vertigo

IMG_1794POSTCARD #106: Bangkok-Chiang Mai flight: Waves of sunlight pass through the interior of the aircraft as it banks over in the ascent; wings tilt up towards the vertical plane at an alarmingly steep angle, and for a moment it looks like we’re going to tip right over and fly upside down… but it doesn’t do that. A rich dark landscape fills the window; reminds me of the Google Maps satellite image – click the little orange man on ‘street view’ and observe any house or street I choose. The world is a simulation, what I’m seeing is a physiological function of the brain, a projected image, back-lit like the computer screen … the place where (I thought) REALITY was, is occupied with ‘what-it-looks-like’.

A deep familiarity with the analogy – confirmed by others who smile, nod their head, yes, we believe in the resemblance of things… it’s easier that way. This is our agreed-upon certainty, the world as we know it, symbols and words, systems and processes; it’s a construct – the only possible answer the mind can come up with when asked the question: what is ‘it’ actually? Language identifies, can only provide a description of the thing – not the ‘thing’ itself. Everything depends on sensory perception, the (actual) ‘thing’ may be colourless and devoid of any recognisable quality, no odour, no taste, it doesn’t feel like anything; neither hot not cold. It has no sound. It has no weight, it has no form.

A fleeting insight into the vertigo of nothingness situated at the centre of everything. The ‘me’ I live with is not a substantial thing – so flimsy, it’s sometimes not there at all. Through the tiny window of the aircraft there’s this vast immeasurable space, extending above my head through the thin fabric of the aircraft. My Chiang Mai flight is a tiny speck appearing above a sea of clouds on the surface of the planet Earth; the characteristic ‘pale blue dot’, silver-white-sky-blue planet seen from outer space. That home-sweet-home feeling; a place shining with life in a region of seemingly dead planets… is this ‘my’ reality? Or is that an illusion too? The conditions that support life as we know it end here. Maybe we are surrounded by planets teeming with living beings who, like us, also believe they’re separate and alone in this void. And the reason there’s no evidence of it is that the software which operates our sensory mechanism is not compatible with theirs.

What I used to think was an amazing technological feat now becomes just the mechanistic nature of things; the great whine of engines and immense energy that catapaulted me up here, simply another aspect of the construct. Assembled pieces form the aircraft, wing structure is under the seating aisles so that passengers are sitting on top of a sort of swept-back flying crucifix.

Then there’s the ‘ping’ sound, as the seat-belt sign is switched off. Flight time to Chiang Mai is about 1 hour, stewardesses in pretty yellow costumes serve a small meal, it’s like going upstairs to have lunch in the sky; just enough time to have it and come down again.

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“That which operates with conceptual ideas is the ordinary mind, whose characteristics include perceiver and perceived. All that is conceived in this way is false and will never touch upon the actual nature of reality. Any idea of existent, inexistent, both or neither—any such concept, however it’s conceived—is still only a concept, and whatever ideas we hold in mind, they are still within the domain of illusion.” [Ju Mipham]

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Lower image source

 

kop

171020121486OLD NOTEBOOKS: Chiang Mai: I get woken up in the middle of the night… there’s a sound outside: ‘kop’. What is it? There it goes again: ‘kop!’ It’s a man’s voice, ‘kop?’ It takes me a moment to figure out he’s calling someone whose name is Kop. In the Thai language ‘kop’ means ‘frog’, it’s the sound made by these cute little green frogs they have: ‘kop-kop-kop…’ This is felt to be child-like and sweet, and it’s used as a girl’s name. So he is calling her name, standing outside her door, and she is inside the house, not responding to her name being called. Maybe she’s asleep, it’s very late. Or maybe she’s just not letting him in; she threw him out? It’s a story I just arrived in… missed the beginning.

The man doesn’t lose his patience or get angry; he’s not reacting in any kind of emotional way, or saying anything else other than her name – repeated over and over: ‘kop?’ It’s a voiceless, insistent, urgent, loud whisper: ‘kop?’ There’s something very Thai about this, the anxiety about “losing face” he’s compromised with having to call Kop just loud enough so she’ll hear him but not too loud or the neighbours will hear him. What time is it? 3.30 AM. Oh wow! Come on Kop, wake up, or whatever, let the guy in.

There’s a long silence, she must have opened the door, and now he’s inside. I drift off to sleep but the sound comes again: ‘kop?’ and I’m jerked back into wakefulness. She didn’t let him in. It’s frustrating, frantic loud whispering is not enough, he needs to shout. If this was happening in the West, he’d be making a huge noise probably. But he doesn’t do that – non-confrontational behaviour… there’s an interesting balance in this situation. There’s stress of course but also mindfulness. I’m awake enough to see how it works; the sound comes at random, it’s almost painful. I feel I’m beginning to lose it; stress – okay, I’ll not be averse to it, welcome Stress! Come on in, sit down, make yourself at home.

Then it changes. The next sound I hear is: bhrrrr and then: bhrrrrrrrrrrrrr it’s the sound of a doorbell with a flat battery, or it’s nearly flat – not a sharp piercing ring like: rrrrrrrrrrring! More of a dull rattle: bhrrrrr…. There’s barely enough battery power, I can hear it getting slower and slower. After a while there are just odd buzzing noises and the battery runs out. He persists for a couple of minutes, pressing the button on a dead battery and the click sound of the bell-push striking metallic plate; enough to remind Kop he is still outside.

Desperate but able to remain balanced, not engaging with the emotional side of it, upekkha (equanimity) – not being ruled by passions, desires, likes and dislikes. It’s a bit like that for me too, struggling with the disturbance. There is compassion for his predicament and after a short while the ‘kop’ sound has the quality of birdsong. The Buddha described it as: ‘abundant, exalted, immeasurable, without hostility and without ill-will.’

He continues with his enhanced stage-whisper… ‘kop?’, persists with the faulty doorbell until eventually Kop opens the door. I hear it close again, there’s an indistinct mumbling after that. Then there’s no more sound for the rest of the night.

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reblogged earlier post. My computer is in the repair shop again and this post created on the iPad, limitations…

on the way to somewhere else

IMG_1778POSTCARD #105: Delhi airport: “The flight to Bangkok is delayed due to the late arrival of the incoming aircraft…” The announcement comes just as the Thai plane is arriving at Gate 8. I watch it from the window and take a photo… I’ll be getting on the same plane that just got here; same plane flying forwards and back most of its working life – how do I feel about this? Maintenance crews service the machinery at Bangkok and Delhi, the engines are always stationary – it’s the world that moves.

I need to charge my phone. Look for an empty seat next to an electric socket, plug in and get the cable organized. I don’t have to decide where to go or what to do now; I’ll be here for as long as it takes to charge the battery… tiny electron molecules zizzling around in a Nano world. I am not actively engaged in the process, more like the one who decides if this is going to happen or not. Passively involved in an activity the building provides the facilities for. It’s all taken out of my hands… sit quietly, everything is happening by itself.

Eyes closed, watch the in breath/outbreath, meditation in a seat in the Departures Hall. People will think I’m sleeping – if they notice me… busy with devices that convince us we are who we think we are. Attached to a sense of ‘me’ that disincludes all other evidence. The ‘me’ that I believe in depends on me thinking it… otherwise it’s not there. This is how it is at this point in time and space, where and when, and now and then.

It’s an emptiness, but no real silence here at the airport, a kind of buzz and static from miles of carpeting, fragments of conversations in a language I don’t understand – conceptualization is switched off, listening to the streams and rivers of curious sound. I become the listening; comfortably disconnected with things in this high-ceilinged place; mind/body organism focused in an environment where people are constantly and always just passing through, on the way to somewhere else. Trying to picture Thich Nhat Hanh walking quietly through a war zone – metta and mindfulness – everybody stops firing to let him pass…

“Life is so short, we should all move more slowly” [Thich Nhat Hanh (source)]

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darkness

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POSTCARD #104: Delhi: 05.00 hrs: The sound of the generator – a power cut, no lights. Holding my phone so it shines like an electric torch I come out from the bedroom and through to the front of the house. Startled by the flashing light reflection in the large glass patio window; light beams swinging over the walls, forwards and back with the movement of walking. My own reflection catches me unawares at this early hour of the day confused by large sound of generator. It triggers a memory from long ago; some time before dawn, me and grandfather on the tractor going over the hill to see the sheep.

When I tell people my grandfather was a shepherd, there’s a moment of… let’s see, no words for it really – kinda Biblical, mediaeval? It helps to think of him like a veterinarian. We’d get down from the tractor and set off on the track across the hill. Grandfather with his huge steps and I must have been only nine or ten years old, holding the big old torch with both hands, aiming the beam along the path to ancient things, ancestors I never knew.

Grandfather had a shepherd’s crook; a long pole he used like a walking stick, but with an iron hook on the end to catch the sheep. On this night we mingled amongst the flock until he saw the one he was looking for, quickly caught its leg with the hook and it fell over on its side. I was then told to quickly hold its head. He was a big man, wore two totally ragged old jackets, one on top of the other. No polyester in those days, no machine-washable hooded shell coats with velcro fastenings and good-looking yellow nylon zipper. No, my grandfather looked like a homeless person.

He’d roll up the sleeve of his right arm, hands like the hoof and horn of the sheep itself; not beautiful hands, birthing hands. Push his fingers into the back end of the sheep, then his whole hand up past the wrist and part the way up the forearm. Quite a long time spent feeling with fingers in the darkness before birth, find the lamb’s feet and nose, and pull the whole thing out with a steaming slither and plop on the grass. I’d be at the other end, holding down the beast’s curled horns, struggling head, a fog of breath in the air, spittle froth, tongue, nostrils, and these wild, wide staring eyes. Then from behind me, there’d be this small bleat: mae….

On Grandfather’s signal I let go of the head, jump back and the sheep is up, turns around and long nose nuzzling the small bundle shivering on the grass. Mae…says the lamb. Baah…says the sheep, licking away the afterbirth around the face of the lamb… mae-ae-ae… baah-baah… mae-ae-ae… baah… mae-ae-ae… (sheep language). The whole thing quite astonishing. An event there on the side of a hill, illuminated in the beam of a torchlight in the long shadows of remembered past.

Fifty years later and I’m here in Delhi, about the same age as grandfather was then. Light the candle by the Buddha on the bookshelf – familiarity of candlewax, oil lamps and no electricity; it’s another day no different from that day then or any other day. Outside, a faint smell of dung; cows and sheep sleeping in some corner of the street, at rest in these urban surroundings as if they were in a landscape of fields and meadows.

“I am not yet born; provide me 
with water to dandle me, grass to grow for me, trees to talk 
to me, sky to sing to me, birds and a white light 
in the back of my mind to guide me.” [Prayer Before Birth, Louis Macniece]

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a world of lost passwords

IMG_3069bPOSTCARD #102: Delhi: I’ve forgotten my password… fearing my papers might be stolen, password discovered and, of course this is how the whole paranoia of Identity Theft unfolds, I dreamed up some devious way of encrypting it then forgot how I did that. Now it’s gone… this elusive quality passwords have, they slip away secretly if you’re not holding on to them or buying into the created anxiety scenario that sells the product; insurance to cover the insurance to cover the unforeseen event; an imagined disaster. Rearrange the furniture of the mind; if you’re a Buddhist, having your identity stolen is no big deal because it’s an assumed identity anyway. There never was an actual ‘self’ in here, anatta, selflessness, and spiritual generosity. I’m pretty sure there’ll come a time when banks don’t offer loans to Buddhists anymore; they don’t meet the criteria, don’t have the credentials; that tenacity of clinging to ‘me’ and ‘mine’ is noticeably absent… Buddhists are not a safe bet, at any time they may close the agreement and happily give everything away. Banks don’t like freedom from suffering; enslavement to sensory input keeps them in business.

So I feel reasonably okay about losing my password, what’s gone is gone. It’s my Thai account and they will fix it up for me – I’ll be there in 2 weeks so I’ll be able to explain the situation; go and see the same bank teller lady I’ve been visiting over the years, who will look up when I come to her desk with my queue number ticket and a recognition comes into her face: You’ve forgotten your password again, right? It did bother me at first; aging, memory loss, an inability to retain passwords, and also that she might think it’s all a made-up story… how could anyone forget their password so often? And the real reason for coming to see her again and again is that I’d like it if we could get to know each other better… we can’t go on meeting like this.

But there’s a sadness in her eyes…. it’s been so long now, years pass between our meetings, I go away, forget my password and come back and see her again, she gives me a new password and we observe each other silently. She looks well, but older. It must be this job she does; working in a bank, selling security for finance that may or may not bring wealth or ruin, manipulating a hypothetical danger… unwholesome livelihood, hovering always on the edge of anxiety. Even now I can see the lock-down procedures starting in my head – falling into the trap of believing it’s real. Let it go, let it go.

It’s a death, it’s gone, my password dwells now in the world of lost passwords where there’s no urgency about who is who or what or which object belongs to who or whom and the things we cling to, the clings we thing to, have no adherence, glue dissolves, unsticks – structures collapse, fall… form and formlessness

“… like a circle in a spiral, like a wheel within a wheel, never ending or beginning on an ever spinning reel. Like a snowball down a mountain, or a carnival balloon, like a carousel that’s turning, running rings around the moon. Like a clock whose hands are sweeping past the minutes of its face, and the world is like an apple whirling silently in space – like the circles that you find in the windmills of your mind.” [The Windmills of Your Mind, 1968]

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Photo: Jiab’s visit to the Southernmost tip of Kerala looking out towards Sri Lanka

transparency

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POSTCARD#101: Bangkok Suwannabhume Airport: Looking out from the interior of this coffee shop into another interior; the glittering glass-paneled B concourse, and through that glass window to what’s out there; blue sky, a concrete horizon and planes taking off. I am contained in a transparent interior, inside a larger interior, contained in a reality construct, the steel and glass of this moment. It’s the same place I was in last time, and the time before that (the ‘Mango Tree’ coffee shop, near gates B1-B6, if you’re ever in this neck of the woods). We started coming here a year ago and Jiab comes when she’s travelling on her own… sends me phone-pics of fruity drinks and ice creams she consumes after the photo is taken. This is my departure lounge; the Delhi flight leaves from this coffee shop, rather than gate C5, which is simply the entrance to the plane. A kind of applied personification in an airport vastness, anonymity and incidental eye contact with a few individuals. I see their birth, their death, their merging in a sea of people all on the way to/from somewhere else… going or coming. We’re all just passing through.

Long columns of us waiting to be X-rayed, instructed and directed by officials guiding us into and out of security portals like water passes through rocks and stones in a continuous flowing stream. No resistance to it… the coldness of regulations; a physical sensation in a body that’s somehow become transparent. I notice how the energy feels rather than how I can ‘be’ negatively energized by it. Everything is so much not what we think it is, there can’t be any assumptions; just letting it take place and being okay about it is enough. Disengage from thinking it should be something other than what it is, and everything that’s currently bothering me about that disappears for a moment – long enough to be able to see it’s possible to let go of all the shoulds and shouldn’ts completely… the peace that’s in that.

Surveillance cameras protrude into the space I’m in and suck out all data, send it to a room containing video screens, dark and gloomy, where security people with bulged-out eyes scan the images of the crowd, zoom-in, zoom-out. I feel I’m being looked at, studied… I’ve just been jostled slightly, pockets rifled. I can’t see them but I know they’re there. This whole thing is a performance, there’s a sudden urge to do a song-and-dance act. Maybe it’s a more serious drama production; Japanese Kuroko stagehands, dressed in black, appear on stage with the actors and rearrange the scene as the play is going on. They’re there for everyone to see but become invisible. The mystery of how we can be unaware of things in plain sight – mesmerized by politicians, illusionists’ sleight-of-hand; everybody acting out the story of their lives without questioning it, improvised dialogue according to the karma of causes and conditions.

Coming near to the end… the last camera, passport stamp, thump! And I’m suddenly through the barrier, blinded by the lights of the glitzy duty-free, gold Rolexes, impossible jewelry and stumbling towards my place in the coffee shop. Waiting for the flight to be called, the great leap up into the sky. A heightened feeling, a quickening, I know all this is happening – mindful alertness, awareness creates an awareness, aware that it is aware…

“The vastness created these human circuitries in order to have an experience of itself out of itself that it couldn’t have without them.” [Suzanne Segal, Collision with the Infinite

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‘… awareness creates an awareness, aware that it is aware’ – reference: Is Awareness Aware Of Itself?

 

agreement

Thai house carvings, Chulalongkorn UniversityPOSTCARD#99: Chiang Mai: The day before yesterday I got my computer back from the repair shop… the stress of these last three months with it crashing all the time has been too much. No reliable way of getting it fixed because I’m travelling all the time and things being as they are in these Asian locations, making do, and looking out for an opportunity all the time. Meanwhile having to use the WordPress app for iPhone – really too small and going cross-eyed. So I bought an iPad mini which my 10-year-old niece (M) grabbed immediately and I had to go back to using the iPhone again – this is how it is…. Then when the laptop came back there was this small revelation – maybe it was just the relief that the stress wasn’t there anymore. Hard to say how or when it changed, some time after what we call the ‘now’ moment – perception arises after the event, it occurs in hindsight… things are seen to be in agreement. Everything attached to the former is suddenly gone… there’s something in the air.

Even before it happened, there were signs that it all seemed to be moving towards this kind of integration. Walking down the lane to the main road, mid-morning traffic, I see a tuk-tuk (3-wheeled taxi) arriving, just as I emerge on to the thoroughfare, and it stops right in front of me. I climb in and off we go; no traffic hold-up anywhere, no red light at the junction, just one large right turn and down the straight road to the mall building. Get out, pay the driver, into the mall, up to the second floor and I’m thinking the repair shop’ll not be open yet… probably have to get a cup of coffee or something. But all the lights are on, staff behind the desk, no line of people waiting… how can it be as easy as this? So I go in and hand the guy my creased and crumpled stapled-together papers with repair-job number and signed receipt for $680(!) They had to send for the parts from Singapore (incredible) and it’s taken a month already; there’s a kind of grumbling discontent hovering like a shadow at the edge of vision; grumble-grumble-grumble, and I’m waiting for the trigger: he’s going to tell me it’s not ready yet… I’m going to fall back into the justified-outrage film-loop thing that plays in the head… but it wasn’t like that, the man comes out from behind somewhere and he’s holding my laptop, says it came back yesterday. Here you are, he says, and gives it to me.

Unbelievable, put it in the bag: thank you very much, bye-bye, and downstairs to street level. Another tuk-tuk just happens to come along, get in and away on the long straight road; no red light for the second time, wide swerve left and along the narrow lane to the apartment. Up in the elevator, get inside and searching for the power cable for the laptop – can’t find it, maybe it’s lost… oh no, grumbling discontent returns… ‘self’ as the victim-of-circumstance default. Then while I’m looking for that, I find another power cable, the one for my little projector, wow! I’ve been looking for that for months… and sure enough, I find the power cable for the laptop; it was where I left it. The missing pieces of the jigsaw fit exactly, and it’s a huge relief to have my machine back.

The rest of that day just vanished, busy getting things re-installed, and I wasn’t able to put up the post I’d intended, so now I’m two days late. The world is reflected upon in hindsight. I was going to write something about 23 October being Chulalongkorn day in Thailand and, by chance, it was also Divali in India (lunar calendar)… there goes that agreement thing again, celebrations all around. Another factor in it all is that this is my 99th postcard post, something satisfying about that number. Then there’s this awareness that everything is in agreement, a renewed certainty in the way things are. The return of the laptop puts everything right, it means also that M now has unlimited access to the iPad, and she’ll most likely fall heir to it around Christmas. So I’m glad I’m glad I’m glad, and I’ll be able to read all your posts again, thank you…

“The search for a spiritual path…has to trigger an inner realization, a perception which pierces through the facile complacency of our usual encounter with the world to glimpse the insecurity perpetually gaping underfoot. When this insight dawns, even if only momentarily, it can precipitate a profound personal crisis. It overturns accustomed goals and values, mocks our routine preoccupations, leaves old enjoyments stubbornly unsatisfying.” [Bhikkhu Bodhi]

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for the upper image source, click on the link: ‘Chulalongkorn day’ on this page

prevalence of ritual

imagePOSTCARD#96: A village near Hat Yai: I’m at the wedding of my nephew in the South of Thailand, the only foreigner in the family… nothing for me to do in an event that’s complex and requires all kinds of engagement… mindfulness.  I just watch the proceedings, pleased with this sense of generosity in everybody just being here. I have M, my Thai niece with me and she corrects me if I get it wrong. We set off from the groom’s house in a long convoy of cars, a 20 minute drive, then stop on the highway and walk the last 200 yards along the path to the brides house. Musicians up front with Glong Yao drum, cymbals and reed pipe; an eerie, almost discordant kind of wailing song. I wonder how it must feel like for the bride, waiting in her childhood home, and here comes this haunting, archetypal sound of her future husband’s clan calling to her – getting nearer and nearer and louder and louder until it fills the small room she’s in. I’m thinking of tribal things, fertility rituals and magic that changes the course of karmic events. For me, there’s only this; the sense that the ceremony is heavy with meaning; perhaps too, something about belief I used to think was real a long time ago.

The sad truth is that in the West, divorce is about as common as marriage – religion got deconstructed; the story we believed in came to pieces. No myth to feel connected with, except perhaps the myth of no-myth. In a sense, we’re all married to the economy, worship the consumer god, seek refuge, gratification, fulfillment and consolation in the purchase of goods and services. What’s left over after that, in terms of ‘belief, we have to figure out any way we can.

It’s different here, divorce is rare, maybe it’s the prevalence of ritual that – come what may – locks the marriage into this unbreakable bond. The marriage date is selected by an astrologer, taking into account all of the every-day catastrophes and natural disasters, about which most Western folk are happily unaware. Any begrudged spirits are appeased so that a date can be selected which is completely surrounded by joyful blessings and good fortune – the belief that the spiritual world is real is what causes it to be so. I feel like I’m watching a different movie, maybe more meaningful than the cultural movie we watch in the West, maybe I’m drawn towards this version more, now that 30 years have gone by – or maybe it’s too restricting for me and I’m on the outside looking in. Maybe that’s okay too.

Lengthy ceremonies for many hours, Buddhist monks chanting, holy markings made by an elder’s fingertips dipped in special paste and pressed lightly on their forehead, and a sacred cord sai monkonor is placed on their heads [see below]. They kneel with their arms on a decorative pillow, palms together in the ‘wai’ position, and family members take turns to pour water over their hands.

It was a long day for me sitting outside the house under this huge pink canopy. My niece M came to join me later, and I was facing away from the main group so I make a face of bored weariness for her and she laughs. Do the face again Toong Ting and I try to do it again, but can’t get it right. Do same face you do before Toong Ting! She insists. So I try all kinds of grotesque weird faces, a whole anthology of faces that go on and on until I’m thinking I’m going slightly mad, and she laughs a lot, but obviously tired. Somebody had to take her home. It was a long day for the couple too, when I saw them eventually, they looked exhausted, although the bride was strangely wide-eyed and alert – I was astonished, something about a kind of awareness that takes place at the end of something endless….

‘The fact that we can never “fully know” reality is not a sign of the limitation of our knowledge, but the sign that reality itself is “incomplete,” open, an actualization of the underlying virtual process of Becoming.’ [Slavoj Zizek]

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The title of this post is taken from an anthogy of Romare Bearden collage artworks

a house in the trees

washing line

POSTCARD#95: Fifty miles from Hat Yai: Exotic birdsong from the forest, it’s early morning and I’m hanging out the laundry on a washing line tied between trees… dogs bark, chickens scatter. Heavy rain all through the night but the days are usually bright and sunny. Then back in the house and there’s time to find an unoccupied bathroom. The house is crowded because today there’s a wedding; some people still sleeping, others preparing costumes, looking in mirrors. Everybody hoping it won’t rain… fragility of perfected hair styles, lacy gold costumes, and eye-liner painted like a work of art.

In a room upstairs I find M, my Thai niece, putting on makeup using the iPad screen, switched to front camera, a mirror-image unreversed… can this be what we really look like? And I’m thinking, do we have to have the mascara? She’s only 10 years old, spinning her head around like this, trying to see herself from the side. Wearing the face that’s seen by others, the glassy-eyed gaze that looked-at eyes have. It’s been four months since I’ve seen M and now here she is as a miniature adult, but still a child. She puts a piece of tissue in her mouth and holds it there: too mush lip sticks… English is a second language, I want to say it’s a non-countable noun, like air, it’s a mass noun – there’s only one lipstick in the world. But I don’t say that because it’s boring and she’d think I was starting a conversation about cosmetics.

garlandLet her get on with it, it’s a girl thing; I have to prepare myself too for the main event of the day. Not difficult, ironed shirt, combed hair, shoed, socked and I’m done; the only Caucasian in a guest list of more than one thousand, all of whom are all related in some way, including a local politician who goes around smiling at people. This is M’s family on the maternal side – on the paternal side she’s Taiwanese/ Japanese… same old sad story about an absentee father. Everyone here is curious about her, they’re all of a oneness, share the same ancestral pathways – they even look like each other. They believe in all of this, a deep familiarity with the clan. The familial matrix, if there’s a question about the lineage, it’s addressed by an elder who can remember who was who in the old days, and the received knowledge. But most of them are shy to delve into it, just watch, observe, depend on each other for confirmation, looking at each other often, trying to see the familiarities – there is no individual ‘self, everything I see is ‘me’.

We’re all standing at the door, ready for the 7.30 am pickup of a multitude of people, and just as the minibuses start to arrive, M comes downstairs dressed in Thai costume. There’s a kind of collective gasp, she looks like a mystical being from the Deva realms. She carries it well, knows there’s something about her that holds the attention of the local people. Yet, this is her heritage, following the lineage of the old families. She tugs at my arm, pulls me down so she can whisper in my ear: can I borrow the iPad, Toong Ting? (it’s her name for me) A little uneasy about the naïve stares of these ordinary rural folk, and glad that I’m a bit of an oddity here too, so some of the staring will be deflected on to me. We agree that she can do her iPad activity as soon as I’ve taken all the photos of the wedding procession and I keep talking with her so she can be seen to be engaged with what I’m saying and that seems proper – quick sideways glance dodging between the eyebeams focussed on her, just to see who else is here, then back into her pose of averted gaze.  We are in the first minibus, get in the front seat behind the driver, and the whole convoy moves off, following the musicians…
[to be continued]

“Every one of us is an aperture through which the whole cosmos looks out.” [Alan Watts]

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Lower photo shows reflection of M in the rear-view mirror as the minibus follows the musicians in the pickup truck, leading the procession

loving-kindness for the unloved

Tuktuk1

POSTCARD#93: Chiang Mai: Nine-o’clock-in-the-morning rush downtown in a tuktuk, traffic is okay, no hold-up at the lights, one large swerve to the right and it’s a long straight run to the mall building where I’m headed – have to pay a phone bill, overdue for four months and they disconnected me. Sorry about that… ah well, they probably figured I was out of the country, no problem, I’d be back eventually. Foreigners (farangs) mix with the population here like benign extraterrestrials, disappear sometimes then reappear later.

Tuktuk takes me right into the mall car park, jump out, pay the driver and there are steps straight down into the basement arcade. Ask the lady there at Information for directions to the phone place and set off in the direction she indicates… can’t find it, searching and searching, it’s not there. So I go into  this other phone place and ask them if they know where the place I’m looking for is. Oh, they say, this is the place, you’re in it – yes, we changed the name, you see… laughter. Fine, okay, and I’m not sure if I’m happy, or a bit upset about it – what’s going on here? Have a quick look around; everybody wearing turquoise and lime green costumes to match the same colour-coordinated interior and huge logo above our heads. A total makeover, new look with pale pigmented, cosmetic faces of little women who smile all the time.

So this seems to be very welcoming, I give my number over at the desk and it takes a moment to realise I’m not talking to a woman but it’s a small man, not overtly feminized, but wearing orange lipstick and disconcerting dental brace — smiles open-mouthed and giggles… going for the orthodontic barbed-wire look. Some caution required here, these effeminate guys can be a bit bitchy, but he (she) is okay, self-effacing, small gestures, acting the part, making a thing out of not being able to speak English, and doesn’t hear when I reply in Thai. The upset feeling I was having is gone when I contemplate this example of the human condition. Compassion for what that must be like. The gist of it, though, is that they need to have my passport, and I didn’t bring it. There’s no way they can do this without a passport, sollee na kha (uses feminine gender honorific).

What to do? No point in getting upset, this is Thailand, nobody gets upset, if there’s any difficulty, it just goes into slo-mo and everybody is really, really careful… the tension in the air like a wine glass about to shatter when the violinist plays exactly the right high-pitched note in resonant frequency. And structural integrity gives way, POP!… but it doesn’t usually get that far – just prolonged holding. I can feel an accumulation of negativity – something unloved beginning to appear at the edge of my vision, gives me a poke in the ribs, Hey! Yeh, been here before; the aversion is about ‘me’ struggling to accept the reality of it being there. Accept it, allow it in to conscious awareness, let it be there… but I’m still struggling with it. It’s the thought I have to go back for my passport – but it’s about registration, that’s all, it’s normal, should be easy enough.

It’s somewhere around here that I realise I’m concocting this whole scenario based on an attached memory of things that aren’t very lovable – I can’t love that thing; unlovable, unloved. Kinda hopeless and childish, but I can have loving-kindness mettā for the feeling that I can’t do it; loving-kindness for my resistance to loving the unloved. Walk back along the corridor, up the steps and out across the car park, there’s a tuktuk. Tell the driver where to go and we’re speeding back up the way I came, slow down at the lights wide turn left and soon back at the apartment. Jump out, ask the driver to wait, into the building, up in the lift, in. Get the passport, down again and we’re off back downtown again, wide turn right after the lights, and a straight run back to the mall.

Back to the turquoise and  lime green renovated place and by this time things have woken up a bit, more people, more staff than customers. The ‘person’ with the dental work and orange lipstick greets me like an old friend. We get the paperwork done in about a minute and I’m out. Texting everybody to say hello: Hi, yes I’m here in Chiang Mai and it’s good to be back.

‘By reminding ourselves to have metta for the feelings we experience – not thinking about them or analysing them but going to the place in the body itself, to the mental quality, really embracing that – really being willing to feel those particular emotions, they become bearable. By changing our attitude to one of acceptance rather than of rejection, to interest, rather than just wanting to get rid of them, we find that they are things we can tolerate. Then they cease on their own, for all conditions are impermanent.’ [‘Universal Loving Kindness‘ by Ajahn Sumedho, Forest Sangha Newsletter, October 1997, Number 42]

Tuktuk2

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