voice-over

Posted on March 25, 2016 by tiramit

POSTCARD #197: THAILAND: Arrived in Bangkok, then a small propeller plane to Hua Hin, 41 mins flight, ninety miles down the coast. Unaware of the Brussels bombings we walked on the beach, no people anywhere, where’d everybody go? Came upstairs to our room on 6th floor, switch on TV and there it was; the Brussels Bombings filling our hotel room from nearly ten thousand miles away. We were stunned by the coverage; BREAKING NEWS, coming to you live from CNN Center in Atlanta. CNN reaches the whole of the US, and as far West as Pacific Islands and Japan. Then the other way from Atlanta, all countries in South America broadcast in Spanish and Portuguese, East through Europe in all languages including Arabic and the whole continent of Africa. On through Asia to Australia who are so far down-under, the rest of the world is up-over to them. CNN facilitates this news and within minutes, the bombs in Brussels are exploding all over the world.

We wake up the next day and it’s the same thing, the assumption is that many people in the world haven’t heard the news yet. At breakfast there are developments that seemingly, we need to hear about, also in-depth analyses of what happened and why, with experts discussing it – showing the same footage with voice-over and the production beginning to take a particular form. But we can’t pay much attention to it, busy with getting ready for our walk along the beach. Understandable really, I think, being the only white guy here. Brown people over here and everywhere with black hair and dark eyes, who are not Americans but the majority of the world’s population, puzzled and a bit embarrassed by the CNN presentation. Inclined to ask what caused the extremists to do such a thing? Sorry but that’s the wrong question… CNN is broadcasting its opinion in all countries of the world, stepping into everyone’s lives and figuratively speaking blasting everyone with the aftermath of the bombings using the dismay, distress, and consternation as a vehicle to convey the consensus point of view.

My niece M who is 12, asks me ‘Why?” I have to provide a satisfactory answer, but the same ‘why?’ follows me and my explanation. Then the extended form: ‘but why?’ all the way through my reasoning as we get into the elevator and she stops asking only when we reach the bottom, running out and down to the sea. Our early morning walk along the sand, and again we are the only people there, leaving a trail of footprints and the only others are those of the birds, M running ahead stopping to take close-up photos with my phone and her ‘why?’ more concerned with why do the footprints look as if they’re embossed on the surface, relief sculptures, rather than hollowed in the sand, strange – once you see it that way it’s difficult to see it the other way.

Back up to the hotel room and the show must go on. Intense music, bright red colors and talking heads appear. They seem to ask and answer questions but the dialogue has been scripted. Frightening scenes of devastation from an on-the-spot location in the danger zone while we are in a safe place at home, made to feel like voyeurs at the battle scene: ‘This is coming to you live’ yes but it’s an act, rehearsed, decided on by an editorial team who take advice from those obscure unseen advisors making decisions, about how the facts should be portrayed.

The dialogue looks spontaneous, and informative (I’d like to be a fly on the wall of these studios and see how much of an act this really is), welcoming the invisible third party, that’s us, the part we play as passive listeners mesmerised by the act, struggling in a bewilderment of feelings, holding on to this induced attachment to TV that we’re kinda comfortable with anyway and only later realise that by passively acknowledging this version of events, we are committed to seeing it that way.

CNN is now established ‘in the danger zone’, with easy-to-understand explanations and we allow the hypnosis to deepen by passive acceptance of it entering our living rooms – George Orwell’s 1984 propaganda TV reassures the population it’s all being taken care of by those who know what to do, although the threat of it continues. We know there’s something happening, it’s as if it were orchestrated, quite obvious really, but somehow hidden. Curious why we allow it to be there, but we feel we’re already committed to the CNN point of view, and that rewarding, induced, comforting mind-state takes over as we fall into our places in front of TV.

The next day I go into Google and find it has a Wikipedia entry already. Still there’s the question: why are these Islamic extremists targeting us? Could it be that it’s the result of something we did to them? Sorry but there’s something wrong with that question. History is made by those who won the war.

I’d like to explain to M how this illusion is constructed but cannot. So I’ll just have to hope she’s has a good enough grasp of English soon so she can read this post sometime and understand it after I’m not around any more.

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Photos: view from our hotel room at the top and the others are footprints made by a bird and M’s footprints as she studied the image on the screen that made it appear to be embossed on the surface.

somewhere else

Posted on March 16, 2016 by tiramit

POSTCARD #195: NEW DELHI: These easy days of gentle sunshine on the roof terrace coming to an end. The long shadow of departure is approaching again and I’m caught in the momentum of its passing, swept through airport halls, the layers and passageways of the travel network. Checked-in, identified, one self-contained unit flowing along in the great river of humanity 24/7 passing through these air-conditioned corridors within corridors connected end-to-end, telescoped into smaller passageways, and down into the low ceilinged capacity, enclosed space of an aircraft seat made to measure, reduced, restrained, tightness in the knees squeezed in. There’s a small video screen about 18 inches from my face, showing hundreds of movies. Fold-down tables upon which, small trays of food are placed, fit exactly, and inside they’re divided into even smaller dishes. Small cup, small spoon, absolutely tiny packets of salt and pepper and a toothpick…

In no time at all, the food trays are cleared away, watch videos for four hours flying time, sleep for a while, go to the bathroom, then we’re there – just beginning to feel comfortable and it’s time to go. Passengers squeeze and squidge along the aisles like one body of thick fluid bristling with hand-held luggage and jamming up the doorway. The space we’re in opens out and extends, becomes a passageway then a larger space, all of us holding a destination in mind. Eyes hardly ever meet, preoccupied with mobile devices or searching for signs. Turn left, then right, stand in the immigration queue, passport stamped thump. Out of there and I’m in a different country.

I’m going to Carolina in my mind, or is it just a continuation of the last journey? Home is an expanded concept, ‘many mansions’, memory of former lives. It has the feeling of an in-transit time; where we were after we left and before we arrived. It’s the ‘in-between’ time (when is it never the in-between’ time?) on the way to or coming back from somewhere else. There’s a Nagarjuna quote: ‘All things are impermanent, which means there is neither permanence nor impermanence…’ Change sometimes takes a very long time to happen. Usually though there’s enough time to rest, open up everything and lay out my things, then pack with fresh clothing and something new arrives; I’m swept away in the velocity of thought. These easy days of gentle sunshine on the roof terrace coming to an end…

“Just as it is known
That an image of one’s face is seen
Depending on a mirror
But does not really exist as a face,
So the conception of “I” exists
Dependent on mind and body,
But like the image of a face
The “I” does not at all exist as its own reality.”
[Nāgārjuna, c. 150 – 250 CE]

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the visitor

Posted on March 12, 2016 by tiramit

OLD NOTEBOOKS: BKK: I had a job as an illustrator many years ago, 1985 I think, part of a lifetime spent shading-in with a Rotring pen, and touching up with typewriter correction fluid, whiteout liquid. No computer enhanced imagery in those days – no computers. Cut and paste was not the metaphor it is today – it was done with a real pair of scissors and glue. But usually I’d sit for hours at the desk without much movement, only the hand holding the pen, carefully searching for form… a happy silence in the room on the top floor of a Bangkok shop house with door leading out to small roofed terrace and bougainvilleas in large old clay pots, red and pink blossoms everywhere. Very little traffic noise, blue sky, and few people came to see me there; I was happily alone in this self-contained apartment for many days at a stretch.

The small lizard (gecko) came to visit me one day and I hardly noticed it at first, a small rustle and clink sound from somewhere on my art table, covered in all kinds of drawing equipment, books and discarded papers. The clink sound again got my attention and I just sat still and waited to see what it was – so completely still, a spider could have spun a web in the spaces between my fingers. Then another rustle in the bits of papers on my desk, discarded sketches and cut paper crumpled up and trashed… and there it was!

Aiming for the cup of coffee gone cold, forgotten, but it was the spoon for the sugar, stirred into the coffee; it was that that it wanted – lying there in a tiny spill of wetness on the surface of the table. It must have come here before, it knows about the coffee spoon. I see its small head get nearer and nearer to the spoon, alert and aware of any movement. But I am a mountain, unmoving. The tongue extends out, lick, lick, and it gets into the hollow of the spoon with its tiny front feet, there’s the same clink sound, caused by the weight of the small creature.

The next day, around the same time it came back and sure enough, headed for the coffee spoon, lick, lick, lick, and it was gone. As the days went by, I got accustomed to it arriving, always around the same time. Then one day it didn’t come, in fact I couldn’t remember the last time I’d seen it. Sometimes I’d see it moving up the wall by the door and out through an open window to the roof terrace and the bougainvilleas outside. So I got up from my chair and out to the terrace also to see if the plants needed any water from the storage tank… and there it was, in the tank! Not in the water but standing ‘on’ the surface of the water!

Surface tension, amazing! I didn’t know lizards could do that. So I backed out of the terrace and left it for a while. When I went out again the lizard was still there in exactly the same place. I looked at it and there was something about the way it looked back at me: Get me out of this predicament, please? Hmmm was it not able to move because the surface tension would give way and it would sink? I went inside again and searched for the plastic mesh container for A4 paper and all kinds of junk, emptied out the contents and went out to the terrace.

Carefully sinking the plastic mesh tray into the water then over and down, under the lizard. Slowly scoop it up, out of the water and I placed it down in a shady corner on its side so my small friend could crawl out of and run away and hide. That was the last time I saw it (sad). I worried about the affect the sugar and tiny amount of caffeine had had on the lizard, and felt guilty about that. Maybe it induced a kind of lizard ‘high’ resulting in unwise decision-making and stepping out on to the surface of water. Ah well, if that was the case, I saved it in time…

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found objects

Posted on March 8, 2016 by tiramit

POSTCARD #194: NEW DELHI: Even though everything we had in the old house was numbered, labelled and the whole thing carefully folded in on itself and squeezed into a removals truck with a set of instructions on how to reassemble, when we got to the new house it came out backwards, and the assembly instructions must have gotten lost as it was going in. Thus everything had to be emptied out on the floor in the search for the instructions, and that’s how it began to look like a vast three dimensional jigsaw of an instant house-kit, abstracted. So that when the assembly instructions were found, we weren’t interested in them anymore because we’d already found the proper screwdivers and L-shaped keys that fit into these holes in furniture assembly and started to put bits of it together by eye and what looked right. More things were discovered, ‘objets trouvés’, a collage, arising from found objects carrying that strange familiarity… traces of a former life.

And that was when I remembered something from long ago and far away; I used to be an easel painter, had exhibitions, sold paintings, thought about being a rising star in the World of Art. Then something happened – I don’t know what, an insight into how things arise and pass away. Everything just turned to dust, vapourized, reduced, distilled into the elements, thoughts created by Mind and the words required to describe it started to run out. Anything still standing after the event was taken to pieces, carefully numbered, labelled and the whole thing folded in on itself, then squeezed into a large box that I’ve carried around with me ever since and never opened… until now.

I cut through the old nylon ropes and slit around the edges of the box, sealed with parcel tape and old labels saying FRAGILE and sticky stuff from years of airline stickers for check-in luggage. The lid opens with a creak and a great volume of pandora’s creative playfulness is released in a soundless explosion. Well, that’s done it… no going back now. Brushes, pallete knives, tubes of acrylic paint, acrylic medium, glue gone hard, unusable adhesive tape, bits of measuring devices. and pieces of artwork. Boxes of charcoal, ink and yellowed pencil drawings for a painting I remember I never started – wouldn’t it be fun to go back, after all these years, and pick up where I left off?

I don’t know how many years have gone by, lost in the dream. Woke up one day, look in the mirror, hair gone white; the Rip Van Winkle effect – all of the elders are dead now and I’m grateful for everything I have that belonged to them (strangely addressed in the past tense). I’ve forgotten the ‘me’ that used to hold these brushes, squeezing these tubes of vermillion, cadmium yellow, it’s been such a long time, so many journeys extended out over thousands of air-miles, hours and days maybe weeks of looking out the windows of an airplane somewhere in the clouds and the world coming in through these eyes but seeing it like it’s not ‘me’ personally that it’s happening to, more like it’s an extension of what’s out there.

A sense of the air and spaces inside things I never even thought of until now. It’s possible that this is the right time to return to it. Less words more imagery, it’ll change the direction of the blog. Let’s see, I’m going to take a look into that pandora’s box, maybe find out what it was that caused things to shift as they did and what can be retrieved from the wreckage… got to go now. Sayonara bloggers, more later….

UPDATE: CHECK OUT THE NEW PAGE OF MY ARTWORKS, GO TO HOME AND LOOK FOR THE PAGE TITLED ‘ART’ UNDER THE HEADER IMAGE

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springtime, new delhi

Posted on March 4, 2016 by tiramit

POSTCARD #193: NEW DELHI: Watering the plants upstairs on the roof terrace and there’s this small one looking so simple and symmetrical, extraordinary. I take a photo of it and zoom into the wonderful experience of a life form in a different kind of temporality. It’s springtime here and the analogy of everything waking up applies, except that there’s no snow in winter, really no winter, and there never was any time before this, or anywhere in the future when things were or will be asleep. Everything is awake, the sense of an eye like a camera aperture so wide open the edges of it creak with the strain of it trying to open wider. It’s an endless cycle of birth/rebirth, the seed contained in the fruit that falls from the tree and from there another tree grows which creates another seed. No beginning/no end, all forms intertwined with each other to the extent that they are inseparable, bound together in time. The inclination is to think what was it like before this, when things were separate and the mind tries to pull it all apart. What was it like before all this, before the Big Bang?

Another kind of reality. What happened before we came here? We were in another house in New Delhi. It had a roof terrace and seeds were planted in flowerpots there, we carried the pots and everything from there to here and these seeds are now sprouting on this roof terrace. It makes no difference to the plants if they’re moved, so long as they have the same conditions, the cycle continues; seed/ plant/ flower spinning in their own arising and falling away, an enfolding and unfolding sequence of patterns in movement, and I come along, view it from this entry-point in time, called ‘here’.

There’s the urge to create an object that could fill this perceived space, this seemingly incomplete world: the sense of a vacant place we need to fill with something held in high esteem, and that will make it whole… what is it? Christians call it God, Hindus call it Brahman and Buddhists have no name for it, because everything is integrated, nothing exists outside of this – really nothing, not even the word ‘nothing’. Subject/object together in a oneness of contemplation, in conscious experience and the path taken leads us into a realm so fragile and subtle you can never be absolutely sure you’re not just seeing it the way you want it to be, and not really how it actually is. Better not to call it anything, acknowledge its presence, awareness is all-inclusive, mindfulness, take care, and see how that goes.

The sensitivity of the mind, not held by the limitations of the body, always looking for more than what there is, searching beyond the present instance; using one thing as a springboard to get to the next, everything is driven on and on, and present time is not here at all. There’s the sense of a game, an energy, a curiosity – a desire to get involved with ‘it’. The object is the desired state. It belongs to ‘me,’ the act of possessing it requires that there has to be an ‘I’ to whom it belongs. Everything I have, everything I want, all of this is ‘mine.’ Even my enemy is mine. Thus indirectly creating an identity that is always somehow incomplete unfulfilled, searching for the truth in this and unable to see that it’s the searching that maintains the state of being lost. It’s the seeking that causes it to be formed, reformed and transformed: the world is seen, sounds are heard, food is tasted, words are spoken, things are done, but there is no do-er.

“Imagine if all things that are perishable grew still – for if we listen they are saying, “We did not make ourselves; he made us who abides forever” – imagine, then, that they should say this and fall silent, listening to the very voice of him who made them and not to that of his creation; so that we should hear not his word through the tongues of men, nor the voice of angels, nor the clouds’ thunder, nor any symbol, but the very Self which in these things we love, and go beyond ourselves to attain a flash of that eternal wisdom which abides above all things: And imagine if that moment were to go on and on, leaving behind all other sights and sounds but this one vision which ravishes and absorbs and fixes the beholder in joy; so that the rest of eternal life were like that moment of illumination which leaves us breathless: Would this not be what is bidden in the scripture, Enter thou into the joy of thy Lord?” [Saint Augustine]

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whispering winds

Posted on March 1, 2016 by tiramit

POSTCARD #192: VASANT VIHAR, NEW DELHI: An extraordinary battle with uncompromising traffic to get here on time for Head-ache’s appointment with the doctor at 5pm. Shrill penetrating, sharp horns blast, push, persist, insist on the direction we take, and suddenly we slice through the evening rush-hour, arriving at the place too early by half an hour. It’s like that sometimes; tumble into a parking slot by the park, uneven ground and the car tilts over and slightly back. Open all the doors to allow the fresh air and warm wind to blow through.

Things are suddenly rustled in the quietness here in the tilted back seat and I get loose papers weighted down or they will fly out the doors. It’s like we’ve always been here and any memory of the journey to get to this place has been somehow displaced by the wind passing through the interior of the car; a quick investigation here-and-there, then out among the trees, rustling the leaves in a great sigh of high frequency leaf-whisper sounds, masses of individual notes played in cluster upon cluster, swishing and swooshing foliage branches – a sound that seems to crash like waves on the shores of a sandy beach.

The first wind of its kind for many months comes at the end of the cold season. Its warmth enters everywhere, into every thing; blows out gusts, sucks in voids and spins everything around. Swooping down, so inquisitive, and filling up all the places and spaces, then out and up in the sky where only birds engage with it. A wind that’s present everywhere at the same time, a wind that enters into and out of all things as if it were something autonomous, an invisible entity. Where’d it go… have you seen the wind? How can that be possible, isn’t it formlessness? We know it’s here only by the sound of it, in the leaves and seeing the swaying of branches in a succession of movements, an expression of the air displacement itself; a manifestation of the wind – I can become the wind, the space where it goes.

Now this – now that, long tree branches drifting and swaying patterns of light and shade over my clothing, look up at the sun and get pleasantly blinded by it in a twinkle. This wind blows through the mind, my awareness of it rises as it rises; I become more alert when it’s very loud, feel at ease when it’s still and quiet. It becomes the thought flow, gently restless in the swooping shadows plunging deep into foliage pattern. The oneness of it all includes everything seen and unseen. Better not be late for our doctor’s-appointment, we spill out of the car, hair-whiplash on forehead, gather myself up with my companion Head-ache and together we stumble across the road to see the neurologist witch-doctor, amazed by this persistent wind. Sunlight and shadow-shapes of foliage sweeping over the roadway and path, all around…

But do not ask me where I am going,
As I travel in this limitless world,
Where every step I take is my home.
[Dogen]
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created fragrances

Posted on February 25, 2016 by tiramit

OLD NOTEBOOKS: Switzerland: Industrial Zone: Waiting for the bus home. There’s that slightly odd fragrant smell in the air again. Somebody told me about it; there’s a laboratory here that creates commercial smells: odorants, aromas. The air is always full of fragrances. It’s the smell of fruity jam today. Another day, it’ll be a different smell, a more subtle thing you can’t identify, a component of a popular smell – not unpleasant, just odd. The fragrance of fruity jam, which strikes the nose when I open a new jar, is a ‘replacement aroma’ created under laboratory conditions by chemists.

The manufactured smell is a chemical compound designed to trigger an olfactory experience. I’ll react in the same way even though the smell/aroma/fragrance is completely artificial. I fall into the ready-to-purchase mode – mind is saying, yes, yes, yes, get it, own it, have it… the familiarity of the smell is all that it takes. A perfect example of the Buddha’s Paticcasamuppada, the chain reaction of consciousness (dependent origination). The wonderful smell of bread from the bakery section in the supermarket. I’m drawn to it because of the aroma even though there’s no baker’s oven in a supermarket. I know it’s an illusion, but still respond to it as if it were real.

The artificial smell starts a sequence of mini events in the mind instantly when it makes contact (phassa) with the memory/ recognition/ acceptance, and there’s feeling (vedana). As soon that point is reached there’s the craving for it (tanha). I experience a state of wanting, a kind of greed, (upadana) and it’s very likely that I’ll go into the ‘bakery’ just to take a look, caught by the nose… it’s not real, it’s a chemical compound pumped into the air or sprayed somehow inside the bakery section.

Airline food served at 600 mph, and an altitude 38,000 feet; an exotic olfactory experience of roast potatoes, beef, onions, cheeses, French cognac, a hint of cigar smoke, ground coffee, crème caramel, port, liqueur. And we are served sad-looking pre-heated food… a bit disappointing. Do they really expect us to not see through this? But I think that’s part of it; somehow we’re satisfied with the illusion, a puff or a spray that releases the manufactured odorant in the air we inhale. There’s a knowing acceptance of it: “well isn’t it interesting how they can create artificial fragrances these days?” It’s okay to do this. Not only food, there’s the smell of leather upholstery in a new car, that distinctive odor created by chemical processes sneaks into our consciousness and we allow it to happen. All kinds of products, the smell of a new carpet triggers something in the brain, a physiological change and in the mind there’s recognition and the familiarity about it. An acknowledgment of the illusion being part of the whole panorama of illusion we create in our world of perception. The characteristics of the illusion lock into place and it becomes as real as anything or everything else. Does it really matter if it’s artificial… the whole world of perception is artificial.

The bus arrives at the stop and we all get on. It rumbles off down the road into town and the smell of fruity jam is still in the atmosphere, I can smell slight traces, then I get distracted and soon after that I’ve forgotten all about it.

‘Though my view is as spacious as the sky, my actions and respect for cause and effect are as fine as grains of flour.’ [Sogyal Rinpoche]

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Summarized from an earlier post titled Fragrant Illusion, written during my time as a teacher of English in banks and offices and small industries in a small town in Switzerland.
Source for header image. Please visit the original page for the interactive version of the image.

‘server not found’

Posted on February 22, 2016 by tiramit

OLD NOTEBOOKS: Here in our new place in South Delhi the internet speed is really low at the moment so I called the technician and he said it would be okay tomorrow for sure, but right now they were working on the line near to where I am. Okay, thanks, bye-bye and hang-up phone – that’s it… the devastation of no internet. How can I just say to myself, well you can read a book or something? We are internet-dependent beings, without internet we become kinda unstable… and I remember writing about this feeling before. So I spend some time looking for it in my drafts folder. There was a storm at the time too and I find it in the Search box, using ‘storm’ as a title, et: voilà! It felt like all the unearthed electricity in the air, had given my internet server a boost just at the crucial moment and ‘server not found’ was actually found:

Switzerland: Just before the storm started I was having this internet upload speed problem; trying to get a post into Publish but not enough oomph for it to go. I try again; waiting for it to slowly come up with the WordPress site to click on the upload button, but stuck again. I start to take it personally, caught in thinking this is ‘bad.’ And, pretty soon, it gets blown out of proportion, turns into a small crisis, like a fire burning down the house. The intensity of feeling is incredible. This is what a very low internet speed can do. Am I in withdrawal? Focus for a moment, just there at the desk, feet flat on floor, watch the breath, stop the mind, and suddenly I’m in an empty space, surprised to discover it was that quick! And without the wandering thoughts, there is just silence! Just the physical awareness of the body, comfortably seated with this inactive thought process like its engine has given up and it’s immobile. I could hear the storm really loud around this time; lightning and thunderous bangs and crashes across the sky – a perception of vast distance.

It’s like someone in the floor above has gone berserk, pushing over huge pressed steel cabinets and metal desks, metal oil drums, BOOOOM, BADAAANG, and a small silence in between, then the echo of it returning from a long way away in the immense space of night sky. Still sitting at the desk in the violence of the heavens and the room is brightly illuminated by a flash of lightning very close, followed immediately by another overwhelming CRASH. The lights go out, and for a moment I’m thinking the sound is the bricks and masonry of the building tumbling down.

I fall to the floor in a crouched position to protect the head and then up from there quickly out to the front room, and exit by jumping over the balcony from our place on the seventh floor? No, can’t do that, look around, no damage I can see. The flap of wings as birds roosting on the balcony rail are stirring a bit, but they’re not really getting in a tizzy about this. If the buildings were to fall to the ground, no problem, they’ve got wings and can just fly away.

Back into the room, waken up the computer and I get a connection right away, loading completed immediately. And that’s the story of how I got this post written in a room full of flashing lights like a Press event taking place and uploaded no problem – harvesting ambient electricity? The sounds of war and bombing raids; the noise of it was colossal, somebody said later it’s because of the Jura mountains reflecting the sound and the lake resonating like a huge sheet of metal; an area of about 500 square kilometers.

‘The first noble truth says simply that it’s part of being human to feel discomfort. We don’t even have to call it suffering anymore; we don’t even have to call it discomfort. It’s simply coming to know the fieriness of fire, the wildness of wind, the turbulence of water, the upheaval of earth, as well as the warmth of fire, the coolness and smoothness of water, the gentleness of the breezes, and the goodness, solidness, and dependability of the earth. Nothing in its essence is one way or the other.’ [Pema Chodron]

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options

Posted on February 16, 2016 by tiramit

POSTCARD #190: DELHI: The first time I saw the multiplug socket system in India, I assumed all of these pins were on one large Indian plug – what must that look like, wow! But then I was told, no, it’s not like that. The socket board tries to provide for all three Indian plug systems, and a two-pin round small size it shares with most Asian countries. It can also accommodate many international options on the same socket board – except this one in the photo doesn’t seem to allow for the Australian angled pin plug nor the big British uncompromisingly square pin plug. For these you’d need to plug in an adaptor and then plug your device or whatever into that.

We usually discover this puzzle when the time comes to charge our phone or iPad (usually the first thing that foreign visitors ask for). I notice Western visitors will look at the shapes and try to find the matching plugs they have, like the square-pin-round-hole-yes-no, basic IQ test… well, like that’s obvious, duh! Whereas Eastern people; South East Asians, Chinese, Korean and Japanese will just try their iPhone plug into any socket to see if it fits or not – force it, even, and maybe get lucky.

You could say this is an example of the gender attributes applied to the oriental/occidental psychology; the feminine Eastern way of doing things, and the masculine Western way of doing things which doesn’t always fit with the Asian way because the Asian (feminine) way of thinking is unwilling to accept the assertive typically male form (enough said…). But other times it appears to work okay, no problem. Even though, I’ve found that more often than not, the macho pushy kind of behaviour is received with a complex response in the East and doesn’t get you very far.

It’s also interesting that, in both the East and the West, technicians apply gender to identify plugs and sockets (also applied to plumbing fittings); the plug is ‘male.’ You can recognize the plug immediately because it has the sticking-out bit called the pin. And the socket is ‘female’, the one with the hole, that the pin (masculine) goes into. Okay so far? Technicians in the East have developed an electrical socket form that is more feminine orientated in that it that will accept a fairly wide range of foreign pins.

The idea is that, in the Eastern way of thinking, it’s the socket that needs to be developed first, in a way, it’s the source, and it can be extended or developed in all kinds of ways. So you will end up with a multi-choice electric socket, available in most homes and all hotels in India, which doesn’t insist on the way things ought to be – the same thing as, but an inversion of, the Western one-size-fits-all idea.

There are options folks! You can borrow your Chinese friend’s adaptor to fit with your charger that has an Australian plug and push that into an Indian socket board – or multiple variations depending on how many different nationalities are checked in to the same guest house. As long as you remember to give your borrowed adaptor back to its original owner. Yep, the options are endless, you can go any way you want.

“The entire universe is truly the Self. There exists nothing at all other than the Self. The enlightened person sees everything in the world as his own Self, just as one views earthenware jars and pots as nothing but clay”. [Shankara]

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neutrality

Posted on February 12, 2016 by tiramit

POSTCARD #189: DELHI Hospital OPD: First time here, looking for room number twenty-four in a sea of people. There it is – and a seat near the door is vacating itself as I approach, a hair’s breadth thing, musical chairs. Reverse into place; beeb-beeb-beeb, lower body in sitting posture: ‘This seat has been taken folks, thank you’. Possession, identity, this is ‘me’, head upright, but easy behaviour, no fast moves, no eyes looking out… an averted watching through peripheral vision. I’ll not interrupt your eye-beams folks, go right ahead… and I’m looked at with a few fast head-to-toe glances, visual-sweeps I can feel coming from different parts of the room. The only white guy here, probably the whole building; pale, bleached-out, transparent, old, colourless. White hair, white beard, white shirt; a totality of whiteness, OMG! how white can you get?

Yep, it hurts the eyes, sorry about that but you’ll not notice me after a while, merge with background patterns, disappear before your very eyes; it’ll seem like I’ve always been here, neutrality, nothing remarkable, neither too much, nor too little. Trying to blend chamelion-like with skin tones of chestnut brown, volcanic ochre, oatmeal-compexioned, golden people. Gold-bangled, gold-ear-ringed, nose-ringed women – toe-ringed too, open sandals swish-swoosh footwear, soft-shoe shuffle: swish swoosh through the standing crowds, magical beings in vivid costumes of all kinds.

I can close my eyes now and drop back into the inner world, a kind of circus-clown backwards tumble into the darkness of that inner space. Neutrality; I can find it straight away sometimes, just the action of letting the mind go; a sense of opening in receptivity to nothing in particular – the space between things. The neutral feeling that’s neither one thing nor the other, not really noticeable – of course, you could be looking straight at neutrality and not see it. It’s that space, the gap that comes before any action takes place. Finding my centre in that space.

There’s a childhood memory of a face looking down at me, mouth articulating words I can understand but somehow said too slowly and I’m already wondering if I missed something: “Now, are you listenin to me? Just think about what you’re doing before you do it okay?” and for an instant I’d get stuck with that… maybe I could see what was needed to make it work – I think. Or maybe it’s taken me all this time, right up to the present moment, writing this post; it’s taken me decades to understand that it’s neither this nor that, neither coming or going. Touch base with neutrality.

Somebody calls my name; it’s my turn I’m led into a small room and a small doctor aged 60 maybe with tightly groomed bristly grey beard that grows all round his mouth right up to the edge of a dark purple lip line, original front teeth one larger than the other. Other than that, hardly any eyes, no ears seen, baldness with a few brave hairs blowing in the breeze from the ceiling fan. So his central feature is this island of mouth in a field of grey beard, but a nice man, kind, smiles a lot. I tell him about these headaches all the time, show him the diagnoses by other docs: PHN and a really yuk photo in my phone-camera of the Herpes Zoster in full bloom. He spins around the cranium (a mouth in a head) something insectoid? Says, as he is writing, Tegrital 200mg, Tryptomer 25mg, (Carbamazepine), and it’s scribbled in unreadable writing, same as all doctors do, gives it to me and I’m gone.

So that’s it, back into neutrality, wondering if these new meds are going to end up in another crash course in how to avoid dependency… or not.

“There is that dimension where there is neither earth, nor water, nor fire, nor wind; neither dimension of the infinitude of space, nor dimension of the infinitude of consciousness, nor dimension of nothingness, nor dimension of neither perception nor non-perception; neither this world, nor the next world, nor sun, nor moon. And there, I say, there is neither coming, nor going, nor stasis; neither passing away nor arising: without stance, without foundation, without support. This, just this, is the end of stress.” [Udana, third book of the Khuddaka Nikaya 8.1]