the construct

IMG_1192OLD NOTEBOOKS: East Anglia: [post written in New Delhi] A group arrives at the mall coffee shop sorts out the chairs, a few remarks, laughter; look at the menu the waitress comes over. Give their order, then there’s nothing left to say. Silence. Each one pulls out a mobile device, phone or iPad, stares at screens whose reflected glow illuminates the face of the user. Heads tucked in to examine the picture, body crouched over in fetal position; hypnotized, fascinated with the object, unlearned, never thinking of the question ‘WHY?”

Dominated by thoughts of, who am I? How do I relate to everybody else: you, he, she or it – we, you they? “Me’ as an individual doesn’t seem to be anything more than just a member of a particular socio-economic group. From this way of thinking, I can see (my) self situated favorably – or it could be unfavorably if I’m caught in being the victim; subject to the karma of former circumstances – product marketing gently nudging at the elbow. I need to be thinking about the next option – expectations, responsibilities, things I ought to be doing. Thoughts thinking thoughts, thinking more thoughts and thinking about things to the extent that it all becomes habitual – embedded in the self-construct I recognize as ‘me,’ subject to causes, conditions in the world, which is also a construct, I am some kind of imaginary character in a fictional landscape.

There is so much that we cannot know, limitations of the senses, including the cognitive sense. But everything arises due to thought, the duration between one thought and another is non existent – thought knows nothing of it because thought only knows an object; all objects appear only in thought – no object, no thought. STOP THINKING and there’s the enigma… the empty space where that thought used to be. Nothing there now, if it is just ‘nothing’, I’d need to have ‘something’ there to confirm it is nothing. I can’t find the ‘something’. So it’s not ‘anything’, it’s ‘not something’ – it’s a feeling of no-thingness. But then I’m thinking about it again… it’s an easing-away from that heaviness of thought, that which built the construct; buildings, welded metal, concrete, brick and iron embedded in stone. All of it can be demolished in a day. It all just fades away. ‘Melted into thin air… the baseless fabric of this vision… we are such stuff as dreams are made on…’

“After having thus successively taken each member of the community in its powerful grasp and fashioned him at will, the supreme power then extends its arm over the whole community. It covers the surface of society with a network of small-complicated rules, minute and uniform, through which the most original minds and the most energetic characters cannot penetrate, to rise above the crowd. The will of man is not shattered, but softened, bent, and guided; men are seldom forced by it to act, but they are constantly restrained from acting. Such a power does not destroy, but it prevents existence; it does not tyrannize, but it compresses, enervates, extinguishes, and stupefies a people, till each nation is reduced to nothing better than a flock of timid and industrious animals, of which the government is the shepherd.” [Alexis de Tocqueville, 1805-1859]

it can happen any time

DE13_CITY_PG3_3COL_1142586fPOSTCARD #125: Delhi: Taxi at Bangkok 5 am to the airport, first flight to Delhi. Travelling with Jiab who’s busy with meetings about the Nepal earthquake. I came along to Delhi because M is busy in Chiang Mai, and it’s a high stress situation, not only the earthquake but also my BP is still high and I thought the Indian doctors might provide a second opinion. The Delhi doc was very nice, so good that everyone speaks English here, and he put me on a new set of medication; let’s see what happens. So it’s back to the snarl of traffic further complicated by the construction of an overhead metro and underground train system – enough to give anyone high blood pressure. You go through a very crowded place, with lots of people you don’t know, so you tend to close in a little bit; lots of things going on and you can’t process it all. You can imagine taking a horse into a railway station and it would go crazy because horses have feeling and impression and there’s just the overwhelm. Somehow we’ve gotten used to this; the world we create. I am a theatre of processes, transitions… going along with what is assumed to be true. The construct is everywhere, staring back at us. And yet it can simply disappear in a matter of days – as in the Nepal earthquake. The media, TV and newspapers, a filter through which we see things… is this the received wisdom of hundreds of thousands of years? Self-evident; something we can see. There’s no mystery about it. Maya is a beguiling concealment – a kind of enslavement… the world as duality. Necessary to decontaminate ourselves from the media, move away from that noise. Looking for the karma that uncreates all bad karma… when this is, that is. When this is not, that is not. Jiab will be busy with Kathmandu plans for the whole of May and to allow time for other work to go on. Then she will go there for June; organize labor, seek out ‘the bare-foot technician’. Rebuild the construct, the world we live in. I’m going to be stuck in Delhi for the hot season, waiting for an extension to my Indian Visa. Then I have to apply for a new UK passport (no pages left). I shall mostly be pacing the rooms, outside temperature 40°+C (hopefully air-conditioned if the electricity holds out) Time for considering the construct, I need to have a project, maybe collating the posts into a book. A friend told me his father was in ICU for 17 days then expired last night… it can happen any time. ‘… we have no way of knowing from within the waking state, whether or not it is a dream, just as we have no way of knowing from within the dream itself, whether or not the dream is real. However, we are not in the waking state any more than we are in a dream. We are Awareness and the waking state appears in us as does the dream state.’ [Rupert Spira] ————————-

This post contains excerpts of a talk by Ajahn Succito. Also excerpts from a video sent by SeeingM
~   G   R   A   T   I   T   U   D   E   ~

reality construct

120420131786bPOSTCARD#72: Delhi: In the dream I’m dreaming I’ve woken up… views of a room I know, bright daylight comes in through windows, the familiarity of furniture. A puzzled alertness, open my eyes and I’m looking at the ceiling fan… it wobbles slightly as it spins. Looking at the plain white painted ceiling, the dustiness of places that are never touched. Where am I? Stranded on the sofa… recovery from the afternoon nap. Don’t remember falling asleep. The quality of light coming in tells me we’re past the maximum temperature of the day +40oC (+104oF) and easing away from the oppressive heat. Children call from the street, it must be late afternoon maybe 3.30pm or thereabouts. All around me is the clutter of an activity that took place just before I fell asleep: a pen, scattered notes and books on the floor next to me, the remains of a cup of oolong tea. Everything held, objects quietly wait in their silence – if a tree falls in the forest…

How can I know if reality is really ‘real’? I’m in my room creating my world; everyone else is in their room creating their world and we’re all co-creating the idea of being in a room together in one shared reality. Language names things, creates attributes; diverse patterns are matched together in one huge continuity that includes all the characteristics of what we created in our individual rooms and the consensus view is that this is it… reality. Then something happens, maybe we just wake up to it, maybe a major event occurs and suddenly we see that our reality is a construct.

Reminds me of the flight over here, 4½ hours from Bangkok, and nothing to do but watch the movie. Each seat has its own individual screen and after a while I want to get up to walk around. Take off the headset and stand up from my seat, surprised how dark it is with all the window shades drawn. Also, strangely, it’s completely quiet, except of course for the hiss of air pressure and hmmm of the engines. All the passengers locked into watching their own small personal movies, reflected glow of videos create pools of flickering colour on their faces as I pass. Their headsets plugged into their audio channel and meanwhile, in the cabin all around them there’s no sound at all. It’s dark, colourless, inhospitable.

Mindfulness, I’m between two  realities; the ignored environment of the aircraft and the accumulated video distraction. As I’m going along the aisle, a passenger opens his mouth and out comes this large uninhibited yawn, howling like a dog – deafened by the headset, immersed in the samsara of his movie, can’t hear himself and nobody else can hear him either. Approximately 300 people on this aircraft, inert and hypnotized, layered in illusion. Let’s pretend we’re not here. But why bother? We’re not here anyway. Are we anywhere that could be called ‘here’? A long tube with wings and pointy end, somewhere high above the highest mountain in airless space and hurtling along at 500 mph?

Conscious experience, subject/object, not-twoism. A connectedness on every level – origin unknown. Any belief in an external creator is not relevant, a figure of speech, the metaphor, speculative conjecture. Anything beyond the present state of consciousness must be so different from what’s happening here and now, none of the rules apply. I’m in awe – I simply don’t know.

I get up from the sofa and walk along the passageway to take a shower. Hot air, and the experience of containment in a body with four limbs, a head at the top, feet down there, appearing one at a time: flip-flop-flip in soft slippers. It looks like a long way down. Ooo! Vertigo…

‘We are not human beings having a spiritual experience; we are spiritual beings having a human experience.’ [Pierre Teilhard de Chardin]

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Delhi’s daytime temperature was over 45 degrees C on Tuesday 10 June. Raisina Hill was witness to a mirage, an optical phenomenon caused by the bending of light as it passes from colder to warmer air.— Photo: Meeta Ahlawat, The Hindu Newspaper
Note: Pierre Teilhard de Chardin quote is taken from a lovely post titled: On Life, Death, & Original Sin in Julianne Victoria’s blog: Through the Peacock’s Eyes. Note: Reality Construct post includes excerpts from the channeled Darryl Lanka/Bashar talks.

the forever window

http://www.dreamstime.com/-image12334007POSTCARD#57: Bangkok: Early evening, M asks what kind of walls I’d like to have in the house she’s building for me. It’s the Minecraft game, everything created from virtual terrain, mountains, sea, sky and a square sun. She looks up from the iPad window and turns to me with enquiring lift of the eyebrow (a nine-year-old veteran). I say well, how about stone – walls are made of stone, aren’t they? It’s an unimaginative answer lacking in conviction – not paying attention properly. I ask what the choices are. She taps the screen to show me: gold, lapis, and you could have diamonds. Generosity. But I’ll just have the stone, please – keep it simple (thinking to myself is she going to come out soon from this digital dream she’s fallen into? Come out, it’s late and you have to do your homework. Be mindful and attend to things in the real world?) But there’s no ‘real’ world here. M says, what kind of roof you want in your house, Toong-Ting? (It’s her name for me) and I’m drawn into the discussion again. You like floor tiles Toong-Ting? I say what I’d like, and that looks nice (trying to reach her by telepathy, please, please emerge from the iPad window soon and think about the homework always in arrears!) For a moment it seems like she’s going to close the iPad but no, it goes on: why do you want that one? This other one looks nicer, does it look nice to you Toong-Ting?

I find answers that fit each question, but there’s no end to it; I know now the point of the exercise is to indulge expansively in this great wealth of choices. We have to try them all. No such thing as a final choice. The iPad is a forever window, a deep lake of astoundingly rich colours that’s difficult to surface from after you’ve fallen in – everything else in ‘real’ life is sadly dull. M dives into the forever window simply because it’s there. The containment of it is the context. The question answers itself, no need even to ask, cause becomes effect, timelessness without end.

Then for a moment she emerges from the dream, a flicker of alertness in her eye. Quickly, grab the opportunity! Act out a continuation of playfulness and joy, extend the interest to our surroundings and she decides to follow. Good, yes! It’s like guiding someone dismayed by sensory overload. Now let’s close the forever window for a while, shall we? Life is the same as it was but it’s quite nice out here. Fetch the school bag, heavy with stuff, reach inside and pull out a scrumfled homework book from the tangle of scraps of food wrappers in there, bits of tissue, and an overall blueness from a pen that flooded its ink inside the bag, a long time ago. My fingers are always slightly blue after visiting M’s bag; I go wash my hands while she considers her homework.

They have to make a simplified pop-up book page; the double page you open and a whole scene pops up. Wow, we never had homework like this when I was a kid! The teacher has given her a model of the folded-out paper mechanism she has to copy. A small spark of interest. Can do by myself now, Toong-Ting, she says, goes over to the sofa and pulls a large cushion over her head: but I have to think it first… stays under the cushion for quite a long time and I’m beginning to think I should ask if she’s okay under there. But next time I look M has cut and formed the folded-out bit with a scissors, glued on the picture that’s supposed to ‘pop up’ and it works – yaay! Well, not brilliant, but homework is not supposed to be a fun thing, it just gets ‘finished’. It’s done, put it away, now where were we? A voice says: may I borrow your iPhone, Toong-Ting?

‘We have a duty to befriend those aspects of obedience that stand outside of our house and shout to our reason, “O please, O please, come out and play.” For we have not come here to take prisoners or to confine our wondrous spirits. But to explore ever and ever more deeply our divine courage, freedom, and light.’ [Hafiz: ‘We Have Not Come To Take Prisoners’]

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over there

chaop-nontPOSTCARD#51: Delhi: Jiab left for Bangkok this morning and in the afternoon I get a text message saying she’s over there now; it’s a 4 hour flight, no jet-lag and it’s warm and nice. Later I’m up on the roof terrace and she calls me on Skype, laughing and talking… checking out, meanwhile, how she looks in the little window in the Skype frame; eyes anchored in the same position as she’s turning her head from side to side. I’m holding my phone screen like I’m inside a mirror looking at her sitting in that same room I was in just a week ago. What time is it there? 1½ hours ahead, so I’m in another time zone, one I know quite well, a kind of back-to-the-future thing. I have to think about it for a moment… the ‘now’ I experience at this moment was the future for me when I was there in the past. Pause for a moment, let’s see… there is always only ‘now’, past-time and future-time swirling around it in a vortex. I need to get some distance from it, so I think in these terms: I, as the subject, see ‘it’ as the object over there somewhere. The world is ‘seen’ and the one who sees it, curiously absent at the actual moment of seeing, is currently processing the image, and trying to locate the ‘now’, which by this time, seems to be lost somewhere in the past (or the future).

Senses interact with the outer environment, the brain conjures up the colours, sounds, smells, tastes, feelings; these inner landscapes of the mind, and I don’t usually even consider that the reality behind the dreamscapes of the senses is in any way different from what I think it is. The 7 basic colours in the spectrum created by the human brain may be sourced in a field of colours nobody has ever seen; all the subtleties between a white opalescence that’s nearly turquoise, and black that’s not a colour in itself but an iridescent purple.

I’m thinking of these exotic birds up here on the roof terrace, perched on the electric cables at eye-level and looking at me – outrageously coloured, orange, black purple, way off the scale of normality. What is it with these birds? Do they fly in and out of this unseen world we’re talking about here; into that reality where ordinary speech frequencies sound the same as the arbitrary shrill whistles, trills and pings of birdsong; an ocean of intoxicating tastes and fragrances, and a vast range of tactile sensations? You could say it’s totally out of this ‘world’.

We have to filter all this exotic disorder or we’d go insane, get it into a simple format so we’re all watching the same movie: ‘oh, I see what you mean.’ It’s an objectified reality; the world is a concept understood by the mechanism I call ‘me’. The snag is though, the constructed ‘self’ has it’s own momentum and I need to be mindful about engaging with whatever it is that’s invading sensory awareness at the time. Let it pass through like a river in a landscape, and be mindful of the tendency to fall into the dream, into the fiction I’ve created; a pleasing kind of hypnosis or an exhausted state where I find I’m subject to conditions seemingly situated in the reality I created ‘over there’. I need to be mindful that, to become me, I have to think ‘me’. The ‘me’ that I think I am depends on me ‘thinking-it’ into being. Be able to release from this tendency and mindful of the times when I forget to be mindful…

Our objective experience consists of thoughts and images, which we call the mind; sensations, which we call the body; and sense perceptions, which we call the world. In fact we do not experience a mind, a body or a world as such. We experience thinking, sensing and perceiving. In fact all that we perceive are our perceptions. We have no evidence that a world exists outside our perception of it. We do not perceive a world ‘out there.’ We perceive our perception of the world and all perception takes places in Consciousness.’ [‘The Transparency of Things’, Rupert Spira

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Photo image by KP: Chaopraya River at Nontaburi, seen from the Tree House Restaurant

gone is gone

Nepalese Buddhists monks pray outside thPOSTCARD #20: Delhi: Suddenly awake at midnight, the mind is busy with something… seeking gratification in the realization that I don’t have to search for anything anymore – thus lost in the seeking for it. Trying to remember the dream from the parts of the jigsaw that are remaining. Maybe, as I’m looking for the lost pieces, I’ll see what the story was about – the logic of the dream… In every new circumstance, reassembling the parts of who I am, and nothing seems to fit; searching for a ‘self’ to be satisfied with what’s going on – or dissatisfied with how things are; or upset, or angry, confused, depressed, gloomy or sad

How did I get to be here? Arrived yesterday morning – flight from Chiang Mai to Bangkok, then another flight to Delhi; a cabin-pressured, air-conditioned day at 37,000 feet, cruising speed 600 mph; up and down again – twice. I’d been awake since 4am Thai time, fell asleep at 7.30pm in Delhi then woke again at midnight – the predicament of the dream, staring wide-eyed in the half-gloom of city night, deep purplish-black night-vision. Halloween season, all doors and windows shut to keep the ghosts out, enclosed in the concrete and steel of the present moment. Quiet, except for the refrigerator noise; hmmmmmmm… masking out frequencies. When it stops, I become deaf in the silence. Small random sounds… the bark of a dog:

Death is drawn to sound
like a slipper without a foot, a suit without its wearer,
comes to knock with a ring, stoneless and fingerless,
comes to shout without a mouth, a tongue, without a throat.
Nevertheless its footsteps sound and its clothes echo, hushed like a tree. [Death Alone by Pablo Neruda]

Listening to the whisperings of stealth; a small lizard is investigating the kitchen, the tiny clink of something against a plate, rustling in the small trash bin on the counter… I switch on a few lights and it’s gone. Start up the laptop, feel more comfortable with nocturnality, more at peace with the electric light of night, shadows and darkness. Draw all the curtains closed just before dawn, hermetically sealed. The day is an exhausting awakeness. I shall stay with the night, be a vampire; halloween and ghoulishness..

Deathlessness and the buddhist undead; mind hovering in a memory; the context of an event, somewhere between remembering what happened and wondering what could have happened after that – how it might have been and how the story unfolded from there. The thought exists in the mind, then it’s gone. Curiosity, where did it go? Carefully take everything apart to find out where that thought went… everything irredeemably dismantled. It’s gone. Gone is gone; when I’m gone, I’m gone and everything else will be going on. Just the same. Comforting, somehow, to shift the focus away from the confines of ‘me’ and out into the surroundings.

‘… we are only dust. Our days on earth are like grass; like wildflowers, we bloom and die. The wind blows, and we are gone – as though we had never been here.’ [Psalm 103, 14-16]

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Reference to Psalm 103, 14-16: TheWannabeSaint.com  – G  R  A  T  I  T  U  D  E –
Upper image: remembering this time last year when we went on the tour of Buddhist holy sites [Photo Link]
This post inspired by a website I recently discovered: Buddhism for Vampires

story within a story

IMG_0095aPOSTCARD #15: Rutnin Eye Hospital, Bangkok: I’m back in the outpatients for a routine eye examination after surgery – the peppermint green and menthol coloured room, etched glass and white ceiling. Receptionist gives me a number, 109, and I look around for a seat. It’s crowded in here today… are all these people in front of me? It’ll be a long wait. What to do to pass the time when I can’t read? I need glasses to read and have to wait 3 weeks for a new lens prescription; the eye has to settle after they take out the stitch – okay, let’s not talk about needles and eyes… the eye of the needle? Easier for a camel to pass through the eye of the needle than for a rich man to enter the kingdom of God… they don’t make it easy. For ‘rich’ substitute ‘greedy’ lobha and it makes sense.

Generosity is the antidote for the ‘holding-on’ disease; fixating on a thing we think we need to make us happy. Apply the sense of generosity to the problem of being a compulsive reader and I should be able to let go of this reading habit – see what it’s like to do that. For backup I have the basic Kindle 6” with the font set nearly to maximum; digital words, the physical substance of the book is absent – switch it off and there’s nothing there. I like the emptiness of it, yet a whole library could be on this small device that fits in my pocket. Yes but I forgot to bring it with me today… terrific, so I have to learn how to sit in this waiting area doing nothing for maybe a couple of hours.

Language creates fiction – a story carried over from a former life, kamma, an extension of another story written long ago, once upon a time…. a story within a story, in which one of the characters in the narrative will pause and say, ‘this reminds me of a story…’ and goes on to relate a story inside the current story that the reader gets so immersed in the starting point is forgotten and it becomes just part of the whole; a vast structure of inter-related, nested stories enclosed by the original, frame story. Lost in the samsara of forgetfulness, caused by the holding-on disease, greed, tanhã (craving) passed on from former lives; seeking gratification in whatever sense object presents itself and wherever it finds rebirth.

‘… if I were born again as a fruit fly I would think that being a fruit fly was the normal ordinary course of events, and naturally I would think that I was a highly cultured being, because probably they have all sorts of symphonies and music, and artistic performances in the way light is reflected on their wings in different ways, the way they dance in the air, and they say, “Oh, look at her, she has real style, look how the sunlight comes off her wings.” They in their world think they are as important and civilized as we do in our world.’ [The Essence of Alan Watts, Vol. 4: “Death”]

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a small island

050POSTCARD #03: London: Writing this on the new iPhone I bought in Apple Store, Covent Garden. Takes some getting used to. The keyboard is tiny; index finger placed on the letter key blocks out the whole letter – fingers too thick. The letters ‘O’ and ‘P’ are difficult, and when I type ‘M’, I hit the backspace instead. Jiab can do it okay, she has fingers as thin as flower stalks. Maybe I’ll give it to her…? A friend fixed me up with a blue-tooth keyboard and small projector (Optima). I’m using the image on the wall like a screen. Uploading the post to WordPress is possible with wordpress mobile but only with a good Wi-Fi connection. Interesting to work in miniature like this – there’s something about the smallness of it that suits things here in UK.

We’re in a tiny hotel room, just enough space for everything. The streets outside accommodate pedestrians on the pavement, and a narrow road allows the big black taxicabs to rush by. Could be a claustrophobic feeling if you think about it too much, compressed, economy of space provision. Don’t think about it. Japan is the same, squeezed into a little country. It is a small island, travel across from East to West and you come to the sea again – I am marooned. Geographical aloneness. The world is out ‘there’. I remember the separateness; the belief in a ‘self’ but seeing only the lack of it, and nearly a lifetime is taken up with looking for the answer to this conundrum – seeking. Now coming back from Thailand where I’m living in somebody else’s country, an outsider, and finding that it’s been so long since I was in the UK, where I was born, I’ve become an outsider here too. Can’t relate to this culture; holding on to a UK identity and there’s really not anything to support it, just my attachment. Most people I knew then are gone, I’m a homeless person, staying in hotels, staying with people I met in Buddhist groups, friends, and at Buddhist monasteries on the way.

Pretty nearly everyone here is an outsider, a visitor. So many different languages: Italian, Japanese, French, South American and others – where are the English people? It’s the holiday season, maybe they’re in someone else’s country too, being outsiders there? All the staff in hotels, restaurants and shops are East Europeans. Visitors come here and what they see is a system run by other visitors to England. A picture of England; a picture of reality – when was it not like this? Buildings and statues of eminent Victorians, a solitary man standing alone, high up there on a plinth, pigeons sit on his head. Splendid isolation, tourists take pictures of each other standing next to the man’s name carved in the stone of the base of the statue’s plinth and up above he’s there, looking out at other statues. I feel I should know who he is, I’m British, I should know… but you’d have to have studied history to know that. I can’t remember, it couldn’t have been important to me. All I see here is a monument to ‘self’, the grandeur of it escapes me. But it was important to the people of that time; statues, ornate buildings, the opulence and wealth of the Empire recorded in history. Such a great achievement, such a small country. This was. Can’t help reflecting on the fact that it’s all a fiction created by the storytellers of the day about a reality somewhere else, far away – samsara, stories from a small island.

‘There is a path to walk on, walking is being done but there is no traveller. There are deeds but there is no doer. There is no self. The thought of a self is an error and all existences are as empty as whirling water bubbles, as hollow as the plantain tree. There’s a blowing of the air but no wind that does the blowing. There is no self, there is no transmigration of a self; there are deeds and the continued effect of deeds…’ [Ramesh S. Balsekar, ‘Advaita, the Buddha and the Unbroken Whole’]

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Optoma projector on gorilla tripod keyboard and iPhone

persistence of the dream

Mpic2A village near Hat Yai: Here in a house surrounded by trees, it’s nearly one year since I was last in this place [Link to earlier post: ‘nothing in itself’]. Birdsong and mostly quietness; only a faint noise from the road reaches us here, drifting in according to wind direction. And the sound of two puppy dogs yap-yap tied up on long leads, getting bathed by being dragged along the concrete path, pulled under the garden tap and held there as long as possible (they’re so small you can do that), then untangling the leads is the difficult part. They soon dry off in the hot sun. The chicken population chirp-chirp of last year has disappeared from this world, some eaten by carnivorous nocturnal creatures that watch from the edge of the clearing. Most are eaten by carnivores who live in the house – thus the truth of farmyard life is revealed. A new population of chickens pecks the ground chirp-chirp where the others once pecked, and who’s to say they’re not the same ones reborn? A piebald kitten miaow goes around seeking attention, miaow. Four cows; three have bells tingaling, tingaling, tingaling around the neck and there’s one with a bamboo bell that goes clacka-clacka. Three of the animals are dignified and silent; there’s one that goes moo-aaaah, feeling a bit hard-done-by, maybe. I don’t know if it’s the one with the bamboo bell; that’s just the way it is, no obvious connection; no reason for it – or for anything. There’s just this multiplicity of loosely related phenomena that has the characteristics of a farmyard scene. It’s like this right now because it’s nearly evening, and everything’s going: chirp-chirp, yap-yap, miaow-miaow, tingaling-tingaling, clacka-clacka and moo-aaaah. Sun turns orangey, pinkish purple, sinks rapidly below the horizon – no twilight. Approaching darksome night mystery, and wild nocturnal carnivores wait in stealth at the edge of shadow. Insects zzzzzling and large moths surround the porch light that’s left on till morning.

28052010010Upstairs in the half-dark of the guest bedroom, M can’t go to sleep. ‘I not go to sleep yet, Toong-Ting. You have to tell me a story’, she says, addressing me as Toong-Ting, in her 9 year old way of giving people and things in the World different names. It’s my responsibility, I’m the fictionist. Too late now to go find a story book from downstairs, and I try telling her that…‘Then you tell me your story, your own’, M says. This means I have to invent something… there’s just no getting away from it. So, in an inspired moment, I start telling her about all the birds here around the house and, when we leave next week, all the chickens and the rooster and the ducks and birds in the trees and the owls will come with us to the airport. They’ll have to take a taxi by themselves because there are so many of them but the driver can follow us in our car. They don’t have to check in any bags because they don’t have any bags, of course. They just get on the plane with us, perch on the seat backs and arm rests and fold-away tables and go: chirp-chirp, cockadoodledoo, quack-quack, woo-woo, tweet-tweet as the plane rushes along the runway, up into the air, flies away into the clouds, far far away until nobody on the ground can see it anymore. There’s a short pause and M asks me, ‘Leally (really) Toong-Ting? Why the birds go in a plane, they can fly by themselves?’ And, yes, there’s this unforseen logistical problem about the story, I realize – so, I begin my explanation for these circumstances then notice that M has fallen into the dream and is already asleep…

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‘If in this way I see one of these creatures withdraw from my sight without my ever knowing where it goes to, and another appear without my ever knowing where it comes from…; then of course the assumption that what vanishes and what appears in its place are one and the same thing, which has experienced only a slight change, a renewal of the form of its existence, and consequently that death is for the species what sleep is for the individual…’  [Schopenhauer, The World As Will and Representation, Supplements to the Fourth Book, Chapter XLI: On Death and Its Relation to the Indestructability of Our Inner nature]

inevitability of circumstances

the-fool-300A LONG TIME AGO I had the idea to write a book. It was 1983, I’d just started travelling around Asia and all this colourful, exotic stuff around me, I’d never seen before. So I started making notes. That was okay but I got stuck with it; no story-line, no plot and, for a while, I thought the story could be a kind of unfolding of events as they went along… but this was too wide, I needed to narrow things down a bit. Too complex, it’d give me a headache. I kept on making notes, anyway, believing that a story would reveal itself in the course of time, but it never did and I never figured it out. Years went by and I just carried on with more and more notes. Now I’ve got five A4-sized ring folders of typed notes I managed to print out from an old hard drive just before it finally crashed about 10 years ago, and I’m scanning these back into text files bit by bit. Also there are all these little old notebooks full of scribbles I have difficulty deciphering today – it’s like they were written by somebody else. I’m telling you this because this is how the blog came into being. The posts are developed from these old notes; you could say, altogether, this is the book I never wrote.

The difference is there’s a distance now that wasn’t there then. There’s no obvious author, thoughts without a thinker, it’s very much more indirect than it was. There are these faded old notes written by the younger me, on yellowing paper, etched into the surface with a dried-out ball-point pen and I don’t remember half of it. Now they seem to be a bit reckless, stepping into that magical world of heightened feelings that generates a kind of gripping intensity: the experience itself… what’s this? what’s that? Things had to be written down quickly before they’d disappear and I’d not be able to remember, suddenly –  wow! gone, they’d vanish and all I’d have were the fragments of their being there.

Of course, it was stress all the way; trying to hold on when holding-on wasn’t needed. The urgency of it going past too fast, whole scenarios flashing by like buildings seen through the windows of a moving vehicle and you see this shadowy reflection of yourself in glazed shop windows, looking out from a taxi or bus or car and always in the same position: the point of reference… Then I started to slow down, one thought-moment, then another thought-moment – we can’t have two thoughts at the same time – thinking is the linking thing. And eventually I arrived at an understanding that this is what the process is; a mindful effort to experience consciousness of the real live situation as it’s going along. Haphazard things that before just seemed to fit in as happy coincidences, came to be more like a recognition that all things are related anyway; similarities that link parts of the story together in a kind of inevitability of circumstances.

Jean_Dodal_Tarot_trump_Fool

So there’s now this quiet familiarity, and it’s more relaxed. Being free of the great rush that lasted all these years, I reckon I’ve arrived… yes, that’s it, the purpose in life has been achieved. I can see, though, there’s also something here that tells me it could be that I’m just experiencing normality. Isn’t this just ordinary reality? Isn’t this, in fact, the place where ‘normal’ people abide all their days, and what’s been happening is I’ve been practising brinkmanship, acting slightly mad all these years and have only returned to ordinariness? Ah well, whatever… I’m pleased because how could you not be? How much better and more mindful it is now compared to how it was then. And, okay, the transformation from that to this maybe makes it seem like something more than it is. Well, ho hum, it could be that the release from that samsara is all that can be achieved in one lifetime and just being happy with small miracles is all there is – nothing else needs to be done. So I go on here in this quiet place with the pleasantness of simple things and every day seems quite wonderful.

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Upper Tarot image of the Fool: http://tarot-lovers.com/the-fool-detail.shtml
Lower Tarot image of the Fool: http://en.wikipedia.org/wiki/File:Jean_Dodal_Tarot_trump_Fool.jpg