all that is born

Posted on January 19, 2017 by tiramit

POSTCARD #244: New Delhi: Early morning light, people wrapped in shawls, long scarves bound around the head and tied under the chin. Dark faces, eyes looking out and they see me for an instant in a diamond eye-lock as I struggle to look away. They look with curiosity; I think they see me as one of those lost in maya, not in the real world for them, I’m living in a dream. They might laugh to themselves, but not in a hurtful way – I’m pretty sure they see me as a naïve person, like a grown up child, dependent on support mechanisms I pay for with an impossible wealth, as far as they’re concerned, removed from everyday values. They’re right, from where they stand. It’s true, and I’m in awe of them, their existence is unreachable. The actuality of their lives, I know nothing about. My ongoing practice of ‘self’/’no-self’ investigation, and awareness of awareness reflecting upon itself, is maybe something they know about so completely and utterly that if I were to ask the right question, I’d be swept away in the tidal wave of their wisdom. A received knowledge from generations past, centuries and thousands of years for them is the same as today, an ordinary reality.

Inside the dark interior of their houses, I see shadows moving in the dim light of an old-style incandescent 25-watt bulb, flickering in unsteady current, candles, oil lamps and small cooking fires. Pots and plates, carefully placed on the stones outside to dry in the open air, and I feel these things should be inside the house, in a plate rack in a drawer inside a cupboard, which closes with a magnetic door-fastener click.

A pregnant woman gazes at me for a moment as I go by; deep eyes, there’s something supernatural about this woman. I look away. Everything in this neighborhood is alien to me. The houses all look like they’re only partly built. Bare brick walls and there’s one incomplete upper floor, or some part of the house seemingly under construction. I heard it’s because they don’t have to pay tax if the house is still ‘being built.’ These half-built houses are everywhere; a family living on the ground floor and upstairs there are bare brick walls reaching up like pillars with just the sky where the roof should be. There’s an underlying uneasiness about it all, it seems to me, inadequate shelter, no protection, and a fierce tenacity of holding on to life.

There are others in more hazardous circumstances, street people and those with no dwellings at all, the dispossessed. Beyond that the sadhus, bearded men with matted hair in yellow robes, colored pigment smeared across the forehead, incense and candle-wax – hovering in a kind of other dimension – a living statement that all that is born, ceases. We die because we were born, there’s birth and death in every moment. So obvious, but almost all of the time I can’t see it.

Death is drawn to sound
like a slipper without a foot,
a suit without its wearer,
comes to knock with a ring,
stoneless and fingerless,
comes to shout without a mouth,
a tongue, without a throat.
Nevertheless its footsteps sound
and its clothes echo,
hushed like a tree.
[Death Alone by Pablo Neruda]

Photo by Melinda Ruck
~ G R A T I T U D E ~

are birds free?

Posted on January 10, 2017 by tiramit

POSTCARD #242: New Delhi: Early afternoon flight yesterday, from Ch’mai to Bangkok gets in around 2pm, and Jiab was waiting for me at Arrivals. She had travelled up from the south that same morning. So we go by taxi into town, planning to get there for the 4pm appointment at a central Bangkok hospital to have the needle in the scalp, right occipital nerve (PHN nerve block treatment).

Clear road, all the way in, elevated highway, seemingly afloat without support, and pointing in a line between these tall skinny glass/steel buildings on either side, reaching up into the sky from foundations somewhere down below – a futuristic sci-fi city perspective image drawn with straight road penetrating into the urban landscape reducing down to a single vanishing point. Our exit comes up about 45 minutes into the drive, and the outside lane slopes off down into the shadowy gloom of street level – traffic yes, but no hold up at all. Good, it’s that time of day when lunch hour is finished and school-pick-up traffic not yet begun.

Suddenly we’re in town and what struck me was, so many people wearing black. Everywhere… you could say the entire population was dressed like this. I’d forgotten the country is in mourning. TV announcers wear black, the backgrounds against which they sit are in shades of black. Blackness is a tangible thing, a world devoid of color, now into the third month since the death of their exceptional King.

The city functions as it normally does and for us, a clear pathway opens up through traffic, green lights all the way. Into narrower streets, and narrower still, then the one-way urban lane (soi) network, typical of Asian cities, with minimum clearance between walls on either side for cars and motorbikes traveling at high speed.

The acceleration and rapid gear change sounds, insistent GPS voice on the driver’s phone in Thai and on Jiab’s iPad in English, overlapping each other, causing them to have to shout to be heard – identifying the turnings to take, no, not this one, the next one the urgency and confusion of it was exactly the wrong thing for my headache. But we’re there in no time, arriving at the place exactly 4pm.

Tumble out of the taxi, along the corridor, into the small neurology/pain management outpatients, and my name is called just then, as if I’d been sitting in the waiting room for half an hour. Good to not have that nervous anticipation of worrying as the clock ticks on. So I get up on the gurney and into the lying-down position, left side, with head on pillow. The nurse pulls curtain: shweesh, all the way round: shweesh, Doc is saying; now you may feel a little pain here. Needle slides in… the initial shock of it is astonishing, barely a hair’s width, narrow-gauge hypodermic, and I’m aware of pressure; he’s pushing it around, trying to get the nerve, then the time it takes to void the syringe. Everything moves up a notch, jaw clench, rigid body and holding in the mind – is this what hell is like? Immediately the small ‘self’ leaves the body. A voice says now take a deep breath, and the needle comes out.

The ease of the anesthetic kicks in immediately. Euphoria and laughter, the silliness of rubbery knees articulating legs, and shock of feet unexpectedly impacting with floor as we walk along the corridor and wait there for a while. It’s over; I’m folded into another taxi home, and must have slept all the way through. Awake again at 3 am for the first flight over here to New Delhi. Anesthetic has worn off by this time and there’s the pain of the bruise where the needle went in and I don’t remember much about that journey, only later I realized the headache came along too.

One good thing is I’m getting nearer to an acceptance of it; the actual pain, and what I make of it, are two different things. At the start, September 2015, all the doctors I spoke with said it would get better after a year, and when you pass the 5-year milestone, it would be much easier. The sort of thing prisoners doing a life sentence might depend on, I thought at the time. But it is true – hectic it may be, I can see in the interval of time passed, the headache seems to be not as bad as it was, because there’s no memory of what life was like without it.

Ah, my friends from the prison, they ask unto me, “How good, how good does it feel to be free?” And I answer them most mysteriously, “Are birds free from the chains of the skyway?” [Bob Dylan, Ballad in Plain D]

today is every day

Posted on October 10, 2016 by tiramit

POSTCARD #225: New Delhi: All these highways, routes, directions connected end-to-end. My itinerary links up in a network that reaches all parts and locations in time and space, everywhere in the world – no end, no beginning. Here-and-now awareness, or wandering in fabricated thought, a game of hide-and-seek where the flip-side of concealment is revelation and returning to the familiarity of present time, it becomes ‘now’ again.

Or I’m thinking about the concept of ‘now’ seated here in the backseat of a taxi to the airport, looking out my window at a landscape of connecting routes flashing by, and engine noise, vibration, bumps and jolts of road surface. Or trying to get emails on my phone but there’s no Internet right now. Try again later… where are we now? Glance at the taxi’s GPS, our point of present location on the map moving in tiny increments across the screen.

Time divided, subdivided and sliced into multi-channel TV programs, compartmentalized, locked down tight – the totality of it impossible to define. The impossibility of finding a way out of constructs framed in words: who, what, where, when, and why. Language gives everything names, Monday, Tuesday, Wednesday… different ways of describing present time. It’s always today, no matter if I call it yesterday, tomorrow or next week – today is every day. And even if I’m living in a make-believe world where it’s always ‘somewhere else’, all of that is included in present time too, ‘today’ occurring forever and always in rotations of the planet Earth. More than 1000 miles per hour of yesterdays, todays and tomorrows experienced in countless generations of endless time.

The illusion of solidity and grounded-ness created in awareness, the conscious state experienced in a soft body-mind organism that can process data. The feeling of I, me, and my, is the ‘I’ of everything that has ever been. A connectedness with all that is outside and all that is inside. A ‘world’ shared with all living beings as if it were a meal for a great number of guests at a huge table. Talking about all that we all love and all that we hate. All they create, all they destroy and all the words of politicians vanish into thin air, all conflicts are resolved eventually and it’s our mutuality, the fundamental sense of the feel of the air. Just holding in mind the scale of how vast this kind of love might possibly be… is enough to begin to know it.

Looking back again at my screen, still no Internet – a spinning cursor in a frozen background space, the unstated presence, the ‘is-ness’. An easefulness spreading through the face, the scalp, the head, the neck, shoulders and arms. A whole-body experience contained in this small space; metal, plastic, electric-spark-gasoline-fueled internal-combustion engine on rubber wheels, and blur of unseen things in window light passing through the interior of the taxi, small red light showing the fare so far. Time to pause, take a deep breath in, filling the chest cavity from top to bottom, then the long breath out, unfolding like a long ribbon of road in a landscape, reaching out there to a vanishing point on the horizon.

“Time is the longest distance between two places.” [Tennessee Williams, The Glass Menagerie]

Note: excerpts from Eclipse by Pink Floyd

gone, gone, and gone

Posted on September 14, 2016 by tiramit

POSTCARD #222: Bangkok/New Delhi flight: An awareness of things as they are. The main event was the injection in the head and the constant (PHN) headache gone instantly. Wake up next day and it was still gone, gone as I write this, and it remains gone. So reassuring to know the transformation to ordinary things is possible, the car is back from the garage and out on the road again.

The release from head pain is still held back due to the pain of broken rib but so much easier to cope with now the headache has gone. Walking the miles in airports was thought to be a problem though, so Jiab convinced me to request a wheelchair. Wheelchair from check-in to the lounge then wheelchair to the plane, straight in and the first seat in C class section of the plane. Stewardess puts my bag away in overhead luggage space. Wonderful, I’d never been a wheelchair passenger on an aircraft before, my first time. Plenty of space in this expensive seat, a meal with endless courses, and I slept the rest of the way; so comfortable since these recent days of sudden pain, tossing and turning at night and discovering the only way to try to sleep is sitting up on an inclined wall of pillows.

The odd thing about being in a wheelchair is you approach silently, moving along very smooth floor surface feeling the vibration of small jolts of joints between tiles below, crowds part immediately. If anybody is still standing in the way friends will pull him away or the wheelchair guy says excuse me please? and they move straightaway. A few sideways glances and I resist the temptation to say Hi, how’re you doing? And sometimes feel I should try to look really sick, to provide a reason for being like this, problem is having a broken rib is not a noticable thing. But I keep looking ahead exercising the right to be in a wheelchair and humbled by the generosity of everyone giving way. Astonished by the experience of sitting on wheels in a public place, the great perspective of long airport walkways ahead and seeing the surroundings move towards and go through me. Also the thing about travelling long distances while seeing the world from a lower eye level – a familiarity, déjà vu, the memory of being a child again.

The wheelchair experience means an understanding of what helplessness is, understanding vulnerability, aging… it’s all coming unglued, bits dropping off, but the revelation comes along too there’s no point in feeling bad about yourself because you are simply incapable and that’s all there is to it. At the same time, being (temporarily) disabled gives some insight into the existential plight; the realization that most of us are held prisoner in a trance-like state, incultured into the ‘self’ fiction through the mirror of society’s fear of the unknown, living with a sense of purposelessness and not able to see it.

Not able to cope with pain, tragedy, loss; unable to see the awareness that accompanies our ordinary joys and sorrows – there’s more than one kind of awareness, this provides some relief from pain, ease and understanding; I can step back from the trauma and see it as coming from somewhere else. I can be engaged in clinging and at the same time be in a position to see that this is what’s happening. Letting go, it’s not ‘mine’ anymore.

Then we’re in New Delhi, into the Indian wheelchair and out onto the miles of ochre coloured carpet. At the end of a long time of sitting, I’m looking up at the immigration official; passport thump and wheeled in, permitted to enter the country.

“How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.” [Rainer Maria Rilke]
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Photo: Jiab’s collection from Ladakh

groundedness

Posted on August 7, 2016 by tiramit

POSTCARD #218: New Delhi: Jiab sent me this pic of the cow in Gujarat. There’s always something that ‘clicks’ inside me when I see the cow in the city traffic in India. The aloof separateness of the Gods. Something about the bovine ‘mother’, sacred cow that all Hindus are conscious of.

There’s also a memory of something from my home on the farm in the North of Scotland when I was a kid. I remember long nights and short days, aunties and grannies wearing comfortable wooly cardigans, porridge in a cracked bowl, coal and wood fires, cows in the fields, a black-and-white collie dog – and it’s this that I notice about the rural/urban Indian cities, cows sitting on the pavement, goats nibbling and chickens pecking around, the sound of a cockerel in the distance. It’s the farmyard scene where I was brought up that followed me here!

There’s a familiarity about it, pictures in the gallery of the mind, and yes I’d like to have a home surrounded by arable lands and farmyard animals, but for a very long time now there’s been only a series of temporary homes – all good, I share my life with Jiab and we’ve gotten used to the way things are. Living like a pair of migratory birds. In each place I have my favourite chair, books, and all the things I need. It works okay except sometimes I might spend a long time searching the bookshelves for a book I’m sure is there then realise it’s not in these bookshelves, it’s the other bookshelves, about 2000 miles away. So I have to let that one go, although I can see it there in the mind’s eye.

These days, reading is done mostly on devices and when I get on the plane I have my laptop like other passengers and when I reach ‘home B’ or ‘home C’ I get online automatically with the wifi there and plug my speakers into the socket on the laptop in its position there. And I hardly ever feel dispersed, or stretched, an okay sort of expansive feeling. In this context, it suits me well to follow the Buddha’s Teachings on going-forth, homelessness, non-attachment, no-self.

Whether there is a ‘self’, yes/no, is best not thought about too much because saying ‘yes’ or ‘no’ to it is, in so many words, identifying ‘self’’. Words identify things, language has a default mechanism that allows me to select what ‘I’ want it to be (also what I don’t want it to be) and the resulting attachment to all that I love and hate. I stay with it, see it happening, stay mindful about where the nearest emergency exit is located but very rarely needed – and just open the heart/mind citta to the world as wide as possible.

The presence of the cow wandering through industrialised Indian cities triggers something. The smell of cow dung brings me down to earth, generates a sense of groundedness for the time it’s needed for, then I’m up and away again. It’s also a pretty attractive life; the ability to just wander anywhere in benign foreign lands, live in the fortunate state of being without the tugs and pulls of desire and worldliness.

“Feel nothing, know nothing, do nothing, have nothing, give up all to God, and say utterly, ‘Thy will be done.’ We only dream this bondage. Wake up and let it go.” [Swami Vivekananda]

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Excerpts from an earlier post: ‘Connectedness’

plane hides behind a building

Posted on July 3, 2016 by tiramit

POSTCARD #213: Chiang Mai: Mine is the get-out-of-jail-free card… nothing I’d heard about or read about indicated that an injection in the head, the Right Occipital Nerve (don’t ask me how), would give me this wonderful pain-free life again; the absence of headache 24/7 for the last 10 months, the lack of things to think about or things I think I should be thinking about. I don’t have the burden of it. Weightlessness, a state of suspended disbelief, there are no words, emptiness empties itself, gone, no nothing, inability to articulate, indescribable. I’ve heard from others who’ve had this kind of a sudden easing, an opening, and after the fact they’ve said that it’s this or it’s that, but really there are no words for it. If it could be described, it would be no-self, rather than ‘Self’, it would be non-duality… but that state is indescribable.

Then one day I looked out the window and realized they’d changed the flight path, the planes are now arriving rather than departing. Every 5 minutes one flies over. I’m fascinated by the sudden presence of this low-flying high-speed double-decker tourist bus with wings coming in to land; another planeload of passengers from Southern China. Strange, the engine sound comes after it, demanding attention, and there is the plane, flying silently ahead of the sound wave; seen first in one window then in the other. It enters the space I’m in – appears and disappears as if it were flying through the room.

The repetition of it, one plane after another. Seen in slow motion, in time-lapse it appears as if the plane is rushing through between the buildings in a great catastrophe of joy. Out there and in here, things merge together so much it’s difficult to distinguish, no need. Even having to click the Pause button on the Netflix movie I’m watching, until the plane sound flies through the room (because I can’t hear the soundtrack), even that isn’t an inconvenience, the ease is such, these things don’t matter.

Suchness, thusness, Thatāgata. The answer to a question I haven’t even thought of yet. And I wake up from it for a moment. These easy days of lounging around on the sofa, watching the planes go by, are coming to an end. Wasting away the last afternoon instead of getting ready to go… okay, time I wasn’t here. Drag myself into the upright position and go pack my bag, the flight to Bangkok leaves at 14.30. A few hours in transit, then another flight into the darkness and early rains of North India. Placed on the ground, monsoon, pleasantly cool, a man without a headache. Put on the clothes of who I am there, become the person who lives in that location. Pick up the thread, the sequence of time unfolds by itself, events occur in the forward momentum I create by facing the direction I’m in. The identity I have is where I hang my hat…

‘All conditioned Dharmas are like dreams, illusions, bubbles, shadows. Like dew drops, a lightning flash. Contemplate them thus.’ [Diamond Sutra]

this post is composed as a result of a correspondence with ESW, gratitude

parts of a whole

Posted on May 11, 2016 by tiramit

POSTCARD #208: CHIANG MAI: Sorry we’re closed for renovations, editorial work and improvements; facilitated and inspired by friends I’ve met here in the blogosphere. I wanted to take things a step further, turn the energy of the posts into a completeness; thinking of a book. I’m trying to see how all the posts could simply become that. I’m happy to go on writing and engaging in dialogue with friends in the comments box, but I’m wondering where does it go from here; just more posts, adding to an ever increasing number of posts, and no objective other than taking things to pieces to see how they fit together as parts of a whole.

WordPress admin page tells me there are 368 posts 815 followers and 4,878 comments. Unbelievable, it just goes on and on, and I’m so grateful to all the friends out there in the blogging world who are reading this, and those who have contributed in the comments box. I’ve been posting since December 2011 and twice a week from then until now, May 2016 – with only one other break when I got ill. A turning point if ever there was one; next thing was the PHN condition; learning to live with a headache that doesn’t go away… but enough said about that.

So having decided to stop blogging for a while, the first thing I notice is it’s hard to do that… hard to stop blogging. I haven’t properly figured it out yet, but I can see there’s an attachment to it, the blogger is driven, every few days, to get that post out. Same as how the potter flings a lump of slithery clay on to the wheel and holds it spinning there with hands and fingers moulding, shaping, forming it into a beautiful hollow object with mouth so open it feels like the whole outside is inside. Like the sculptor hacks and cuts and chips at the block of stone to release the form that got trapped inside there.

That’s the creative itch identified, and I will be adding more posts to the art page, otherwise not blogging for a while and I’m hoping this means I can turn my whole attention to the pain in my head. Why’d I want to do that? Just to be with it, understand it, see why it’s there – why there is a pain in my life, not as a question… more like a statement of fact and it becomes an object of contemplation. Is there a no-self space beyond the pain? (as Karin has said?) Some people would pray and ask a higher power to help them remove the pain or at least help them to see it differently and to guide them. Do I do that? Do Buddhists pray? Or is it all about just noticing sense perceptions with compassion and detachment?

I’m hoping to make some progress into this and find the energy to work on the book project motivated by the transformation, piece by piece, of the whole blog/book project – working title: ‘Postcards From the Present Moment’. Various people have suggested I should do this, I’m grateful to Ellen of stockdalewolfe.com and Karin at karinfinger.com, this is not an ending, I’ll be back with updates from time to time. As we get near to completion, there’ll be pre-publication news and a new beginning…

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UPPER AND LOWER PHOTOS: CABLES & SINGAGE, CHIANG MAI

ever-present

Posted on May 3, 2016 by tiramit

POSTCARD #206: CHIANG MAI: Sitting in a taxi stuck at the red light in Nimmanhaemin, Chiang Mai town. The nearness to Southern China is obvious these days with the occasional Chinese number plate seen in Thai traffic and streets full of Chinese tourists, women in curious long white costumes and wide brimmed hats in the tremendous luminosity of sunshine. The border is do-able now the roads have improved; road 3Asia (R3A), part of the GMS North-South Economic Corridor. The total distance is 350 miles from Chiang Rai across the Mekong River into Laos, then on to the border town of Boten, and China’s Yunnan Region at Mohan.

I’d prefer it to be darknight, but instead it’s brightday, step outside and it feels like I’m in a television studio. Inside the car, cold air blasting through our enclosed metal bubble; this could be an ice-cream headache… then I remember this one is the one that’s always with me, ‘my’ headache is part of my life; ‘my’ arm, ‘my’ leg. Part of everything and right now, undeniably out there too, exposed in high resolution Photoshop enhancement. Light penetrates everything; the orange color of papaya fruit blinds me, street vendors’ cut pineapple painfully vivid. I feel I’m really a nocturnal owl-like creature, squinting in the daylight through slit eyes; a quiet presence behind sunglasses vibhava tanha, (buddhist term for the desire to not exist)… I am not here.

I’ve been away for only 2 weeks and now I’m back, all recollection of where I went and what I did when I was away are suddenly gone. There’s this feeling it never happened, I’ve been here all the time, only imagined I went. Somebody asks: where did you go? I went to Delhi, North India 2,300 miles away. Sixty-eight hours driving time on NH 28 through Myanmar, Bangladesh, Bhutan and India to Delhi… but I went by plane of course, so fast, and it’s as if I went there in my mind, gone from here for only a moment. A pause in mid sentence in the timeless ever-present…

My niece M, aged 12, is taller since I saw her 2 weeks ago; taller, longer and elongating as we speak, like a plant in the darkness searching for the light, sprawled on the back seat in an adolescent bundle of legs and arms, wearing a diver’s watch, colorful T-shirt; long black hair curtains a small oriental face, sometimes seen, when adjusting the thread of earphones cable, then disappears again. Sorry, she’s unavailable at the moment, plugged into the tablet device and YouTube videos while checking for messages at the same time on her phone device. Questions addressed to her remain unanswered.

It’s all one extended ever-present time, no seasons, nothing to say where we are in the year. Summer every day. Night comes at 6pm, instant darkness, then at 6am, instant daylight and each day is like the one before, and it all runs together, days become weeks, weeks become months, months become years. The whole thing is just one very long, continuous day.

Time disappears, I’m startled to discover I’m now an old person – lifetime is running out. Rip Van Winkle fell asleep and woke up with a very long beard. He discovers fifty years have passed since he fell asleep; people have died, his daughter is middle-aged, her children are grown up. There’s an awakening to this reality, unasked-for, it just falls into place…

Note: excerpts from an earlier post titled: ‘constructed reality’. Upper image: scene from the taxi window. Lower image: Chinese car number plate in Chiang mai

an end to journey toward

Posted on April 28, 2016 by tiramit

POSTCARD #205: DELHI CHIANG MAI FLIGHT: Hop, skip, jump and I’m back in Thailand; arrival on the Delhi flight; four hours flying time and transit at Bangkok for the Chiang Mai flight, one hour flying time. It’s only been two weeks since I was last here, the memory I have of it replaced by what it is now as if it were just a moment ago. I step into present time with a sweeping recognition of everything in the surroundings of the straight route taken in the direction of Transit Desk East – perspective effect down the very long passageway leading to a vanishing point. Boarding time for the Chiang Mai flight 30 mins from now. Speed walking along the same moving walkway I walked along only two weeks ago. Same high frequency sound piercing and resonating in my head. Same flashing red light: “end of the walkway”, as we change from one walkway to the next.

Same rush to get there; swept along in the urgency of the crowd and caught up in thinking it’s necessary to jump ahead of perceived obstructions in the mind; typically the group tours from Southern China, huddled together, first time away from home, the young and the old holding on to each other and blocking the passageway leading to the transit desk. I hear an official voice calling out in Chinese while I’m experiencing push-and-shove collisions with small rucksacks, elbows and full body contact with these small beings from a different planet; unfamiliar toothpaste smells.

I feel like I’m in someone else’s life; I’ve stepped out of my own life and into someone else’s, having to squeeze through the gaps in the crush, thrust, force, push and stretch-through long-arm reach to the desk – passport held in fingertips… and the Thai ground-staff member takes it just before the Chinese group leader pushes in front of me and slaps down two handfuls of passports. How lucky is that! The ground-staff member standing on a box above eye level facing the crowd, dressed in Chinese costume and is speaking Chinese at extraordinary high volume, splitting my headache in pieces. Necessary, to help the surging crowd, who are having difficulty filling in their landing form, and she’s holding up a sample; the blue form, and pointing to it so the people in the back can see and know what to look for.

She stops and looks down at me, the odd man out, sits down, opens my passport, sees the landing form is complete and then a very strange thing happens: elbows on the table, she lowers her head and starts massaging her long ear lobes between the thumb and forefinger of each hand. I simply don’t recognize this gesture; the first time I’ve ever seen it. Then I know what it is; I see the tiny hole puncture in one stretched out earlobe as the finger/thumb combination wriggles the soft worm-like ear appendage flesh piece around and a small grimace as she looks at me with one eye, asking to confirm my name, gives me the in-transit passenger C.I.Q status sticker. Below on the desk before her are the heavy Chinese earrings that go with the costume.

I’m through and into the single lane then the two yellow footprints on the floor where I have to stand and look at the camera, click. Passport pages turning then thump and just in time, Chiang Mai flight boarding now. I get through to the head of the queue and show my 4 years out-of-date gold card which still works. I don’t want to ask them about validity… back into a flying machine, find my seat and deep breathing exercise to slow down the fast forward momentum of the mind playing out the stories, and fading away.

It’s good to have an end to journey toward;
but it’s the journey that matters, in the end.
[Ursula K. Le Guin]

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knowing knows knowing

Posted on April 25, 2016 by tiramit

POSTCARD #204: DELHI: … like suddenly waking from a dream, an unfinished story and something just happened – so fast that everything is out of sync, skips a beat. It’s because I’ve been unknowingly holding this pain in my head that’s now breaking through and the holding is not as important as the getting away from it… this is not happening to me! With that recognition, suddenly there’s no ‘me’ to whom this pain is happening just the velocity of it, like a wind storm and I’m lying flat in the grass as it passes over.

Some time after that, having taken my meds and the pain is now walled off in a corner of the head, I’m sitting in a straight-backed chair, just to see how that feels. Breath enters the body like a wind gusting in, withdraws, comes back, blows through everything then it’s not there again. Focus shifts to a great emptiness opening up – opening and opening… I might easily believe this will never end, but moving along with it to see what the next thing is. The purpose of my life is the on-going experiential response to the impact of sensory contact – what else could it be about? Skin, muscle, flesh, and these mysterious organs held by ligaments bonded into a skeletal structure. It’s as if there’s an electrical charge in there, sparks flying out. I am the context for the outer content. The whole investigation is one that is open to following where the knowing of it leads, see where it’s going, how it reacts. Conscious awareness of how the mind is able to concentrate and to what extent – passageways of insight open in an instant and a great flood of things to think about pours in.

Thought sequences and memories become apparent when they reach the point of “being”… before that they’re in the uncreated state – arbitrary, disassociated. Things don’t exist at all, until I observe them. There’s the Observer Effect in quantum physics, the experiment showing that when one is observing the movement of electrons it changes their behavior. In Buddhist thought, the ‘observer’ is not the ‘self’ but the self-construct arising from responses to sensory input via the Five Khandas. Received data is formed according to the mechanisms of the human sensory process – including cognition, which is a sense like all the others, and the great dome of sky above. Mindfulness is a returning to that place where I see how things change through my engagement with them…

‘All we know of a thought is the experience of thinking, all we know of a sensation is the experience of sensing, all we know of a sight is the experiencing of seeing, all we know of a sound is the experience of hearing…. And all that is known of thinking, sensing, seeing, hearing, touching, tasting and smelling is the knowing of them. And what is it that knows this knowing? Only something that itself has the capacity to know could know anything. So it is knowing that knows knowing.’ [Rupert Spira]