endeavour

h22_17283563POSTCARD #129: Delhi: I’ve had this photo in my files for a long time. All kinds of stuff come to mind, studying it, but if you look closely, there’s an orderlieness about it. These people are not fighting with each other to get on the roof of the train. This is Dhaka, Bangladesh, the massive exit from the city for Eid celebrations (end of fasting during the month of Ramadan). At the lower left you can see a hand extended to help someone climb on a window ledge. Others on the lower right are calmly waiting to see what’s going to happen because it looks like they can’t all get on this train. Maybe they’re waiting for the next one to arrive. Another thing that’s obvious for those on the roof is the fearlessness, the strength, the belief in each other, a kinship; the closeness of the group that you find everywhere in Asia, also I’ve noticed it in Thailand. These folk are from the ‘old world’. In the ‘new world’ (the West) the closeness is not so obvious. Could be we have been more war-like, the hunter-gatherers in ancient times, but within each clan there would still have been this unity, this bonding in the face of adversity. I feel it’s possible to recognize something of this affinity with each other.

I’m thinking of what it must be like to be one of these individuals with a place on the roof of the train, doing this trip annually; quite used to the sheer vastness of it all. Perhaps taking some comfort from the fact that there could be hundreds of human beings there at that very moment – also aware that the totality of this annual migration in Bangladesh is in the millions, certainly. Holding on to each other up there on the roof on the rough and bumpy ride. A journey maybe a day and part of a night, for some of them, and jumping off the train in groups, then probably another long journey to get home.

It reminds me of another event long ago, South India maybe 30 years ago. I was stuck in this provincial Bus Stand (bus terminal) because of a mix-up in routing on the way from Pondicherry to Bangalore. So just sitting on the pavement like all the rest do and waiting for my bus to turn up. Terrific noise and people everywhere, food vendors, everything. Other buses careering past and clouds of dust, black exhaust fumes and dangerous speeds – overloaded with people on the roof so much, the vehicle was leaning precariously to one side. It was quite a thing to see.

Then I noticed this boy running to catch his bus, 12 or 13yrs maybe, he looked at me, maybe the first foreigner he’d ever seen. There I was just sitting with everybody else. He hesitated then carried on running with a quick look back at me. Then running flat out to get his bus, speeding away very quickly. There was a moment when it looked like he wasn’t going to make it, then a hand reached out from somebody on the bus and he got pulled near enough to grab the ladder at the back that leads up to the roof. A wild leap and with both feet safely on the bottom rung, and held by others’ arms so both hands were tightly holding on, his head swiveled back, black eyes staring at me. The bus racing further and further away. I held the gaze like that, thinking there’s no way I’d have the strength and endeavor to do that. It seemed like this, held by watching his golden face turned towards me until the bus went out of sight.

“Right now you are Consciousness, appearing as a character in your play.  Maybe you think you need confirmation.  Forget it.  Relax.  You already are That.” [Nathan Gill]

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Photo Source: Chez Chiara

something, anything, nothing

16x20_webOLD NOTEBOOKS: Geneva, Switzerland: (originally dated September 29, 2012) I get on the Airport bus crowded with people and all their baggage, but I’m not going to catch a plane, I have to teach a new English class in the airport building, and feeling a bit nervous about that. Staff entrance, visitors’ ID, then I’m led along corridors to an elevator and down two or three floors into a network of underground rooms. Door opens and I’m in this claustrophobic space. No windows of course, a large white board, the smell of whiteboard markers, harsh penetrating fluorescent tube lighting. Find the air vents, adjust the air flow by remote and I can breathe better.

Three large athletic men enter; customs officers and senior security people, I see from my notes; shake hands with everyone. There’s a relaxed informal locker-room awareness of each other; deference among them, recognition of something about one individual I guess must be the most senior. Anyway I’m the foreigner in the group, and I have to give an account of myself.

Introductions over and we get started with the class. Pretty soon, something comes up, one of them stands, as if to attention, asks me a question about the use of ‘anything’ rather than ‘something’. After he’s asked the question there’s a hesitation, as if he’s going to say something else, then I notice he’s just observing my body behavior, the professional investigator…

So we’re looking at each other like this, and after I realize he’s finished talking in fact, I’m giving an answer to his question while gradually realizing I’m having a kind of out-of-body experience. I can hear my voice saying the words; the echo in the concrete room, feel the moisture and movement of the mouth but everything else is somehow unfamiliar.

It seems to work ok, I manage to articulate properly and tell him that ‘anything’ is usually used either in a negative context: “I don’t have anything”, and it’s also used in the interrogative form; you might ask a person: “Do you have anything to declare?” Me saying this with a smile, thinking of the Customs Declaration, and hoping to get the intensity to lighten up a bit.

No reaction (maybe he didn’t understand). So I continue with the example: “If you thought that person did have something to declare you could say: “Do you have something to declare?” Still no reaction from this hypnotic look and I’m feeling really weird. He sits down and discusses with the other two in French and they seem to agree about this. I’m still kinda not ‘here’… maybe it’s the underground room, the intensity of the officer’s stare

Somebody else in the group asks a follow-up question and an interesting discussion follows on from this. I sit down with them and can feel myself get back to ‘normal’ – learn not to pay attention to ‘the look’. Class time, comes to an end, shake hands (everybody shakes hands in the French culture), and I’m up in the elevator out along the corridors to the exit and the fresh air.

Wait at the Airport bus stop, it comes, and we’re off into town. The bus is full of wide-eyed people just arrived from distant parts of the world, large suitcases blocking the passageway. How can I say that there is no self, because, if there is no self, who/what is it that realizes this? There’s this feeling that I’m not here – clearly in the public eye but vanished away, invisible. Bus speeds off to town with passengers all speaking loudly in different languages.

Are you an object being watched by another Presence? Or are you the Presence in whose view an idea of yourself is watched? [Mooji]

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Notes also from David Loy: Enlightenment in Buddhism and Advaita Vedanta: 
Are Nirvana and Moksha the Same?) Image source

endless horizons

IMG_2054POSTCARD #113: New Delhi:  Carrying stuff upstairs, laptop under arm with notepad, phone in pocket, pen held in teeth, water bottle neck clasped between first and third fingers. Pause at the top of the stairs to turn the door handle (how much better it would be if we had three hands), it opens by practiced handle-lever push with thumb, and timed shoulder-shove. Out into the bright daylight of the roof terrace, carrying everything to the table, and unload piece by piece.

Bring the chair over and sit… now maybe I can relax for a bit in this warm spring-like weather. But the voices start up again as if they’ve been waiting off-stage for their big entry: What’s with all this control-freakery? Why try to do everything at once? Leaving on Saturday 28th night, red-eye flight to Bangkok, change for the Chiang Mai flight and arrive there early Sunday morning on 1st March. I know it’ll be hot in Chiang Mai and as we get nearer to April, hotter still. Then 1st May to UK because I have to get a new passport (no pages left), and two weeks later, back to Thailand on a tourist visa. One week later, the return to Delhi before my India visa runs out… and I need to have that renewed too. Then, to crown it all, it’ll be impossibly hot by the time I get back here, temperatures reaching their peak, 46°C.

Intrusive thinking about ticketing, schedules, filling in forms; uninvited thoughts gate-crash the party, insist on getting attention and shouting out: What’ll happen if the flight from Delhi doesn’t arrive in Bangkok on time, and I miss the flight to Ch’Mai? Noisy internal dialogues about the whole itinerary – I need to ease out from this clamour of conjured-up scenarios, imponderables and enigmas – searching for something creates the idea that it is lost. Delete the ‘my’ in my-self. They’re not ‘my’ thoughts; they belong to everyone – the generosity of letting go. None of it is ‘mine’, I don’t think these thoughts, these thoughts think me. I don’t breathe the air – the air breathes me. Cognitive functions synchronize things so the world appears the way it does. I don’t see the world; the brain selects what is seen. Sounds are heard, but there’s no listener. The ear is a musical instrument. The body is a sensory-acoustic device that plays an immense chord of vibrating harmonics at 432 Hz, the natural frequency of the universe.

Mind contemplating the experience of ‘me’ seated on the chair; aware of the pressure points where legs touch the seat, bearing the weight, arms on armrests, and everything else is empty space, just this invisibility. I’m not aware of the mass of internal organs… slightly unnerving; get up and walk around. Feet appear down below on floor surface: left, right, left, right. The roof-terrace enters my vision, floor, wall, the plants – objects seem to pass through the body. Meanwhile, far away over endless horizons, another place begins to stir with aliveness; this time on Sunday I’ll be ‘there’ in Ch’Mai – or Ch’Mai will be here in ‘me’….

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“And men go abroad to wonder at the heights of the mountains, and the mighty waves of the sea, and the wide sweep of rivers, and the circuit of the ocean, and the revolution of the stars, but themselves they consider not.”
[St. Augustine]

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The photo of the sea at St Andrews comes from Sue Vincent’s post: The Elasticity of Time
–   G  R  A  T  I  T  U  D  E   –

a world of things

sycamore 1“Those who float away their lives on ships or who grow old leading horses are forever journeying, and their homes are wherever their travels take them.” [Matsuo Bashō 1644 –1694]

OLD NOTEBOOKS: East Anglia: It’s the last day, I’m leaving, this is it… the end – no more departures and arrivals I’m leaving now for the very last time. The house is to be sold, the rooms are empty, all remaining things ready to be put into boxes for the recycling people to collect after I’m gone. Right now it’s all arranged in two groups: a) stuff to be given away and, b) ‘stuff that I can’t let go of YET’… still some reluctance, lingering over things I want to keep. Gazing fondly at a pile of books, a framed picture, pondering, hesitation, attachment… but how will I get all this into checked-in luggage for the flight to Thailand? Some time spent considering this but, impossible, let’s face it. In the end it’s a decision pushed along by the momentum of leaving; there’s a car coming for me in the afternoon. Out of time, ok, pack up and leave… and I move everything into a), the stuff-I’m-giving-away group. That settles it.

But I’m tugged back… did I just do that? Hands reach out to take the stuff back again. Pause for a moment to think about it and everything stops, emptiness, there’s nothing there… thought is an elaborated construct built in a landscape of no-thingness. An awareness event turns up out of nowhere, the kind of thing that couldn’t happen in any other circumstance: let someone else have these things. It’s the letting-go thing, the generosity of easing, the release of all that tight energy – giving it all away, giving it all back to the world, returning to the context of how it all arose in the first place. I stop for a moment to think about how that feels, but there’s no thought, everything is still wonderfully clear and completely empty. There’s a world of things, then there’s not.

Suddenly it feels like everything I’ve been holding on to doesn’t matter anymore, and that’s okay. The loss is only there if I ‘think’ it into being. Sit down, close my eyes and everything  becomes invisible. Feel the pressure points, lower back, seat in chair, feet on floor, elbows on the arm rests – but no body, no head – it occurs to me that sometimes the universe doesn’t exist… takes my breath away. Only a curious intensity in the place where the thought used to be contained; something that really never happened… years and years of nurturing a dream about something that wasn’t there.

Last thing to do is bless the rooms, hands held in anjali in that small dwelling: Wishing in gladness and in safety, may all beings be at ease… There’s a clear sense of closure. Going through the door… I’ve been in this house 36 years and it’s gone in a flash. Standing outside, blinking in the bright daylight, surprised to discover it’s a just a day like any other day. A last look inside, sunlight extends in from the doorway… goodbye little house! Pull the door closed, lock. Get in taxi, door slam. We’re off across the landscape…

‘When this exists, that comes to be. With the arising of this, that arises. When this does not exist, that does not come to be. With the cessation of this, that ceases.’ Samyutta Nikaya 12.6

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Many thanks to Jeff for: ‘stuff that I can’t let go of YET’ – source: Leaving Lexington. Photo: a stand-alone Sycamore tree at the top of the hill

nostalgia for winter

back of shedOLD NOTEBOOKS: East Anglia: Writing this in New Delhi, the winter chill has a familiarity; the cold-nose-sniffing days of UK winters long ago at the old house in East Anglia, before I had proper heating installed. A massive quantity of firewood; they cut down some Elms that had fallen over and all I had to do was chop it up with a long-handled axe. Thus, entire days were spent swinging axe, volumes of breathy vapour air then sitting by the fire. Everything that had to be done indoors was done there, next to the fire. A cup of Oolong tea placed for convenience on the edge of the hearth… cold fingers on warm porcelain.

And one day in particular, here in this low ceilinged house, staring at the flames, thinking I’ll have to go to the woodshed with the wheelbarrow again to get more logs. Walk through to the back door, not focused on anything but the task ahead, then for some reason there’s a joyful little skip at the wrong moment and I whack my head on the oak crossbeam protruding dangerously from the kitchen ceiling – the karma of wood fighting back… more like a sound than a feeling; an audible BONK! Fall to the floor, wow! Hands rise up and hold the head. It’s not an immediate pain; it’s an investigatory, how bad is it this time?

Stay there for a moment, inward searching directionalised towards the perceived centre where ‘self’ resides; awareness of the vulnerability of ‘head’ situated at the top of the body; eyes looking out, a world seen as if through a window at the front of the skull. Pause for a moment and consider the phenomenon of ‘me’ and the body I inhabit as a curious plurality; it’s not an ‘I’, it’s a ‘we’. I’m issuing commands and body just does what I tell it; addressing oneself as if ‘I’ were someone else: hmmm, the blunt-force trauma and brutality of the present moment… let it pass – get busy with something. Go upstairs and see if there’s a pair of gloves I can wear. The body obediently goes there because I’ve just told it do that.

Stumbles along, gets to the staircase then up, step by step, plod, plod, plod. Get the gloves and stand there for a moment, looking through this ‘window’ as if from a position inside the skull, seeing things at eye-level, then down the length of the body to my feet standing on the step, and the steps below that, leading down, and down to the ground floor… plod, plod, plod, downstairs again; it seems like a long way.

shed with logsOut along the garden to the wood shed and, instead of just gathering a few logs and going back, I decide to cut up some more. WHACK, axe cuts through wood in a pleasing way. WHACK… so what’s to be done about this low headroom situation? WHACK… again and again I’m caught by it, even though I know it’s there. WHACK… return to ‘the plan’: excavate the floor and lower the level by one step to create more headroom. WHACK… isn’t it satisfying how the wood splits and falls to either side of the axe blade, forming two piles of equal number. WHACK… everything comes in twos, and there’s this feeling of companionship; that good friend, the body. It has a familiar feel to it; the aches, pains, grumbles and squeaks. The wheelbarrow filled, I push it back to the fireside and the rest of the afternoon is spent planning how to dig up the floor…

“I am and the ‘I’ that I am, is aware that I am. This knowing of our own being – its knowing of itself – is the most familiar, intimate and obvious fact of experience and is shared by all.” [Rupert Spira]

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Third post in the series about the house in East Anglia I had for 36 years. Click on the links to follow the thread: house on a hill, and presence.

presence

back stairsOLD NOTEBOOKS: East Anglia: Aunt Liz was an unusual person because she didn’t speak much, lived like a recluse and it’s only recently I realized she may have been Bipolar – it was so long ago, nobody knew about it then. I was often away and when I came back, she wouldn’t speak to me. The neighbours would tell me she was sometimes socially active, then after a few days she’d go back to her silence and not speak to anyone at all for months. Aunt Liz lived in that house for 23 years. She was alone, preferred to be alone and at the age of 85, she died alone. Bottles of milk left on her doorstep for two days, the police forced the back door and found her sitting on the sofa. It was 1989, I was in Japan, didn’t know it had happened until a relative called me on the phone (no emails in those days) and in a screeching, long-distance voice told me about it; said she’d inherited Aunt Liz’s house and was going to sell it – or did I want to buy it? Yes I did, so we got the paperwork done, I had the contractor go in and do renovations, but it was more than a year by the time I got back to the house.

Everything had changed of course, fresh paint, new plaster; the emptiness of a newly renovated house and nothing left to remind me of Aunt Liz. She was just not there any more – something about it strangely familiar; she was never ‘there’. So many times in the past I’d ring her bell, but no answer. Then I’d be in my house next door, listening for sounds, holding my breath and maybe I’d hear the clink of a cup or plate, and know she was there. Mostly she was simply a presence, so silent sometimes I’d forget about her completely.

That time I came back from Japan, the first thing I did was look for something to use as a floor cushion and sit for a few minutes of meditation in the place where her sofa used to be. This is where she would read her newspaper, do her knitting, watch the six o’clock news … this is where she died. Maybe it was on a day like this; the quietness, the sound of the birds in the trees all around, an ordinary day, and she paused in a quiet moment and listened to the birds; the same birds I’m listening to now, some of them their descendants. Maybe she contemplated this sound as I’m doing now, and had the same awareness of the hearing mechanism that carries the sound.

Get up and open all the windows, landscape reaching out to the horizon; hazy blue sky, the smell of the sea. The sound of birds enters the room, tiny fragments of a hundred melodies merged together in a flow of incidental harmony; no beginning, no middle, no end; blackbirds, thrushes, sparrows and in the quiet intervals, the distant mewing of gulls flying in from the sea.

Whatever living beings there may be;
whether they are weak or strong,
omitting none,
the great or the mighty,
medium, short or small,
the seen and the unseen,
those living near and far away,
those born and to-be-born —
may all beings be at ease.

[Karaniya Metta Sutta: The Buddha’s Words on Loving-Kindness]

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The second post on the house on a hill – click the link for the first post.
Photo shows the back staircase built during the renovation and a new window in the wall opposite so the light can enter the otherwise dark kitchen.

house on a hill

23-05-2010 09-13-22OLD NOTEBOOKS: Chiang Mai: I used to have a house on a hill in England, so far away from here – it’s just a memory now. I had it for 36 years and it was sold just a few days ago… feels like a part of me has become extinct. Another part of me says, what’s gone is gone, let it go because I never really lived there. I’d stay there for a while, go away to Asia for a year, then come back; very long grass in the garden and generations of spiders.

Curiouser and curiouser it was part of a larger building owned by my Great Aunt Liz, a spinster, a recluse and she could read fortune-telling cards. Aunt Liz gave me the house by Deed of Gift in 1978, then became a bit distant and elderly and quite stubborn about allowing me to help.

I’d send Aunt Liz postcards from the places I’d been and bring back gifts but she became more and more remote. Our communication dwindled and in the end she hardly spoke to me. When I knocked on her door, she would open it on the chain, smile and say: ah, so you’re back. You’re looking well… then close the door. I’d hear the lock go: click, and I was left outside.

This is how it was, a kind of companionship, no more than that. She was probably disappointed that I wasn’t going to just come and settle down in that place and be what she’d imagined I’d be. But what could I do? Her decision to create a situation for me to have a ‘home’ next door to her was just so kind. There I was in the centre of rural life and the simple rumbling-along of things, but… never for very long, always moving on to somewhere else.

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She died in 1989… I was in Japan and it was impossible to return. I negotiated with a relative who inherited Aunt Liz’s part of the house and to cut a long story short, eventually I owned the whole building. Contractors were hired to renovate the place, but it was two or three years before I managed to get back. The house on the hill had long since become a dream… years and years spent thinking and planning how I could go live there in the end, and just get old sitting by the fireside. These last few days I have revisited that same place in the midst of these rememberings, knowing that sometime soon I have to disengage from it – it’s not my house anymore it’s somebody else’s. People I don’t know walk around in these rooms where I used to be, sit by the fireside stare into the flames.

02062011038How long do memories remain? One time I was sitting there burning some old floorboards removed during the renovation of Aunt Liz’s bedroom. The wood was dry and old and good for kindling. They were also painted along the ends – she had a carpet in the middle and painted floor boards all round the edge. It all came back to me when I found it… stuck in the paint on a piece of the floorboard, a human hair – a single strand of hair, quite long. It got stuck there as she was applying the paint. I kept it for a while; would hold it between thumb and forefinger for a moment and pull the tension of it gently… still attached to the painted wood. Then one day I placed the wood piece in the flames and watched it burn away.

Everything is always in the process of ceasing to be, turning into ash. There’s a reluctance to leave, drawn towards the extinguished fire; something peaceful about the absence of everything…

As fire, through loss of fuel grows still [extinguished] in its own source, so thought by loss of activeness grows still in its own source… For by tranquility of thought one destroys good & evil karma. With tranquil soul, stayed on the Soul, one enjoys unending ease. [Maitri Upanishad 6.34]

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snow in Thailand

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POSTCARD #107: Chiang Mai: It’s not real, of course, but quite convincing. A large display arranged next to the MAYA shopping area [maya: illusion (Sanskrit)]. MERRY CHRISTMAS BLOGSTERS! It feels like a special day. Memorable too because it was the first time I heard my 10 year-old Thai niece M use the English word ‘artificial’. M knows what real snow is, she experienced snow in Japan. This is ‘artificial’ – pronounces all four syllables: ar/ti/fic/ial – it’s not snow it’s what it looks like. I think it’s sand, bleached white by some harmless chemical process; children sit down, play with it as if they were on a pure white beach. Most people in Thailand have never seen snow, everybody here taking photos of themselves smiling against a snowy white background. A great shower of digital flashes flicker in the blindingly bright reflected sunlight; flash-click, and a small piece of the experience of snow is captured. The group hurries to look at the picture, then they quickly regroup and take another one.

IMG_1860In Eskimo languages there’s not just one word for snow, there are many (‘Smilla’s Sense of Snow’ by Peter Høeg). But it may be a linguistic characteristic (Washington Post), words are added on to the main word ‘snow’ to describe its qualities. Slushy old snow would appear like this: ‘slushyoldsnow’ or if the adjectives and modifiers of the noun are arranged differently, it could be like this: ‘snowoldslushy’ so it looks like a new word if you’re not an Eskimo. It doesn’t alter the fact that there are all kinds of snow, of course – I remember from a childhood in the North of Scotland – but I can’t find words for this kind of snow; dry, warm, and light cotton beach-wear…

IMG_1861If M was a bit older we’d be able to talk about what is real and what is not, and how ‘artificial’ is a word, a label, a concept. There isn’t anything in the world that’s artificial… everything is something. It’s only artificial when we compare it with the agreed-upon ‘real’ – another concept. You could just as well say the whole thing is artificial, and ‘nothing is real’ (strawberry fields forever). It’s all about words, doing their thing, like what HTML coding does for everything in the internet; we’re ‘linked’ to what we think is real, everything is a living representation of what it is.

M is 10 years old, speaks English as a second language, she’s a Buddhist, goes to a Christian school and the Santaclausism of Christmas is what makes it a happy event. Same for all children. I can only hope that in a couple of decades from now she will have good English and return to this posthumous blog (if it still exists) and understand some of the things I cannot discuss with her now. Also all the other things I haven’t thought of yet; all of it, both/and, neither/nor, flickering between this and that, and I don’t know why it keeps on doing that – maybe because the Oneness is also the many; everything is everything – words cannot reach that far…

‘That which has no boundaries and is unnameable has been termed the “Void,” although this is a mere code word for something that eludes any kind of description or verbalization. Being outside space-time – that is, Infinite – means that is the Whole, invulnerable, and immortal.’ [‘The Observer is the Observed’, Robert Powell, p165]

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vertigo

IMG_1794POSTCARD #106: Bangkok-Chiang Mai flight: Waves of sunlight pass through the interior of the aircraft as it banks over in the ascent; wings tilt up towards the vertical plane at an alarmingly steep angle, and for a moment it looks like we’re going to tip right over and fly upside down… but it doesn’t do that. A rich dark landscape fills the window; reminds me of the Google Maps satellite image – click the little orange man on ‘street view’ and observe any house or street I choose. The world is a simulation, what I’m seeing is a physiological function of the brain, a projected image, back-lit like the computer screen … the place where (I thought) REALITY was, is occupied with ‘what-it-looks-like’.

A deep familiarity with the analogy – confirmed by others who smile, nod their head, yes, we believe in the resemblance of things… it’s easier that way. This is our agreed-upon certainty, the world as we know it, symbols and words, systems and processes; it’s a construct – the only possible answer the mind can come up with when asked the question: what is ‘it’ actually? Language identifies, can only provide a description of the thing – not the ‘thing’ itself. Everything depends on sensory perception, the (actual) ‘thing’ may be colourless and devoid of any recognisable quality, no odour, no taste, it doesn’t feel like anything; neither hot not cold. It has no sound. It has no weight, it has no form.

A fleeting insight into the vertigo of nothingness situated at the centre of everything. The ‘me’ I live with is not a substantial thing – so flimsy, it’s sometimes not there at all. Through the tiny window of the aircraft there’s this vast immeasurable space, extending above my head through the thin fabric of the aircraft. My Chiang Mai flight is a tiny speck appearing above a sea of clouds on the surface of the planet Earth; the characteristic ‘pale blue dot’, silver-white-sky-blue planet seen from outer space. That home-sweet-home feeling; a place shining with life in a region of seemingly dead planets… is this ‘my’ reality? Or is that an illusion too? The conditions that support life as we know it end here. Maybe we are surrounded by planets teeming with living beings who, like us, also believe they’re separate and alone in this void. And the reason there’s no evidence of it is that the software which operates our sensory mechanism is not compatible with theirs.

What I used to think was an amazing technological feat now becomes just the mechanistic nature of things; the great whine of engines and immense energy that catapaulted me up here, simply another aspect of the construct. Assembled pieces form the aircraft, wing structure is under the seating aisles so that passengers are sitting on top of a sort of swept-back flying crucifix.

Then there’s the ‘ping’ sound, as the seat-belt sign is switched off. Flight time to Chiang Mai is about 1 hour, stewardesses in pretty yellow costumes serve a small meal, it’s like going upstairs to have lunch in the sky; just enough time to have it and come down again.

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“That which operates with conceptual ideas is the ordinary mind, whose characteristics include perceiver and perceived. All that is conceived in this way is false and will never touch upon the actual nature of reality. Any idea of existent, inexistent, both or neither—any such concept, however it’s conceived—is still only a concept, and whatever ideas we hold in mind, they are still within the domain of illusion.” [Ju Mipham]

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Lower image source

 

on the way to somewhere else

IMG_1778POSTCARD #105: Delhi airport: “The flight to Bangkok is delayed due to the late arrival of the incoming aircraft…” The announcement comes just as the Thai plane is arriving at Gate 8. I watch it from the window and take a photo… I’ll be getting on the same plane that just got here; same plane flying forwards and back most of its working life – how do I feel about this? Maintenance crews service the machinery at Bangkok and Delhi, the engines are always stationary – it’s the world that moves.

I need to charge my phone. Look for an empty seat next to an electric socket, plug in and get the cable organized. I don’t have to decide where to go or what to do now; I’ll be here for as long as it takes to charge the battery… tiny electron molecules zizzling around in a Nano world. I am not actively engaged in the process, more like the one who decides if this is going to happen or not. Passively involved in an activity the building provides the facilities for. It’s all taken out of my hands… sit quietly, everything is happening by itself.

Eyes closed, watch the in breath/outbreath, meditation in a seat in the Departures Hall. People will think I’m sleeping – if they notice me… busy with devices that convince us we are who we think we are. Attached to a sense of ‘me’ that disincludes all other evidence. The ‘me’ that I believe in depends on me thinking it… otherwise it’s not there. This is how it is at this point in time and space, where and when, and now and then.

It’s an emptiness, but no real silence here at the airport, a kind of buzz and static from miles of carpeting, fragments of conversations in a language I don’t understand – conceptualization is switched off, listening to the streams and rivers of curious sound. I become the listening; comfortably disconnected with things in this high-ceilinged place; mind/body organism focused in an environment where people are constantly and always just passing through, on the way to somewhere else. Trying to picture Thich Nhat Hanh walking quietly through a war zone – metta and mindfulness – everybody stops firing to let him pass…

“Life is so short, we should all move more slowly” [Thich Nhat Hanh (source)]

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