the seen

IMG_2020POSTCARD #112: New Delhi: Birds fly low between the buildings, suddenly see me sitting in the sunshine on the roof terrace and swoop straight up into the sky… not expecting me to be there – usually there’s nobody around on these rooftops, the human domain should be down below. I’m in their flight path and feeling a bit uneasy about that, move my chair out of the way… avoiding collision with bird flying at 30 mph.

But they seem to have communicated with each other about it somehow – is it possible? No birds pass through after that. I’m looking out from the roof terrace level with the treetops, birds flit, zoom, dart, leave no tracks in the sky. Perch on a branch for a moment, flick their head in my direction – aware of my presence, and away without warning in unexpected directions; ‘up’ is not necessarily up and neither is down – ground level is not the reference point.

And these ominous birds of prey circling high above… I’m thinking I want to take a photo if one comes near. Take out phone camera and stand in the middle of the roof, point it at the birds. They’re too far away… no, wait, there’s one coming towards me. Take a few photos as it comes closer. It seems curious, coming over for a look – nearer and nearer; our eyes meet in a strange encounter, it knows it’s being looked at and I’m on the edge of being hypnotised by it watching me here in the centre of this pool of intense vision, like a spotlight moving over the landscape.

Are these smaller birds aware of the predator – is this why they move so quickly? All this and more; an extraordinary alertness, joyful, immediate. They’re in a different kind of temporality. Their world is forever the same moment here-and-now taking place in all other locations and everywhere at the same time. I’m in slow motion, don’t see it, burdened with human mechanisms of sensory perception and lost in thought. I have to consciously look for the way to get back to ‘here’… telescopic sights of mindfulness on crosshairs of past/future that focus on the ‘now’, the point of reference – discovering I don’t have to try to create it because the present moment is already here, always present… it’s the mind that goes away.

Traces of these last thoughts vanish. If I don’t reach out for the next thing to think about, there’s just the stillness of the event itself; a transparent curtain through which there’s a transparent stage in a transparent theatre and all the actors with the illuminated background shining through from behind.

“…sound does not exist, separate from our hearing; sights do not exist, separate from our seeing; tastes do not exist, separate from our tasting; smells do not exist separate from our smelling [….] our projection of an “external world” — of objects “out there” which we then interact with via the sense-organs of a seemingly individual bodymind — is a claim that can never be experientially verified.” [Elizabeth Reninger, “If A Tree Falls In A Forest …” – Bishop Berkeley Meets Laozi]

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Another  post about birds of prey: seeing with alertness.  Note: Our young friend Ng arrived back from New York on the night of 17 Feb, there were storms when she was there and the dance performance at Brooklyn Bridge was cancelled

Ng

photo-8bPOSTCARD #111: New Delhi: Half asleep in the shade on the roof terrace, palm fronds swaying in the warm wind. Resting after the endeavour to get Ng on her flight to New York. She was staying with us for a couple of days because her mum was away in Calcutta on business. Ng is 15, her mum is Thai and her dad is American. Ng has a white, almost ivory skin coloured complexion; Caucasian type with oriental eyes – child of the distant future. You could say she’s unique; the feeling there’s only one Ng in the world. That quality of individuation, disentangled from the social archetype – self is a figment of the imagination; I am a unique individual not separate from an infinite number of other unique individuals in the world. The magnitude of it is beyond ordinary comprehension… takes my breath away. Ng is quietly being herself, getting on with it, planning to leave at 8pm to meet with her school dance group for a 16 hour flight to perform at Brooklyn Bridge Park, NYC. But the flight has been postponed, departure time changed to 5.00am and the group will have to meet at the school at 3.30am. Oh… should we go to sleep for a few hours, or stay awake all night? We decide to go to our rooms at 7pm and mindfully lie down for the hours remaining. It goes quickly, we’re up at 2am, bags in car and away across town.

The curious urgency of driving at night through empty streets, headlights shine the way through the tunnel that our direction takes. The city is dark and indistinct like an old sepia tint photograph, its colour enters into the interior of the car; I see Ng’s profile, intense eyes lit up in her phone’s screen display, reflected colours on her face – checking her messages… no need to have conversation, everything’s been said. Stop for a moment to turn into traffic at a T junction and on my side there are two men wrapped in shawls crouched around a small fire they’ve lit on the sidewalk. One ghostly head swivels around on its axis, looking out from the glow of the flames, mediaeval eyes connect with mine; a patriarch from the remote past. Hold that gaze for a moment and the car moves on. We get to the meeting point, other kids are there, I offer to carry her bag over but Ng says it’s okay – so it’s time for me to go now, bye-bye, take care of yourself. I get in the car. U-turn in the empty street and just before accelarating away, I see a pale white hand waving in the darkness… small windscreen-wiper motion… I wave back, bye!

Home, sleep and somewhere in an accumulation of hours of nearly a day later, I’m here on the roof terrace in the shade because now it’s too hot to sit in the sunshine, and I’d forgotten about it all when the text message comes in from Ng’s mum in Calcutta, saying she had an email from Ng. She just arrived, plane was late. Total journey almost 24 hours. They had to change clothes quickly at the hotel and were going now to do their dance performance in the Park. I google the time difference and distance from Delhi to New York, trying to focus on the fact that Ng is probably dancing in Brooklyn Bridge Park round about now, 7300 miles away….

“The apparent reality of the mind, body and world is imagined with the thought that thinks it. In other words, the constructs of thought, that is, the beliefs we have about the mind, body and world – are only real for thought itself.” [Rupert Spira]

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flowers from far away

IMG_2001POSTCARD #110: New Delhi: The computer feels cold to touch, hands stretch out over the keyboard and the soft spaces between the fingers are exposed to the chill. Make them into fists; stay warm, too cold to type… melancholia of late winter. Sit there for a while. It takes quite a long time to realize I could just stop what I’m doing and go up to the roof terrace in the sunshine. Around this time, the shadow cast by the tall building next-door moves away and there’s a patch of sunlight where I can place my chair and sit in the warmth.

Get up from the desk, out to the hall by the back door and up the cold steps to the top; habitual handle-grab, shoulder-push on an old door that’s always stiff, squeak, it opens… bright daylight enters, birds fly across my vision in a blur of random directions. Blue sky, and clothes hanging on the line, the smells of outside, vent pipes, clay-tiled rooftops of other people’s houses, other people’s laundry.

There’s new warmth in the air – I notice it immediately, walking around our small urban garden and checking out all the plants that live here in flowerpots and containers. Everything has that dry wintery look, but there are some signs of life, shoots appearing in the crumbling earth… an innate sentience. Take a photo with my camera phone, seeing the flowers as stars and planets. Tiny white blossoms form in clusters. So small, there’s a feeling they’re arriving from far away; distant galaxies seen moving towards us in slow motion.

I didn’t know. It was here all the time, and everything that happened prior to this, everything going on unseen, below the surface of the earth… before the flower, the seed and before the seed, the flower that created the seed; a sequence of patterns that started before I arrived in this place, flowing from the past into the future, always seen from ‘here’.

I place my chair in the patch of sunlight and sit down; a fundamental response to the first signs of that easing-away from the coldness, the unique warmth of Springtime, a softening around the hardness, a release from the upset, the injured and the slow spinning wheel of seasons takes it all away. Listening to the green parakeets chattering in the Eucalyptus trees opposite, there’s only the moment in which everything appears…

“… appearances are so intimately one with Consciousness that there are in fact no appearances as such, that is, existing in their own right. Rather Consciousness is the sole substance of all experience.” [Rupert Spira] 

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Related post: A patch of sunlight

outside-in/inside-out

photo-6POSTCARD #109: New Delhi: The early morning flight from Bangkok to Delhi leaves in darkness and the sun rises along the way. It takes only three and a half hours; have breakfast, fall asleep, wake up and pretty soon we’re descending. Up go the flaps down go the wheels; we’re on the ground and rumbling along a bumpy runway. Get ready to go, reassemble the parts of who I am and out of the aircraft into the vast arrivals hall. A long walk to immigration, miles of pale tangerine carpeting, entry stamp on my passport thump. I’m through. Find a place at the luggage belt to stand and wait and watch the bags move past the centre of my vision. Feel dizzy… all journeys merge into one; can’t remember what my bag looks like, panic for a moment then remember. I see it, grab the handle, get it on its wheels and leave through the green Nothing-To-Declare exit. Driver is waiting, into the car and we’re away in the traffic.

Adjust my watch back 1½ hours and step into an earlier time, a continuation of events that started before I got here. The flight from Bangkok disappears; a memory replaced by present-time experience – there’s no feeling of ‘me’ having arrived in Delhi, it’s like Delhi has arrived in ‘me’… outside in & inside out. Delhi fills my vision; all the sensations, noise and commotion of morning rush-hour traffic on the airport highway. Car horns honking all around: pap-pap, pee-pee, pah-paah, PEEE….

There’s a hold-up, maybe there’s been an accident. What’s happening? The sound of car horns increases in volume, and slowly we get nearer and begin to see the cause of the obstruction. There’s a vehicle positioned right across the road, but it seems to be moving… wait and see. It looks like the driver is trying to turn round. Yes, he’s doing a three-point turn into the oncoming traffic. What? At this point, the noise of horns stops for a moment; uneasy silence, everybody thinking wow, we don’t know what’s going on here, but this guy must think he has a very good reason for deciding to do this, and they edge past him cautiously. The driver completes the turn, after many stops and starts as the flow of traffic continues to swerve past him whenever there’s a space to get through. Then he’s coming towards us, driving carefully against the traffic flow and assertively looking everybody in the eye.

The first thing that comes to mind is: this is just so… wrong, and I’d like to dwell on how wrong it is, but it’s too weird – searching for something to blame, but can’t find anything with sufficient blameworthiness. One thing is certain; it must be pretty scary to be doing what he’s doing. I see him in silhouette as we pass, gripping the steering wheel, alert, tense, determined. I watch him through the rear window; an enigma, a complete reversal of everything we think of as logical. The rush of traffic engulfs him like water moves around a stone in a fast moving river, then he’s gone.

Up front, in the normal directionality of things, we appear to be getting through the congestion. Traffic picks up speed, acceleration; honks, squeaks and toots all around as if the cars were jamming with each other in an improvisation by Miles Davis on trumpet.

“Most people believe the mind to be a mirror, more or less accurately reflecting the world outside of them, not realizing on the contrary that the mind is itself the principal element of creation.” [Rabindranath Tagore]

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a world of things

sycamore 1“Those who float away their lives on ships or who grow old leading horses are forever journeying, and their homes are wherever their travels take them.” [Matsuo Bashō 1644 –1694]

OLD NOTEBOOKS: East Anglia: It’s the last day, I’m leaving, this is it… the end – no more departures and arrivals I’m leaving now for the very last time. The house is to be sold, the rooms are empty, all remaining things ready to be put into boxes for the recycling people to collect after I’m gone. Right now it’s all arranged in two groups: a) stuff to be given away and, b) ‘stuff that I can’t let go of YET’… still some reluctance, lingering over things I want to keep. Gazing fondly at a pile of books, a framed picture, pondering, hesitation, attachment… but how will I get all this into checked-in luggage for the flight to Thailand? Some time spent considering this but, impossible, let’s face it. In the end it’s a decision pushed along by the momentum of leaving; there’s a car coming for me in the afternoon. Out of time, ok, pack up and leave… and I move everything into a), the stuff-I’m-giving-away group. That settles it.

But I’m tugged back… did I just do that? Hands reach out to take the stuff back again. Pause for a moment to think about it and everything stops, emptiness, there’s nothing there… thought is an elaborated construct built in a landscape of no-thingness. An awareness event turns up out of nowhere, the kind of thing that couldn’t happen in any other circumstance: let someone else have these things. It’s the letting-go thing, the generosity of easing, the release of all that tight energy – giving it all away, giving it all back to the world, returning to the context of how it all arose in the first place. I stop for a moment to think about how that feels, but there’s no thought, everything is still wonderfully clear and completely empty. There’s a world of things, then there’s not.

Suddenly it feels like everything I’ve been holding on to doesn’t matter anymore, and that’s okay. The loss is only there if I ‘think’ it into being. Sit down, close my eyes and everything  becomes invisible. Feel the pressure points, lower back, seat in chair, feet on floor, elbows on the arm rests – but no body, no head – it occurs to me that sometimes the universe doesn’t exist… takes my breath away. Only a curious intensity in the place where the thought used to be contained; something that really never happened… years and years of nurturing a dream about something that wasn’t there.

Last thing to do is bless the rooms, hands held in anjali in that small dwelling: Wishing in gladness and in safety, may all beings be at ease… There’s a clear sense of closure. Going through the door… I’ve been in this house 36 years and it’s gone in a flash. Standing outside, blinking in the bright daylight, surprised to discover it’s a just a day like any other day. A last look inside, sunlight extends in from the doorway… goodbye little house! Pull the door closed, lock. Get in taxi, door slam. We’re off across the landscape…

‘When this exists, that comes to be. With the arising of this, that arises. When this does not exist, that does not come to be. With the cessation of this, that ceases.’ Samyutta Nikaya 12.6

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Many thanks to Jeff for: ‘stuff that I can’t let go of YET’ – source: Leaving Lexington. Photo: a stand-alone Sycamore tree at the top of the hill

nostalgia for winter

back of shedOLD NOTEBOOKS: East Anglia: Writing this in New Delhi, the winter chill has a familiarity; the cold-nose-sniffing days of UK winters long ago at the old house in East Anglia, before I had proper heating installed. A massive quantity of firewood; they cut down some Elms that had fallen over and all I had to do was chop it up with a long-handled axe. Thus, entire days were spent swinging axe, volumes of breathy vapour air then sitting by the fire. Everything that had to be done indoors was done there, next to the fire. A cup of Oolong tea placed for convenience on the edge of the hearth… cold fingers on warm porcelain.

And one day in particular, here in this low ceilinged house, staring at the flames, thinking I’ll have to go to the woodshed with the wheelbarrow again to get more logs. Walk through to the back door, not focused on anything but the task ahead, then for some reason there’s a joyful little skip at the wrong moment and I whack my head on the oak crossbeam protruding dangerously from the kitchen ceiling – the karma of wood fighting back… more like a sound than a feeling; an audible BONK! Fall to the floor, wow! Hands rise up and hold the head. It’s not an immediate pain; it’s an investigatory, how bad is it this time?

Stay there for a moment, inward searching directionalised towards the perceived centre where ‘self’ resides; awareness of the vulnerability of ‘head’ situated at the top of the body; eyes looking out, a world seen as if through a window at the front of the skull. Pause for a moment and consider the phenomenon of ‘me’ and the body I inhabit as a curious plurality; it’s not an ‘I’, it’s a ‘we’. I’m issuing commands and body just does what I tell it; addressing oneself as if ‘I’ were someone else: hmmm, the blunt-force trauma and brutality of the present moment… let it pass – get busy with something. Go upstairs and see if there’s a pair of gloves I can wear. The body obediently goes there because I’ve just told it do that.

Stumbles along, gets to the staircase then up, step by step, plod, plod, plod. Get the gloves and stand there for a moment, looking through this ‘window’ as if from a position inside the skull, seeing things at eye-level, then down the length of the body to my feet standing on the step, and the steps below that, leading down, and down to the ground floor… plod, plod, plod, downstairs again; it seems like a long way.

shed with logsOut along the garden to the wood shed and, instead of just gathering a few logs and going back, I decide to cut up some more. WHACK, axe cuts through wood in a pleasing way. WHACK… so what’s to be done about this low headroom situation? WHACK… again and again I’m caught by it, even though I know it’s there. WHACK… return to ‘the plan’: excavate the floor and lower the level by one step to create more headroom. WHACK… isn’t it satisfying how the wood splits and falls to either side of the axe blade, forming two piles of equal number. WHACK… everything comes in twos, and there’s this feeling of companionship; that good friend, the body. It has a familiar feel to it; the aches, pains, grumbles and squeaks. The wheelbarrow filled, I push it back to the fireside and the rest of the afternoon is spent planning how to dig up the floor…

“I am and the ‘I’ that I am, is aware that I am. This knowing of our own being – its knowing of itself – is the most familiar, intimate and obvious fact of experience and is shared by all.” [Rupert Spira]

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Third post in the series about the house in East Anglia I had for 36 years. Click on the links to follow the thread: house on a hill, and presence.

presence

back stairsOLD NOTEBOOKS: East Anglia: Aunt Liz was an unusual person because she didn’t speak much, lived like a recluse and it’s only recently I realized she may have been Bipolar – it was so long ago, nobody knew about it then. I was often away and when I came back, she wouldn’t speak to me. The neighbours would tell me she was sometimes socially active, then after a few days she’d go back to her silence and not speak to anyone at all for months. Aunt Liz lived in that house for 23 years. She was alone, preferred to be alone and at the age of 85, she died alone. Bottles of milk left on her doorstep for two days, the police forced the back door and found her sitting on the sofa. It was 1989, I was in Japan, didn’t know it had happened until a relative called me on the phone (no emails in those days) and in a screeching, long-distance voice told me about it; said she’d inherited Aunt Liz’s house and was going to sell it – or did I want to buy it? Yes I did, so we got the paperwork done, I had the contractor go in and do renovations, but it was more than a year by the time I got back to the house.

Everything had changed of course, fresh paint, new plaster; the emptiness of a newly renovated house and nothing left to remind me of Aunt Liz. She was just not there any more – something about it strangely familiar; she was never ‘there’. So many times in the past I’d ring her bell, but no answer. Then I’d be in my house next door, listening for sounds, holding my breath and maybe I’d hear the clink of a cup or plate, and know she was there. Mostly she was simply a presence, so silent sometimes I’d forget about her completely.

That time I came back from Japan, the first thing I did was look for something to use as a floor cushion and sit for a few minutes of meditation in the place where her sofa used to be. This is where she would read her newspaper, do her knitting, watch the six o’clock news … this is where she died. Maybe it was on a day like this; the quietness, the sound of the birds in the trees all around, an ordinary day, and she paused in a quiet moment and listened to the birds; the same birds I’m listening to now, some of them their descendants. Maybe she contemplated this sound as I’m doing now, and had the same awareness of the hearing mechanism that carries the sound.

Get up and open all the windows, landscape reaching out to the horizon; hazy blue sky, the smell of the sea. The sound of birds enters the room, tiny fragments of a hundred melodies merged together in a flow of incidental harmony; no beginning, no middle, no end; blackbirds, thrushes, sparrows and in the quiet intervals, the distant mewing of gulls flying in from the sea.

Whatever living beings there may be;
whether they are weak or strong,
omitting none,
the great or the mighty,
medium, short or small,
the seen and the unseen,
those living near and far away,
those born and to-be-born —
may all beings be at ease.

[Karaniya Metta Sutta: The Buddha’s Words on Loving-Kindness]

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The second post on the house on a hill – click the link for the first post.
Photo shows the back staircase built during the renovation and a new window in the wall opposite so the light can enter the otherwise dark kitchen.

house on a hill

23-05-2010 09-13-22OLD NOTEBOOKS: Chiang Mai: I used to have a house on a hill in England, so far away from here – it’s just a memory now. I had it for 36 years and it was sold just a few days ago… feels like a part of me has become extinct. Another part of me says, what’s gone is gone, let it go because I never really lived there. I’d stay there for a while, go away to Asia for a year, then come back; very long grass in the garden and generations of spiders.

Curiouser and curiouser it was part of a larger building owned by my Great Aunt Liz, a spinster, a recluse and she could read fortune-telling cards. Aunt Liz gave me the house by Deed of Gift in 1978, then became a bit distant and elderly and quite stubborn about allowing me to help.

I’d send Aunt Liz postcards from the places I’d been and bring back gifts but she became more and more remote. Our communication dwindled and in the end she hardly spoke to me. When I knocked on her door, she would open it on the chain, smile and say: ah, so you’re back. You’re looking well… then close the door. I’d hear the lock go: click, and I was left outside.

This is how it was, a kind of companionship, no more than that. She was probably disappointed that I wasn’t going to just come and settle down in that place and be what she’d imagined I’d be. But what could I do? Her decision to create a situation for me to have a ‘home’ next door to her was just so kind. There I was in the centre of rural life and the simple rumbling-along of things, but… never for very long, always moving on to somewhere else.

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She died in 1989… I was in Japan and it was impossible to return. I negotiated with a relative who inherited Aunt Liz’s part of the house and to cut a long story short, eventually I owned the whole building. Contractors were hired to renovate the place, but it was two or three years before I managed to get back. The house on the hill had long since become a dream… years and years spent thinking and planning how I could go live there in the end, and just get old sitting by the fireside. These last few days I have revisited that same place in the midst of these rememberings, knowing that sometime soon I have to disengage from it – it’s not my house anymore it’s somebody else’s. People I don’t know walk around in these rooms where I used to be, sit by the fireside stare into the flames.

02062011038How long do memories remain? One time I was sitting there burning some old floorboards removed during the renovation of Aunt Liz’s bedroom. The wood was dry and old and good for kindling. They were also painted along the ends – she had a carpet in the middle and painted floor boards all round the edge. It all came back to me when I found it… stuck in the paint on a piece of the floorboard, a human hair – a single strand of hair, quite long. It got stuck there as she was applying the paint. I kept it for a while; would hold it between thumb and forefinger for a moment and pull the tension of it gently… still attached to the painted wood. Then one day I placed the wood piece in the flames and watched it burn away.

Everything is always in the process of ceasing to be, turning into ash. There’s a reluctance to leave, drawn towards the extinguished fire; something peaceful about the absence of everything…

As fire, through loss of fuel grows still [extinguished] in its own source, so thought by loss of activeness grows still in its own source… For by tranquility of thought one destroys good & evil karma. With tranquil soul, stayed on the Soul, one enjoys unending ease. [Maitri Upanishad 6.34]

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the ‘that-one’

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POSTCARD #108: Chiang Mai: Stuck in a tuktuk at the intersection, a huge volume of traffic coming the other way. We’ll have to wait 10 minutes maybe. Driver switches off the engine, leans back and it’s suddenly quiet. This brings me some ease; mind is racing, I’m on the way to the computer repair shop with my laptop in the bag – no control of the cursor… can’t do anything. Frustration, and this traffic situation is not helping; the glaring red light demands attention, holds back a great torrent of beings ready to leap forward and fill up the space in the vast sweeping-along of things. It’s the New Year season, everybody going to, or coming back from some other place, some other time. Hard to believe it’s 2015, returning to the marker left here from 2014. No beginning, no end, only the cycle continuously refreshed, the evolving transformation.

Green light, driver flicks ignition and the 2-stroke engine comes to life. A few turns of the throttle and we’re away in a great clatter of sound; sharp turn left, then right, narrow streets, short cuts, speeding through passageways and corridors wherever there’s room to move. Then we’re there; into the car park, get out, pay the driver and up to the second floor. It takes a while to squeeze through the crowds of shoppers wandering around in a purchasing daze, and I’m rehearsing the storyline in my head; the computer just stopped working… there’s a window telling me there isn’t a keyboard connected… how can that be? Find the repair shop, get in and take a number, join the others waiting with their iPhones and devices. This could take a while, I open up the laptop, get it started so the technician will be able to see what the problem is.

Then something unexpected happens; It doesn’t do that thing anymore… it’s working normally now! A few more tests and yes, wow, there’s nothing wrong with it – how come? Go back to the desk, give them my number back; sorry I have to leave now, I’ll… em, be back later – thank you, bye-bye. A mixture of feelings; elation that it’s okay again, and how did it fix itself? Will it be allright now or is it going to freeze again? Down the escalator, out on street level and into another tuktuk. The answer comes to me on the way back; it must have been a bluetooth-link with another device in my apartment, and as soon as I took the machine out of that place, the bluetooth link became inactive. So how did I create the bluetooth-link? I don’t know exactly but I think my 10-year-old Thai niece, M, may have had something to do with it.

The journey back to the apartment goes without any major delay, green lights all the way. Up to the third floor, into the room and M is lying on the sofa with two iPads and her Samsung phone – she’s got a network going between the devices. Hello Toong-Ting, your computer is fixed now? She’s studying English at school. I ask her what she’s doing… I chat with myself, see? Her small hands and fingers operating three screens at the same time. So, how is she able to do that? It’s the… (hesitates, can’t remember the word) em… that one, you know? Points to the bluetooth icon, that one. Recently she has been using ‘that-one’ to take the place of any vocabulary she doesn’t know. It can be a noun or a verb or anything that makes sense and sounds right. Somewhere in the conversation she explains: The ‘that-one’ that-oned the ‘that-one’ (subject + verb + object: The bluetooth linked the keyboard). It’s all always a learning process…

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We shall not cease from exploration

And the end of all our exploring

Will be to arrive where we started

And know the place for the first time.

[T.S. Eliot]

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H  A  P  P  Y    N  E  W   Y  E  A  R    B  L  O  G  S  T  E  R  S   2  0  1  5

snow in Thailand

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POSTCARD #107: Chiang Mai: It’s not real, of course, but quite convincing. A large display arranged next to the MAYA shopping area [maya: illusion (Sanskrit)]. MERRY CHRISTMAS BLOGSTERS! It feels like a special day. Memorable too because it was the first time I heard my 10 year-old Thai niece M use the English word ‘artificial’. M knows what real snow is, she experienced snow in Japan. This is ‘artificial’ – pronounces all four syllables: ar/ti/fic/ial – it’s not snow it’s what it looks like. I think it’s sand, bleached white by some harmless chemical process; children sit down, play with it as if they were on a pure white beach. Most people in Thailand have never seen snow, everybody here taking photos of themselves smiling against a snowy white background. A great shower of digital flashes flicker in the blindingly bright reflected sunlight; flash-click, and a small piece of the experience of snow is captured. The group hurries to look at the picture, then they quickly regroup and take another one.

IMG_1860In Eskimo languages there’s not just one word for snow, there are many (‘Smilla’s Sense of Snow’ by Peter Høeg). But it may be a linguistic characteristic (Washington Post), words are added on to the main word ‘snow’ to describe its qualities. Slushy old snow would appear like this: ‘slushyoldsnow’ or if the adjectives and modifiers of the noun are arranged differently, it could be like this: ‘snowoldslushy’ so it looks like a new word if you’re not an Eskimo. It doesn’t alter the fact that there are all kinds of snow, of course – I remember from a childhood in the North of Scotland – but I can’t find words for this kind of snow; dry, warm, and light cotton beach-wear…

IMG_1861If M was a bit older we’d be able to talk about what is real and what is not, and how ‘artificial’ is a word, a label, a concept. There isn’t anything in the world that’s artificial… everything is something. It’s only artificial when we compare it with the agreed-upon ‘real’ – another concept. You could just as well say the whole thing is artificial, and ‘nothing is real’ (strawberry fields forever). It’s all about words, doing their thing, like what HTML coding does for everything in the internet; we’re ‘linked’ to what we think is real, everything is a living representation of what it is.

M is 10 years old, speaks English as a second language, she’s a Buddhist, goes to a Christian school and the Santaclausism of Christmas is what makes it a happy event. Same for all children. I can only hope that in a couple of decades from now she will have good English and return to this posthumous blog (if it still exists) and understand some of the things I cannot discuss with her now. Also all the other things I haven’t thought of yet; all of it, both/and, neither/nor, flickering between this and that, and I don’t know why it keeps on doing that – maybe because the Oneness is also the many; everything is everything – words cannot reach that far…

‘That which has no boundaries and is unnameable has been termed the “Void,” although this is a mere code word for something that eludes any kind of description or verbalization. Being outside space-time – that is, Infinite – means that is the Whole, invulnerable, and immortal.’ [‘The Observer is the Observed’, Robert Powell, p165]

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