Tag Archives: anatta

passing through 1

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tuktukChmai4POSTCARD#54: Chiang Mai: Situated at the top of a column of words (at the time of writing), light and easy, a feeling of no-thingness, the world is here but no serious attachment to anything. Emptiness of space in the place where “I” have not yet arrived and the sensory mechanisms that give the world meaning for me are still offline. Look at the altitude app, it says 1043 ft. above sea level, add 180 feet for the height of a 7 floor building and my location is identified. I am standing with my bag here on the top floor of said building, waiting for the elevator down… everything goes down from here. Doors open, step in with my bag on its little wheels, doors close, and down we go. It’s a small elevator space with large mirror. Is this good or bad; the witchcraft of mirrors. Study my reflection, hmmm… look into my eyes and see my eyes looking back out at me – slightly scary, stop doing that. Elevator stops at the 3rd floor, doors open, nobody there… a volume of 3rd floor air enters, doors close. We go down again, floor numbers on the indicator decrease as we descend further. Look at my reflection like a friend standing next to me. Examine the teeth in a large wide grin; watch myself holding this grimace, weird guy. Try to be normal; this is how I’m seen in public. Elevator reaches the ground level.

The people in the lobby are engaged in a conversational event that started before I got here and there’s a pause in the dialogue as I step into their space. Eyes look… do we know you? Smile, show teeth, no cause for alarm folks, just passing through. Walk out the main door and lift my bag down the steps. Street restaurants, the smell of exotic cooking, noise and clatter, a child cries, bicycles creak, rubber wheels on hot tarmac, a motorbike fills the place with sound. I have the feeling that I’m now situated at the top of a column of bones, ligaments, tissue, fluidity, and looking out of two holes in the skull that bond together into a single screen monitor – just the edges seen and the side of the nose. If I focus on something in the environment, through sight, sound, smell, taste, touch, there’s a curious ‘entering’ takes place… the outside world invades totally, no boundaries, and my whole head disappears* (funny how it does that) and there’s only the world, with me in it, headless. Everything switches back to normal view, when I want it to, and back to watching my feet appear and disappear on the ground below, one at a time: left, right, left, right. My bag following behind, rumbling along on its little wheels, slippers flip-flop on soles of feet…

Looking for a passing tuk-tuk or some means of public transportation that’ll take me to the airport. Reality check: am I at peace with myself? Is there an easefulness or am I busy thinking about things? How am I feeling? Allow the software to do its job; the facility of reflecting on how all this is going so far. Outer noise and heat find a way through the senses and have an effect on the mind/body organism in its ambling walk down the road – that stumbling gait, typical of lanky Western folk. Pleased to know how it feels and I can be aware of the sensation without making it into something I love or hate. Letting the events of the mind go unheld; give it all away, the great generosity of relinquishment. Be kind to myself, the ongoing practice of learning how to live my life. Tuk-tuk arrives, get in, wind in my face….

‘Human beings have a reflective quality that steps back from experience and says: “I don’t like this. It shouldn’t be this way. Stop it!” The aim of the spiritual path is to fully understand that the main problem of life is not that the government is unfair, that one isn’t getting enough money, that there is hunger, violence, pain or sickness, not even that one isn’t loved – but the feeling in the reflective mind of being bound down by these circumstances. Once we have clearly understood the mind, we can experience patience, equanimity, and release – even in predicaments that can be difficult or unpleasant.’ [Ajahn Sucitto, ‘Making Peace With Despair’, from the volume: ‘Peace and Kindness’]

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*Reference to: ‘On Having No Head’ by Douglas Harding
–  G  R  A  T  I  T  U  D  E  –

getting attention

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traff.1POSTCARD#52: Delhi: There was a time when I wasn’t here – not born yet. The world just going on as it does without having anything to do with that person called ‘me’. I didn’t exist then. There’s an anonymity about this that’s quite liberating. Thinking about it here in the car, looking at the world going by, same world that was out there before I was born. I’m on the way to pick up my Thai visa for the Bangkok trip this weekend – heavy traffic and stuck behind a truck. I take a photo of it simply because of the way all the words and colours insist I look at it, shouting out at me, trying to get my attention. Is it this kind of attachment to ‘self’ that causes ego-rebirth? A whole truck is suddenly reborn in front of me, identity smeared over every part of it, saying: ‘I’ am here; this is ‘my’ place! It has to be allowed for; make space for it in all the honking, hooting/tooting and scenarios of outrage where everybody really wants to be somebody. Press your horn to announce your presence. Do it loudly, you think a lot of yourself.

Mindfulness of conflict, resentment and holding a grudge; loving-kindness, compassion, metta-karuna. I’m a long-term outsider, now more than 30 years of living in other people’s countries. It means there’s a distance between ‘me’ and how things are done. As far as possible, the ‘I’ is understated, indirect, a release of the tenacity of ‘grip’ on how I (personally) think things should be. Thus I discover these days, local people look at me and I become invisible. They can’t get me to fit into their social scale, eyes glaze over. I unexist for them. I understand it to be that easing off from holding on to identity, almost to the point of letting go completely – the Buddha’s teaching on anatta, no-self. Extraordinary in my case because the I-am-not-here thing happens twice, two cultural settings: India and Thailand. I’m invisible in both countries, just my name on the lists of foreign residents, photo attached; ‘me’ in dress shirt, formal expression, hair combed, ‘smile please!’ I take out the ID I carry with me here and look at the photo, stamped, authorized, signed, registered, watermarked. It’s my identity, but is it ‘me’?

I’m not convinced. Is it proof that I exist? …em, it’s a picture of a man who looks like me, having his picture taken. All I have by way of proof that I exist is the subjective experience of it and the present moment that is undeniably everywhere, in the unlikeliest of places. The ubiquitous presence of now, I keep bumping into it, oh… what’s this? The present moment seen in a cloud of unknowing. Or I’m thinking it’s something it isn’t. Or I accept the present moment is as it is, whether I am aware of it in its ‘as-it-is-ness’ or not.

Other times it’s seen as if standing at the bow of a small ship plunging through the waves, rising and falling, just on the point of leaving the past and surging into the future, but not there yet – never reaching that point. All the surrounding clutter and stuff of the mind is pushed away by the waves and the movement of the ship passing through. Long intervals between things… why this pause? How come there’s nothing to think about? What happens when the thinking thing stops – what happens after that? But the question just leads to more thinking. No answer, no question, stillness – a state of mind that’s free of all the tugs and pulls. Slow down, stop. Contemplate the body and mind; breathe in/breathe out, there is heartbeat, consciousness of the mystery: out there/in here…

‘…looking for the first time at homemade movies taken a few weeks before his birth. He saw a world that was practically unchanged—the same house, the same people—and then realized that he did not exist there at all and that nobody mourned his absence… But what particularly frightened him was the sight of a brand-new baby carriage standing there on the porch, with the smug, encroaching air of a coffin; even that was empty, as if, in the reverse course of events, his very bones had disintegrated.’ [The autobiography of Vladimir Nabokov: “Speak, Memory”, page 1]

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a patch of sunlight

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IMG_0540POSTCARD#50: Delhi: It’s cold here, fingertips touch the keys tentatively, unwilling to make contact. Feeling chilled all the time and can’t seem to get comfortable with this February weather. I just arrived from Thailand, my bag, still unpacked, contains the blue sky and sunshine of white shorts, sunglasses, T-shirts and rubber slippers. Wow it was hot there; I’m reluctant to let go of that nice feeling.

It’s like the world extends only as far as the immediate surroundings of where I’m currently situated and it takes a little time to reassemble things if I move 2000 miles to somewhere else. There’s the tendency to hold on to nice things and I’m particularly reluctant to let go of it this time because the visit to Delhi is only for a couple of weeks, then I go back to Thailand again. So I’m in transit, not really ‘here’, and that’s why I’m making the excuse that it’s not necessary to unpack my bag.

My bag is an extension of ‘me’, it’s my identity, part of the self-construct I’ve created, the same as everyone else’s sense of ‘self’. I feel a fondness for my bag, a familiarity and a connection with that small volume of folded clothing, flattened garments, papers, books and various computer cables, that’ll be zipped up tight, X-rayed and pushed back into its space in the aircraft baggage section along with all the other bags, and away we go back to the sunshine. But that hasn’t happened yet, and I’m stuck here in the cold for a number of days.

When it’s warm enough I go up on to the roof terrace, to the place where the sun shines through between the buildings and there’s a patch of sunlight where I can sit  on my chair. The chair is in the same place it was two months ago and for a moment there’s a kind of presence about that empty chair… déjà vu; the ‘self’ that was there at that time is gone completely, no familiarity with it – yet I remember being here quite clearly. Now I’m sitting in the warm sunshine, recreating a ‘self’ that suits this time and place, for this duration, knowing that soon it’ll be gone too. Phenomena are as they are for a short time and disappear; it’s as if the appearance of everything has the quality of a pencil sketch, a pleasant unfinishedness.

I look at things, and they’re gone – it’s the time needed to process the thought. Objects are experienced not in present time but just as they’re slipping into the past; everything is always seen in hindsight. Conclusions arrived at after the event. Nothing remains. The day I die will be an ordinary day. The moment after I’m gone will be no different from any other. It’ll be like a pause in the middle of a sentence… the focus on the object slips away, the next moment will just be the next moment and things will go on as if nothing happened. The fragility of the world held for an instant then it’s gone, only the space where everything used to be and the silence left behind…

‘Usually when we hear the teaching on not-self, we think that it’s an answer to questions like these: “Do I have a self? What am I? Do I exist? Do I not exist?” However, the Buddha listed all of these as unskillful questions. Once, when he was asked point-blank, “Is there a self? Is there no self?” he refused to answer. He said that these questions would get in the way of finding true happiness. So obviously the teaching on not-self was not meant to answer these questions. To understand it, we have to find out which questions it was meant to answer.’ [Thanissaro Bhikkhu: ‘Selves & Not-self: The Buddhist Teaching on Anatta’]

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connectedness

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DurakitPOSTCARD#46: Bangkok: Sitting in a taxi that’s stuck in traffic and I see these buildings through the window, take the photo thinking, wow! I can write a post about that. The floating staircases look like they were put in as an afterthought. Somebody came up with the idea and sketched it out on the back of a beer mat. Creativity. Things are linked in the mind – the symbol of a bridge, everything is connected. It all fits. Taxi still stuck and I’m searching around in the memory for something, through the staircases and corridors of no-words-to-describe-it, looking for a starting point. How to begin? A small insight comes along; it’s the karma of circumstances.

That’s why, who, where, what, which, when and how I came to be here in Bangkok, strange as it may seem, having started off in such a far-away place over the mountains, over the sea… the Northern part of the world, near to the Arctic region. Up there, the polarities of shady darkness and never-ending light inspire one thing above all: the desire to get on a plane to a sunny place in the Southern Seas and never come back. So that’s what I did.

When I came back I discovered thirty years had passed, the Rip Van Winkle effect – look in the mirror, hair gone white. Most of the people I knew are dead. It had been so long I’d forgotten the ‘me’ that used to be there. I gave some thought to the ‘me’ left behind in the sunny place in the Southern Seas, went back over to check on that but it wasn’t there either. All these hours and days over the years, looking out the windows of an airplane and the world coming in through these eyes but seeing it like it’s not ‘me’ personally that it’s happening to, more like it’s an extension of what’s out there.

There’s a connectedness. No ‘me’. The temporary self-construct that used to be ‘in here’, a tentative sort of half-existence, has gone. Gone is gone. No ‘self’, anatta, nobody at home. Elvis has left the building. I am a metaphor of ‘me’ looking out of the window of a moving vehicle going away to, or coming back from a place called ‘home’ in Bangkok at the present time but next week I’ll be in Delhi again and looking at ‘home’ from that location. I know that three weeks from now I’ll be in Chiang Mai in that place there called ‘home’, hang out for a while, contemplate the space I’m in, then after that, no plans…

Is there anything I can call a real home? (hold that thought)… there’s a memory of something being ‘home’ when I was a kid. I remember long nights and short days, aunties and grannies wearing comfortable wooly cardigans, porridge in a cracked bowl, coal and wood fires, a black-and-white sheepdog – and incidentally, the rural/urban thing about Asian cities, cows sitting on the pavement, goats nibbling and chickens pecking around, the sound of a cockerel in the distance; all this reminds me of the farmyard scene where I was brought up. There’s a familiarity about it

Fond memories, pictures in the gallery of the mind, and yes I’d like there to be a real home, but for a very long time now there’s been only a series of temporary homes – all good, I share my life with Jiab and we’ve gotten used to the way things are. In each place I have my favourite chair, books, and all the things I need. It works okay except sometimes I might spend a long time searching the bookshelves for a book I’m sure is there then realise it’s not in these bookshelves, it’s the other bookshelves, about 2000 miles away. So I have to let that one go, although I can see it there in the mind’s eye…

I feel dispersed, an okay sort of feeling. It suits me well to follow the Buddha’s Teachings: homelessness, non-attachment, no-self. Whether there is a ‘self’, yes/no, is best not thought about too much because saying ‘yes’ or ‘no’ to it is, in itself, identifying ‘self’’. Words identify things, language has a default mechanism that allows me to select what ‘I’ want it to be (also what I don’t want it to be) and the resulting attachment to all that I love and hate. I see it happening, stay mindful about where the exit is located, and open the heart/mind citta to the world as wide as possible.

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‘I place the word “Jesus” into my heart, and in a magical instant all those wordless, intangible sensations I have come to recognize as His Presence fill the room, as if that word was a seed dropped into the planter of my heart, which took root, and produced an entire orchard.’ [Excerpt from the post: Trending Towards Holiness]

–   G   R   A   T   I   T   U   D   E   –

thralldom

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IMG_0388bPOSTCARD #39: Chiang Mai: Coming up to Chiang Mai from Hat Yai was done in two stages, with the stopover at Bangkok, as we did going down. It was the same thing, the other way round. Everything already seen, but occuring in reverse order and the hassle and stress we experienced on the way down got cancelled out on the return journey. Like a video on fast-rewind, it stops at the beginning not the end and the memory of ever having gone or been away is erased.

A short trip, six days only. The point of it was to visit Jiab’s youngest brother and his wife and their new-born baby – a truly amazing child with a wonderful smile. It was a bit like the Three Wise Men following the star to the stable where the baby Jesus lay in the manger – not really like that… there was Jiab and her sister, me and M, who is 9 years old and dismayed by lack of internet, sadly playing the same old games on the iPad and not interested in being in a rubber plantation, with its curious waftings of latex smells. I was quite blown away with the experience of being surrounded by rubber trees – I knew that rubber came from trees of course but it was sort of bizzare somehow… trees made of rubber?

Now back here in Chiang Mai and friends have sent pics of the monks blessing everyone for the coming year. These quiet humble events are meaningful in a way I’ve not seen in the Church and all the gusty hymn singing, great heaviness of acoustics and out-of-sync organ suggesting a fearsome power and immensity. What my Sunday School teacher taught me was that “God made the world,” and I wrote that down in my little exercise book but had absolutely no understanding of it; an imponderable, a Zen koan: God made the world…

But who made God? The world and God are two separate things, one of them made the other, therefore seeing this from a place created in the mind for the purpose of looking for God and finding only a complexity of half understood truths. In the end, I stopped worrying about it; there is no God (in that way of thinking) and decades later the whole thing vanished – with it went the concept of ‘self’. Liberated from ‘the thralldom of the senses’. Quite an ordinary epiphany, like one might be sitting in a quiet room with furniture and objects and light coming in through the window then suddenly a letting-go moment takes place and ‘I’ no longer have the burden of ‘my’ thoughts about ‘me’. Released from the subject/object duality. God is not ‘out there’, but ‘in here’. God is subjectivity, conscious awareness.

Conscious awareness is everywhere. In the blogging world, for example,  it’s what we’re talking about or describing all the time, one way or another, in our different locations, circumstances and in our various states of mind and body. Sometimes there’s an instant understanding of what conscious awareness means but it’s beyond words. Sometimes  awareness is there but I think I can’t see it. Thinking I can’t see it, is another mind moment that exists temporarily in awareness. The mind doesn’t create awareness, mind is contained in the awareness. Other times there’s the simple knowing of it and a feeling of quiet purpose in every step, every move.

IMG_0389‘Only by liberating oneself from the thralldom of the senses and the thinking function – both of them servants and not masters – by withdrawing attention from “things seen” to give it to to things “unseen” can this awakening be accomplished.” [E. F. Schumacher, “A Guide For The Perplexed”, p.79]

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Excerpts from an earlier post: Being here

the attributes of self

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110520131818POSTCARD #18: Bangkok/Chiang Mai flight: They paint a face on the nose of the aircraft, the ‘cute’ concept – a Thai version of Japanese kawaii かわいい . It looks like a bird because the shape of it is beak-like but it’s recognizably a human face wearing sunglasses. Personifications, masks, fictional characters with human attributes respond in a childlike way to a world full of fear and joy. Goldilocks and the three bears finding the Buddhist Middle Way by trial-and-error: the first try is too hot; the second try, too cold; the third try is just right. Why not? This is a non-serious, one-hour flight; no sooner have we departed than we arrive. Smiling doll-like stewardesses in yellow costumes have just enough time to come up the aisle with a light snack in a paper bag for everyone, back down again to clear everything away and we’re descending into Chiang Mai.

Slightly bumpy, due to weather conditions, the vibration causes the luggage compartments to shake and creak for a moment. Sounds like something nautical; the rattle of rope harness striking the mast of a sailing ship… searching for something it resembles – something to account for this phenomenon of flying above the clouds at an incredible speed. Maybe I’m seeing the journey from Bangkok to Chiang Mai as if we were driving over something solid, bumps caused by an uneven road surface; a highway in the sky, an imagined bridge that spans the distance, 373 miles from there to here – a huge curved span in the sky. Logical mind attempts to create an explanation for it, based on what’s known, a figure of speech, something to help me ease back from contracting around the uneasiness, the unknown… that edgy feeling. Without the metaphor, all I’m aware of is tremendous velocity and a sense of vulnerability. The immediacy of the moment sweeps away all thought-constructs like the ground is gone from beneath my feet. Mindfulness of breathing, deeply in and all the way out…

Further into the descent I become a little deaf, it feels like being underwater, and no amount of swallowing or blowing of air into sinus cavities seems to clear it. Near to landing there’s the sound of the hydraulics, out go the flaps, down go the wheels and the earth rises up to meet us; 300 people contained in a structure the size of a building colliding with the surface of the Earth at 200 mph. A great yawning abyss of existential anxiety; I need something to hold on to – but there isn’t anything that’ll prepare me for such a colossal event; the roller-coaster experience. Aircraft wheels take the weight, first one then the other and the deep lurch, sink-down/bounce-back – for a moment it feels like we’re going to go out of control and disaster… then it’s okay.

There’s something about it being in a public context, we’re all in this together, and the sense of a letting-go of something tightly held: woooooo! The small ‘self’ is seen and relinquished; there’s nobody there… just this unattached feeling that couldn’t happen in any other circumstance. The Buddhist cessation – no words for it, consciousness doesn’t normally reach that far. No person, no identity. Before the Greeks created the Buddha image we know and accept today, there were only symbols, a riderless horse, the empty seat… footprints left behind in the place where he was.

 ‘… that dimension where there is neither earth nor water, nor fire nor wind, nor dimension of the infinitude of space, nor dimension of the infinitude of consciousness, nor dimension of nothingness, nor dimension of neither perception nor non-perception, nor this world, nor the next world, nor sun, nor moon. And there, I say, there is neither coming, nor going, nor stasis, nor passing away, nor arising: without stance, without foundation, without support [mental object]. This, just this, is the end of stress.’ [Ud 8.1]

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nothing in particular

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IMG_0132aPOSTCARD #16: Bangkok: Waiting for my number to be called… the figure 109 printed on a square of paper the receptionist gave me here at Rutnin Eye Hospital, outpatients department on the 2nd floor. People everywhere, very crowded today and only one seat available facing the white door that leads to examination room number 5. Fortunate because it’s where I’m supposed to be – at least I’m in exactly the right place. Yes, but there could be 108 people in front of me… an endless time to wait; nothing to read, nothing to look at, just watching the time go by. The second hand spinning round on a clock on the wall, designed like the hospital logo; it looks like an eye – someone has taken care to create this icon; it’s childlike, friendly, elegant.

3305480I’ve been struggling with poor eyesight for years and, since the surgery, seeing the world through ‘new eyes’ means anything happening in the field of vision immediately calls out for attention; a movement, a colour – it has to be noticed. The world is a great diversity of things. I see a tiny patch of colour at the bottom of the door about half an inch wide, where a piece of the surface of the door panel has chipped off, probably caused by moving some heavy equipment into the room and the door was struck in the process. It’s been repaired with something a slightly different colour and the coloured patch seems luminous, out of context with its surroundings… there’s also the glint of something like mica, something metallic. For a moment I’m immersed in this although it’s not important; it isn’t anything, there’s no attachment to it. It’s just a coloured patch, yet it’s fascinating. These days I’m often in the curious situation of having this intense visual awareness of an object and no subjective sense that it’s worth paying attention to at all; mind is not inclined to engage with it. This is just an ordinary mark on a door, nothing in particular; I have no desire for it, no pressing need to possess it. There is sensory data input by way of the eye and eye-consciousness; receiving the world through the six sense-doors: eye, ear, nose, skin, tongue and cognitive functions, without the idea of it happening to ‘me’. All that I’m aware of is a quiet presence, seen in peripheral vision and knowing it’s there.

 ‘… habitual desires manifest and condition awareness into a discriminative mode that operates in terms of subject and object held to exist on either side of the six sense-doors. These sense-doors open dependent on contact that can arouse varying degrees of feeling. Feeling stimulates desire and according to the power of desire, attention lingers… personal aims and obsessions develop and give rise to self-consciousness. That self-consciousness, mental or physical, once arisen must follow the cycle of maturing and passing away. When the mind looks into the sense of loss and comprehends (this) truth, the awareness is no longer bound by discrimination, the separation of subject and object is no longer held and one does not feel trapped behind or pulled through the sense-doors. There is freedom from desire… no personal image is created; there is nothing to lose, a sense of gladness, uplift, joy and serenity.’ [Ajahn Sucitto]

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Lower image: Rutnin Eye Hospital logo   Note: Ajahn Sucitto’s poetry link: dhammamoon.org

passive voice

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IMG_0083aBangkok: No taxis available at the airport, and all trains into town are seriously crowded. I am one of a very large number of individuals caught in the rush on a Friday evening. Somebody said later it’s because all the international schools start again on Monday. No other way, it’s decided for me, okay, I accept, I am subject to the system, the public transport system and I have no control over it. I am being ‘taken’, it’s about the process, rather than any particular person controlling the process. I could create a Controller in my imagination like the bosses, the management and blame it all on them/him/her/it, but it’s better to not do that…. There’s not a ‘self’ in the equation – the deed is done but there is no doer, using the Passive Voice language function to express the Buddhist Truth of no-self (anatta), and I came across an interesting post about this the other day [Link to: Just A Little Dust].

The ‘self’ is absent. Sounds are heard, food is tasted, the chill wind of September is felt upon the skin. And there’s nobody there that feels it, unless I consciously put together an identity composite, in which case I feel the chill (Active Voice). Language tells a story, creates a fiction that I can get lost in; only partially aware that it’s a constructed thing and most of the time I’m clinging to a concept of selfhood, an assumed identity. Thankfully, in the Passive Voice, there is no doer, things are done; the cognitive process is about ‘how it works’ rather than ‘what it is’.

The world is seen – I had an eye operation recently and what I didn’t expect was that it turned out to be an opportunity to contemplate this phenomenon of the experiencer. There’s the experience of visual stimuli entering the eye through a lens created by means of an industrial process and somehow the ‘me’ part of it is not there like it used to be. The lens inside my left eye is made of plastic, there’s a particular clarity in the colours, the quality of light and a fascination with the way plastic surfaces refract the light; plastic food wrapping, mineral water bottles, car windscreens. It’s all very new and quite interesting – maybe because I still have the ‘old vision’ in the untreated eye, something to compare it with.

I can see the world through the old eye as well as the new eye. It’s like the linguistic ‘voice’ can be both passive and active and I’ve understood it mostly in the active form; the process of selfing is grasped at as an entity and identified with – a controlling thing. In the West it’s a ‘belief’. My difficulty with anatta has been extricating myself from the Judeo-Christian conditioning that assumes the existence of an eternal soul. I notice Thais don’t have this problem. Even after 30 years in the East, I still struggle with my Western conditioning; an everlasting identity, the idea of it still lingers; a shadow of reality. A couple of hours and I’m at Morchit BTS near Chatuchak standing in the rain and D comes to get me in the car. The thought arises, the car is driven but there is no driver….

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 ‘Where water, earth, fire, & wind have no footing; there the stars don’t shine, the sun isn’t visible. There the moon doesn’t appear. There darkness is not found. And when a sage, a brahman through sagacity, has realized [this] for himself, then from form & formless, from bliss & pain, he is freed.’ [Bāhiya Sutta]

 

the beholder

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ploenchitBKK3

Bangkok: The world seems different, everything suddenly seen in clear three-dimensionality. Reflected light, rich, deep colours and a strange familiarity, objects in the environment become somehow known. I’ve seen these things so often before but now seeing them with an expanded awareness. It sounds visionary, you could say revelatory but it’s the result of eye surgery, rather than insight… nonetheless quite astonishing. I have this clarity in one eye only, vision in the other eye is like an old yellowed photo, dull and indistinct. The operation on that eye will be in October, back to the Rutnin Eye Hospital in Bangkok. The surgeon makes a hole in the eye and puts in a tool that uses ultrasound to emulsify the lens. The lens becomes liquid and is sucked away, then a plastic foldable lens is inserted in the place where the natural lens used to be. That’s it, done. Local anaesthetic is enough, or general if you feel claustrophobic about the covers over the face. After the op there are different kinds of eye-drops that go on for about three weeks and it feels a bit itchy but that’s all.

I’m amazed that it’s possible to do this; the plasticity of the human body, parts can be taken out, replaced; systems are deconstructed, reconstructed, subject to change. It all supports the idea of anatta: no abiding self. There’s an underlying flexibility about the mind/body organism namarupa. One example of this is that I have a very refined piece of plastic in my eye instead of a natural lens. And, looking at the world, I find an affinity with clear-wrap, cling-film, transparent plastic food packaging – the way the plastic surface refracts the light. In this strong sunlight in Thailand, I notice the reflections on chrome and glass – the clarity is sparkling and beautiful. Also these enhanced colours, reds mostly, and an overall bright clear blueness in the white areas. It has the quality of an iPad screen, retina display, high density pixels merge into one – an extraordinary brightness.

Faces of friends and family are seen as if for the first time. I notice small expressions now I didn’t know were there, maybe because everybody is looking at my new eye, intense Thai faces examine my new eye, and I’m looking back at them looking at me, seeing subtleties in their features that I’ve never seen before. It’s all quite new, a curious reality.

So, I’ll be going around for the next few weeks, looking at my surroundings and considering the phenomenon that I am experiencing this. Can it really be so? ‘Beauty is in the eye of the beholder’ (Margaret Wolfe Hungerford). The expression always seemed a bit mean and divisive to me, ‘I’ think it’s beautiful but ‘you’ might think it’s not; beauty becomes a matter of opinion… In Buddhism, the ‘beholder’ sees the world and identifies the self, ‘me’. If ‘I’ am inside the body, in ‘here’, I must be separate from everything else out ‘there’, isolated, alone, anxious – wrong view a fundamental error. The attachment to a perceived self and craving for it to become real, creates suffering. Language has a naming function, creating an apparent identity. Anything that is stated is always missing the point because of these characteristics of language. Better to think of it in terms of what it is not, rather than what it is: ‘… the remainderless fading & cessation, renunciation, relinquishment, release, & letting go of that very craving. (the noble truth of the cessation of dukkha)’ [SN 56.11 (dukkha nirodho ariya sacca)]

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Photo image: Skyline at Ploenchit Bangkok.

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IMG_0041Bangkok: Falling out of the sky, jet-lagged and inert. A 12-hour flight from London; they gave me an upgrade to business class, nice. More space, better everything and a larger seat. Able to stretch out in the prone position, yes but also a huge selection of videos so I watched movies for 12 hours and no sleep. Now in a state of hypnosis here at the house, lying on the sofa in another time zone. Early morning in Bangkok and I’m watching the FOX channel. There’s only one English language channel on TV in this place so it simplifies things: NCIS, Bones, The Bridge and others. The stories merge into one all-inclusive narrative, a complex and improbable plot. Good-looking actors in expensive cosmetics play characters that migrate from other crime series into this one, the central story, all roads lead to one end, catching the bad guy, variations on a crime scene theme. The pace of it is intense, camera shots hold for about 3 seconds then change. Background audio has a percussive, mechanical sound then it’ll switch to something calm; a picture of domestic reality, beautiful interior, elegant lighting, lovely fabrics – I wish I had a room like that. Slow piano notes played meaningfully, like steps taken through the memory of something that happened once. I’m lulled into acceptance; the way it unfolds is the way it is. I become the story.

I could switch off the TV but there’s a reluctance; a pleasing attachment, something that appears more difficult to let go of than it is. Resisting the emptiness, the deep knowing there’s nothing there that triggers the reaction to fill the empty space with a self-construct, or an image, a movie celebrity, a child’s doll, the sphinx, the totem pole, dependency on a perceived creator. I mute the sound, allow the engagement with it, following the story as it transforms, watching the present moment until it changes – how did that happen? I didn’t notice it take place, only after it occurred. There’s the sense of something applied. Consciousness seems like an unconnected series of screenshots, a random sequence of events; things without substance appear and fade away. Rest in this fictional state… it’s just the way things are. Mindfulness is at the base of it all, in every way. Sleep shuts off the system; down through the layers, comfort, familiar surroundings. Crash out on the sofa in flickering TV light…

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‘Like fish that cannot see the water they swim in, we do not notice the medium we dwell within. Unaware that our stories are stories, we experience them as the world.’ [David Loy, The World is Made of Stories]