk on the roof terrace. It’s a sort of walking meditation path, jongkrom. Up and down, thirty five paces from end to end. Fifteen-hundred paces equal one mile, I need to walk the path 42 times to cover a mile – quite often I lose count and forget… the mind wanders. Basic mindfulness is about remembering what it is you’re supposed to be doing. Returning to the action itself, looking at the feet touching the earth one by one: left then right. The human body, this place I inhabit; it seems strange. I was a child once, learning to walk. How did it feel? Getting myself up here in the vertical position, stumble and fall – world goes sideways, get up again, walk… fall down. Try again, learning how to live my life. Seeing it all through the eyes of a person called ‘me’, a localised experience in a world of fifty million square miles of land space to walk on, and one of seven billion people on the planet. I’m the guy in the street; the ‘you’, the ‘me’. I am a single cell in an organism so vast it’s inconceivable.

Thirty five paces to the end, turn around and walk back. The brick floor looks like an abstract painting, take some photos, back to the walking. How does it feel? This sensation of stepping out from the past into the future but never getting there. Always in transit, housed in a kind of wobbly, thud-thud-thud, rubberoid, physical experience of present time that’s just rolling along. Awareness sees the ground spinning towards each foot like a treadmill driven by my walking… hamster in its spinning wheel. A fun thing to do, hamster’s idea of meditation. Everything happens in the movement towards a place I think I’m going; an arrival point that’s one among many, fixed end to end and disappearing into the perspective. I am the vanishing point; no beginning, no end, always only a part of the continuum. The seed sprouting from the earth is not how the story began, there was another tree before that…

Phone rings, Hello? It’s Jiab saying she’s on the way home with a laptop borrowed from the office. Relief floods through me – aware of the craving; that which is always seeking engagement. I understand what attachment is, so good to see it like this. I’m glad the laptop was taken away… glad too that another one is coming back. The walking has a new kind of ease. Electrical energy of Mind is grounded through footsteps touching the earth.

‘The purpose of walking meditation is walking meditation itself. Going is important, not arriving. Walking meditation is not a means to an end; it is an end. Each step is life; each step is peace and joy. That is why we don’t have to hurry. That is why we slow down. We seem to move forward, but we don’t go anywhere; we are not drawn by a goal. Thus we smile while we are walking.’ [Thich Nhat Hanh]

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strange familiarity

Posted on April 5, 2014 by tiramit

POSTCARD#60: Chiang Mai: 05.00 hours and there’s a problem with the internet. I have the about:blank page, a blinding white screen illuminating everything in this dark room. Things unexpectedly quit, don’t reload and I’m stuck because I can’t connect, the flip-side of that happily engaged state. The created ‘self’ has it’s own momentum… help!-help! – how to undo this bewilderment? Step back, get the bigger picture, zoom in, zoom out. How’s it working? Not good. But there’s a small obstruction-free space in this scenario, thank goodness, I remember a sense of pleasant abiding that supports it all. A long time ago I was keeping house for a Buddhist monk who had health problems. It was a cottage in a field in the middle of the English countryside. Theravadin monks are not allowed to touch food unless it is offered, so I’d go into town, do the shopping, prepare and offer the food before noon. The monk would chant the Anumodana blessing, birds singing in the trees outside, and we’d eat. It was a nice time, we’d talk about the Dhamma, go for walks sometimes and a lot of time was spent reading… yes, reading happened often – partly because his computer was really old and the internet connection extremely slow.

Once a day he’d start up this big, heavy, old Dell laptop and check his emails. It could take an hour… slow is not the word – death-like in its slowness. He told me with some eagerness that it was possible to read a page and a half of his book in the time it took the computer to load an image. For me it was about letting go of ‘self’ and what’s left after that? Only the strange familiarity of objects, sequences of events, karma of reoccurrences, and expecting things to happen when they’re nowhere near ready. Maybe it was easier to go along with that in those days. We had no idea about speed, bandwidth or anything.

In the really early days of the World Wide Web, I remember staring into the blank screen, waiting for the page to load and this wasn’t a frustrating thing at all. It was understood that things took a long time, the duration was really part of the experience – it was miraculous when the page finally opened. It was like, wow! I am now in a library in Wisconsin or New Zealand or South Africa or wherever, I see I’m in some room on the top floor maybe with the sun coming in the window and a view of a landscape outside. I’d feel like I was actually there… and isn’t that amazing! So it seemed to me at that time, then in Bangkok, Thailand nearly 30 years ago.

And the familiarity of the old dial-up connection; that strange piercing sound like the noise of an old iron gate swinging open and closed. Somewhere in mid-swing the tone would change, there’d be this alternating two-tone sound – and this is how it was for us, in the cottage in the field, when the monk’s computer would stir into life, he’d place the book he was reading gently aside, look into the screen, like the whole thing unfolding in slow motion. Select an icon, click that and wait for another 2 minutes for the next page to load. No problem, he’d reach for his book, find the place… continue reading.

‘When we come to practice we don’t know what we don’t know. After a while, the ego mask starts to crack and we begin to know what we don’t know. With some diligent practice, we might have a break through and for a moment or so know what we know. And if we continue with this wondrous work, we might stumble back to not knowing what we don’t know.’ [Wild Fox Zen]

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the forever window

Posted on March 25, 2014 by tiramit

POSTCARD#57: Bangkok: Early evening, M asks what kind of walls I’d like to have in the house she’s building for me. It’s the Minecraft game, everything created from virtual terrain, mountains, sea, sky and a square sun. She looks up from the iPad window and turns to me with enquiring lift of the eyebrow (a nine-year-old veteran). I say well, how about stone – walls are made of stone, aren’t they? It’s an unimaginative answer lacking in conviction – not paying attention properly. I ask what the choices are. She taps the screen to show me: gold, lapis, and you could have diamonds. Generosity. But I’ll just have the stone, please – keep it simple (thinking to myself is she going to come out soon from this digital dream she’s fallen into? Come out, it’s late and you have to do your homework. Be mindful and attend to things in the real world?) But there’s no ‘real’ world here. M says, what kind of roof you want in your house, Toong-Ting? (It’s her name for me) and I’m drawn into the discussion again. You like floor tiles Toong-Ting? I say what I’d like, and that looks nice (trying to reach her by telepathy, please, please emerge from the iPad window soon and think about the homework always in arrears!) For a moment it seems like she’s going to close the iPad but no, it goes on: why do you want that one? This other one looks nicer, does it look nice to you Toong-Ting?

I find answers that fit each question, but there’s no end to it; I know now the point of the exercise is to indulge expansively in this great wealth of choices. We have to try them all. No such thing as a final choice. The iPad is a forever window, a deep lake of astoundingly rich colours that’s difficult to surface from after you’ve fallen in – everything else in ‘real’ life is sadly dull. M dives into the forever window simply because it’s there. The containment of it is the context. The question answers itself, no need even to ask, cause becomes effect, timelessness without end.

Then for a moment she emerges from the dream, a flicker of alertness in her eye. Quickly, grab the opportunity! Act out a continuation of playfulness and joy, extend the interest to our surroundings and she decides to follow. Good, yes! It’s like guiding someone dismayed by sensory overload. Now let’s close the forever window for a while, shall we? Life is the same as it was but it’s quite nice out here. Fetch the school bag, heavy with stuff, reach inside and pull out a scrumfled homework book from the tangle of scraps of food wrappers in there, bits of tissue, and an overall blueness from a pen that flooded its ink inside the bag, a long time ago. My fingers are always slightly blue after visiting M’s bag; I go wash my hands while she considers her homework.

They have to make a simplified pop-up book page; the double page you open and a whole scene pops up. Wow, we never had homework like this when I was a kid! The teacher has given her a model of the folded-out paper mechanism she has to copy. A small spark of interest. Can do by myself now, Toong-Ting, she says, goes over to the sofa and pulls a large cushion over her head: but I have to think it first… stays under the cushion for quite a long time and I’m beginning to think I should ask if she’s okay under there. But next time I look M has cut and formed the folded-out bit with a scissors, glued on the picture that’s supposed to ‘pop up’ and it works – yaay! Well, not brilliant, but homework is not supposed to be a fun thing, it just gets ‘finished’. It’s done, put it away, now where were we? A voice says: may I borrow your iPhone, Toong-Ting?

‘We have a duty to befriend those aspects of obedience that stand outside of our house and shout to our reason, “O please, O please, come out and play.” For we have not come here to take prisoners or to confine our wondrous spirits. But to explore ever and ever more deeply our divine courage, freedom, and light.’ [Hafiz: ‘We Have Not Come To Take Prisoners’]

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